| Colin Hardie |
Werden und Wesen der Komödie Dantes, by Rudolph Palgen |
|
25/1, p. 46 |
| H.E. Butler |
Excidium Troiae, by E. Bagby Atwood, Virgil K. Whitaker |
|
14/, p. 73 |
| Peter Godman |
Prudentius's 'Psychomachia': A Re-examination, by Macklin Smith |
|
47/1, p. 107 |
| Nicolas Jacobs |
Layamon's 'Brut': the Poem and its Sources, Arthurian Studies, 19, by Françoise Le Saux |
|
60/1, p. 108 |
| NICOLA F. McDONALD |
Reading Dido: Gender, Textuality and the Medieval 'Aeneid', by Marilynn Desmond |
|
65/1, p. 121 |
| Megan Cavell |
Asa Simon Mittman and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (Megan Cavell) |
|
84/1, p. 148 |
| DAVID ANDERSON |
The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor |
|
61/1, p. 153 |
| PETER ARMOUR |
Peter S. Hawkins, Dante's Testaments: Essays in Scriptural Imagination |
|
70/1, p. 156 |
| R.G. Austin |
Selections from Gavin Douglas. (Clarendon Medieval and Tudor Series), by David F. C. Coldwell |
|
34/2, p. 159 |
| Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
|
47/1, p. 159 |
| VALERIE WORTH |
Die erste französische Aeneis. Untersuchungen zu Octovien de Saint-Gelais' Übersetzung, mit einer kritischen Edition des VI. Buches, Studia Humaniora, 9, by Thomas Brückner |
|
59/1, p. 173 |
| PETER ARMOUR |
The Transfiguration of History at the Center of Dante's 'Paradise', by Jeffrey T. Schnapp |
|
58/1, p. 179 |
| Roy Harris |
Chrétien und die Aeneis. Eine Untersuchung des Einflusses von Vergil auf Chrétien von Troyes, by Werner Ziltener |
|
27/3, p. 186 |
| Michael C. Seymour |
Provence and Pound, by Peter Makin |
|
50/1, p. 190 |
| P. Mroczkowski |
Chaucer's Book of Fame: An Exposition of 'The House of Fame', by J. A. W. Bennett |
|
39/2, p. 210 |
| HELEN S. HOUGHTON |
Medieval Body Language: a study of the use of gesture in Chaucer's poetry, Anglistica, 21 (Copenhagen: Rosenkilde & Bagger, 1980), by Robert G. Benson |
|
51/2, p. 261 |
| Dominica Legge |
The Vision of Hell, by D. D. R. Owen |
|
41/3, p. 266 |
| Beryl Rowland |
Form and Style in Early English Literature, by Pamela Gradon |
|
43/3, p. 286 |
| J.A.W. Bennett |
The History of All Souls College Library, by Edmund Craster, E. F. Jacob |
|
42/3, p. 297 |
| Mishtooni Bose |
Job, Boethius and Epic Truth, by Ann W. Astell |
|
64/2, p. 297 |
| ALCUIN BLAMIRES |
The Romance of Origins: Language and Sexual Difference in Middle English Literature, by Gayle Margherita |
|
64/2, p. 313 |
| Faith Lyons |
Cleomadés: A Study in Architectonic Patterns, (Romance Monographs 11), by Margaret Munroe Boland |
|
46/2, p. 314 |
| PENNY ELEY |
Philippe Logié, L'Enéas: une traduction au risque de l'invention |
|
69/2, p. 316 |
| Daniel Anlezark |
Michael Drout (ed.), ‘Beowulf and the Critics’ by J. R. R. Tolkien, Medieval and Renaissance Texts and Studies 248 |
|
72/2, p. 319 |
| Patrick Boyde |
Wie Dante das Jenseits erfährt. Zur Erkenntnistheorie des Dichters der Göttlichen Komödie, by Willi Hirdt |
|
60/2, p. 320 |
| PENNY SULLIVAN |
Relire le "Roman d'Eneas", Collection Unichamp, 8, by Jean Dufournet |
|
56/2, p. 335 |
| Daniel Anlezark |
Richard North, The Origins of ‘Beowulf’: From Vergil to Wiglaf |
|
77/2, p. 337 |