| SIMON B. GAUNT |
Shaping Romance: Interpretation, Truth and Closure in Twelfth-Century French Fictions, by Matilda Tomaryn Bruckner |
|
64/1, p. 136 |
| SIMON B. GAUNT |
Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle |
|
61/1, p. 138 |
| SIMON B. GAUNT |
Silence: A Thirteenth-Century French Romance, by Sarah Roche-Mahdi |
|
63/1, p. 146 |
| SIMON B. GAUNT |
Evelyn Birge Vitz, Orality and Performance in Early French Romance |
|
69/1, p. 148 |
| SIMON B. GAUNT |
Caroline A. Jewers, Chivalric Fiction and the History of the Novel |
|
71/1, p. 149 |
| SIMON B. GAUNT |
Actes du premier congrès international de l'Association Internationale d'Etudes Occitanes, by Peter T. Ricketts |
|
58/1, p. 174 |
| SIMON B. GAUNT |
The Poetry of Sordello, Garland Library of Medieval Literature, Series A, 42, by James J. Wilhelm |
|
58/1, p. 181 |
| SIMON B. GAUNT |
The Syntax of Medieval Occitan, Beihefte zur Zeitschrift für romanische Philologie, 208, by Frede Jensen |
|
61/2, p. 328 |
| SIMON B. GAUNT |
Memory and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck |
|
61/2, p. 330 |
| SIMON B. GAUNT |
The Troubadour Marcabru and Love, Westfield Publications in Medieval Studies, 3, by Ruth E. Harvey |
|
59/2, p. 330 |
| SIMON B. GAUNT |
Marie-Noëlle Toury, Mort et fin’ amor dans la poésie d’oc et d’oïl aux XIIe et XIIIe siècles |
|
72/2, p. 341 |