visuality
Articles
Author(s) Title Issue
Elaine C. Southward THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE 15/ p. 1
Maurice Hussey THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE 27/1 p. 8
Ruth J. Dean A FOURTEENTH-CENTURY MANUSCRIPT OF "LE ROMAN DE LA ROSE" AND A FRAGMENT OF "LE COMPOT": HUNTINGTON MANUSCRIPT 902 12/ p. 18
Mahmoud Manzalaoui ENGLISH ANALOGUES TO THE "LIBER SCALÆ" 34/1 p. 21
J.A. TASIOULAS Heaven and earth in little space: the foetal existence of Christ in medieval literature and thought 76/1 p. 24
BEVERLY BRIAN GILBERT FRANCISCAN SCENES IN A FOURTEENTH-CENTURY SATIRE 41/1 p. 27
SIMON HOROBIN, ALISON WIGGINS Reconsidering Lincoln’s Inn MS 150 77/1 p. 30
N.R. Ker 'FOR ALL THAT I MAY CLAMP': LOUVAIN STUDENTS AND LECTURE-ROOMS IN THE FIFTEENTH CENTURY 39/1 p. 32
D.J.A. Ross THE ICONOGRAPHY OF ROLAND 37/1 p. 46
JANET R. DONER SCRIBAL WHIM AND MINIATURE ALLOCATION IN THE ILLUSTRATED MANUSCRIPTS OF THE "CONTINUATION-GAUVAIN" 65/1 p. 72
D.J.A. Ross A FIFTEENTH-CENTURY REVISION OF THE OLD FRENCH PROSE ALEXANDER 27/2 p. 86
RICHARD DAVID WISSOLIK DUKE WILLIAM'S MESSENGERS: AN 'INSOLUBLE, REVERSE-ORDER' SCENE OF THE BAYEUX TAPESTRY 51/1 p. 102
JOHN FINLAYSON ARTHUR AND THE GIANT OF ST. MICHAEL'S MOUNT 33/2 p. 112
E.V. Gordon, C.T. Onions NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) p. 165
M.M. Lascelles ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) 5/3 p. 173
T.M. Smallwood THE INTERPRETATION OF "SOMER SONEDAY" 42/3 p. 238
JOHN NORTON-SMITH EKPHRASIS AS A STYLISTIC ELEMENT IN DOUGLAS'S "PALIS OF HONOURE" 48/2 p. 240
PHILLIPA HARDMAN READING THE SPACES: PICTORIAL INTENTIONS IN THE THORNTON MSS, LINCOLN CATHEDRAL MS 91, AND BL MS ADD. 31042 63/2 p. 250
Corrigenda: 'PENSASTES EL MUNDO POR VOS TRASTORNAR': THE WORLD UPSIDE-DOWN IN THE "DANÇA GENERAL DE LA MUERTE" 48/2 p. 336
Reviews
Author(s) Title Issue
Colin Hardie Werden und Wesen der Komödie Dantes, by Rudolph Palgen 25/1 p. 46
W.O. Hassall The Rise of Pictorial Narrative in twelfth-century England, by Otto Pächt 33/1 p. 75
Kenneth Varty Illustrated Medieval Alexander-Books in Germany and the Netherlands, by D. J. A. Ross 42/1 p. 82
John Stevens Themes and Images in the Medieval English Religions Lyric, by Douglas Gray p. 90
W.O. Hassall Images in the Margins of Gothic Manuscripts. California Studies in the History of Art iv, by Lilian M. C. Randall 37/1 p. 102
Anne Hudson The Book of Memory: a Study of Memory in Medieval Culture, Cambridge Studies in Medieval Literature, 10, by Mary J. Carruthers 61/1 p. 107
LIZ JAMES Leslie Brubaker, Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the 'Homilies of Gregory of Nazianzus' 69/1 p. 110
Jill Mann Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion, by Caroline Walker Bynum 62/1 p. 111
Norman Klassen Suzannah Biernoff Sight and Embodiment in the Middle Ages 73/1 p. 112
Nigel Palmer The Vision of Tnugdal, by Jean-Michel Picard, Yolande de Pontfarcy 61/1 p. 114
JANE STEVENSON Visible Song: Transitional Literacy in Old English Verse, Cambridge Studies in Anglo-Saxon England, 4, by Katherine O'Brien O'Keeffe 61/1 p. 117
CHRISTOPH GERHARDT David Williams, Deformed Discourse: The Function of the Monster in Medieval Thought and Literature 67/1 p. 117
Lesley Smith Jeffrey F. Hamburger, Nuns as Artists: The Visual Culture of a Medieval Convent 67/1 p. 120
Richard Beadle Contexts for Early English Drama, by Marianne G. Briscoe, John C. Coldewey 60/1 p. 121
ROGER MASON Scott D. Westrem , The Hereford Map: A Transcription and Translation of the Legends with Commentary, Terrarum orbis I, 72/1 p. 122
Mark Campbell Chambers Sarah Carpenter and Meg Twycross, Masks and Masking in Medieval and Early Tudor England, Studies in Performance and Early Modern Drama 73/1 p. 129
Peter S. Noble Dies Illa: Death in the Middle Ages, Vinaver Studies in French, 1, by Jane H. M. Taylor 55/1 p. 129
Anne Hudson Kathryn Kerby-Fulton and Denise L. Despres, Iconography and the Professional Reader: The Politics of Book Production in the Douce 'Piers Plowman' 69/1 p. 131
Roger Ellis Biblia Pauperum: a Facsimile and Edition, by A. Henry 58/1 p. 133
Norman Klassen

Amanda Holton, The Sources of Chaucer’s Poetics

 		80/2 p. 139
PETER HAPPÉ Gordon Kipling, Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph 69/1 p. 139
ALISON STONES Claire Richter Sherman, Imaging Aristotle: Verbal and Visual Representation in Fourteenth-Century France 68/1 p. 142
Helen Swift Deborah McGrady, Controlling Readers: Guillaume de Machaut and his Late Medieval Audience 77/1 p. 143
Daniel Anlezark Mark C. Amodio, Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England 75/1 p. 144
Miranda Griffin Logan E Whalen, Marie de France and the Poetics of Memory 78/1 p. 146
KIRSTIN KENNEDY John Gornall, Jane Whetnall (ed.), The 'Invenciones' of the British Library 'Cancionero', Papers of the Medieval Hispanic Research Seminar 41 74/1 p. 152
Catherine Emerson Virginie Minet-Mahy, L’Automne des images: Pragmatique de la langue figurée chez George Chastelain, François Villon et Maurice Scève 80/2 p. 152
Nigel Palmer Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 68/1 p. 152
Jane H.M. Taylor Ann Tukey Harrison (ed.), with a chapter by Sandra L. Hindman, The 'Danse Macabre' of Women: MS fr. 995 of the Bibliothèque Nationale 66/1 p. 152
Sylvia Huot Alcuin Blamires and Gail C. Holian, The 'Romance of the Rose' Illuminated: Manuscripts at the National Library of Wales, Medieval and Renaissance Texts and Studies 223 72/1 p. 153
Nigel Palmer Die Inschriften der Lüneburger Klöster Ebstorf, Isenhagen, Lüne, Medingen, Walsrode, Wienhausen, collected and ed. Sabine Wehking 79/1 p. 153
CYNTHIA J. BROWN Adrian Armstrong, Technique and Technology: Script, Print, and Poetics in France, 1470-1550, Oxford Modern Languages and Literature Monographs 70/1 p. 155
HENRIKE MANUWALD Julia C. Walworth, Parallel Narratives: Function and Form in the Munich Illustrated Manuscripts of 'Tristan' and 'Willehalm von Orlens', King's College London Medieval Studies 20 78/1 p. 156
SYLVIA WRIGHT The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille 61/1 p. 157
Francesca Galligan Maurizio Fiorilla, Marginalia figurati nei codici di Petrarca. Biblioteca di 'lettere italiane': Studi e testi LXV 76/1 p. 158
Richard Axton The Medieval Religious Stage, by A. M. Nagler 49/1 p. 158
Sebastian Coxon James A. Rushing, Jr, Images of Adventure: Ywain in the Visual Arts, Middle Ages Series 66/1 p. 162
ALAN HINDLEY Charles Mazouer, Le Théatre français du moyen âge 69/1 p. 162
P.R. COSS The Image of Aristocracy in Britain, 1000-1300, by David Crouch 63/1 p. 167
W.O. Hassall The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff 41/2 p. 178
Meg Twycross A Mirror of Chaucer's World, by Roger Sherman Loomis 36/2 p. 191
P. Bibire Scaldic Poetry, by E. O. G. Turville-Petre 47/1 p. 199
Janet Backhouse The Caxton Master and his Patrons. Cambridge Bibliographical Society Monograph 8, 1976, by Kathleen L. Scott 47/1 p. 201
N.R. Ker The Exeter Book of Old English Poetry, by R. W. Chambers, Max Förster, Robin Flower p. 224
Otto Pächt Meditations on the Life of Christ—An Illustrated Manuscript of the Fourteenth Century (Paris, Bibl. Nat., MS. Ital. 115), by Isa Ragusa, Rosalie B. Green 32/3 p. 234
Erwin Mayer Die englische Heiligenlegende des Mittelalters. Eine Formgeschichte des Legendenerzählens von der spätantiken lateinischen Tradition bis zur Mitte des 16. Jahrhunderts. Buchreihe der Anglia, Bd. 10, by Theodor Wolpers 35/3 p. 266
Eric Stanley 'Wlanc' und Derivate im Alt-und Mittelenglischen. Eine wortgeschichtliche Studie (Angelsächsische Sprache und Literatur 61), by Michael von Rüden 48/2 p. 271
George Watson Lord Morley's 'Tryumphes of Fraunces Petrarcke': The first English Translation of the 'Trionfi', by D. D. Carnicelli 41/3 p. 279
Helen Cooper Chaucer and the Imagery of Narrative: the First Five Canterbury Tales, by V. A. Kolve 55/2 p. 286
A.V.C. Schmidt Art and Beauty in the Middle Ages, by Umberto Eco, Hugh Bredin 57/2 p. 291
CHARLES TOMLINSON The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism, by Leonard Barkan 57/2 p. 292
Richard Beadle From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson 55/2 p. 299
J.J.G. Alexander Evangelica Historia. Disegni trecenteschi del MS. L. 58. Sup. della Biblioteca Ambrosiana. (Fontes Ambrosiani in Lucem Editi Cura et Studio Bibliothecae Ambrosianae 58), by B. Degenhart, A. Schmitt, A. Paredi 49/2 p. 307
Jeffrey Hamburger Mary Carruthers, The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200 68/2 p. 307
BELLA MILLETT Susan L. Smith, The Power of Women: A 'Topos' in Medieval Art and Literature 66/2 p. 307
Barbara C. Raw The Role of Art in the Late Anglo-Saxon Church, by Richard Gameson 65/2 p. 309
PETER KIDD Kristine Haney, The St. Albans Psalter: An Anglo-Saxon Song of Faith, Studies in the Humanities: Literature-Politics-Society 60 72/2 p. 310
P.F. Ganz Konrads Büchlein von der geistlichen Gemaheischaft. Untersuchungen und Text (Münchner Texte und Untersuchungen zur Literatur des Mittelalters 31), by Ulrich Schülke 40/3 p. 312
VINCENT MOLETA Dante's 'Paradiso' and the Limitations of Modern Criticism, by Robin Kirkpatrick 49/2 p. 312
Vincent Gillespie Julian of Norwich's Showings: From Vision to Book, by Denise Nowakowski Baker 65/2 p. 317
D.D.R. Owen L' Architecture des palais et des jardins dans les chansons de geste. Essai sur le thème du roi en majesté, by Alain Labbé 59/2 p. 319
David G. Pattison Emperor of Culture: Alfonso X the Learned of Castile and his Thirteenth-Century Renaissance, by Robert I. Burns 60/2 p. 321
Jeffrey Hamburger James France, Medieval Images of Saint Bernard of Clairvaux 77/2 p. 324
Meg Twycross York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor 49/2 p. 332
Spencer Pearce Transcription and Visual Poetics in the Early Italian Lyric, Garland Studies in Medieval Literature 7, by H. Wayne Storey 64/2 p. 336
Daniel Anlezark Richard North, The Origins of ‘Beowulf’: From Vergil to Wiglaf 77/2 p. 337
RAYMOND J. CORMIER Studien zur Tradition und Rezeption der Bildlichkeit in der 'Eneide' Heinrichs von Veldeke, Mikrokosmos: Beiträge zur Literaturwissenschaft und Bedeutungsforschung, 3, by Sara Stebbins 55/2 p. 338
Dennis Green Eckard Conrad Lutz, Johanna Thali, and René Wetzel (eds), Literatur und Wandmalerei II. Konventionalität und Konversation. Burgdorfer Colloquium 2001 75/2 p. 343
Robert F. Yeager Douglas Gray (ed.), The Oxford Companion to Chaucer 74/2 p. 344
PETER ARMOUR

Theodore J. Cachey Jr, Dante Now: Current Trends in Dante Studies, The William and Katherine Devers Series in Dante Studies 1

 		66/2 p. 352
ANNETTE VOLFING Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy 74/2 p. 355
ALAN ROBERTSHAW Volker Schupp and Hans Szklenar, Ywain auf Schloβ Rodenegg: eine Bildergeschichte nach dem 'Iwein' Hartmanns von Aue 66/2 p. 355
Dennis Green Eckart Conrad Lutz, Johanna Thali, and René Wetzel, Literatur und Wandmalerei I. Erscheinungsformen höfischer Kultur und ihre Träger im Mittelalter. Freiburger Colloquium 1988 72/2 p. 356
D.J.A. Ross Text und Illustration im Mittelalter, (Münchener Texte and Untersuchungen zur deutschen Literatur des Mittelalters 50), by Hella Frühmorgen-Voss, N. H. Ott 46/2 p. 356
John J. Thompson The Eton Roundels: Eton College MS 177 ('Figurae Bibliorum'), by Avril Henry 61/2 p. 356
Christopher Cannon Richard Gameson (ed.), The Study of the Bayeux Tapestry 67/2 p. 356
Review Articles
Author(s) Title Issue
H.L. SPENCER The study of medieval English preaching: what next? 69/1 p. 104
Shorter Notices
Author(s) Title Issue
SHORTER NOTICES 61/1 p. 161
SHORTER NOTICES 64/1 p. 172
Notes
Author(s) Title Issue
ELAINE E. WHITAKER

SOISSONS MS 221: AN ACEPHALOUS "SOMME LE ROI/MIROIR DU MONDE" CONTAINING TWO UNRECORDED ILLUSTRATIONS

 		61/1 p. 83
R.A. NEALE THE FOOL AND HIS LOAF 54/1 p. 104
Marion E. Gibbs VISUAL MOMENTS IN WOLFRAM'S "WILLEHALM" 59/1 p. 120
Electronic Media
Author(s) Title Issue
ALASTAIR MATTHEWS Berner Parzival-Handschrift (Burgerbibliothek, Cod. AA 91): Mit Volltranskription und einer Einführung von Michael Stolz, ed. Parzival-Projekt Universität Bern 78/2 p. 363