| Gwyn Jones |
Viga-Glúms Saga, by G. Turville-Petre |
|
10/2, p. 103 |
| MONIKA OTTER |
Päivi Mehtonen, Old Concepts and New Poetics: 'Historia', 'Argumentum', and 'Fabula' in Twelfth- and Early Thirteenth-Century Latin Poetics of Fiction, Commentationes humanarum litterarum 108 |
|
68/1, p. 112 |
| SIMON B. GAUNT |
Shaping Romance: Interpretation, Truth and Closure in Twelfth-Century French Fictions, by Matilda Tomaryn Bruckner |
|
64/1, p. 136 |
| Dennis Green |
Peter Damian-Grint, The New Historians of the Twelfth-Century Renaissance: Inventing Vernacular Authority |
|
70/1, p. 144 |
| Dennis Green |
Cornelia Schu, Vom erzählten Abenteuer zum Abenteuer des Erzählens: Überlegungen zur Romanhaftigkeit von Wolframs Parzival |
|
72/1, p. 165 |
| P.J.C. Field |
Arthur's Kingdom of Adventure: the World of Malory's 'Morte Darthur', by Muriel Whitaker |
|
55/2, p. 304 |
| James Simpson |
Medieval Writers and their Work: Middle English Literature and its Background 1100-1500, by J. A. Burrow |
|
53/2, p. 307 |
| JILLIAN HILL |
The Art of Love: Amatory Fiction from Ovid to the 'Romance of the Rose', by Peter L. Allen |
|
63/2, p. 341 |
| URSULA SCHAEFER |
Dennis H. Green, Medieval Listening and Reading: The Primary Reception of German Literature 800-1300 |
|
66/2, p. 354 |