John Stevens |
The English Religions Lyric in the Middle Ages, by Rosemary Woolf |
|
40/1, p. 72 |
Reinard W. Zandvoort |
The History of Reynard the Fox, (Early English Text Society no. 263), by William Caxton, N. F. Blake |
|
40/1, p. 83 |
J.A.W. Bennett |
Garlandia: Studies in the History of the Mediaeval University, by Astrik L. Gabriel |
|
40/1, p. 90 |
Éamonn Ó Carragáin |
Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw |
|
61/1, p. 116 |
James Simpson |
Imitating God: the Allegory of Faith in 'Piers Plowman' B, by Pamela Raabe |
|
61/1, p. 121 |
SUSAN E. DESKIS |
Paul Cavill, Maxims in Old English Poetry |
|
70/1, p. 134 |
Anne Hudson |
Edwin D. Craun, Ethics and Power in Medieval English Reformist Writing |
|
80/2, p. 142 |
John C. Barnes |
John Woodhouse (ed.), Dante and Governance |
|
68/1, p. 149 |
CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
|
64/1, p. 151 |
ITA MACCARTHY |
Manuele Gragnolati, Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture, The William and Katherine Devers Series in Dante Studies |
|
76/1, p. 157 |
BRIGITTE FLUG |
Arnold Schromm, Die Bibliothek des ehemaligen Zisterzienserinnenklosters Kirchheim am Ries: Buchpflege und geistiges Leben in einem schwäbischen Frauenstift, Studia Augustana 9 |
|
70/1, p. 162 |
H.L. SPENCER |
Berenice M. Kerr, Religious Life for Women c. 1100—c.1350: Fontevraud in England, Oxford Historical Monographs |
|
70/1, p. 165 |
Ruth Pryor |
John Lydgate. (Medieval Authors series), by Derek Pearsall, J. Norton-Smith, Roger Fowler |
|
40/2, p. 206 |
J.J.G. Alexander |
La décoration des manuscrits à Saint-Martial de Limoges et en Limousin du IXe au XIIe siècle. (Mémoires et documents publiés par la société de l'école des chartes 17), by D. Gaborit-Chopin |
|
40/2, p. 210 |
L. Pertile |
'L'etterno piacer': Aesthetic Ideas in Dante, by J. F. Took |
|
55/2, p. 327 |
Luke Sunderland |
Bénédicte Milland-Bove, La Demoiselle arthurienne: Écriture du personnage et art du récit dans les romans en prose du XIIIe siècle, Nouvelle Bibliothèque du Moyen Âge 79 |
|
76/2, p. 337 |
Norman Klassen |
Perception and Passion in Dante's 'Comedy', by Patrick Boyde |
|
64/2, p. 338 |
K.P. Clarke |
Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
|
85/2, p. 347 |