LIZ JAMES |
Leslie Brubaker, Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the 'Homilies of Gregory of Nazianzus' |
|
69/1, p. 110 |
JOHN C. HIRSH |
Claire Fanger (ed.), Conjuring Spirits: Texts and Traditions ef Medieval Ritual Magic, Magic in History Series |
|
69/1, p. 111 |
LODI NAUTA |
Charles Burnett (ed. and trans.), with the collaboration of Italo Ronca, Pedro Mantas España and Baudouin van den Abeele Adelard of Bath; Conversations with his Nephew: 'On the Same and the Different', 'Questions on Natural Science', and 'On Birds', Cambridge Medieval Classics 9 |
|
69/1, p. 113 |
RONALD G. WITT |
Lauirie Shepard, Courting Power: Persuasion and Politics in the Early Thirteenth Century, Garland Studies in Medieval Literature 17 |
|
69/1, p. 115 |
SANTHA BHATTACHARJI |
James M. Dean, The World Grown Old in Later Medieval Literature |
|
69/1, p. 116 |
JAMES G. CLARK |
Jennifer M. Sheppard, The Buildwas Books: Book Production, Acquisition and Use at an English Cistercian Monasteo1) 1165-c.1400 |
|
69/1, p. 117 |
RALPH HANNA III |
Alan Coates, English Medieval Books: The Reading Abbey Collections from the Foundation to Dispersal, Oxford Historical Monographs |
|
69/1, p. 118 |
HEATHER O'DONOGHUE |
Magnús Fjalldal, The Long Arm of Coincidence: The Frustrated Connection between 'Beowulf' and 'Grettis saga' |
|
69/1, p. 119 |
M. BRADFORD BEDINGFIELD |
Bruce Mitchell and Fred C. Robinson (eds), Beowulf: An Edition with Relevant Shorter Texts |
|
69/1, p. 120 |
Ann Squires |
M. A. D'Aronco and M. L. Cameron (ed.), The Old English Illustrated Pharmacopoeia: British Library Cotton Vitellius C III, Early English Manuscripts in Facsimile 27 |
|
69/1, p. 122 |
Ann Squires |
Jennifer Neville, Representations of the Natural World in Old English Poetry, Cambridge Studies in Anglo-Saxon England 27 |
|
69/1, p. 122 |
ROHINI JAYATILAKA |
Christopher A. Jones, Ælfric's letter to the Monks of Eynsham, Cambridge Studies in Anglo-Saxon England 24 |
|
69/1, p. 124 |
RALPH HANNA III |
Vincent P. McCarren and Douglas Moffatt,A Guide to Editing Middle English |
|
69/1, p. 125 |
RALPH HANNA III |
Sarah Larratt Keefer and Katherine O'Brian O'Keeffe (eds), New Approaches to Editing Old English Verse |
|
69/1, p. 125 |
James Simpson |
David Wallace (ed.), The Cambridge History of Medieval English Literature |
|
69/1, p. 127 |
Anne Mouron |
Klaus Bitterling, Of Shrifle and Penance: The ME Prose Translation of the 'Manuel des péchés', Middle English Texts 29 |
|
69/1, p. 130 |
Anne Hudson |
Kathryn Kerby-Fulton and Denise L. Despres, Iconography and the Professional Reader: The Politics of Book Production in the Douce 'Piers Plowman' |
|
69/1, p. 131 |
ELIZABETH FOWLER |
A.J. Minnis, Charlotte C. Morse and Thorlac Turville-Petre (eds), Essays on Ricardian Literature: In Honour of John Burrow |
|
69/1, p. 132 |
IAN JOHNSON |
J. Stephen Russell, Chaucer and the Trivium: The Mindsong of the 'Canterbury Tales' |
|
69/1, p. 133 |
HELEN BARR |
Paul Strohm, England's Empty Throne: Usurpation and the Language of Legitimation 1399-1422 |
|
69/1, p. 134 |
CATHERINE LA FARGE |
Helen Cooper (ed.), Sir Thomas Malory; Le Morte Darthur: The Winchester Manuscript |
|
69/1, p. 136 |
A.S.G. Edwards |
Margaret Connolly, John Shirley: Book Production and Noble Household in Fifteenth-Century England |
|
69/1, p. 137 |
PETER HAPPÉ |
Gordon Kipling, Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph |
|
69/1, p. 139 |
PETER HAPPÉ |
Greg Walker, The Politics of Performance in Early Renaissance Drama |
|
69/1, p. 139 |
DAVID WALLACE |
Derek Pearsall (ed.), Chaucer to Spenser: An Anthology of Writings in English, 1375-1575 |
|
69/1, p. 140 |
RICHARD FIRTH GREEN |
Stephen Knight, Robin Hood: A Complete Study of the English Outlaw |
|
69/1, p. 142 |
RICHARD FIRTH GREEN |
Kevin Carpenter (ed.), Robin Hood: die vielen Gesichter des edlen Räubers/Robin Hood: The Many Faces of that Celebrated English Outlaw |
|
69/1, p. 142 |
RICHARD FIRTH GREEN |
Stephen Knight (ed.), Robin Hood: The Forresters Manuscript (British Library Additional Manuscript 71158) |
|
69/1, p. 142 |
Linda M. Paterson |
Matilda Tomaryn Bruckner, Laurie Shepard, and Sarah White (eds and trans.), Songs of the Women Troubadours |
|
69/1, p. 144 |
Linda M. Paterson |
Pierre Bec (ed.), Chants d'amour des femmes-troubadours |
|
69/1, p. 144 |
PETER T. RICKETTS |
Gérard Gouiran (ed.), Jean-Charles Huchet (pref.), Jean-Pierre Chambon (rev.), Arnaut Vidal de Castelnaudary; Le Livre des aventures de Monseigneur Guilhem de la Barra. Textes et traductions des Classiques français du moyen âge 5 |
|
69/1, p. 146 |
MARIANNE AILES |
Ásdis R. Magnúsdóttir, La Voix du cor: la relique de Roncevaux et l'origine d'un motif dans la littérature du moyen âge (X!Ie-XIVe siècles), IFAVL 31 |
|
69/1, p. 147 |
SIMON B. GAUNT |
Evelyn Birge Vitz, Orality and Performance in Early French Romance |
|
69/1, p. 148 |
PHILIP E. BENNETT |
Sophie Marnette, Narrateur et points de vue dans la littérature française médiévale: une approche linguistique |
|
69/1, p. 149 |
Leslie C. Brook |
Beate Schmolke-Hasselmann (author), Margaret Middleton and Roger Middleton (trans.),The Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart, Cambridge Studies in Medieval Literature 35 |
|
69/1, p. 151 |
ROGER PENSOM |
Francis Dubost, Le Conte du Graal ou l'art de faire signe, Unichamp 71 |
|
69/1, p. 152 |
Elspeth Kennedy |
Peggy McCracken, The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature |
|
69/1, p. 153 |
Elspeth Kennedy |
Margaret Bent and Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 |
|
69/1, p. 155 |
Jane H.M. Taylor |
Isabelle Bétemps, L'Imaginaire dans l'œuvre de Guillaume de Machaut, Bibliothèque du XVe siècle 59 |
|
69/1, p. 157 |
Sylvia Huot |
Catherine Attwood, Dynamic Dichotomy: The Poetic 'I' in Fourteenth- and Fifteenth-Century French Lyric Poetry, Faux Titre 149 |
|
69/1, p. 158 |
MARIANNE AILES |
Michel J. Raby (ed.), Le Huon de Bordeaux en prose du XVème siècle |
|
69/1, p. 159 |
ALAN E. KNIGHT |
Graham A. Runnalls, Études sur les mystères: un recueil de 22 études sur les mystères français, suivi d'un répertoire du théâtre religieux français du moyen âge et d'une bibliographie, Champion-Varia 14 |
|
69/1, p. 161 |
ALAN HINDLEY |
Charles Mazouer, Le Théatre français du moyen âge |
|
69/1, p. 162 |
JONATHAN USHER |
Gregory Stone, The Ethics of Nature in the Middle Ages: On Boccaccio's Poetaphysics |
|
69/1, p. 163 |
David Hook |
Irene Zaderenko, Problemas de autoría, de estructura y de fuentes en el 'Poema de mio Cid', Poetria nova 5 |
|
69/1, p. 164 |
NIGEL HARRIS |
Gerold Hayer, Konrad von Megenberg, 'Das Buch der Natur': Untersuchungen zu seiner Text- und Überlieferungsgeschichte, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelaters 110 |
|
69/1, p. 166 |
NIGEL HARRIS |
Norbert H. Ott and Ulrike Bodemann, Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters, vol. III, fascicule 1 |
|
69/1, p. 166 |
DAVID GANZ |
Nigel Palmer, Zisterzienser und ihre Bücher, die mittelalterliche Bibliotheksgeschichte von Kloster Eberbach im Rheingau unter besonderer Berücksichtigung der in Oxford und London aufbewahrten Handschriften |
|
69/1, p. 168 |
JOHN WATTS |
Christopher Allmand (ed.), New Cambridge Medieval History, VII: c. 1415 — c. 1500 |
|
69/1, p. 170 |
Mary Carruthers |
Alexander Murray, Suicide in the Middle Ages, vol. I: The Violent against Themselves |
|
69/1, p. 171 |
D.J.A. MATTHEW |
David Rollason, Symeon of Durham, Historian of Durham and the North, Studies in North-Eastern History 1 |
|
69/1, p. 172 |
H.E.J. COWDREY |
Constance Brittain Bouchard, The Cartulary of St.-Marcel-lès-Chalon, 779-1126 |
|
69/1, p. 173 |
Corinne J. Saunders |
Ruth Mazo Karras, Common Women: Prostitution and Sexuality in Medieval England, Studies in the History of Sexuality |
|
69/1, p. 175 |