| Kenelm Foster |
Centenary Essays on Dante, by Members of the Oxford Dante Society |
|
36/1, p. 85 |
| James Simpson |
Chaucer and Dante: a Revaluation, by Howard H. Schless |
|
56/1, p. 120 |
| Colin Hardie |
Dante and the Idea of Rome, by C. T. Davis |
|
30/2, p. 121 |
| Colin Hardie |
A Concordance to the Divine Comedy of Dante Alighieri, by Ernest Hatch Wilkins, Thomas Goddard Bergin, Anthony J. De Vito |
|
35/2, p. 146 |
| Paul L. Priest |
Cultural Thematics: the Formation of the Faustian Ethos, by T. K. Seung |
|
47/1, p. 146 |
| STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
|
66/1, p. 154 |
| Colin Hardie |
Structure and Thought in the Paradiso, by Joseph Antony Mazzeo |
|
29/3, p. 200 |
| A.C. Cawley |
Chaucer and the Tradition of Fame: Symbolism in The House of Fame, by B. G. Koonce |
|
37/2, p. 205 |
| Ian Bishop |
The Pearl: An Interpretation, by P. M. Kean |
|
37/2, p. 207 |
| John C. Barnes |
The World of Dante: Essays on Dante and his Times, by Cecil Grayson |
|
51/2, p. 266 |
| VINCENT MOLETA |
Dante's 'Paradiso' and the Limitations of Modern Criticism, by Robin Kirkpatrick |
|
49/2, p. 312 |
| Jeffrey Hamburger |
James France, Medieval Images of Saint Bernard of Clairvaux |
|
77/2, p. 324 |
| JOHN CALDWELL |
Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens |
|
57/2, p. 333 |
| JOHN TOOK |
Zygmunt G. Barański, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri |
|
71/2, p. 358 |