| AMANDA HOPKINS |
Masaji Tajiri, Studies in the Middle English Didactic Tail-Rhyme Romances |
|
72/1, p. 133 |
| PHILIP E. BENNETT |
The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200-1400, by Maureen Boulton |
|
64/1, p. 134 |
| L. Pertile |
Tragedy and Comedy from Dante to Pseudo-Dante, University of California Publications on Modern Philology, 121, by Henry Ansgar Kelly |
|
60/1, p. 139 |
| DOUGLAS KELLY |
Joanne Rittey, Amplification as Gloss in Two Twelfth-Century Texts: Robert de Boron's ‘Joseph d'Arimathie’ and Renaut de Beaujeu's ‘Li Biaus Descouneüs’, Studies in the Humanities: Literature-Politics-Society 59 |
|
73/1, p. 145 |
| PHILIP E. BENNETT |
Monique Léonard, Le Dit et sa technique littéraire des origines à 1340, Nouvelle Bibliothèque du Moyen Âge 38 |
|
67/1, p. 145 |
| Richard Axton |
The Medieval Religious Stage, by A. M. Nagler |
|
49/1, p. 158 |
| Roger Ellis |
Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales', by C. David Benson |
|
57/2, p. 310 |
| D.W. Russell |
Françoise Laurent, Plaire et édifier: les récits hagiographiques composés en Angleterre aux XIIe et XIIIe siècles, Nouvelle Bibliothèque du moyen âge 45 |
|
69/2, p. 314 |
| Derek Pearsall |
Troilus and Criseyde, Oxford Guides to Chaucer, by Barry Windeatt |
|
62/2, p. 324 |
| Angus J. Kennedy |
Barbara K. Altmann, The Love Debate Poems of Chrìstine de Pizan: Le Livre du débat de deux amans, Le Livre des trois jugemens, Le Livre du dit de Poissy |
|
68/2, p. 350 |
| ROGER PENSOM |
Emmanuele Baumgartner (comm.), Poésies de François Villon. Foliothèque 72 |
|
68/2, p. 352 |