| Thomas Walton |
LES POÈMES D'AMÉ DE MONTGESOIE (fl. 1457-1478) |
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|
| Gavin Bone |
THE SEAFARER |
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3/1, p. 1 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER" (continued) |
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28/1, p. 1 |
| James Simpson |
FROM REASON TO AFFECTIVE KNOWLEDGE: MODES OF THOUGHT AND POETIC FORM IN "PIERS PLOWMAN" |
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55/1, p. 1 |
| NICHOLAS MANN |
L. T. TOPSFIELD (1920-1981) |
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51/1, p. 1 |
| Nancy Dean |
CHAUCERIAN ATTITUDES TOWARD JOY WITH PARTICULAR CONSIDERATION OF THE "NUN'S PRIEST'S TALE" |
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| James W. Kirkland, Charles E. Modlin |
THE ART OF "AZARIAS" |
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41/1, p. 9 |
| J.H. Mozley |
THE "EPISTOLA AD WILLELMUM" OF NIGEL LONGCHAMPS |
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39/1, p. 13 |
| Ian Bishop |
THE NARRATIVE ART OF THE "PARDONER'S TALE" |
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36/1, p. 15 |
| Marco Nievergelt |
Paradigm, intertext, or residual allegory: Guillaume Deguileville and the Gawain-poet |
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80/2, p. 18 |
| R.E. Kaske |
EVE'S 'LEAPS' IN THE "ANCRENE RIWLE" |
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29/1, p. 22 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
|
55/1, p. 24 |
| J.K. Bostock |
DER ARME HEINRICH 584 AND 725-26 |
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16/, p. 24 |
| Roger M. Walker |
'POTEST ALIQUIS GUSTARE QUOD GUSTATUM AFFERT MORTEM?' (JOB vi 6): AN ASPECT OF IMAGERY AND STRUCTURE IN "LA DANZA GENERAL DE LA MUERTE" |
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41/1, p. 32 |
| P.M. Kean |
CHAUCER'S DEALINGS WITH A STANZA OF "IL FILOSTRATO" AND THE EPILOGUE OF "TROILUS AND CRISEYDE" |
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33/1, p. 36 |
| Joseph E. Gallagher |
THE DOUBLE SORROW OF TROILUS |
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41/1, p. 39 |
| T. McALINDON |
COSMOLOGY, CONTRARIETY AND THE KNIGHT'S TALE |
|
55/1, p. 41 |
| T.P. Dunning |
LANGLAND AND THE SALVATION OF THE HEATHEN |
|
12/, p. 45 |
| Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
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33/1, p. 47 |
| JOHN C. HIRSH |
PRAYER AND MEDITATION IN LATE MEDIAEVAL ENGLAND: MS BODLEY 789 |
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48/1, p. 55 |
| Thorlac Turville-Petre |
THE AGES OF MAN IN "THE PARLEMENT OF THE THRE AGES" |
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46/1, p. 66 |
| C.H.L. Bodenham |
THE NATURE OF THE DREAM IN LATE MEDIAEVAL FRENCH LITERATURE |
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54/1, p. 74 |
| JOSETTE A. WISMAN |
JACQUES LEGRAND, CHRISTINE DE PIZAN, ET LA QUESTION DE LA 'NOUVELETÉ' |
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63/1, p. 75 |
| B.S. Lee |
LUCIDUS AND DUBIUS: A FIFTEENTH-CENTURY THEOLOGICAL DEBATE AND ITS SOURCES |
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45/1, p. 79 |
| Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
| R.M. Dawkins |
THE 'GRAN VEGLIO' OF "INFERNO XIV" |
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| Nevill Coghill |
THE CHARACTER OF PIERS PLOWMAN CONSIDERED FROM THE B TEXT |
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| F.J.E. Raby |
SOME NOTES ON DANTE AND MACROBIUS |
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35/2, p. 117 |
| Kenneth A. Bleeth |
JULIANA, 647-52 |
|
38/2, p. 119 |
| John M. Steadman |
OLD AGE AND "CONTEMPTUS MUNDI IN THE PARDONER'S TALE" |
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33/2, p. 121 |
| C.S. Lewis |
DANTE'S STATIUS |
|
25/3, p. 133 |
| Sister Marie Brisson |
THE INFLUENCE OF FRÈRE LAURENT'S "LA SOMME LE ROI" ON FRÈRE ROBERT'S "LE CHASTEL PERILLEUX" |
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36/2, p. 134 |
| A.V.C. Schmidt |
LANGLAND AND SCHOLASTIC PHILOSOPHY |
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38/2, p. 134 |
| Stanley B. Greenfield |
THE ROLE OF CALKAS IN "TROILUS AND CRISEYDE" |
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36/2, p. 141 |
| H.B. Willson |
CONCORD AND DISCORD: THE DIALECTIC OF THE "NIBELUNGENLIED" |
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28/3, p. 153 |
| P.J. Frankis |
DEOR AND "WULF AND EADWACER" : SOME CONJECTURES |
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31/3, p. 161 |
| Peter N. Dunn |
THEMES AND IMAGES IN THE "COPLAS POR LA MUERTE DE SU PADRE" OF JORGE MANRIQUE |
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33/3, p. 169 |
| Henry Chadwick |
THETA ON PHILOSOPHY'S DRESS IN BOETHIUS |
|
49/2, p. 175 |
| LYNNE GRUNDY |
GOD MEDITATES: A MODEL FOR THE 'SALVATION HISTORIES' IN THREE HOMILIES OF ÆLFRIC AND IN HIS "HEXAMERON" |
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61/2, p. 189 |
| SUSAN E. DESKIS |
Jonah and genre in Resignation B |
|
67/2, p. 189 |
| Georgia Ronan Crampton |
CHAUCER'S SINGULAR PRAYER |
|
59/2, p. 191 |
| JOHN BUGBEE |
Sight and sound in St Erkenwald: on theodicy and the senses |
|
77/2, p. 202 |
| GERALD MORGAN |
Experience and the judgement of poetry: a reconsideration of the Franklin’s Tale |
|
70/2, p. 204 |
| JANET SCHRUNK ERICKSEN |
Legalizing the Fall of Man |
|
74/2, p. 205 |
| Stephen J. Miko |
MALORY AND THE CHIVALRIC ORDER |
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35/3, p. 211 |
| Elizabeth Boyle |
Neoplatonic thought in medieval Ireland: the evidence of Scéla na esérgi |
|
78/2, p. 216 |
| Thomas D. Hill |
TWO NOTES ON "SOLOMON AND SATURN" |
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40/3, p. 217 |
| Sylvia Huot |
PATIENCE IN ADVERSITY: THE COURTLY LOVER AND JOB IN MACHAUT'S MOTETS 2 AND 3 |
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63/2, p. 222 |
| PETER WHITEFORD |
Rereading Gawain’s five wits |
|
73/2, p. 225 |
| Bruce Harbert |
MATTHEW OF VENDÔME |
|
44/3, p. 225 |
| THOMAS J.A. HEFFERNAN |
THE VIRGIN AS AN AID TO SALVATION IN SOME FIFTEENTH-CENTURY ENGLISH AND LATIN VERSES |
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52/2, p. 229 |
| B.S. Lee |
"GUBERNACIO HOMINIS": A FIFTEENTH-CENTURY ALLEGORICAL POEM |
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50/2, p. 230 |
| DENISE N. BAKER |
CHAUCER AND MORAL PHILOSOPHY: THE VIRTUOUS WOMEN OF "THE CANTERBURY TALES" |
|
60/2, p. 241 |
| A.G. Rigg |
'JAM NUNC IN PROXIMO': A LATIN MORTALITY POEM |
|
36/3, p. 249 |
| Lewis J. Owen |
THE RECOGNITION SCENE IN "SIR ORFEO" |
|
40/3, p. 249 |
| FREDERICK M. BIGGS, LAURA L. HOWES |
THEOPHANY IN THE MILLER'S TALE |
|
65/2, p. 269 |
| MARILYN CORRIE |
Self-determination in the Post-Vulgate Suite du Merlin and Malory’s Le Morte Darthur |
|
73/2, p. 273 |
| Matthew P. McDiarmid |
RICHARD HOLLAND'S "BUKE OF THE HOWLAT": AN INTERPRETATION |
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38/3, p. 277 |
| ANNETTE VOLFING |
Orientalism in the Strassburger Alexander |
|
79/2, p. 278 |
| A.J. GILBERT |
THE INFLUENCE OF BOETHIUS ON THE "PARLEMENT OF FOULYS" |
|
47/2, p. 292 |
| A.V.C. Schmidt |
CHAUCER'S "NEMBROT": A NOTE ON "THE FORMER AGE" |
|
47/2, p. 304 |