Thomas Walton |
François Villon et les thèmes poétiques du Moyen Age, by Italo Siciliano |
|
4/1, p. 25 |
Richard Axton |
Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |
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39/1, p. 49 |
A.B. Scott |
Poetic individuality in the Middle Ages. New Departures in Poetry, 1000-1150, by Peter Dronke |
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41/1, p. 53 |
Lewis Thorpe |
Le roman de Renart dans la littérature française et dans les littératures étrangères au moyen âge. University of Toronto Romance Series, Volume IV, by John Flinn |
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35/1, p. 68 |
G.R. Mellor |
Joufroi de Poitiers: Roman d'Aventures du XIIIe siècle, by Percival B. Fay, John L. Grigsby |
|
43/1, p. 68 |
Dennis Green |
Deutsche Literatur im europäischen Mittelalter. Vol. I (800-1197), Vol. II (1195-1220), by Karl Bertau |
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Edward M. Wilson |
Juan Ruiz: The Book of Good Love, by Rigo Mignani, Mario A. Di Cesare |
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40/1, p. 80 |
Peter N. Dunn |
The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas |
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37/1, p. 117 |
Douglas J. McMillan |
Società feudale e ideologia nel 'Charroi de Nîmes'. (Università di Padova: Pubblicazioni della Facoltà di Lettere e Filosofia XLIX), by M. Mancini |
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47/1, p. 119 |
Helen Cooper |
Chaucer and Scriptural Tradition, by David Lyle Jeffrey |
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56/1, p. 119 |
RUTH E. HARVEY |
Troubadours and Irony, Cambridge Studies in Medieval Literature, 3, by Simon Gaunt |
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60/1, p. 126 |
MICHAEL J. FRANKLIN |
Poets at Play: Irony and Parody in the Harley Lyrics, by Daniel J. Ransom |
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56/1, p. 128 |
Peter S. Noble |
La Prise d'Orange, ou La Parodie courtoise d'une épopée, Nouvelle bibliothèque du moyen âge, 10, by Claude Lachet |
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57/1, p. 128 |
Sarah Kay |
Vilain and Courtois: Transgressive Parody in French Literature of the Twelfth and Thirteenth Centuries, by Kathryn Gravdal |
|
60/1, p. 130 |
Helen Cooper |
Chaucer and Menippean Satire, by F. Anne Payne |
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52/1, p. 134 |
J.H. Mozley |
Ecbasis cuiusdam captivi. Escape of a certain captive. An Eleventh-Century Latin Beast Epic, by Edwin H. Zeydel |
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34/2, p. 135 |
Warren Ginsberg |
Carol Falvo Heffernan, Comedy in Chaucer and Boccaccio |
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80/2, p. 137 |
ANTHONY LODGE |
Les Structures narratives dans le 'Roman de Renart' AASF, Dissertationes Humanarum Litterarum, 26, by Elina Suomela-Härmä |
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53/1, p. 141 |
Peter Rickard |
Prospettive sui Fabliaux: Contesto, sistema, realizzazioni, (Ydioma Tripharium 3), by Charmaine Lee, Anna Riccadonna, Alberto Limentani, Aldo Miotto |
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47/1, p. 145 |
D.D.R. Owen |
Huon de Bordeaux et l'évolution du genre épique au XIIIe siècle, by Marguerite Rossi |
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46/1, p. 146 |
MARIANNE AILES |
Anne Elizabeth Cobby, Ambivalent Conventions: Formula and Parody in Old French, Faux Titre 101, Études de Langue et Littérature Françaises |
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67/1, p. 146 |
J.H. Whitfield |
The World at Play in Boccaccio's Decameron, by Giuseppe Mazzotta |
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57/1, p. 147 |
Linda M. Paterson |
Catherine Léglu, Between Sequence and 'Sirventes': Aspects of Parody in the Troubadour Lyric, Legenda/Research Monographs in French Studies 8 |
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72/1, p. 148 |
RUTH E. HARVEY |
Elizabeth W. Poe, Compilatio: Lyric Texts and Prose Commentaries in Troubadour Manuscript H (Vat. Lat. 3207), Edward Armstrong Monographs on Medieval Literature 11 |
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71/1, p. 153 |
Andreea Weisl-Shaw |
Ryan D. Giles, The Laughter of the Saints: Parodies of Holiness in Late Medieval and Renaissance Spain |
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80/2, p. 157 |
Tony Hunt |
Der arthurische Versroman von Chrestien bis Froissart, Beihefte zur Zeitschrift für romanische Philologie, 177, by Beate Schmolke-Hasselmann |
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52/1, p. 159 |
Aengus Ward |
Maurilio Pérez González (ed.), La Garcineida, Estudio y edición crítica, Ediciones griegas y latinas I |
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72/1, p. 161 |
E.M. Rutson |
La Manière satirique de Rutebeuf: le ton et le style, by Arié Serper |
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43/2, p. 172 |
M.J. FREEMAN |
Recueil de sermons joyeux, Textes littéraires français, 362, by Jelle Koopmans |
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59/1, p. 172 |
Brian Murdoch |
Codex Karlsruhe 408. (Deutsche Sammelhandschriften des späten Mittelalters: Bibliotheca Germanica 16), by U. Schmid |
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Dominica Legge |
The Vision of Hell, by D. D. R. Owen |
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41/3, p. 266 |
ENRICO GIACCHERINI |
The Old French and Chaucerian Fabliaux. A Study of Their Comic Climax, by Thomas D. Cooke |
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48/2, p. 300 |
Joan Crow |
Quatre sermons joyeux, by J. Koopmans |
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55/2, p. 320 |
J.H. Whitfield |
Religion and the Clergy in Boccaccio's Decameron, by Cormac L. O'Cuilleanáin |
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55/2, p. 328 |
Keith Busby |
Studies in Medieval French Language and Literature presented to Brian Woledge in Honour of his 80th Birthday, by Sally Burch North, M. A. Screech |
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58/2, p. 328 |
JILLIAN HILL |
The Romance of the Rose and its Medieval Readers: Interpretation, Reception, Manuscript Transmission, Cambridge Studies in Medieval Literature 16, by Sylvia Huot |
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64/2, p. 333 |
Dennis Green |
Stil- und Motivuntersuchungen zur mittelhochdeutschen Versnovelle. (Hermaea: Germanistische Forschungen, N.F. 26), by Karl-Heinz Schirmer |
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39/3, p. 338 |
Dennis Green |
Christoph Huber, Burghart Wachinger, and Hans-Joachim Ziegeler (eds), Geistliches in weltlicher und Weltliches in geistlicher Literatur des Mittelalters |
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70/2, p. 352 |