| E.V. Gordon |
ON "HRAFNKELS SAGA FREYSGOĐA" |
|
8/1, p. 1 |
| Mildred K. Pope |
NOTES ON SOME AMBIGUOUS PASSAGES IN THE "CHANSON DE ROLAND" |
|
5/1, p. 1 |
| Monica J. Barnett |
RENOART AU TINEL AND OGIER DE DANEMARCHE: A CASE OF CONTAMINATION |
|
40/1, p. 1 |
| A.G. Rigg |
ERACLIUS ARCHIPOETA: BEKYNTON ANTHOLOGY NOS. 14, 15, 20, 77 |
|
53/1, p. 1 |
| Elaine C. Southward |
THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE |
|
15/, p. 1 |
| Nancy Dean |
CHAUCERIAN ATTITUDES TOWARD JOY WITH PARTICULAR CONSIDERATION OF THE "NUN'S PRIEST'S TALE" |
|
|
| W. Ann Trindade |
THE ENEMIES OF TRISTAN |
|
43/1, p. 6 |
| Murray Copland |
THE SHIPMAN'S TALE: CHAUCER AND BOCCACCIO |
|
35/1, p. 11 |
| Murray Copland |
THE REEVE'S TALE: HARLOTRIE OR SERMONYNG? |
|
31/1, p. 14 |
| D.S. Brewer |
FORM IN THE "MORTE DARTHUR" |
|
21/, p. 14 |
| J.C. Douglas Marshall |
THREE PROBLEMS IN THE "VISION OF TUNDAL" |
|
|
| A.J. Bliss |
CELTIC MYTH AND ARTHURIAN ROMANCE |
|
30/1, p. 19 |
| KARIN BOKLUND-LAGOPOULOU |
"JUDAS": THE FIRST ENGLISH BALLAD? |
|
62/1, p. 20 |
| Jonathan Wordsworth |
A LINK BETWEEN THE KNIGHT'S TALE AND THE MILLER'S |
|
27/1, p. 21 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
|
55/1, p. 24 |
| Peter S. Noble |
ALIS AND THE PROBLEM OF TIME IN "CLIGÉS" |
|
39/1, p. 28 |
| R.I. Page |
'ET LICONAUS OT NON SES PERE' |
|
26/1, p. 32 |
| R. Bowen |
THE DREAMS OF CHARLEMAGNE |
|
23/1, p. 39 |
| JANETTE DILLON |
"PIERS PLOWMAN": A PARTICULAR EXAMPLE OF WORDPLAY AND ITS STRUCTURAL SIGNIFICANCE |
|
50/1, p. 40 |
| G.N. BROMILEY |
THE MAKING OF BEROUL'S "TRISTAN": THE ROLE OF REPETITION |
|
54/1, p. 47 |
| JOHN GORNALL |
HOW MANY TIMES WAS THE COUNT OF BARCELONA OFFERED HIS FREEDOM? DOUBLE NARRATION IN THE "POEMA DE MIO CID" |
|
56/1, p. 65 |
| James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S LOVE LYRICS |
|
47/1, p. 66 |
| Ida L. Gordon |
THE MURDER OF PORGRÍMR IN "GÍSLASAGA SÚRSSONAR" |
|
3/2, p. 79 |
| Fanni Bogdanow |
THE TREATMENT OF THE LANCELOT-GUENEVERE THEME IN THE PROSE "LANCELOT" |
|
41/2, p. 110 |
| Maldwyn Mills |
A NOTE ON "SIR LAUNFAL" 733-744 |
|
35/2, p. 122 |
| Fanni Bogdanow |
MORGAIN'S ROLE IN THE THIRTEENTH-CENTURY FRENCH PROSE ROMANCES OF THE ARTHURIAN CYCLE |
|
38/2, p. 123 |
| A.V.C. Schmidt |
LANGLAND AND SCHOLASTIC PHILOSOPHY |
|
38/2, p. 134 |
| H.B. Willson |
THE ROLE OF KEII IN HARTMANN'S "IWEIN" |
|
30/3, p. 145 |
| John B. Beston |
THE CASE AGAINST COMMON AUTHORSHIP OF "LAY LE FREINE" AND "SIR ORFEO" |
|
45/2, p. 153 |
| Donald C. Miller |
THE SEQUENCE OF THE "WALDHERE" FRAGMENTS |
|
10/3, p. 155 |
| Eugène Vinaver |
A ROMANCE OF "GAHERET" |
|
|
| M.A.L. Locherbie-Cameron |
BYRHTNOTH, HIS NOBLE COMPANION AND HIS SISTER'S SON |
|
57/2, p. 159 |
| Mildred K. Pope |
THE "ROMANCE OF HORN" AND "KING HORN" |
|
25/3, p. 164 |
| JOHN NORTON-SMITH |
LYDGATE'S CHANGES IN THE "TEMPLE OF GLAS" |
|
27/3, p. 166 |
| Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
| Roger Sherman Loomis |
ONOMASTIC RIDDLES IN MALORY'S "BOOK OF ARTHUR AND HIS KNIGHTS" |
|
25/3, p. 181 |
| G.N. BROMILEY |
ANDRET AND THE TOURNAMENT EPISODE IN BÉROUL'S "TRISTRAN" |
|
46/2, p. 181 |
| CHARLOTTE BREWER |
Z AND THE A- B- AND C-TEXTS OF "PIERS PLOWMAN" |
|
53/2, p. 194 |
| B.K. Martin |
"SIR LAUNFAL" AND THE FOLKTALE |
|
35/3, p. 199 |
| F. Whitehead |
ON CERTAIN EPISODES IN THE FOURTH BOOK OF MALORY'S "MORTE DARTHUR" |
|
|
| Bruce Harbert |
THE MYTH OF TEREUS IN OVID AND GOWER |
|
41/3, p. 208 |
| R.N. Illingworth |
THE STRUCTURE OF THE ANGLO-NORMAN "VOYAGE OF ST BRENDAN" BY BENEDEIT |
|
55/2, p. 217 |
| Maldwyn Mills |
HAVELOK AND THE BRUTAL FISHERMAN |
|
36/3, p. 219 |
| CATHERINE LA FARGE |
CONVERSATION IN MALORY'S "MORTE DARTHUR" |
|
56/2, p. 225 |
| Dennis Green |
THE "MILLSTÄTTER EXODUS" AND ITS BIBLICAL SOURCE |
|
38/3, p. 227 |
| ROY J. PEARCY |
Anglo-Norman fabliaux and Chaucer's Merchant's Tale |
|
69/2, p. 227 |
| Dennis Green |
EPIC EXPANSION AND THE PROBLEM OF RHYME IN THE MILLSTÄTTER EXODUS |
|
43/3, p. 234 |
| Helen C.R. Laurie |
A NOTE OF THE COMPOSITION OF MARIE'S "GUIGEMAR" |
|
44/3, p. 242 |
| MARIANNE AILES |
"DOON DE NANTEUIL" AND THE EPIC OF REVOLT |
|
52/2, p. 247 |
| N.R. HAVELY |
WHITE WORDS, FALSE WORLD: CHAUCER'S PANDARUS AND THE ANTIFRATERNAL TRADITION IN "TROILUS", BOOKS I-III |
|
61/2, p. 250 |
| Neville Denny |
ASPECTS OF THE STAGING OF "MANKIND" |
|
43/3, p. 252 |
| Richard Spencer |
THE "COURTOIS-VILAIN" NEXUS IN "LA MALE HONTE" |
|
37/3, p. 272 |
| MARILYN CORRIE |
Self-determination in the Post-Vulgate Suite du Merlin and Malory’s Le Morte Darthur |
|
73/2, p. 273 |