JOHN NORTON-SMITH |
The Poetry of John Lydgate, by Alain Renoir |
|
38/1, p. 88 |
JOHN C. HIRSH |
Claire Fanger (ed.), Conjuring Spirits: Texts and Traditions ef Medieval Ritual Magic, Magic in History Series |
|
69/1, p. 111 |
R. HASTINGS |
Before the 'Knight's Tale': Imitation of Classical Epic in Boccaccio's 'Teseida', by D. Anderson |
|
60/1, p. 112 |
J.A. Burrow |
Chaucer and the Subject of History, by Lee Patterson |
|
62/1, p. 131 |
Barry Windeatt |
Chaucer and the Tradition of the 'Roman Antique', Cambridge Studies in Medieval Literature 15, by Barbara Nolan |
|
63/1, p. 136 |
PAUL V. ROCKWELL |
Zrinka Stahuljak, Bloodless Genealogies of the French Middle Ages: Translatio,Kinship, and Metaphor |
|
76/1, p. 148 |
Helen C.R. Laurie |
The Theme of Love in the Romans d'antiquité, by R. Jones |
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42/2, p. 166 |
Meg Twycross |
A Mirror of Chaucer's World, by Roger Sherman Loomis |
|
36/2, p. 191 |
A.V.C. Schmidt |
Medieval Studies for J. A. W. Bennett Aetatis Suae LXX, by P. L. Heyworth |
|
51/2, p. 234 |
N.F. Blake |
The Structure of Beowulf, by Kenneth Sisam |
|
35/3, p. 236 |
Maldwyn Mills |
Cambridge University Library MS Ff. 2.38, by Frances McSparran, P. R. Robinson |
|
51/2, p. 246 |
Maldwyn Mills |
A Manual of the Writings in Middle English 1050-1500, by J. Burke Severs |
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40/3, p. 291 |
KARLA TAYLOR |
Robert R. Edwards, Chaucer and Boccaccio: Antiquity and Modernity |
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72/2, p. 326 |