D.S. Brewer |
Boccaccio in England from Chaucer to Tennyson, by H. G. Wright |
|
28/1, p. 68 |
C. Foligno |
The DXV Problem and the Veltro : An Essay in Dante Interpretation, by J. H. Sacret |
|
8/1, p. 79 |
Nigel Palmer |
Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |
|
84/1, p. 136 |
RICHARD GAMESON |
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
|
84/1, p. 137 |
Jeffrey Hamburger |
Ulrike Jenni and Maria Theisen, Mitteleuropäische Schulen IV (ca. 1380–1400). Hofwerkstätten König Wenzels IV. und deren Umkreis |
|
84/1, p. 139 |
Christoph Burger |
Ben Morgan, On Becoming God: Late Medieval Mysticism and the Modern Western Self (Christoph Burger) |
|
84/1, p. 140 |
Ronald Hutton |
Sophie Page, Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe (Ronald Hutton) |
|
84/1, p. 141 |
Jeffrey Hamburger |
Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558) |
|
84/1, p. 142 |
Eliza Zingesser |
Benoît Grévin, Le Parchemin des cieux: Essai sur le Moyen Âge du langage (Eliza Zingesser) |
|
84/1, p. 143 |
Brian Murdoch |
Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance |
|
81/2, p. 146 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
|
84/1, p. 147 |
JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
|
81/2, p. 148 |
MICHAEL JOHNSTON |
Katharine Breen, Imagining an English Reading Public, 1150–1400 |
|
81/2, p. 150 |
Derek Pearsall |
A. C. Spearing, Medieval Autographies: The ‘I’ of the Text (Derek Pearsall) |
|
84/1, p. 150 |
Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
|
84/1, p. 151 |
Marilyn Lawrence |
Jacques Chocheyras, Réalité et imaginaire dans le ‘Tristan’ de Béroul |
|
81/2, p. 153 |
Francesca Galligan |
Justin Steinberg, Accounting for Dante: Urban Readers and Writers in Late Medieval Italy |
|
82/2, p. 153 |
Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
|
81/2, p. 154 |
Sylvia Huot |
Alain Corbellari, Guillaume d’Orange, ou la naissance du héros médiéval |
|
81/2, p. 156 |
David Matthews |
Monica Santini, The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth and Nineteenth-Century Britain (David Matthews) |
|
84/1, p. 156 |
MARIANNE AILES |
Nicolas Lenoir, Étude sur la ‘Chanson d’Aiquin’ ou ‘La Conquête de la Bretagne par le roi Charlemagne’ |
|
81/2, p. 157 |
Tim Atkin |
Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |
|
84/1, p. 157 |
ADRIAN ARMSTRONG |
Denis Hüe, Rémanences: Mémoire de la forme dans la littérature médiévale |
|
81/2, p. 158 |
Jessica Stoll |
Penny Eley, Partonopeus de Blois: Romance in the Making |
|
81/2, p. 159 |
Ambrogio Camozzi Pistoja |
Piero Boitani, Dante e il suo futuro (Ambrogio Camozzi Pistoja) |
|
84/1, p. 160 |
Sylvia Huot |
Anne Ibos-Augé, Chanter et lire dans le récit médiéval: La fonction des insertions lyriques dans les œuvres narratives et didactiques d’oïl aux XIIIe et XIVe siècles |
|
81/2, p. 162 |
K.P. Clarke |
Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |
|
84/1, p. 162 |
Sylvia Huot |
Nadia Margolis, An Introduction to Christine de Pizan |
|
81/2, p. 163 |
Michael Harney |
Irene Zaderenko, El monasterio de Cardeña y el inicio de la épica cidiana (Michael Harney) |
|
84/1, p. 163 |
Shami Ghosh |
Susanne Knaeble, Höfisches Erzählen von Gott: Funktion und narrative Entfaltung des Religiösen in Wolframs ‘Parzival’ |
|
81/2, p. 165 |
Sarah Bowden |
Björn Michael Harms, Narrative ‘Motivation von unten’. Zur Versionenkonstitution von Virginal’ und ‘Laurin’ (Sarah Bowden) |
|
84/1, p. 167 |
John-Paul Holmes |
Dietmar Mieth, Meister Eckhart: Einheit mit Gott. Die bedeutendsten Schriften zur Mystik (John-Paul Holmes) |
|
84/1, p. 168 |
PETER ARMOUR |
Dante and the Book of the Cosmos, by John G. Demaray |
|
58/1, p. 179 |
Spencer Pearce |
Heather Webb, Dante’s Persons: An Ethics of the Transhuman |
|
87/1, p. 185 |
C. Foligno |
Giovanni del Virgilio espositore delle 'Metamorfosi' Offprint from Giornale dantesco XXXIV N. S. Annuario dantesco IV, by Fausto Ghisalberti |
|
3/3, p. 198 |
L.A. Willoughby |
The Year's Work in Modern Language Studies. Vols. VIII and IX, by L. W. Tancock, A. Gillies |
|
8/3, p. 241 |
Blake Gutt |
Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |
|
84/2, p. 327 |
Brian J. Reilly |
Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |
|
84/2, p. 328 |
J.A. TASIOULAS |
J. Allan Mitchell, Becoming Human: The Matter of the Medieval Child (Jacqueline Tasioulas) |
|
84/2, p. 330 |
Anne Mouron |
Mathew Kuefler, The Making and Unmaking of a Saint: Hagiography and Memory in theCult of Gerald of Aurillac (Anne Mouron) |
|
84/2, p. 331 |
Carolyne Larrington |
Kristina Perez, The Myth of Morgan La Fey |
|
84/2, p. 332 |
Anthony P. Bale |
Jonathan Hsy, Trading Tongues, Merchants, Multilingualism, and Medieval Literature (Anthony Bale) |
|
84/2, p. 335 |
Thorlac Turville-Petre |
Alex Mueller, Translating Troy: Provincial Politics in Alliterative Romance (Thorlac Turville-Petre) |
|
84/2, p. 336 |
PETER HAINSWORTH |
Five Frames for the 'Decameron': Communications and Social Systems in the 'Cornice', by Joy Hambuechen Potter |
|
53/2, p. 336 |
Marleen Cré |
Wolfgang Riehle, The Secret Within: Hermits, Recluses, and Spiritual Outsiders in Medieval England (Marleen Cré) |
|
84/2, p. 337 |
Mark Campbell Chambers |
Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) |
|
84/2, p. 338 |
SEBASTIAN JAMES LANGDELL |
Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |
|
84/2, p. 340 |
RALUCA RADULESCU |
Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Raluca Radulescu) |
|
84/2, p. 341 |
Liz Herbert McAvoy |
Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |
|
84/2, p. 342 |
K.P. Clarke |
Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
|
85/2, p. 347 |
Sylvia Huot |
Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
|
84/2, p. 348 |
Francesca Galligan |
Albert Russell Ascoli, Dante and the Making of a Modern Author |
|
82/1, p. 350 |
Marco Nievergelt |
J. M. Moreau, Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry (Marco Nievergelt) |
|
84/2, p. 350 |
ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
|
84/2, p. 351 |
Christoph Pretzer |
Alastair Matthews, The Kaiserchronik: A Medieval Narrative (Christoph Pretzer) |
|
84/2, p. 352 |
Stefano Milonia |
George Corbett, Dante’s Christian Ethics: Purgatory and its Moral Context |
|
90/2, p. 363 |
Dario Tessicini |
Dante in Context, ed. Zygmunt G. Barański and Lino Pertile |
|
86/2, p. 387 |