| ROGER PENSOM |
Charles Ridoux, Évolution des études médiévales en France de 1860 à 1914 |
|
72/1, p. 116 |
| ROGER PENSOM |
Evelyn Birge Vitz, Nancy Freeman Regalado, and Marilyn Lawrence (eds), Performing Medieval Narrative |
|
75/1, p. 130 |
| ROGER PENSOM |
The Broken Pot Restored: 'Le Jeu de la Feuillée' of Adam de la Halle, by Gordon Douglas McGregor, Karl D. Uitti, Joseph Miller |
|
62/1, p. 145 |
| ROGER PENSOM |
Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 |
|
69/1, p. 152 |
| ROGER PENSOM |
L'Art métrique de la chanson de geste: Essai sur la musicalité du récit, by Edward A. Heinemann |
|
64/2, p. 325 |
| ROGER PENSOM |
The Song of Roland: a Generative Study of the Formulaic Language in the Single Combat, Faux Titre, 20, by Genette Ashby-Beach |
|
56/2, p. 329 |
| ROGER PENSOM |
Brigitte Cazelles, Soundscape in Early French Literature |
|
76/2, p. 332 |
| ROGER PENSOM |
Susan E. Bécam, Rhyme in Gace Brulé's Lyric: Formal and Semantic Interplay |
|
68/2, p. 340 |
| ROGER PENSOM |
Finn E. Sinclair, Milk and Blood: Gender and Genealogy in the ‘Chanson de Geste’ |
|
73/2, p. 348 |
| ROGER PENSOM |
Emmanuele Baumgartner (comm.), Poésies de François Villon. Foliothèque 72 |
|
68/2, p. 352 |