RICHARD GAMESON |
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
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84/1, p. 137 |
SALLY MAPSTONE |
The Matter of Scotland: Historical Narrative in Medieval Scotland, by R. James Goldstein |
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63/1, p. 144 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
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84/1, p. 147 |
Simon Gilson |
Susanna Barsella, In the Light of Angels: Angelology and Cosmology in Dante’s Divina Commedia |
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82/2, p. 154 |
BARBARA K. ALTMANN |
Gilbert Ouy, Christine Reno, and Inès Villela-Petit, avec Olivier Delsaux & Tania Van Hemelryck (éditeurs et collaborateurs), et avec les conseils de James Laidlaw & Marie-Thérèse Gousset, Album Christine de Pizan (Barbara K. Altmann) |
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84/1, p. 158 |
CORY J. RUSHTON |
Edward Wheatley, Stumbling Blocks before the Blind: Medieval Constructions of a Disability |
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81/2, p. 168 |
JOHN WATTS |
Jones, Michael (ed.), The New Cambridge Medieval History, Vol. VI |
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73/1, p. 176 |
Brian J. Reilly |
Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |
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84/2, p. 328 |
Sylvia Huot |
Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
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84/2, p. 348 |