| J.K. Bostock |
Corona: studies in celebration of the eightieth birthday of Samuel Singer, Professor Emeritus, University of Berne, Switzerland, by Arno Schirokauer, Wolfgang Paulsen |
|
13/, p. 40 |
| Anselm Hughes |
'Sumer is icumen in' a revision. (University of California Publications in Music. Vol. II No. 2), by Manfred F. Bukofzer |
|
13/, p. 78 |
| John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
|
49/1, p. 96 |
| JACQUELINE BEAUMONT |
Marius: 'On the Elements'. A critical edition and translation. (Centre for Mediaeval and Renaissance Studies UCLA X), by Richard C. Dales |
|
48/1, p. 115 |
| ANNA BALDWIN |
Medieval French Literature and Law, by R. Howard Bloch |
|
49/1, p. 126 |
| Anthony P. Bale |
Catherine S. Cox, The Judaic Other in Dante, the ‘Gawain’ Poet, and Chaucer |
|
76/1, p. 129 |
| PHILIP E. BENNETT |
Saints and Scribes: Medieval Hagiography in its Manuscript Context, by Pamela Gehrke |
|
64/1, p. 135 |
| ALISON STONES |
Claire Richter Sherman, Imaging Aristotle: Verbal and Visual Representation in Fourteenth-Century France |
|
68/1, p. 142 |
| PHILIPPE WALTER |
Jan R. Veenstra, Magic and Divination at the Courts of Burgundy and France: Text and Context of Laurens Pignon's 'Contre les divineurs' (1411), Brill Studies in Intellectual History 83 |
|
68/1, p. 145 |
| Daniel Waley |
An Italian Lordship: The Bishopric of Lucca in the Late Middle Ages, by Duane J. Osheim |
|
48/1, p. 152 |
| Linda M. Paterson |
The Song of Roland: Formulaic Style and Poetic Craft, by Joseph J. Duggan |
|
|
| W.O. Hassall |
The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff |
|
41/2, p. 178 |
| James Crompton |
The Heresy of the Free Spirit in the Later Middle Ages, by R. E. Lerner |
|
|
| R.D.F. Pring-Mill |
Semeiança del mundo (A Medieval Description of the World). Vol. 51, by William E. Bull, Harry F. Williams |
|
29/3, p. 215 |
| A.B. Scott |
Three Medieval Rhetorical Arts, by James J. Murphy |
|
42/3, p. 262 |
| HUGH WHITE |
A Companion to Piers Plowman, by John Alford |
|
59/2, p. 306 |
| HELEN MOORE |
Jennifer R. Goodman, Chivalry and Exploration 1298-1630 |
|
68/2, p. 318 |
| PETER T. RICKETTS |
A Handbook of the Troubadours, by F. R. P. Akehurst, Judith M. Davis |
|
65/2, p. 324 |
| N.S. THOMPSON |
Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |
|
62/2, p. 327 |
| Jill Mann |
Chaucer and the Fictions of Gender, by Elaine Tuttle Hansen |
|
62/2, p. 328 |
| SIMON B. GAUNT |
Memory and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck |
|
61/2, p. 330 |
| Jill Mann |
The Idea of the Canterbury Tales, by Donald R. Howard |
|
47/2, p. 356 |