| SARAH WOOD |
A prose redaction of The Prick of Conscience part VI in Bodleian Library, MS Laud Misc. 23 |
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80/2, p. 1 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER" (continued) |
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28/1, p. 1 |
| F.H. Whitman |
SIGNIFICANT MOTIFS IN RIDDLE 53 |
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46/1, p. 1 |
| ROGER DAHOOD |
DESIGN IN PART I OF "ANCRENE RIWLE" |
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56/1, p. 1 |
| Helen Phillips |
CHAUCER AND DEGUILEVILLE: THE "ABC" IN CONTEXT |
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62/1, p. 1 |
| Christiania Whitehead |
Making a cloister of the soul in medieval religious treatises |
|
67/1, p. 1 |
| James W. Kirkland, Charles E. Modlin |
THE ART OF "AZARIAS" |
|
41/1, p. 9 |
| GUY TRUDEL |
The Middle English Book of Penance and the readers of the Cursor mundi |
|
74/1, p. 10 |
| Richard Leighton Greene |
THE MEANING OF THE CORPUS CHRISTI CAROL |
|
29/1, p. 10 |
| Helen L. Gardner |
THE TEXT OF "THE SCALE OF PERFECTION" |
|
5/1, p. 11 |
| Kathleen Chesney |
NOTES ON SOME TREATISES OF DEVOTION INTENDED FOR MARGARET OF YORK (MS. DOUCE 365) |
|
20/, p. 11 |
| Jane Roberts |
ST. BARTHOLOMEW'S DAY: A PROBLEM RESOLVED? |
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46/1, p. 16 |
| Elspeth Kennedy |
FAILURE IN ARTHURIAN ROMANCE |
|
60/1, p. 16 |
| John Hennig |
BRITAIN'S PLACE IN THE EARLY IRISH MARTYROLOGIES |
|
26/1, p. 17 |
| GRACE M. ARMSTRONG |
RESCUING THE LION: FROM "LE CHEVALIER AU LION" TO "LA QUESTE DEL SAINT GRAAL" |
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61/1, p. 17 |
| BELLA MILLETT |
THE SONGS OF ENTERTAINERS AND THE SONG OF THE ANGELS: VERNACULAR LYRIC FRAGMENTS IN ODO OF CHERITON'S "SERMONES DE FESTIS" |
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64/1, p. 17 |
| Marco Nievergelt |
Paradigm, intertext, or residual allegory: Guillaume Deguileville and the Gawain-poet |
|
80/2, p. 18 |
| PHILOMENA O'DRISCOLL |
THE "DOWEL" DEBATE IN "PIERS PLOWMAN" B |
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50/1, p. 18 |
| R.E. Kaske |
EVE'S 'LEAPS' IN THE "ANCRENE RIWLE" |
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29/1, p. 22 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
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55/1, p. 24 |
| J.K. Bostock |
DER ARME HEINRICH 584 AND 725-26 |
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16/, p. 24 |
| A.G. Rigg |
'GREGORY'S GARDEN': A LATIN DREAM-ALLEGORY |
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35/1, p. 29 |
| Morton W. Bloomfield |
THE ALLEGORIES OF "DOBEST" ("PIERS PLOWMAN" B XIX-XX) |
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50/1, p. 30 |
| Alexandra Barratt |
ANCHORITIC ASPECTS OF "ANCRENE WISSE" |
|
49/1, p. 32 |
| S. Harrison Thomson |
THREE ANGLO-NORMAN TRANSLATIONS OF THE "VENI CREATOR SPIRITUS" |
|
8/1, p. 33 |
| SANTHA BHATTACHARJI |
"PEARL" AND THE LITURGICAL 'COMMON OF VIRGINS' |
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64/1, p. 37 |
| PETER MEREDITH |
'NOLO MORTEM' AND THE "LUDUS COVENTRIAE" PLAY OF THE "WOMAN TAKEN IN ADULTERY" |
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38/1, p. 38 |
| John J. Thompson |
LITERARY ASSOCIATIONS OF AN ANONYMOUS MIDDLE ENGLISH PARAPHRASE OF VULGATE PSALM L |
|
57/1, p. 38 |
| N.R. Ker |
THE HAGUE MANUSCRIPT OF THE EPISTOLA CUTHBERTI DE OBITU BEDÆ WITH BEDE'S SONG |
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8/1, p. 40 |
| JANETTE DILLON |
"PIERS PLOWMAN": A PARTICULAR EXAMPLE OF WORDPLAY AND ITS STRUCTURAL SIGNIFICANCE |
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50/1, p. 40 |
| Ronald N. Walpole |
STANZAS 26 AND 27 OF THE MIDDLE ENGLISH ROMANCE "ROLAND & VERNAGU" |
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20/, p. 40 |
| C.A. Trypanis |
DANTE AND A BYZANTINE TREATISE ON VIRTUES AND VICES |
|
19/, p. 43 |
| Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
|
33/1, p. 47 |
| Christopher Cannon |
The form of the self: Ancrene Wisse and romance |
|
70/1, p. 47 |
| LUCINDA RUMSEY |
THE SCORPION OF LECHERY AND "ANCRENE WISSE" |
|
61/1, p. 48 |
| Michael G. Sargent |
A NEW MANUSCRIPT OF "THE CHASTISING OF GOD'S CHILDREN" WITH AN ASCRIPTION TO WALTER HILTON |
|
46/1, p. 49 |
| Helen Phillips |
THE GHOST'S BAPTISM IN "THE AWNTYRS OFF ARTHURE" |
|
58/1, p. 49 |
| Curt F. Bühler |
LYDGATE'S "RULES OF HEALTH" IN MS. LANSDOWNE 699 |
|
3/1, p. 51 |
| VICTOR I. SCHERB |
CONCEPTION, FLIES, AND HERESY IN SKELTON'S 'REPLYCACION' |
|
62/1, p. 51 |
| JOHN C. HIRSH |
PRAYER AND MEDITATION IN LATE MEDIAEVAL ENGLAND: MS BODLEY 789 |
|
48/1, p. 55 |
| HELEN BARR |
Pearl - or the jeweller's tale |
|
69/1, p. 59 |
| JOHN CARTWRIGHT |
SIR GILBERT HAY'S "ALEXANDER": A STUDY IN TRANSFORMATIONS |
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60/1, p. 61 |
| ANNA BALDWIN |
THE DOUBLE DUEL IN "PIERS PLOWMAN" B XVIII AND C XXI |
|
50/1, p. 64 |
| Enid M. Raynes |
MS. BOULOGNE-SUR-MER 63 AND ÆLFRIC |
|
26/2, p. 65 |
| RICHARD NEWHAUSER |
A Middle English poem on the fleeting nature of material wealth |
|
71/1, p. 74 |
| Dominica Legge |
JOHN PECHAM'S "JERARCHIE" |
|
11/, p. 77 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/2, p. 79 |
| B.S. Lee |
LUCIDUS AND DUBIUS: A FIFTEENTH-CENTURY THEOLOGICAL DEBATE AND ITS SOURCES |
|
45/1, p. 79 |
| Mildred K. Pope |
THE ORDER OF THE BATTLES IN THE "CHANSON DE ROLAND" |
|
|
| C.K. Brampton |
OCKHAM, BONAGRATIA AND THE EMPEROR LEWIS IV |
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31/2, p. 81 |
| W.M. Temple |
THE WEEPING RACHEL |
|
28/2, p. 81 |
| Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
| WIESJE F. NIJENHUIS |
TRUNCATED TOPOI IN "THE VISION OF EDMUND LEVERSEDGE" |
|
63/1, p. 84 |
| Tony Hunt |
The Middle French alchemical treatises in MS Oxford, Bodleian Library, Digby 164 |
|
79/1, p. 90 |
| Beverly Boyd |
WICLIF AND THE SARUM ORDINAL |
|
28/2, p. 96 |
| C.A. Robson |
THE CHARACTER OF TURPIN IN THE "CHANSON DE ROLAND" |
|
10/2, p. 97 |
| Diana B. Tyson |
THE EPITAPH OF EDWARD THE BLACK PRINCE |
|
46/1, p. 98 |
| J.E. Cross |
ON THE ALLEGORY IN "THE SEAFARER"—ILLUSTRATIVE NOTES |
|
28/2, p. 104 |
| Nevill Coghill |
THE CHARACTER OF PIERS PLOWMAN CONSIDERED FROM THE B TEXT |
|
|
| Frederic Amory |
THE SATIRES OF SEXTUS AMARCIUS |
|
39/2, p. 108 |
| R.A. Dwyer |
ASENATH OF EGYPT IN MIDDLE ENGLISH |
|
39/2, p. 118 |
| H.J. Chaytor |
STATUTES OF THE CONFRATERNITY OF ST. LAZARE IN BORDEAUX |
|
10/3, p. 119 |
| Kenneth A. Bleeth |
JULIANA, 647-52 |
|
38/2, p. 119 |
| John M. Steadman |
OLD AGE AND "CONTEMPTUS MUNDI IN THE PARDONER'S TALE" |
|
33/2, p. 121 |
| E.J. Arnould |
ON RICHARD ROLLE'S PATRONS: a new reading |
|
6/2, p. 122 |
| John A. Alford |
HAUKYN'S COAT: SOME OBSERVATIONS ON "PIERS PLOWMAN" B. XIV. 22-7 |
|
43/2, p. 133 |
| Sister Marie Brisson |
THE INFLUENCE OF FRÈRE LAURENT'S "LA SOMME LE ROI" ON FRÈRE ROBERT'S "LE CHASTEL PERILLEUX" |
|
36/2, p. 134 |
| DONALD G. BZDYL |
PRAYER IN OLD ENGLISH NARRATIVES |
|
51/2, p. 135 |
| John W. Conlee |
THE "ABBEY OF THE HOLY GHOST" AND THE "EIGHT GHOSTLY DWELLING PLACES" OF HUNTINGTON LIBRARY HM 744 |
|
|
| JOHN C. HIRSH |
AUTHOR AND SCRIBE IN "THE BOOK OF MARGERY KEMPE" |
|
|
| EMMA MASON |
ST WULFSTAN'S STAFF: A LEGEND AND ITS USES |
|
53/2, p. 157 |
| R. SHARPE |
AN "EXORTACIO AD CONTEMPLACIONEM" FROM FARNE ISLAND |
|
54/2, p. 159 |
| Roger Ellis |
'FLORES AD FABRICANDAM ... CORONAM': AN INVESTIGATION INTO THE USES OF THE REVELATIONS OF ST BRIDGET OF SWEDEN IN FIFTEENTH-CENTURY ENGLAND |
|
51/2, p. 163 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) |
|
|
| G.V. Smithers |
WHAT "SIR GAWAIN AND THE GREEN KNIGHT" IS ABOUT |
|
32/3, p. 171 |
| JOCELYN PRICE |
LA VIE DE SAINTE MODWENNE: A NEGLECTED ANGLO-NORMAN HAGIOGRAPHIC TEXT, AND SOME IMPLICATIONS FOR ENGLISH SECULAR LITERATURE |
|
57/2, p. 172 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/3, p. 173 |
| H.B. Willson |
"IR REINEN WÎP, IR WERDEN MAN" (WALTHER 66,21 ff.) |
|
49/2, p. 184 |
| Daniel Anlezark |
An ideal marriage: Abraham and Sarah in Old English literature |
|
69/2, p. 187 |
| ALAN J. FLETCHER |
THE SERMON BOOKLETS OF FRIAR NICHOLAS PHILIP |
|
55/2, p. 188 |
| SUSAN E. DESKIS |
Jonah and genre in Resignation B |
|
67/2, p. 189 |
| A.T. FEAR |
Taming Rasputin? Braulio and St Aemilian |
|
76/2, p. 191 |
| Georgia Ronan Crampton |
CHAUCER'S SINGULAR PRAYER |
|
59/2, p. 191 |
| CLAUDE LUTTRELL |
THE MEDIÆVAL TRADITION OF THE PEARL VIRGINITY |
|
31/3, p. 194 |
| Daniel Anlezark |
The stray ending in the Solomonic anthology in Cambridge, Corpus Christi College, MS 422 |
|
80/1, p. 201 |
| CHERYL TAYLOR |
The Cloud-author’s remaking of the Pseudo-Dionysius’ Mystical Theology |
|
75/2, p. 202 |
| JOHN BUGBEE |
Sight and sound in St Erkenwald: on theodicy and the senses |
|
77/2, p. 202 |
| JANET SCHRUNK ERICKSEN |
Legalizing the Fall of Man |
|
74/2, p. 205 |
| BELLA MILLETT |
THE ORIGINS OF "ANCRENE WISSE": NEW ANSWERS, NEW QUESTIONS |
|
61/2, p. 206 |
| NICHOLAS PERKINS |
Reading the Bible in Sawles Warde and Ancrene Wisse |
|
72/2, p. 207 |
| C. ANNETTE GRISÉ |
Women’s devotional reading in late-medieval England and the gendered reader |
|
71/2, p. 209 |
| DEBORAH YOUNGS |
Vision in a Trance: a fifteenth-century vision of Purgatory |
|
67/2, p. 212 |
| SARAH M. HORRALL |
MIDDLE ENGLISH TEXTS IN A CARTHUSIAN COMMONPLACE BOOK: WESTMINSTER CATHEDRAL, DIOCESAN ARCHIVES, MS H.38 |
|
59/2, p. 214 |
| Thomas D. Hill |
TWO NOTES ON "SOLOMON AND SATURN" |
|
40/3, p. 217 |
| ALAN J. FLETCHER |
JOHN MIRK AND THE LOLLARDS |
|
56/2, p. 217 |
| R.N. Illingworth |
THE STRUCTURE OF THE ANGLO-NORMAN "VOYAGE OF ST BRENDAN" BY BENEDEIT |
|
55/2, p. 217 |
| O.S. PICKERING |
A MIDDLE ENGLISH PROSE MIRACLE OF THE VIRGIN, WITH HIDDEN VERSES |
|
57/2, p. 219 |
| Anne Hudson, H.L. SPENCER |
OLD AUTHOR, NEW WORK: THE SERMONS OF MS LONGLEAT 4 |
|
53/2, p. 220 |
| Sylvia Huot |
PATIENCE IN ADVERSITY: THE COURTLY LOVER AND JOB IN MACHAUT'S MOTETS 2 AND 3 |
|
63/2, p. 222 |
| MOIRA FITZGIBBONS |
Poverty, dignity, and lay spirituality in Pore Caitif and Jacob’s Well |
|
77/2, p. 222 |
| H.B. Willson |
UNMÂZE IN HARTMANN'S "GREGORIOS" |
|
42/3, p. 224 |
| MARIE JENNEQUIN-LEROY, VIRGINIE MINET-MAHY |
Allégorie et voies de sagesse chez Georges Chastelain et Jean Molinet: citation, images et analogie |
|
79/2, p. 225 |
| B.S. Lee |
"GUBERNACIO HOMINIS": A FIFTEENTH-CENTURY ALLEGORICAL POEM |
|
50/2, p. 230 |
| Barbara C. Raw |
"THE DREAM OF THE ROOD" AND ITS CONNECTONS WITH EARLY CHRISTIAN ART |
|
39/3, p. 239 |
| PHILLIPA HARDMAN |
Gawain's practice of piety in Sir Gawain and the Green Knight |
|
68/2, p. 247 |
| PHILLIPA HARDMAN |
LYDGATE'S "LIFE OF OUR LADY": A TEXT IN TRANSITION |
|
65/2, p. 248 |
| Britton J. Harwood |
IMAGINATIVE IN "PIERS PLOWMAN" |
|
44/3, p. 249 |
| N.R. HAVELY |
WHITE WORDS, FALSE WORLD: CHAUCER'S PANDARUS AND THE ANTIFRATERNAL TRADITION IN "TROILUS", BOOKS I-III |
|
61/2, p. 250 |
| J. Marrow |
DUTCH ILLUMINATION AND THE "DEVOTIO MODERNA" |
|
42/3, p. 251 |
| Neville Denny |
ASPECTS OF THE STAGING OF "MANKIND" |
|
43/3, p. 252 |
| R.J. Lyall |
DUNBAR AND THE FRANCISCANS |
|
46/2, p. 253 |
| Brian Murdoch |
THE HOLY HOSTAGE: "DE FILIO MULIERIS" IN THE MIDDLE CORNISH PLAY "BEUNANS MERIASEK" |
|
58/2, p. 258 |
| SHIRLEY LUKITSCH |
THE POETICS OF THE "PROLOGUE": MACHAUT'S CONCEPTION OF THE PURPOSE OF HIS ART |
|
52/2, p. 258 |
| WENDY SCASE |
REGINALD PECOCK, JOHN CARPENTER AND JOHN COLOP'S 'COMMON-PROFIT' BOOKS: ASPECTS OF BOOK OWNERSHIP AND CIRCULATION IN FIFTEENTH-CENTURY LONDON |
|
61/2, p. 261 |
| CARTER REVARD |
From French 'fabliau manuscripts' and MS Harley 2253 to the Decameron and the Canterbury Tales |
|
69/2, p. 261 |
| Alexandra Barratt |
THE PRYMER AND ITS INFLUENCE ON FIFTEENTH-CENTURY ENGLISH PASSION LYRICS |
|
44/3, p. 264 |
| Sylvia Huot |
Re-fashioning Boethius: prose and poetry in Chartier’s Livre de l’Esperance |
|
76/2, p. 268 |
| FREDERICK M. BIGGS, LAURA L. HOWES |
THEOPHANY IN THE MILLER'S TALE |
|
65/2, p. 269 |
| ELIZABETH DRAYSON |
SOME POSSIBLE SOURCES FOR THE INTRODUCTION TO BERCEO'S "MILAGROS DE NUESTRA SEÑORA" |
|
50/2, p. 274 |
| Angus J. Kennedy |
Christine de Pizan’s crown of twelve stars |
|
77/2, p. 279 |
| RALPH HANNA III |
Humphrey Newton and Bodleian Library, MS Lat. misc. c.66 |
|
69/2, p. 279 |
| VIRGINIE MINET-MAHY |
Pouvoir et critique de la rhétorique d’Alain Chartier au Séjour d’Honneur d’Octovien de Saint-Gelais |
|
76/2, p. 285 |
| A.J. GILBERT |
THE INFLUENCE OF BOETHIUS ON THE "PARLEMENT OF FOULYS" |
|
47/2, p. 292 |
| John E. Wrigley |
A PRESUMED LOST PETRARCHAN LETTER: "SINE NOMINE" X |
|
37/3, p. 293 |