Margaret Fitzgerald Richey |
The Parzival of Wolfram von Eschenbach, by Edwin H. Zeydel, Bayard Quincy Morgan |
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21/, p. 62 |
Edward M. Wilson |
Juan Ruiz: The Book of Good Love, by Rigo Mignani, Mario A. Di Cesare |
|
40/1, p. 80 |
Rory McTurk |
Um Fóstbræðrasögu. (Stofnun Árna Magnússonar á Íslandi I), by Jónas Kristjánsson |
|
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E.A. JONES |
Shoichi Oguro, Richard Beadle, and Michael G. Sargent, Nicholas Love at Waseda |
|
68/1, p. 134 |
Amanda Holton |
William T. Rossiter, Chaucer and Petrarch |
|
80/2, p. 136 |
Norman Klassen |
Amanda Holton, The Sources of Chaucer’s Poetics |
|
80/2, p. 139 |
L. Pertile |
Tragedy and Comedy from Dante to Pseudo-Dante, University of California Publications on Modern Philology, 121, by Henry Ansgar Kelly |
|
60/1, p. 139 |
DAVID WALLACE |
Derek Pearsall (ed.), Chaucer to Spenser: An Anthology of Writings in English, 1375-1575 |
|
69/1, p. 140 |
ELISABETH SCHULZE-BUSACKER |
Nadine Henrard, Le Théâtre religieux médiéval en langue d'oc, Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule 273 |
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73/1, p. 142 |
PETER T. RICKETTS |
Ronnie Apter and Mark Herman (trans.), A Bilingual Edition of the Love Songs of Bernart de Ventadorn in Occitan and English: Sugar and Salt, Studies in Medieval Literature 17 |
|
70/1, p. 143 |
FRANÇOISE LE SAUX |
Philip E. Bennett, ‘La Chanson de Guillaume’ and ‘La Prise d’Orange, Critical Guides to French Texts 12.1 |
|
72/1, p. 151 |
Nigel Palmer |
Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 |
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68/1, p. 152 |
JULIET PERKINS |
Stephen Reckert, From the Resende Songbook |
|
70/1, p. 157 |
Brian Murdoch |
Deutsche Literatur und Sprache von 1050—1200: Festschrift für Ursula Hennig, by Annegret Fiebig, Hans-Jochen Schiewer |
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65/1, p. 158 |
ADRIAN ARMSTRONG |
Frédéric Duval (ed.), Octovien de Saint-Gelais: Le Séjour d'Honneur, Textes littéraires français 545 |
|
73/1, p. 168 |
PETER DAMIAN-GRINT |
Kenneth Baxter Wolf, Making History: The Normans and their Historians in Eleventh-Century Italy |
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66/1, p. 171 |
G. Aquilecchia |
Dante's Style in His Lyric Poetry, by Patrick Boyde |
|
42/2, p. 176 |
Roy Harris |
The Portrait in Twelfth-Century French Literature. An example of the stylistic originality of Chrétien de Troyes, by Alice M. Colby |
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36/2, p. 183 |
Peter Rickard |
A Syntactical Study of Epic Formulas and Formulaic Expressions Containing the -ant Forms in Twelfth Century French Verse, by C. W. Aspland |
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40/2, p. 190 |
CEDRIC E. PICKFORD |
L'Articulation des phrases narratives dans la Mort Artu. (Travaux de la Faculté des Lettres, fasc. 32), by J. Rychner |
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40/2, p. 192 |
Janet M. Ferrier |
Fifteenth-Century English Translations of Alain Chartier's ‘Le Traité de l'Espérance’ and ‘Le Quadrilogue Invectif’ (Early English Text Society, Original Series, 270), by Margaret S. Blayney |
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Rachel Bromwich |
Branwen Daughter of Llŷr: A Study of the Irish Affinities and of the Composition of the Second Branch of the Mabinogi, by Proinsias Mac Cana |
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28/3, p. 203 |
J.J.G. Alexander |
La décoration des manuscrits à Saint-Martial de Limoges et en Limousin du IXe au XIIe siècle. (Mémoires et documents publiés par la société de l'école des chartes 17), by D. Gaborit-Chopin |
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40/2, p. 210 |
A.D. Crow |
Raoul de Houdenc, ein französischer Erzähler des XIII. Jahrhunderts. (Studiorum Romanicorum Collectio Turicensis Vol. XII), by Verena Kundert-Forrer |
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31/3, p. 213 |
W. Rothwell |
Etude sur les Formes métriques du Mystère du Vieil Testament. (Mededelingen der koninklijke nederlandse Akademie van Wetenschappen, afd. Letterkunde. Nieuwe Reeks—Deel 25—No. 2), by W. Noomen |
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32/3, p. 244 |
John C. Barnes |
The World of Dante: Essays on Dante and his Times, by Cecil Grayson |
|
51/2, p. 266 |
Richard Dance |
Jane Roberts and Christian Kay, with Lynne Grundy, A Thesaurus of Old English, King's College London Medieval Studies 11 |
|
66/2, p. 312 |
JAN ČERMÁK |
Susan E. Deskis, 'Beowulf' and the Medieval Proverb Tradition, Medieval & Renaissance Texts and Studies 155 |
|
67/2, p. 324 |
ROGER PENSOM |
L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann |
|
64/2, p. 325 |
GARY P. CESTARO |
Word and Drama in Dante: Essays on the Divina Commedia, by John C. Barnes, Jennifer Petrie |
|
64/2, p. 337 |
JENNIFER PETRIE |
The Structure of Petrarch's 'Canzoniere': A Chronological, Psychological and Stylistic Analysis, by Frederic J. Jones |
|
65/2, p. 339 |
ROGER PENSOM |
Susan E. Bécam, Rhyme in Gace Brulé's Lyric: Formal and Semantic Interplay |
|
68/2, p. 340 |
David G. Pattison |
Alan Deyermond (ed.), Historical Literature in Medieval Iberia, Papers of the Medieval Hispanic Research Seminar 2 |
|
67/2, p. 346 |
Sebastian Coxon |
Klaus Grubmüller (ed.), Novellistik des Mittelalters: Märendichtung. Bibliothek des Mittelalters 23/Bibliothek deutscher Klassiker 138 |
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68/2, p. 355 |