| Peter Dronke |
Der Wald: Zur Darstellung und Deutung der Natur im Mittelalter. (Studiorum Romanicorum Collectio Turicensis, Vol. X), by Marianne Stauffer |
|
30/1, p. 55 |
| M.F.M.M. |
Dante Vivo, by Giovanni Papini, Eleanor Hammond Broadus, Anne Benedetti |
|
5/1, p. 76 |
| James Simpson |
Chaucer and Dante: a Revaluation, by Howard H. Schless |
|
56/1, p. 120 |
| L. Pertile |
Tragedy and Comedy from Dante to Pseudo-Dante, University of California Publications on Modern Philology, 121, by Henry Ansgar Kelly |
|
60/1, p. 139 |
| MARTIN McLAUGHLIN |
Florence, Rome and the Origins of the Renaissance, by George Holmes |
|
57/1, p. 142 |
| J.H. Whitfield |
Dante and Medieval Latin Traditions, by Peter Dronke |
|
57/1, p. 145 |
| PETER HAINSWORTH |
Claire E. Honess (ed.), Dante: Current Trends in Dante Studies, Special Issue, Reading Medieval Studies, 27 (2002) |
|
74/1, p. 148 |
| ZYGMUNT G. BARAŃSKI |
Dante's Christian Astrology, by Richard Kay |
|
65/1, p. 149 |
| G.H. McWilliam |
Writing in Dante's Cult of Truth: from Borges to Boccaccio, by María Rosa Menocal |
|
62/1, p. 150 |
| L. Pertile |
Dante's Vision and the Circle of Knowledge, by Giuseppe Mazzotta |
|
64/1, p. 152 |
| L. Pertile |
Dante and the Mystical Tradition: Bernard of Clairvaux in the 'Commedia', Cambridge Studies in Medieval Literature 42, by Steven Botterill |
|
65/1, p. 153 |
| STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
|
66/1, p. 154 |
| JOHN TOOK |
Zygmunt Barański, Chiosar con altro testo: leggere Dante nel Trecento |
|
72/1, p. 160 |
| Francesca Galligan |
John A. Scott, Understanding Dante, The William and Katherine Devers Series in Dante Studies 6 |
|
75/1, p. 161 |
| R. KIRKPATRICK |
Dante Philomythes and Philosopher: Man in the Cosmos, by Patrick Boyde |
|
52/1, p. 173 |
| L. Pertile |
Dante's 'Inferno': Difficulty and Dead Poetry, by Robin Kirkpatrick |
|
58/1, p. 177 |
| PETER ARMOUR |
The Transfiguration of History at the Center of Dante's 'Paradise', by Jeffrey T. Schnapp |
|
58/1, p. 179 |
| John C. Barnes |
The World of Dante: Essays on Dante and his Times, by Cecil Grayson |
|
51/2, p. 266 |
| James Simpson |
Chaucer and the Italian Trecento, by Piero Boitani |
|
54/2, p. 306 |
| VINCENT MOLETA |
Dante's 'Paradiso' and the Limitations of Modern Criticism, by Robin Kirkpatrick |
|
49/2, p. 312 |
| CECIL GRAYSON |
Dante's Italy, and Other Essays, by Charles T. Davis |
|
55/2, p. 324 |
| ANGELA MEEKINS |
Il 'diletto legno': aridità e fioritura mistica nella 'Commedia', by Stefano Prandi |
|
65/2, p. 338 |
| A.V.C. Schmidt |
Piers Plowman and Christian Allegory, by David Aers |
|
|
| L. Pertile |
The Door of Purgatory: a Study of Multiple Symbolism in Dante's Purgatorio, by Peter Armour |
|
54/2, p. 343 |
| PETER ARMOUR |
The Undivine Comedy: Detheologizing Dante, by Teodolinda Barolini |
|
63/2, p. 347 |
| John C. Barnes |
Dante's Journey of Sanctification, by Antonio C. Mastrobuono |
|
61/2, p. 348 |
| JOHN TOOK |
Mario Scotti, Il Dante di Ozanam e altri saggi, Saggi di 'Lettere Italiane' 57 |
|
72/2, p. 350 |
| J.R. WOODHOUSE |
Peter Brand and Lino Pertile (eds), The Cambridge History of Italian Literature |
|
66/2, p. 350 |
| PETER ARMOUR |
Theodore J. Cachey Jr, Dante Now: Current Trends in Dante Studies, The William and Katherine Devers Series in Dante Studies 1 |
|
66/2, p. 352 |
| JOHN TOOK |
Zygmunt G. Barański, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri |
|
71/2, p. 358 |