| Norman Klassen |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
|
MÆ 74/2, p. 333 JSTOR: 43632738 |
| Angus J. Kennedy |
Barbara K. Altmann and Carleton W. Carroll (eds), The Court Reconvenes: Courtly Literature across the Disciplines. Selected Papers from the Ninth Triennial Congress of the International Courtly Literature Society, University of British Columbia, 25—31 July 1998 |
|
MÆ 74/2, p. 334 JSTOR: 43632739 |
| DIANE WATT |
Dyan Elliott, Proving Woman: Female Spirituality and Inquisitional Culture in the Later Middle Ages |
|
MÆ 74/2, p. 336 JSTOR: 43632740 |
| DOMINIQUE GOY-BLANQUET |
Ann W. Astell, Joan of Arc and Sacrificial Authorship (Dominique Goy-Blanquet) |
|
MÆ 74/2, p. 337 JSTOR: 43632741 |
| RICHARD E. ZEIKOWITZ |
William E. Burgwinkle, Sodomy, Masculinity, and Law in Medieval Literature: France and England, 1050-1230 |
|
MÆ 74/2, p. 338 JSTOR: 43632742 |
| ROBIN DIX |
Bruce Thomas Boehrer, Parrot Culture: Our 2,500-Year-Long Fascination with the World's Most Talkative Bird |
|
MÆ 74/2, p. 339 JSTOR: 43632743 |
| Elizabeth Solopova |
Seiichi Suzuki, The Metre of Old Saxon Poetry: The Remaking of Alliterative Tradition |
|
MÆ 74/2, p. 341 JSTOR: 43632744 |
| HELEN BARR |
Anne M. Scott, Piers Plowman and the Poor |
|
MÆ 74/2, p. 342 JSTOR: 43632745 |
| JOHN C. HIRSH |
David Aers, Sanctifying Signs: Making Christian Tradition in Late Medieval England |
|
MÆ 74/2, p. 343 JSTOR: 43632746 |
| Robert F. Yeager |
Douglas Gray (ed.), The Oxford Companion to Chaucer |
|
MÆ 74/2, p. 344 JSTOR: 43632747 |
| FIONA SOMERSET |
Joanna Summers, Late-Medieval Prison Writing and the Politics of Autobiography, Oxford English Monographs |
|
MÆ 74/2, p. 347 JSTOR: 43632748 |
| Anthony P. Bale |
Siân Echard, A Companion to Gower |
|
MÆ 74/2, p. 348 JSTOR: 43632749 |
| Daniel Wakelin |
Peter Happé, Cyclic Form and the English Mystery Plays: A Comparative Study of the English Biblical Cycles and their Continental and Iconographie Counterparts, Ludus: Medieval and Early Renaissance Theatre and Drama 7 |
|
MÆ 74/2, p. 349 JSTOR: 43632750 |
| KATHERINE L. JANSEN |
Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |
|
MÆ 74/2, p. 350 JSTOR: 43632751 |
| Sophie Marnette |
Anna Chryssafis, La Création de mots savants dans le français médiéval: Étude sur un choix de textes de la fin du XIIIe et du début du XIVe siècles, notamment le 'Roman de la Rose' et la 'Consolation de Philosophie' par Jean de Meun, Foskningsrapporter/Cahiers de la recherche 20 |
|
MÆ 74/2, p. 352 JSTOR: 43632752 |
| Leslie C. Brook |
Simon Gaunt, Retelling the Tale: An Introduction to Medieval French Literature |
|
MÆ 74/2, p. 353 JSTOR: 43632753 |
| PETER DAMIAN-GRINT |
Catherine Hanley, War and Combat, 1150–1270: The Evidence from Old French Literature |
|
MÆ 74/2, p. 354 JSTOR: 43632754 |
| ANNETTE VOLFING |
Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy |
|
MÆ 74/2, p. 355 JSTOR: 43632755 |
| Stephen Mossman |
Antje Willing, Literatur und Ordensreform im 15. Jahrhundert. Deutsche Abendmahlsschriften im Nürnberger Katharinenkloster, Studien und Texte zum Mittelalter und zur frühen Neuzeit 4 |
|
MÆ 74/2, p. 357 JSTOR: 43632756 |
| COLIN IMBER |
Nancy Bisaha, Creating East and West: Renaissance Humanists and the Ottoman Turks |
|
MÆ 74/2, p. 358 JSTOR: 43632757 |