| R.L.P. Milburn |
Sancti Columbani Opera. (Scriptores Latini Hiberniae, volume II). The Dublin Institute for Advanced Studies, 1957, by G. S. M. Walker |
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29/1, p. 25 |
| Edmund Craster |
The Letters of John of Salisbury. Volume One. The Early Letters (1153-1161), by W. J. Millor, H. E. Butler, C. N. L. Brooke, V. H. Galbraith, R. A. B. Mynors |
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25/1, p. 41 |
| James Kinsley |
Guinevere, by K. G. T. Webster |
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21/, p. 48 |
| Kathleen Chesney |
Alain Chartier, his work and reputation, by Edward J. Hoffman |
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14/, p. 56 |
| J.A.W. Bennett |
Some types of narrative in Chaucer's poetry. (Lund Studies in English XXV), by Claes Schaar |
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25/1, p. 57 |
| Nigel Abercrombie |
The Medieval Latin and Romance Lyric, by F. Brittain |
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8/1, p. 57 |
| A.G. Rigg |
La Survie d'Ovide dans la littérature scientifique des XIIe et XIIIe siècles. Centre d'Études Supérieures de Civilisation Médiévale, by Simone Viarre |
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38/1, p. 65 |
| Helen C.R. Laurie |
The Mirror of Narcissus in the Courtly Love Lyric, by Frederick Goldin |
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38/1, p. 67 |
| Helen C.R. Laurie |
One Heart One Mind: The Rebirth of Virgil's Hero in Medieval French Romance, by Raymond J. Cormier |
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| JOHN NORTON-SMITH |
The Poetry of John Lydgate, by Alain Renoir |
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38/1, p. 88 |
| J.H. Mozley |
Arator, the codices, by Arthur Patch McKinlay |
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13/, p. 91 |
| C.A. Robson |
De Sainte Leocade au tans que Sainz Hyldefons estoit arcevesques de Tholete cui Nostre Dame donna l'aube de prelaz: miracle versifié par Gautier de Coinci, by Eva Vilamo-Pentti |
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21/, p. 97 |
| C. David Benson |
The Idea of the Labyrinth from Classical Antiquity through the Middle Ages, by Penelope Reed Doob |
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61/1, p. 106 |
| Peter Godman |
Prudentius's 'Psychomachia': A Re-examination, by Macklin Smith |
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47/1, p. 107 |
| Joan Blomfield |
Wessex and Old English Poetry, with special consideration of The Ruin, by Cecilia A. Hotchner |
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9/2, p. 114 |
| H.L. SPENCER |
F. Morenzoni (ed.), Thomas de Chobham; Summa de commendatione virtutum et extirpatione vitiorum, Corpus Christianorum continuado mediaevalis LXXXII B |
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68/1, p. 115 |
| Helen C.R. Laurie |
L'Art d'Amours: Traduction et Commentaire de l''Ars amatoria' d'Ovide, by Bruno Roy |
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45/1, p. 119 |
| CHARLOTTE C. MORSE |
Women Defamed and Women Defended: An Anthology of Medieval Texts, by Alcuin Blamires, Karen Pratt, C. W. Marx |
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63/1, p. 119 |
| Colin Hardie |
Dante, die göttliche Komödie. Kommentar, III Teil: das Paradies, by Hermann Gmelin |
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28/2, p. 121 |
| Helen C.R. Laurie |
The Individual in Twelfth-Century Romance, by Robert W. Hanning |
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48/1, p. 122 |
| JOHN C. HIRSH |
A Distinction of Stories: the Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury, by Judson Boyce Allen, Theresa Anne Moritz |
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53/1, p. 123 |
| R. HAMER |
The Old English Elegies: A Critical Edition and Genre Study, by Anne L. Klinck |
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63/1, p. 123 |
| Miri Rubin |
Caroline Walker Bynum, Metamorphosis and Identity |
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71/1, p. 123 |
| Helen Cooper |
D. H. Green, The Beginnings of Medieval Romance: Fact and Fiction, 1150-1220 |
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74/1, p. 124 |
| Nicolas Jacobs |
Aspects of the Poetry of Dafydd ap Gwilym: Collected Papers, by Rachel Bromwich |
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57/1, p. 124 |
| Jessie Crosland |
Guide de la littérature française du moyen âge, by Louis Kukenheim, Henri Roussel |
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27/2, p. 126 |
| PETER BROWN |
Chaucer's Ovidian Arts of Love, by Michael A. Calabrese |
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65/1, p. 133 |
| Barry Windeatt |
Chaucer and the Tradition of the 'Roman Antique', Cambridge Studies in Medieval Literature 15, by Barbara Nolan |
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63/1, p. 136 |
| JAMES McCONICA |
'De Regimine Principum' (1509), American University Studies, 17, by Stephen Baron, P. J. Mroczkowski |
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61/1, p. 137 |
| L.T. Topsfield |
The Romance of Flamenca, a Provençal poem of the thirteenth century, by Merton Jerome Hubert, Marion E. Porter |
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33/2, p. 139 |
| A.J. HOLDEN |
Medieval French Textual Studies in Memory of T. B. W. Reid, Anglo-Norman Text Society Occasional Publication Series, 1, by Ian Short |
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55/1, p. 139 |
| PRISCILLA MARTIN |
Thomas C. Moser Jr, A Cosmos of Desire: The Medieval Latin Erotic Lyric in English Manuscripts |
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75/1, p. 141 |
| Nicolas Jacobs |
Kings, Beasts and Heroes, by Gwyn Jones |
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43/2, p. 144 |
| BETTINA BILDHAUER |
Rosemarie Deist, Gender and Power: Counsellors and their Masters in Antiquity and Medieval Courtly Romance, Beiträge zur älteren Literaturgeschichte, |
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73/1, p. 147 |
| CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
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64/1, p. 151 |
| DAVID ANDERSON |
The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor |
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61/1, p. 153 |
| VIRGINIE GREENE |
Norris J. Lacy and Joan Tasker Grimbert (eds), A Companion to Chrétien de Troyes, Arthurian Studies 63 |
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75/1, p. 154 |
| F.J. JONES |
The Worlds of Petrarch, Duke Monographs in Medieval and Renaissance Studies 14, by Giuseppe Mazzotta |
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65/1, p. 154 |
| PETER ARMOUR |
Peter S. Hawkins, Dante's Testaments: Essays in Scriptural Imagination |
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70/1, p. 156 |
| JONATHAN USHER |
Pier Massimo Forni, Adventures in Speech: Rhetoric and Narration in Boccaccio's 'Decameron' |
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66/1, p. 156 |
| JOHN NORTON-SMITH |
Sir Richard Roos: Lancastrian Poet, by Ethel Seaton |
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34/2, p. 158 |
| Nigel Palmer |
Kommentar zur Artusepik Hartmanns von Aue. Im Anhang: Die Heilkunde und Der Ourobos. Amsterdamer Publikationen zur Sprache und Literatur 103, by Lambertus Okken, Bernhard Dietrich Haage |
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64/1, p. 158 |
| R.G. Austin |
Selections from Gavin Douglas. (Clarendon Medieval and Tudor Series), by David F. C. Coldwell |
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34/2, p. 159 |
| Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
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47/1, p. 159 |
| Alfred Ewert |
Apollo und Daphne. (Studien der Bibliothek Warburg), by Wolfgang Stechow, Fritz Saxl |
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3/2, p. 161 |
| Helen C.R. Laurie |
The Theme of Love in the Romans d'antiquité, by R. Jones |
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42/2, p. 166 |
| Patrick Boyde |
Chaucer and Boccaccio. (Medium Ævum Monographs, 8). Society for the Study of Mediæval Languages and Literature, by Piero Boitani |
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50/1, p. 167 |
| W.E. Collinson |
The Genius of the German Lyric. An Historic Survey of its Formal and Metaphysical Values, by A. Closs |
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8/2, p. 171 |
| Joseph Szövérffy |
The Cruelest Month—Spring, Nature, and Love in Classical and Medieval Lyrics, by James J. Wilhelm |
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36/2, p. 176 |
| C. Foligno |
L''Ovidius moralizatus' di Pierre Bersuire (Offprint from Studj Romanzi XXIII), by Fausto Ghisalberti |
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3/3, p. 198 |
| D. Simon Evans |
Tradition and Innovation in the Poetry of Dafydd ap Gwilym, by Rachel Bromwich |
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38/2, p. 198 |
| Adelaide Grellner |
Selections from John Gower. Clarendon Medieval and Tudor Series, by J. A. W. Bennett |
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38/2, p. 200 |
| Janet Backhouse |
The Caxton Master and his Patrons. Cambridge Bibliographical Society Monograph 8, 1976, by Kathleen L. Scott |
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47/1, p. 201 |
| Beryl Smalley |
Thomae Walsingham De Archana Deorum, by Robert A. van Klyuve |
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38/2, p. 203 |
| P. Mroczkowski |
Chaucer's Book of Fame: An Exposition of 'The House of Fame', by J. A. W. Bennett |
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39/2, p. 210 |
| J.H. Mozley |
The Shorter Latin Poems of Master Henry of Avranches relating to England, by Josiah Cox Russell, John Paul Heironimus |
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5/3, p. 215 |
| Bruce Harbert |
Ovid and the Canterbury Tales, by Richard L. Hoffman |
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39/2, p. 215 |
| Peter Dronke |
Medium Aevum Vivum: Festschrift für Walther Bulst, by Hans Robert Jauss, Dieter Schaller |
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32/3, p. 218 |
| Norman Davis |
Studien zur Syntax des Nomens, Pronomens und der Negation in den Paston Letters. (Beiträge zur englischen Philologie, 42. Heft), by Broder Carstensen |
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31/3, p. 229 |
| P.G. Walsh |
Hildebertus: Carmina Minora, by A. B. Scott |
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41/3, p. 244 |
| Faith Lyons |
Narcisus (poème du XIIe siècle), by M. M. Pelan, N. C. W. Spence |
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35/3, p. 255 |
| Marjorie Chibnall |
The Life of Gundulf Bishop of Rochester (Toronto Medieval Latin Texts 7). Pontifical Institute of Mediaeval Studies, by Rodney Thomson |
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48/2, p. 258 |
| HELEN S. HOUGHTON |
Medieval Body Language: a study of the use of gesture in Chaucer's poetry, Anglistica, 21 (Copenhagen: Rosenkilde & Bagger, 1980), by Robert G. Benson |
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51/2, p. 261 |
| Beryl Smalley |
The Friar as Critic. Literary Attitudes in the Later Middle Ages, by Judson Boyce Allen |
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41/3, p. 276 |
| David Luscombe |
Monks and Love in Twelfth-Century France. Psycho-Historical Essays, by Jean Leclercq |
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49/2, p. 281 |
| Faith Lyons |
Le Rire et le Sourire dans le Roman Courtois en France au Moyen Âge (1150-1250) (Publications Romanes et Françaises CV), by Philippe Ménard |
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43/3, p. 283 |
| CHARLES TOMLINSON |
The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism, by Leonard Barkan |
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57/2, p. 292 |
| R. SHARPE |
Polythecon. Corpus Christianorum, Continuatio mediaevalis, 93, by A. P. Orbán |
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60/2, p. 294 |
| Ruth Evans |
Florence Percival, Chaucer's Legendary Good Women, Cambridge Studies in Medieval Literature 38 |
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69/2, p. 303 |
| J.L. Wilson |
Selections from William Caxton (Clarendon Medieval and Tudor Series), by N. F. Blake |
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43/3, p. 304 |
| MARGARET CHARLOTTE WARD |
Peredur: A Study of Welsh Tradition in the Grail Legends, by Glenys Goetinck |
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46/2, p. 308 |
| John Lawlor |
Chaucer: The Book of the Duchess, Durham and St Andrews Medieval Texts, 3, by Helen Phillips |
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54/2, p. 308 |
| HUGH WHITE |
Sciences and the Self in Medieval Poetry: Alan of Lille's 'Anticlaudianus' and John Gower's 'Confessio Amantis', Cambridge Studies in Medieval Literature 25, by James Simpson |
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65/2, p. 308 |
| Lynette Muir |
La Faiblesse chez Gautier de Coinci. (Stanford French and Italian Studies 14), by Brigitte Cazelles |
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49/2, p. 310 |
| CONOR MCCARTHY |
Warren S. Smith (ed.), Satiric Advice on Women and Marriage: From Plautus to Chaucer |
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76/2, p. 312 |
| Meg Twycross |
De formis figurisque Deorum (cap. i of the Reductorium Morale, Liber XV: Ovidius Moralizatus): Textus e codice Brux., Bibl. Reg. 863-9 critice editus: Werkmateriaal (3), by Petrus Berchorius |
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37/3, p. 320 |
| CHRISTINE RAUER |
Janina Cünnen, Fiktionale Nonnenwelten: Angelsächsische Frauenbriefe des 8. und 9. Jahrhunderts, Anglistische Forschungen 287 |
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70/2, p. 320 |
| S.J. HARRISON |
Thomas M. S. Lehtonen, Fortuna, Money and the Sublunar World· Twelfth-Century Ethical Poetics and the Satirical Poetry of the 'Carmina Burana' |
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66/2, p. 321 |
| Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
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77/2, p. 325 |
| DANIEL PINTI |
Warren Ginsberg, Chaucer’s Italian Tradition |
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72/2, p. 329 |
| JILLIAN HILL |
Latin Poetic Irony in the 'Roman de la Rose', Vinaver Studies in French, 4, by Marc M. Pelen |
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58/2, p. 329 |
| Helen Phillips |
A. J. Minnis, V. J. Scattergood, and J. J. Smith, Oxford Guides to Chaucer: The Shorter Poems |
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67/2, p. 330 |
| Bruce Harbert |
The Narcissus Theme in Western European Literature up to the Early Nineteenth Century, by Louise Vinge, Robert Dewsnap, Nigel Reeves |
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37/3, p. 341 |
| JILLIAN HILL |
The Art of Love: Amatory Fiction from Ovid to the 'Romance of the Rose', by Peter L. Allen |
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63/2, p. 341 |
| Helen Swift |
Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the ‘Roman de la Rose’, Research Monographs in French Studies 31 (Helen J. Swift) |
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79/2, p. 341 |
| Sylvia Huot |
Douglas Kelly, Internal Differences and Meanings in the Roman de la Rose |
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67/2, p. 344 |
| Mark Chinca |
Heinrich von Veldeke und Ovid, by Renate Kistler |
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64/2, p. 347 |
| PHILIP E. BENNETT |
Alastair Minnis, ‘Magister amoris’: The ‘Roman de la Rose’ and Vernacular Hermeneutics |
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71/2, p. 347 |
| Helen C.R. Laurie |
Narcisse. (Bibl. de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule CCXI), by M. Thiry-Stassin, M. Tyssens |
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47/2, p. 349 |
| G.H. McWilliam |
'Diana's Hunt', 'Caccia di Diana': Boccaccio's First Fiction, University of Pennsylvania Press, Middle Ages Series, by Anthony K. Cassell, Victoria Kirkham |
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61/2, p. 349 |
| Francesca Galligan |
Teodolinda Barolini, Dante and the Origins of Italian Literary Culture |
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78/2, p. 352 |
| DAVID COWLING |
Antitus: Poésies, Textes littéraires français 422, by Manuela Python |
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63/2, p. 359 |
| Eleanor Relle |
Allegorical Imagery: Some Mediaeval Books and Their Posterity, by Rosemond Tuve |
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37/3, p. 360 |