| Norman Klassen |
Suzannah Biernoff Sight and Embodiment in the Middle Ages |
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73/1, p. 112 |
| Norman Klassen |
The Tempter's Voice: Language and the Fall in Medieval Literature, by Eric Jager |
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65/1, p. 113 |
| Norman Klassen |
Alcuin Blamires, Chaucer, Ethics, and Gender |
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76/1, p. 135 |
| Norman Klassen |
Lawrence Besserman, Biblical Paradigms in Medieval English Literature: From Cædmon to Malory |
|
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| Norman Klassen |
David Aers, Faith, Ethics and Church: Writing in England, 1360-1409 |
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71/1, p. 138 |
| Norman Klassen |
Amanda Holton, The Sources of Chaucer’s Poetics |
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80/2, p. 139 |
| Norman Klassen |
Edward I. Condren, Chaucer and the Energy of Creation: The Design and the Organization of the 'Canterbury Tales' |
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70/1, p. 139 |
| Norman Klassen |
Virtues of the Will: The Transformation of Ethics in the Late Thirteenth Century, by Bonnie Kent |
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66/1, p. 172 |
| Norman Klassen |
Lovesickness in the Middle Ages: the 'Viaticum' and its Commentaries, by Mary Wack |
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60/2, p. 295 |
| Norman Klassen |
M. S. Kempshall, The Common Good in Late Medieval Political Thought |
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70/2, p. 311 |
| Norman Klassen |
Dolores L. Cullen, Chaucer’s Pilgrims: The Allegory |
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72/2, p. 327 |
| Norman Klassen |
Ann W. Astell, Chaucer and the Universe of Learning |
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66/2, p. 329 |
| Norman Klassen |
Suzanne Conklin Akbari, Seeing Through the Veil: Optical Theory and Medieval Allegory |
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74/2, p. 333 |
| Norman Klassen |
The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives, by A. C. Spearing |
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63/2, p. 333 |
| Norman Klassen |
L. O. Aranye Fradenburg, Sacrifice your Love: Psychoanalysis, Historicism, Chaucer |
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73/2, p. 336 |
| Norman Klassen |
Perception and Passion in Dante's 'Comedy', by Patrick Boyde |
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64/2, p. 338 |
| Norman Klassen |
Sarah Stanbury, The Visual Object of Desire in Late Medieval England |
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78/2, p. 338 |
| Norman Klassen |
John M. Fyler, Language and the Declining World in Chaucer, Dante, and Jean de Meun, Cambridge Studies in Medieval Literature 63 |
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77/2, p. 342 |