| T.B.W. Reid |
CHRÉTIEN DE TROYES AND THE SCRIBE GUIOT |
|
45/1, p. 1 |
| Elaine C. Southward |
THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE |
|
15/, p. 1 |
| GERALDINE BARNES |
CUNNING AND INGENUITY IN THE MIDDLE ENGLISH FLORIS AND BLAUNCHEFLUR |
|
53/1, p. 10 |
| Maldwyn Mills |
A MEDIÆVAL REVISER AT WORK |
|
32/1, p. 11 |
| D.S. Brewer |
FORM IN THE "MORTE DARTHUR" |
|
21/, p. 14 |
| Maldwyn Mills |
HAVELOK'S RETURN |
|
45/1, p. 20 |
| George W. Brewer, Bedwyr Lewis Jones |
POPULAR TALE MOTIFS AND HISTORICAL TRADITION IN "BREUDWYT MAXEN" |
|
|
| Dorothy Everett |
THE RELATIONSHIP OF CHESTRE'S "LAUNFAL" AND "LYBEAUS DESCONUS" |
|
7/1, p. 29 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
3/1, p. 30 |
| D.C. Cox, CARTER REVARD |
A NEW ME O-AND-I LYRIC AND ITS PROVENANCE |
|
54/1, p. 33 |
| Christopher Cannon |
The form of the self: Ancrene Wisse and romance |
|
70/1, p. 47 |
| ELLIOT KENDALL |
Chamberlain Danger: the social meaning of love allegory in the Confessio Amantis |
|
76/1, p. 49 |
| J. ALLAN MITCHELL |
Queen Katherine and the secret of Lydgate’s Temple of Glas |
|
77/1, p. 54 |
| CLEM C. WILLIAMS |
A CASE OF MISTAKEN IDENTITY: STILL ANOTHER TROJAN NARRATIVE IN OLD FRENCH PROSE |
|
53/1, p. 59 |
| Gweneth Hutchings |
GAWAIN AND THE ABDUCTION OF GUENEVERE |
|
4/1, p. 61 |
| James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S LOVE LYRICS |
|
47/1, p. 66 |
| PENNY SULLIVAN |
THE PRESENTATION OF ENIDE IN THE "PREMIER VERS" OF CHRETIEN'S "EREC ET ENIDE" |
|
52/1, p. 77 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/2, p. 79 |
| E.V. Gordon, Eugène Vinaver |
NEW LIGHT ON THE TEXT OF THE ALLITERATIVE "MORTE ARTHURE" |
|
6/2, p. 81 |
| PENNY ELEY |
History and romance in the Chronique des ducs de Normandie |
|
68/1, p. 81 |
| Robert Easting |
St Patrick’s Purgatory: fragments of a second copy of the Middle English stanzaic Owayne Miles |
|
75/1, p. 84 |
| Miranda Griffin |
The space of transformation: Merlin between two deaths |
|
80/2, p. 85 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES |
|
|
| Elspeth Kennedy |
SOCIAL AND POLITICAL IDEAS IN THE FRENCH PROSE "LANCELOT" |
|
26/2, p. 90 |
| D.J.A. Ross |
LE CHEVALIER MELIOR |
|
40/2, p. 104 |
| ÁRMANN JAKOBSSON |
King Sverrir of Norway and the foundations of his power: kingship ideology and narrative in Sverris saga |
|
84/1, p. 109 |
| Fanni Bogdanow |
THE TREATMENT OF THE LANCELOT-GUENEVERE THEME IN THE PROSE "LANCELOT" |
|
41/2, p. 110 |
| Helen C.R. Laurie |
NARCISUS |
|
35/2, p. 111 |
| Helen C.R. Laurie |
"ENEAS" AND THE "LANCELOT" OF CHRETIEN DE TROYES |
|
37/2, p. 142 |
| Eugène Vinaver |
A ROMANCE OF "GAHERET" |
|
|
| Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE |
|
25/3, p. 168 |
| Dominica Legge |
PLACE-NAMES AND THE DATE OF BEROUL |
|
38/2, p. 171 |
| Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
| Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
| MICHAEL J. FRANKLIN |
'FYNGRES HEO HAϷ FEIR TO FOLDE': TROTHPLIGHT IN SOME OF THE LOVE LYRICS OF MS HARLEY 2253 |
|
55/2, p. 176 |
| W.R.J. BARRON |
"JOSEPH OF ARIMATHIE" AND THE "ESTOIRE DEL SAINT GRAAL" |
|
33/3, p. 184 |
| Stephen L. Wailes |
STUDENTS AS LOVERS IN THE GERMAN FABLIAU |
|
46/2, p. 196 |
| F. Whitehead |
ON CERTAIN EPISODES IN THE FOURTH BOOK OF MALORY'S "MORTE DARTHUR" |
|
|
| Alison Finlay |
‘Intolerable love’: Tristrams saga and the Carlisle Tristan fragment |
|
73/2, p. 205 |
| LORI WALTERS |
THE POET-NARRATOR'S ADDRESS TO HIS LADY AS STRUCTURAL DEVICE IN "PARTONOPEU DE BLOIS" |
|
61/2, p. 229 |
| CERIDWEN LLOYD-MORGAN |
THE RELATIONSHIP BETWEEN THE "PERLESVAUS" AND THE "PROSE LANCELOT" |
|
53/2, p. 239 |
| Helen C.R. Laurie |
A NOTE OF THE COMPOSITION OF MARIE'S "GUIGEMAR" |
|
44/3, p. 242 |
| Cecily Clark |
CHARLES D'ORLEANS: SOME ENGLISH PERSPECTIVES |
|
40/3, p. 254 |
| Jane H.M. Taylor |
THE PATTERN OF PERFECTION: JEHAN DE SAINTRÉ AND THE CHIVALRIC IDEAL |
|
53/2, p. 254 |
| Z.P. Zaddy |
CHRETIEN DE TROYES AND THE VERB "ESPROVER" |
|
37/3, p. 263 |
| YIN LIU |
Richard Beauchamp and the uses of romance |
|
74/2, p. 271 |