O. Elton |
The Allegory of Love : a Study in Medieval Tradition, by C. S. Lewis |
|
6/1, p. 34 |
Colin Hardie |
Dante Die göttliche Komödie. Kommentar I Teil. Die Hölle, by Herman Gmelin |
|
24/1, p. 35 |
Colin Hardie |
Werden und Wesen der Komödie Dantes, by Rudolph Palgen |
|
25/1, p. 46 |
R.A. Browne |
The Historia Novella by William of Malmesbury, by K. R. Potter |
|
25/1, p. 49 |
Kathleen Chesney |
Alain Chartier, his work and reputation, by Edward J. Hoffman |
|
14/, p. 56 |
Helen C.R. Laurie |
The Mirror of Narcissus in the Courtly Love Lyric, by Frederick Goldin |
|
38/1, p. 67 |
Margaret Gibson |
Platonism and Poetry in the Twelfth Century: the literary influence of the School of Chartres, by Winthrop Wetherbee |
|
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Colin Hardie |
Catalogus Codicum Graecorum et Latinorum Bibliothecae Gotoburgensis, by Tönnes Kleberg |
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15/, p. 76 |
Helen C.R. Laurie |
One Heart One Mind: The Rebirth of Virgil's Hero in Medieval French Romance, by Raymond J. Cormier |
|
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JOHN NORTON-SMITH |
The Poetry of John Lydgate, by Alain Renoir |
|
38/1, p. 88 |
Helen C.R. Laurie |
Heinrik van Veldeke. (Twayne's World Authors Series), by John R. Sinnema |
|
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Edward M. Wilson |
The Matter of Britain and the Praise of Spain (The History of a Panegyric), by Stephen Reckert |
|
38/1, p. 99 |
Robert Eisler |
The Astronomy of Johannes Scotus Erigena, Cosmology in the 'Annotationes in Marcianum' : More Light on Erigena's Astronomy, by Erika von Erhardt-Siebold, Rudolf von Erhardt |
|
11/, p. 102 |
K.W. Humphreys |
Handwriting in England and Wales, by N. Denholm-Young |
|
24/2, p. 104 |
A.B. Scott |
Dictionary of Medieval Latin from British Sources, by R. E. Latham |
|
46/1, p. 105 |
G.R. Mellor |
Glosse latine e antico-francesi all' 'Alexandreis' di Gautier de Châtillon, Pubblicazioni dell' Università Cattolica del Sacro Cuore, nuova serie, Vol. XXXIX, by Raffaele de Cesare |
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23/2, p. 107 |
R.M. Dawkins |
Virgil the Necromancer, Studies in Virgilian Legends. Harvard Studies in Comparative Literature Volume X, by John Webster Spargo |
|
4/2, p. 113 |
Joan Blomfield |
Wessex and Old English Poetry, with special consideration of The Ruin, by Cecilia A. Hotchner |
|
9/2, p. 114 |
Colin Hardie |
Dante, die göttliche Komödie. Kommentar, III Teil: das Paradies, by Hermann Gmelin |
|
28/2, p. 121 |
NICOLA F. McDONALD |
Reading Dido: Gender, Textuality and the Medieval 'Aeneid', by Marilynn Desmond |
|
65/1, p. 121 |
Jill Mann |
The Life of Geoffrey Chaucer: A Critical Biography, Blackwell Critical Biographies 1, by Derek Pearsall |
|
63/1, p. 130 |
D.B. Walker |
The Owl and the Nightingale: The Poem and its Critics, by Kathryn Hume |
|
46/1, p. 134 |
J.H. Mozley |
Ecbasis cuiusdam captivi. Escape of a certain captive. An Eleventh-Century Latin Beast Epic, by Edwin H. Zeydel |
|
34/2, p. 135 |
Francesca Galligan |
Gary P. Cestaro, Dante and the Grammar of the Nursing Body, The William and Katherine Devers Series in Dante Studies |
|
74/1, p. 145 |
Colin Hardie |
A Concordance to the Divine Comedy of Dante Alighieri, by Ernest Hatch Wilkins, Thomas Goddard Bergin, Anthony J. De Vito |
|
35/2, p. 146 |
Paul L. Priest |
Cultural Thematics: the Formation of the Faustian Ethos, by T. K. Seung |
|
47/1, p. 146 |
BETTINA BILDHAUER |
Rosemarie Deist, Gender and Power: Counsellors and their Masters in Antiquity and Medieval Courtly Romance, Beiträge zur älteren Literaturgeschichte, |
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73/1, p. 147 |
CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
|
64/1, p. 151 |
Helen Cooper |
M. Valerio: Bucoliche. (Biblioteca Nazionale, Serie dei Classici Greci e Latini Testi Minori.) Second edition, by Franco Munari |
|
41/2, p. 153 |
R.G. Austin |
Virgil's Aeneid translated into Scottish Verse by Gavin Douglas. vol. I (Scottish Text Society Publication), by David F. C. Coldwell |
|
35/2, p. 154 |
STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
|
66/1, p. 154 |
K. Ostberg |
Notker der Deutsche: Boethius Bearbeitung der 'Categoriae' des Aristoteles, by James C. King |
|
43/2, p. 155 |
MARK BALFOUR |
Mark Musa (trans. and ed.), Dante's 'Inferno': The Indiana Critical Edition |
|
66/1, p. 155 |
PETER ARMOUR |
Peter S. Hawkins, Dante's Testaments: Essays in Scriptural Imagination |
|
70/1, p. 156 |
JOHN NORTON-SMITH |
Sir Richard Roos: Lancastrian Poet, by Ethel Seaton |
|
34/2, p. 158 |
Nigel Palmer |
Kommentar zur Artusepik Hartmanns von Aue. Im Anhang: Die Heilkunde und Der Ourobos. Amsterdamer Publikationen zur Sprache und Literatur 103, by Lambertus Okken, Bernhard Dietrich Haage |
|
64/1, p. 158 |
R.G. Austin |
Selections from Gavin Douglas. (Clarendon Medieval and Tudor Series), by David F. C. Coldwell |
|
34/2, p. 159 |
Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
|
47/1, p. 159 |
P.G. Walsh |
Myth and Science in the Twelfth Century: A Study of Bernard Silvester, by Brian Stock |
|
43/2, p. 163 |
J.H. Whitfield |
Chronicle into History, by Louis Green |
|
43/2, p. 190 |
Colin Hardie |
The Barlow Lectures on Dante, 1959. (supplement to Italian Studies XV), by J. H. Whitfield |
|
29/3, p. 203 |
Peter Godman |
Two Alcuin Letter-Books. (Toronto Medieval Latin Texts 5), by Colin Chase |
|
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MICHAEL STOLZ |
The Making of Textual Culture: 'Grammatica' and Literary Theory, 350—1100, by Martin Irvine |
|
64/2, p. 295 |
Charles S.F. Burnett |
Virgil in Medieval England: Figuring the 'Aeneid' from the Twelfth Century to Chaucer, by Christopher Baswell |
|
65/2, p. 299 |
Colin Hardie |
The Two Dantes and other studies, by Kenelm Foster |
|
48/2, p. 302 |
HUGH WHITE |
Sciences and the Self in Medieval Poetry: Alan of Lille's 'Anticlaudianus' and John Gower's 'Confessio Amantis', Cambridge Studies in Medieval Literature 25, by James Simpson |
|
65/2, p. 308 |
ALCUIN BLAMIRES |
The Romance of Origins: Language and Sexual Difference in Middle English Literature, by Gayle Margherita |
|
64/2, p. 313 |
PENNY ELEY |
Philippe Logié, L'Enéas: une traduction au risque de l'invention |
|
69/2, p. 316 |
JOHN MILES FOLEY |
Early Epic Scenery: Homer, Virgil, and the Medieval Legacy, by Theodore M. Andersson |
|
47/2, p. 318 |
Daniel Anlezark |
Michael Drout (ed.), ‘Beowulf and the Critics’ by J. R. R. Tolkien, Medieval and Renaissance Texts and Studies 248 |
|
72/2, p. 319 |
S.J. HARRISON |
Thomas M. S. Lehtonen, Fortuna, Money and the Sublunar World· Twelfth-Century Ethical Poetics and the Satirical Poetry of the 'Carmina Burana' |
|
66/2, p. 321 |
Helen Cooper |
Petrarch's 'Bucolicum Carmen', by Thomas G. Bergin, Deane Keller |
|
44/3, p. 325 |
Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
|
77/2, p. 325 |
PENNY SULLIVAN |
Relire le "Roman d'Eneas", Collection Unichamp, 8, by Jean Dufournet |
|
56/2, p. 335 |
J.A. Burrow |
The Forest of Medieval Romance: Avernus, Broceliande, Arden, by Corinne J. Saunders |
|
63/2, p. 337 |
Helen Swift |
Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the ‘Roman de la Rose’, Research Monographs in French Studies 31 (Helen J. Swift) |
|
79/2, p. 341 |
Mark Chinca |
Heinrich von Veldeke und Ovid, by Renate Kistler |
|
64/2, p. 347 |
Helen C.R. Laurie |
Narcisse. (Bibl. de la Faculté de Philosophie et Lettres de l'Université de Liège, Fascicule CCXI), by M. Thiry-Stassin, M. Tyssens |
|
47/2, p. 349 |
Francesca Galligan |
Teodolinda Barolini, Dante and the Origins of Italian Literary Culture |
|
78/2, p. 352 |
JOHN NORTON-SMITH |
The Shorter Poems of Gavin Douglas, by Priscilla J. Bawcutt |
|
37/3, p. 353 |
JOHN TOOK |
Zygmunt G. Barański, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri |
|
71/2, p. 358 |
P.G. Walsh |
The Genius Figure in Antiquity and the Middle Ages, by Jane Chance Nitzsche |
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