G.D.G. Hall |
Imprisonment in Medieval England, by Ralph B. Pugh |
|
39/1, p. 73 |
C. Foligno |
The DXV Problem and the Veltro : An Essay in Dante Interpretation, by J. H. Sacret |
|
8/1, p. 79 |
Kenelm Foster |
An analysis of Pietro Alighieri's commentary on The Divine Comedy, by John Paul Bowden |
|
21/, p. 90 |
Sheila Ralphs |
Events and Their Afterlife: The Dialectics of Christian Typology in the Bible and Dante, by A. C. Charity |
|
37/1, p. 93 |
Nigel Palmer |
Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |
|
84/1, p. 136 |
RICHARD GAMESON |
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
|
84/1, p. 137 |
Jeffrey Hamburger |
Ulrike Jenni and Maria Theisen, Mitteleuropäische Schulen IV (ca. 1380–1400). Hofwerkstätten König Wenzels IV. und deren Umkreis |
|
84/1, p. 139 |
Christoph Burger |
Ben Morgan, On Becoming God: Late Medieval Mysticism and the Modern Western Self (Christoph Burger) |
|
84/1, p. 140 |
Jeffrey Hamburger |
Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558) |
|
84/1, p. 142 |
William Burgwinkle |
Louis-Georges Tin, The Invention of Heterosexual Culture (Bill Burgwinkle) |
|
84/1, p. 144 |
George Holmes |
Dante: The Divine Comedy, Landmarks of World Literature, by Robin Kirkpatrick |
|
57/1, p. 144 |
Bronach Kane |
Elizabeth L’Estrange, Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages |
|
81/2, p. 145 |
Brian Murdoch |
Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance |
|
81/2, p. 146 |
Daniel Anlezark |
Britt Mize, Traditional Subjectivities: The Old English Poetics of Mentality |
|
84/1, p. 146 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
|
84/1, p. 147 |
JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
|
81/2, p. 148 |
Megan Cavell |
Asa Simon Mittman and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (Megan Cavell) |
|
84/1, p. 148 |
Francesca Galligan |
Stephen D. Kolsky, The Genealogy of Women: Studies in Boccaccio's 'De mulieribus claris', Studies in the Humanities: Literature -Politics — Society 62 |
|
74/1, p. 150 |
MICHAEL JOHNSTON |
Katharine Breen, Imagining an English Reading Public, 1150–1400 |
|
81/2, p. 150 |
Derek Pearsall |
A. C. Spearing, Medieval Autographies: The ‘I’ of the Text (Derek Pearsall) |
|
84/1, p. 150 |
William Burgwinkle |
Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |
|
81/2, p. 152 |
SARAH WOOD |
Ian Johnson, The Middle English Life of Christ: Academic Discourse, Translation, and Vernacular Theology (Sarah Wood) |
|
84/1, p. 152 |
Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
|
81/2, p. 154 |
Simon Gilson |
Susanna Barsella, In the Light of Angels: Angelology and Cosmology in Dante’s Divina Commedia |
|
82/2, p. 154 |
Kathryn Kerby-Fulton |
Linne R. Mooney and Estelle Stubbs, Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375–1425 (Kathryn Kerby-Fulton) |
|
84/1, p. 154 |
Sylvia Huot |
Alain Corbellari, Guillaume d’Orange, ou la naissance du héros médiéval |
|
81/2, p. 156 |
Tim Atkin |
Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |
|
84/1, p. 157 |
ADRIAN ARMSTRONG |
Denis Hüe, Rémanences: Mémoire de la forme dans la littérature médiévale |
|
81/2, p. 158 |
BARBARA K. ALTMANN |
Gilbert Ouy, Christine Reno, and Inès Villela-Petit, avec Olivier Delsaux & Tania Van Hemelryck (éditeurs et collaborateurs), et avec les conseils de James Laidlaw & Marie-Thérèse Gousset, Album Christine de Pizan (Barbara K. Altmann) |
|
84/1, p. 158 |
Jessica Stoll |
Penny Eley, Partonopeus de Blois: Romance in the Making |
|
81/2, p. 159 |
Sylvia Huot |
Christine Ferlampin-Acher, ‘Perceforest’ et Zéphir: Propositions autour d’un récit arthurien bourguignon |
|
81/2, p. 160 |
Ambrogio Camozzi Pistoja |
Piero Boitani, Dante e il suo futuro (Ambrogio Camozzi Pistoja) |
|
84/1, p. 160 |
Stefano Milonia |
Martin Eisner, Dante’s New Life of the Book. A Philology of World Literature |
|
91/1, p. 161 |
Sylvia Huot |
Nadia Margolis, An Introduction to Christine de Pizan |
|
81/2, p. 163 |
Michael Harney |
Irene Zaderenko, El monasterio de Cardeña y el inicio de la épica cidiana (Michael Harney) |
|
84/1, p. 163 |
Beatrice Priest |
Julie Singer, Blindness and Therapy in Late Medieval French and Italian Poetry |
|
81/2, p. 164 |
Shami Ghosh |
Susanne Knaeble, Höfisches Erzählen von Gott: Funktion und narrative Entfaltung des Religiösen in Wolframs ‘Parzival’ |
|
81/2, p. 165 |
ALASTAIR MATTHEWS |
Claudia Bornholdt, Saintly Spouses: Chaste Marriage in Sacred and Secular Narrative from Medieval Germany (12th and 13th Centuries) (Alastair Matthews) |
|
84/1, p. 165 |
Stephen Mossman |
Oliver Plessow, in cooperation with Volker Honemann and Mareike Temmen, Mittelalterliche Schachzabelbücher zwischen Spielsymbolik und Wertevermittlung. Der Schachtraktat des Jacobus de Cessolis im Kontext seiner spätmittelalterlichen Rezeption |
|
81/2, p. 167 |
Sarah Bowden |
Björn Michael Harms, Narrative ‘Motivation von unten’. Zur Versionenkonstitution von Virginal’ und ‘Laurin’ (Sarah Bowden) |
|
84/1, p. 167 |
CORY J. RUSHTON |
Edward Wheatley, Stumbling Blocks before the Blind: Medieval Constructions of a Disability |
|
81/2, p. 168 |
John-Paul Holmes |
Dietmar Mieth, Meister Eckhart: Einheit mit Gott. Die bedeutendsten Schriften zur Mystik (John-Paul Holmes) |
|
84/1, p. 168 |
PETER ARMOUR |
Dante and the Book of the Cosmos, by John G. Demaray |
|
58/1, p. 179 |
Spencer Pearce |
Heather Webb, Dante’s Persons: An Ethics of the Transhuman |
|
87/1, p. 185 |
A.C. Cawley |
Chaucer and the Tradition of Fame: Symbolism in The House of Fame, by B. G. Koonce |
|
37/2, p. 205 |
L.A. Willoughby |
The Year's Work in Modern Language Studies. Vols. VIII and IX, by L. W. Tancock, A. Gillies |
|
8/3, p. 241 |
Blake Gutt |
Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |
|
84/2, p. 327 |
Brian J. Reilly |
Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |
|
84/2, p. 328 |
Angus J. Kennedy |
Le Roman de Troyle, by Gabriel Bianciotto |
|
65/2, p. 329 |
J.A. TASIOULAS |
J. Allan Mitchell, Becoming Human: The Matter of the Medieval Child (Jacqueline Tasioulas) |
|
84/2, p. 330 |
Anne Mouron |
Mathew Kuefler, The Making and Unmaking of a Saint: Hagiography and Memory in theCult of Gerald of Aurillac (Anne Mouron) |
|
84/2, p. 331 |
Aisling Byrne |
Kim M. Phillips, Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510 (Aisling Byrne) |
|
84/2, p. 333 |
P.J. Frankis |
Geoffrey Chaucer: eine Einführung in seine erzählenden Dichtungen, (Grundlagen der Anglistik und Amerikanistik 7), by Dieter Mehl |
|
46/2, p. 335 |
Thorlac Turville-Petre |
Alex Mueller, Translating Troy: Provincial Politics in Alliterative Romance (Thorlac Turville-Petre) |
|
84/2, p. 336 |
Marleen Cré |
Wolfgang Riehle, The Secret Within: Hermits, Recluses, and Spiritual Outsiders in Medieval England (Marleen Cré) |
|
84/2, p. 337 |
Mark Campbell Chambers |
Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) |
|
84/2, p. 338 |
SEBASTIAN JAMES LANGDELL |
Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |
|
84/2, p. 340 |
Liz Herbert McAvoy |
Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |
|
84/2, p. 342 |
Norman Klassen |
John M. Fyler, Language and the Declining World in Chaucer, Dante, and Jean de Meun, Cambridge Studies in Medieval Literature 63 |
|
77/2, p. 342 |
|
William Calin, The Lily and the Thistle: The French Tradition and the Older Literature of Scotland – Essays in Criticism (Nicola Royan) |
|
84/2, p. 344 |
JOHN C. HIRSH |
Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia |
|
84/2, p. 345 |
William Burgwinkle |
Sarah Kay, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Bill Burgwinkle) |
|
84/2, p. 346 |
Sylvia Huot |
Megan Moore, Exchanges in Exoticism: Cross-Cultural Marriage and the Making of the Mediterranean in Old French Romance (S.H) |
|
84/2, p. 347 |
Sylvia Huot |
Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
|
84/2, p. 348 |
Marco Nievergelt |
J. M. Moreau, Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry (Marco Nievergelt) |
|
84/2, p. 350 |
Christoph Pretzer |
Alastair Matthews, The Kaiserchronik: A Medieval Narrative (Christoph Pretzer) |
|
84/2, p. 352 |
Stefano Milonia |
George Corbett, Dante’s Christian Ethics: Purgatory and its Moral Context |
|
90/2, p. 363 |
Dario Tessicini |
Dante in Context, ed. Zygmunt G. Barański and Lino Pertile |
|
86/2, p. 387 |
Stefano Milonia |
Jennifer Rushworth, Discourses of Mourning in Dante, Petrarch and Proust |
|
87/2, p. 402 |