C. Foligno |
Pour comprendre la Divine Comédie, by A. Masseron |
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9/1, p. 42 |
F.M. Powicke |
The King's Two Bodies: A Study in Mediaval Political Theology, by Ernst H. Kantorowicz |
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28/1, p. 50 |
C. Foligno |
The D.X.V. Prophecy. Dante and the Sabbatum Fidelium : An introductory study in the Allegorical Interpretation of the Divine Comedy, by Rose Nolan Ferrall |
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8/1, p. 79 |
Owen Barfield |
The Visionary landscape: A Study in Medieval Allegory, by Paul Piehler |
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42/1, p. 84 |
Kenelm Foster |
Centenary Essays on Dante, by Members of the Oxford Dante Society |
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36/1, p. 85 |
James Simpson |
The Mirror of Language: a Study in the Medieval Theory of Knowledge, revised edition, by M. L. Colish |
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55/1, p. 123 |
CECIL GRAYSON |
Vita e Opere di Agnolo Torini. (Leidse Romanistische Reeks van de Rijksuniversiteit te Leiden, Deel II), by Irene Hijmans-Tromp |
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28/2, p. 125 |
Anthony P. Bale |
Catherine S. Cox, The Judaic Other in Dante, the ‘Gawain’ Poet, and Chaucer |
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76/1, p. 129 |
Ronald Hutton |
Sophie Page, Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe (Ronald Hutton) |
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84/1, p. 141 |
Eliza Zingesser |
Benoît Grévin, Le Parchemin des cieux: Essai sur le Moyen Âge du langage (Eliza Zingesser) |
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84/1, p. 143 |
Colin Hardie |
A Concordance to the Divine Comedy of Dante Alighieri, by Ernest Hatch Wilkins, Thomas Goddard Bergin, Anthony J. De Vito |
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35/2, p. 146 |
STEVEN F. KRUGER |
Kathryn L. Lynch, Chaucer's Philosophical Visions, Chaucer Studies 27 |
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71/1, p. 147 |
B.E.C. Davis |
Die Literarästhetik des europäischen Mittelalters. Wolfram — Rosenroman — Chaucer — Dante, by H. H. Glunz |
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7/2, p. 151 |
Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
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84/1, p. 151 |
Marilyn Lawrence |
Jacques Chocheyras, Réalité et imaginaire dans le ‘Tristan’ de Béroul |
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81/2, p. 153 |
Francesca Galligan |
Justin Steinberg, Accounting for Dante: Urban Readers and Writers in Late Medieval Italy |
|
82/2, p. 153 |
Angus J. Kennedy |
Keith Busby, Bernard Guidot, and Logan E. Whalen (eds), ‘De sens rassis’: Essays in Honor of Rupert T. Pickens, Faux Titre 259 |
|
75/1, p. 153 |
David Matthews |
Monica Santini, The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth and Nineteenth-Century Britain (David Matthews) |
|
84/1, p. 156 |
ITA MACCARTHY |
Manuele Gragnolati, Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture, The William and Katherine Devers Series in Dante Studies |
|
76/1, p. 157 |
MARIANNE AILES |
Nicolas Lenoir, Étude sur la ‘Chanson d’Aiquin’ ou ‘La Conquête de la Bretagne par le roi Charlemagne’ |
|
81/2, p. 157 |
Ambrogio Camozzi Pistoja |
Piero Boitani, Dante e il suo futuro (Ambrogio Camozzi Pistoja) |
|
84/1, p. 160 |
K.P. Clarke |
Maria Luisa Ardizzone, Dante: il paradigma intellettuale: Un’inventio degli anni fiorentini (K. P. Clarke) |
|
84/1, p. 161 |
Nicolò Maldina |
Mira Mocan, L’arca della mente: Riccardo di San Vittore nella ‘Commedia’ di Dante |
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Sylvia Huot |
Anne Ibos-Augé, Chanter et lire dans le récit médiéval: La fonction des insertions lyriques dans les œuvres narratives et didactiques d’oïl aux XIIIe et XIVe siècles |
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81/2, p. 162 |
K.P. Clarke |
Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |
|
84/1, p. 162 |
J.H. Whitfield |
The Poet as Philosopher. Petrarch and the Formation of Renaissance Consciousness, by Charles Trinkaus |
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50/1, p. 163 |
|
Der Engelpapst Schriften der Königsberger Gelehrten Gesellschaft, 10 Jahr. Heft 2. (Geisteswissenschaftliche Klasse), by Friedrich Baethgen |
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3/2, p. 165 |
JENNIFER PETRIE |
Petrarch the Poet: An introduction to the 'Rerum Vulgarium Fragmenta', by Peter Hainsworth |
|
59/1, p. 174 |
JOHN WATTS |
Jones, Michael (ed.), The New Cambridge Medieval History, Vol. VI |
|
73/1, p. 176 |
C. Foligno |
Giovanni del Virgilio espositore delle 'Metamorfosi' Offprint from Giornale dantesco XXXIV N. S. Annuario dantesco IV, by Fausto Ghisalberti |
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3/3, p. 198 |
Piero Boitani |
Unfredo duca di Gloucester e gli umanisti italiani, by Alfonso Sammut |
|
51/2, p. 268 |
ROBERT MILLS |
Susan Schibanoff, Chaucer’s Queer Poetics: Rereading the Dream Trio |
|
76/2, p. 321 |
M.B. Crowe |
The Mirror of Language: A Study in the Medieval Theory of Knowledge, by Marcia L. Colish |
|
39/3, p. 325 |
George Holmes |
The Political Vision of the Divine Comedy, by Joan M. Ferrante |
|
55/2, p. 326 |
Roberto Weiss |
Castelvetro's Annotations to the Inferno, by R. C. Melzi |
|
38/3, p. 327 |
Carolyne Larrington |
Kristina Perez, The Myth of Morgan La Fey |
|
84/2, p. 332 |
Norman Klassen |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
|
74/2, p. 333 |
Anthony P. Bale |
Jonathan Hsy, Trading Tongues, Merchants, Multilingualism, and Medieval Literature (Anthony Bale) |
|
84/2, p. 335 |
RALUCA RADULESCU |
Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Raluca Radulescu) |
|
84/2, p. 341 |
K.P. Clarke |
Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
|
85/2, p. 347 |
Francesca Galligan |
Albert Russell Ascoli, Dante and the Making of a Modern Author |
|
82/1, p. 350 |
ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
|
84/2, p. 351 |
Lorenzo Valterza |
George Corbett, Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfillment |
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83/1, p. 351 |