| Norman Klassen |
The Tempter's Voice: Language and the Fall in Medieval Literature, by Eric Jager |
|
65/1, p. 113 |
| Corinne J. Saunders |
Laura L. Howes, Chaucer's Gardens and the Language of Convention |
|
68/1, p. 132 |
| ENRICO GIACCHERINI |
The Old French and Chaucerian Fabliaux. A Study of Their Comic Climax, by Thomas D. Cooke |
|
48/2, p. 300 |
| Roger Ellis |
Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales', by C. David Benson |
|
57/2, p. 310 |
| D.S. Brewer |
Geoffrey Chaucer, Feminist Readings, by Jill Mann |
|
61/2, p. 320 |
| Helen Phillips |
Sue Niebrzydowski, Bonoure and Buxum: A Study of Wives in Late Medieval Literature |
|
77/2, p. 330 |
| Neil Cartlidge |
Kathryn Jacobs, Marriage Contracts from Chaucer to the Renaissance Stage |
|
71/2, p. 334 |