| |
CORRIGENDUM: MIDDLE ENGLISH "WRABBE, WROBBE" |
|
10/1, p. -1 |
| |
CORRIGENDUM: THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
|
4/1, p. -1 |
| Thomas D. Hill |
The ‘palmtwigede’ Pater Noster: horticultural semantics and the Old English Solomon and Saturn I |
|
74/1, p. 1 |
| M.R. Godden |
Did King Alfred write anything? |
|
76/1, p. 1 |
| Stephen H.A. Shepherd |
‘Heathenic’ catechesis and the source of Awntyrs B |
|
81/2, p. 1 |
| Jessie Crosland |
"DOLOPATHOS" AND THE SEVEN SAGES OF ROME |
|
25/1, p. 1 |
| E.V. Gordon |
ON "HRAFNKELS SAGA FREYSGOĐA" |
|
8/1, p. 1 |
| G.S. Purkis |
LAURENT DE PREMIERFAIT'S TRANSLATION OF THE "DECAMERON" |
|
24/1, p. 1 |
| F.J. Tanquerey |
GIRAUT DE BARRI ET "LE ROMAN DE TRISTAN" |
|
6/1, p. 1 |
| Jean Misrahi |
GIRARD DE VIENNE ET LA GESTE DE GUILLAUME |
|
4/1, p. 1 |
| Mildred K. Pope |
NOTES ON SOME AMBIGUOUS PASSAGES IN THE "CHANSON DE ROLAND" |
|
5/1, p. 1 |
| Max I. Wolff |
ROM UND DIE ROMANIA |
|
7/1, p. 1 |
| M.L. Samuels |
"ANCRENE RIWLE" STUDIES |
|
22/1, p. 1 |
| C. Pinchbeck |
THREE OLD FRENCH VERSE SERMONS |
|
23/1, p. 1 |
| N.R. Ker |
UNPUBLISHED PARTS OF THE "ORMULUM" PRINTED FROM MS. LAMBETH 783 |
|
9/1, p. 1 |
| Ian Short |
THE "PSEUDO-TURPIN CHRONICLE": SOME UNNOTICED VERSIONS AND THEIR SOURCES |
|
38/1, p. 1 |
| Janet M. Bately |
GRIMBALD OF ST. BERTIN'S |
|
35/1, p. 1 |
| Angus McIntosh, M.L. Samuels |
PROLEGOMENA TO A STUDY OF MEDIÆVAL ANGLO-IRISH |
|
37/1, p. 1 |
| James J. Murphy |
RHETORIC IN FOURTEENTH-CENTURY OXFORD |
|
34/1, p. 1 |
| Roger Fowler |
A THEME IN THE "WANDERER" |
|
36/1, p. 1 |
| W. Rothwell |
NOTES ON THE TEXT OF "LE LAIE BIBLE" |
|
33/1, p. 1 |
| Ian Cornelius |
Passus secundus de dobest: on the genesis of a rubric in the archetype of Piers Plowman B |
|
84/1, p. 1 |
| John Frankis |
Layamon and the fortunes of yogh |
|
73/1, p. 1 |
| SARAH WOOD |
A prose redaction of The Prick of Conscience part VI in Bodleian Library, MS Laud Misc. 23 |
|
80/2, p. 1 |
| Peter Orton |
Sticks or stones? The story of Imma in Cambridge, Corpus Christi College, MS 41 of the Old English Bede, and Old English tān (‘twig’) |
|
72/1, p. 1 |
| JUANITA FEROS RUYS |
‘Ut sexu sic animo’: the resolution of sex and gender in the Planctus of Abelard |
|
75/1, p. 1 |
| Thomas Walton |
LES POÈMES D'AMÉ DE MONTGESOIE (fl. 1457-1478) |
|
|
| Gavin Bone |
THE SEAFARER |
|
3/1, p. 1 |
| |
EDITORIAL |
|
|
| O.S. PICKERING |
South English Legendary style in Robert of Gloucester's Chronicle |
|
70/1, p. 1 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER" (continued) |
|
28/1, p. 1 |
| Roger Fowler |
'ARCHBISHOP WULFSTAN'S COMMONPLACE-BOOK' AND THE "CANONS OF EDGAR" |
|
32/1, p. 1 |
| Lionel J. Friedman |
JOINVILLE'S TARTAR VISIONARY |
|
27/1, p. 1 |
| R.D.A. Crafter |
MATERIALS FOR A STUDY OF THE SOURCES OF GUILLAUME GUIART'S "LA BRANCHE DES ROYAUS LINGNAGES" |
|
26/1, p. 1 |
| P.B. Salmon |
THE 'THREE VOICES' OF POETRY IN MEDIÆVAL LITERARY THEORY |
|
30/1, p. 1 |
| Leslie Seiffert |
THE METRICAL FORM AND COMPOSITION OF THE "WESSOBRUNNER GEBET" |
|
31/1, p. 1 |
| Colin Smith |
PER ABBAT AND THE "Poema de mio Cid" |
|
42/1, p. 1 |
| Joseph L. Baird |
UNFERTH THE "PYLE" |
|
39/1, p. 1 |
| Monica J. Barnett |
RENOART AU TINEL AND OGIER DE DANEMARCHE: A CASE OF CONTAMINATION |
|
40/1, p. 1 |
| F.H. Whitman |
SIGNIFICANT MOTIFS IN RIDDLE 53 |
|
46/1, p. 1 |
| Thomas H. Bestul |
THE COLLECTION OF ANSELM'S PRAYERS IN BRITISH LIBRARY MS COTTON VESPASIAN D.xxvi |
|
47/1, p. 1 |
| T.B.W. Reid |
CHRÉTIEN DE TROYES AND THE SCRIBE GUIOT |
|
45/1, p. 1 |
| Patrick McGurk |
COMPUTUS HELPERICI: ITS TRANSMISSION IN ENGLAND IN THE ELEVENTH AND TWELFTH CENTURIES |
|
43/1, p. 1 |
| R.T. Farrell |
SOME REMARKS ON THE EXETER BOOK "AZARIAS" |
|
41/1, p. 1 |
| W.B. Yapp |
A NEW LOOK AT ENGLISH BESTIARIES |
|
54/1, p. 1 |
| James Simpson |
FROM REASON TO AFFECTIVE KNOWLEDGE: MODES OF THOUGHT AND POETIC FORM IN "PIERS PLOWMAN" |
|
55/1, p. 1 |
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" I: THE "RIEPTOS" |
|
58/1, p. 1 |
| ROGER DAHOOD |
DESIGN IN PART I OF "ANCRENE RIWLE" |
|
56/1, p. 1 |
| ROGER PENSOM |
THIBAUT DE CHAMPAGNE AND THE ART OF THE TROUVERE |
|
57/1, p. 1 |
| Patrick Sims-Williams |
AN UNPUBLISHED SEVENTH- OR EIGHTH-CENTURY ANGLO-LATIN LETTER IN BOULOGNE-SUR-MER MS 74 (82) |
|
48/1, p. 1 |
| NICHOLAS MANN |
L. T. TOPSFIELD (1920-1981) |
|
51/1, p. 1 |
| A.G. Rigg |
ERACLIUS ARCHIPOETA: BEKYNTON ANTHOLOGY NOS. 14, 15, 20, 77 |
|
53/1, p. 1 |
| Norman Davis, John Stevens |
J. A. W. BENNETT (1911-1981) |
|
50/1, p. 1 |
| ROGER DAHOOD |
A NOTE ON "BEOWULF" 1104-8a |
|
49/1, p. 1 |
| P.G. Walsh |
'GOLIAS' AND GOLIARDIC POETRY |
|
52/1, p. 1 |
| Helen Phillips |
CHAUCER AND DEGUILEVILLE: THE "ABC" IN CONTEXT |
|
62/1, p. 1 |
| Peter J. Lucas |
EASTER, THE DEATH OF ST GUTHLAC AND THE LITURGY FOR HOLY SATURDAY IN FELIX'S "VITA" AND THE OLD ENGLISH "GUTHLAC" B |
|
61/1, p. 1 |
| KAREN A. WINSTEAD |
THE TRANSFORMATION OF THE MIRACLE STORY IN THE "LIBRI HISTORIARUM" OF GREGORY OF TOURS |
|
59/1, p. 1 |
| Richard North |
GETTING TO KNOW THE GENERAL IN "THE BATTLE OF MALDON" |
|
60/1, p. 1 |
| J.A. TASIOULAS |
THE MOTHER'S LAMENT: "WULF AND EADWACER" RECONSIDERED |
|
65/1, p. 1 |
| Ad Putter |
FINDING TIME FOR ROMANCE: MEDIAEVAL ARTHURIAN LITERARY HISTORY |
|
63/1, p. 1 |
| MARK BALFOUR |
MOSES AND THE PRINCESS: JOSEPHUS' "ANTIQUITATES JUDAICAE" AND THE "CHANSONS DE GESTE" |
|
64/1, p. 1 |
| F.J. Tanquerey, E.J. Arnould |
CHRONOLOGIE DU "CONTE DE LA CHARRETTE" |
|
12/, p. 1 |
| Oliver A. Beckerlegge |
AN ABRIDGED ANGLO-NORMAN VERSION OF THE "SECRETUM SECRETORUM" |
|
13/, p. 1 |
| J.H. Mozley |
THE COLLECTION OF MEDIÆVAL LATIN VERSE IN MS. COTTON TITUS D. XXIV |
|
11/, p. 1 |
| Ethel Seaton |
"LE SONGE VERT": ITS OCCASION OF WRITING AND ITS AUTHOR |
|
19/, p. 1 |
| C. Pinchbeck |
A MEDIÆVAL SELF-EDUCATOR |
|
17/, p. 1 |
| J.L.N. O'Loughlin |
"BEOWULF"—ITS UNITY AND PURPOSE |
|
21/, p. 1 |
| Ruth Harvey |
THE PROVENANCE OF THE OLD HIGH GERMAN "LUDWIGSLIED" |
|
14/, p. 1 |
| Elaine C. Southward |
THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE |
|
15/, p. 1 |
| F.J.E. Raby |
ON THE DATE AND PROVENANCE OF SOME EARLY LATIN HYMNS |
|
16/, p. 1 |
| Nancy Dean |
CHAUCERIAN ATTITUDES TOWARD JOY WITH PARTICULAR CONSIDERATION OF THE "NUN'S PRIEST'S TALE" |
|
|
| Carole Hough |
Alfred's domboc and the language of rape: a reconsideration of Alfred ch. 11 |
|
66/1, p. 1 |
| R.M. THOMSON |
Serlo of Wilton and the schools of Oxford |
|
68/1, p. 1 |
| Christiania Whitehead |
Making a cloister of the soul in medieval religious treatises |
|
67/1, p. 1 |
| Mark Faulkner |
Ælfric, St Edmund, and St Edwold of Cerne |
|
77/1, p. 1 |
| Adrian Papahagi |
The transmission of Boethius’ De consolatione Philosophiae in the Carolingian age |
|
78/1, p. 1 |
| J.S. McKINNELL |
Myth as therapy: the usefulness of Þrymskviða |
|
69/1, p. 1 |
| B.H. Sumner |
DANTE AND THE "REGNUM ITALICUM" |
|
|
| DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
| S. MARY CLEMENTE DAVLIN |
"KYNDE KNOWYNG" AS A MIDDLE ENGLISH EQUIVALENT FOR 'WISDOM' IN "PIERS PLOWMAN" B |
|
50/1, p. 5 |
| Tony Hunt |
THE ANGLO-NORMAN VOCABULARIES IN MS OXFORD, BODLEIAN LIBRARY, DOUCE 88 |
|
49/1, p. 5 |
| Brian S. Merrilees |
'IL N'I A LANGE KE PUT PARLER . . .': WORDS AGAINST WOMEN |
|
40/1, p. 6 |
| Lewis Thorpe |
WALTER MAP AND GERALD OF WALES |
|
47/1, p. 6 |
| W. Ann Trindade |
THE ENEMIES OF TRISTAN |
|
43/1, p. 6 |
| R.W. Hunt |
THE COLLECTION OF MEDIÆVAL LATIN VERSE IN MS. COTTON TITUS D. XXIV: SUPPLEMENTARY NOTES |
|
16/, p. 6 |
| Lester K. Born |
THE "VERSUS PROVERBIALES" ATTRIBUTED TO JOHN OF GARLAND |
|
3/1, p. 7 |
| Maurice Hussey |
THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE |
|
27/1, p. 8 |
| James W. Kirkland, Charles E. Modlin |
THE ART OF "AZARIAS" |
|
41/1, p. 9 |
| |
LEGAL PHRASEOLOGY IN A PASSAGE IN "PEARL" |
|
16/, p. 9 |
| GUY TRUDEL |
The Middle English Book of Penance and the readers of the Cursor mundi |
|
74/1, p. 10 |
| R.W. Burchfield |
A SOURCE OF SCRIBAL ERROR IN EARLY MIDDLE ENGLISH MANUSCRIPTS |
|
22/1, p. 10 |
| ALISON WIGGINS |
Are Auchinleck Manuscript Scribes 1 and 6 the same scribe? The advantages of whole-data analysis and electronic texts |
|
73/1, p. 10 |
| Richard Leighton Greene |
THE MEANING OF THE CORPUS CHRISTI CAROL |
|
29/1, p. 10 |
| Cecily Clark |
SIR "GAWAIN AND THE GREEN KNIGHT": ITS ARTISTRY AND ITS AUDIENCE |
|
40/1, p. 10 |
| NIGEL SAUL |
THE SOCIAL STATUS OF CHAUCER'S FRANKLIN: A RECONSIDERATION |
|
52/1, p. 10 |
| JAMES WADE |
Abduction, surgery, madness: an account of a little red man in Thomas Walsingham’s Chronica maiora |
|
77/1, p. 10 |
| Helen L. Gardner |
THE TEXT OF "THE SCALE OF PERFECTION" |
|
5/1, p. 11 |
| Murray Copland |
THE SHIPMAN'S TALE: CHAUCER AND BOCCACCIO |
|
35/1, p. 11 |
| Maldwyn Mills |
A MEDIÆVAL REVISER AT WORK |
|
32/1, p. 11 |
| Kathleen Chesney |
NOTES ON SOME TREATISES OF DEVOTION INTENDED FOR MARGARET OF YORK (MS. DOUCE 365) |
|
20/, p. 11 |
| Thomas D. Hill |
A LITURGICAL SOURCE FOR "CHRIST I" 164-213 (ADVENT LYRIC VII) |
|
46/1, p. 12 |
| Alexandra Barratt |
THE FIVE WITS AND THEIR STRUCTURAL SIGNIFICANCE IN PART II OF "ANCRENE WISSE" |
|
56/1, p. 12 |
| Norman Davis |
THE TEXT OF MARGARET PASTON'S LETTERS |
|
18/, p. 12 |
| L. Whitbread |
THE BINDING OF WELAND |
|
25/1, p. 13 |
| CHRISTINE FRANZEN |
The tremulous hand of Worcester and the Nero scribe of the Ancrene Wisse |
|
72/1, p. 13 |
| Alfred Ewert |
A FOURTEENTH-CENTURY LATIN-FRENCH NOMINALE |
|
3/1, p. 13 |
| J.H. Mozley |
THE "EPISTOLA AD WILLELMUM" OF NIGEL LONGCHAMPS |
|
39/1, p. 13 |
| M. BRADFORD BEDINGFIELD |
Reinventing the Gospel: l: Ælfric and the liturgy |
|
68/1, p. 13 |
| Murray Copland |
THE REEVE'S TALE: HARLOTRIE OR SERMONYNG? |
|
31/1, p. 14 |
| D.S. Brewer |
FORM IN THE "MORTE DARTHUR" |
|
21/, p. 14 |
| J.C. Douglas Marshall |
THREE PROBLEMS IN THE "VISION OF TUNDAL" |
|
|
| Neil Cartlidge |
Nicholas of Guildford and The Owl and the Nightingale |
|
79/1, p. 14 |
| Ian Bishop |
THE NARRATIVE ART OF THE "PARDONER'S TALE" |
|
36/1, p. 15 |
| C.A. Robson |
A FIFTEENTH-CENTURY PUZZLE: JEAN II, DUC DE BOURBON, REPUTED AUTHOR OF THE "QUINZE JOYES DE MARIAGE" |
|
17/, p. 15 |
| T.B.W. Reid |
THE SHE-WOLF'S MATE |
|
24/1, p. 16 |
| N.R. Ker |
TWO NOTES ON MS. ASHMOLE 328 (BTRHTFERTH'S MANUAL) |
|
4/1, p. 16 |
| Brendan O'Connell |
'Struglyng wel and myghtily’: resisting rape in the Man of Law’s Tale. |
|
84/1, p. 16 |
| Jane Roberts |
ST. BARTHOLOMEW'S DAY: A PROBLEM RESOLVED? |
|
46/1, p. 16 |
| Gareth Morgan |
WALTHER THE WOOD-SPRITE |
|
41/1, p. 16 |
| Elspeth Kennedy |
FAILURE IN ARTHURIAN ROMANCE |
|
60/1, p. 16 |
| C.W. MARX |
AN EDITION AND STUDY OF THE "CONFLICTUS INTER DEUM ET DIABOLUM" |
|
59/1, p. 16 |
| John Orr |
A PETIT VOUS SOIT |
|
16/, p. 16 |
| MARK KAUNTZE |
The creation grove in the Cosmographia of Bernard Silvestris |
|
78/1, p. 16 |
| H.L. Rogers |
AN ICELANDIC/NORWEGIAN NAME FOR WESTMINSTER |
|
27/1, p. 17 |
| John Hennig |
BRITAIN'S PLACE IN THE EARLY IRISH MARTYROLOGIES |
|
26/1, p. 17 |
| CYRIL EDWARDS |
THE GROWTH OF A SONG: HEINRICH VON MORUNGEN'S "ROBBER LADY" (MF 130, 9) |
|
58/1, p. 17 |
| GRACE M. ARMSTRONG |
RESCUING THE LION: FROM "LE CHEVALIER AU LION" TO "LA QUESTE DEL SAINT GRAAL" |
|
61/1, p. 17 |
| BELLA MILLETT |
THE SONGS OF ENTERTAINERS AND THE SONG OF THE ANGELS: VERNACULAR LYRIC FRAGMENTS IN ODO OF CHERITON'S "SERMONES DE FESTIS" |
|
64/1, p. 17 |
| ANDREW BREEZE |
TWO BARDIC THEMES: THE VIRGIN AND CHILD, AND "AVE-EVA" |
|
63/1, p. 17 |
| N.R. Ker |
C. MAIER'S TRANSCRIPT OF THE VERCELLI BOOK |
|
19/, p. 17 |
| Charles Russell Stone |
‘Many man he shal do woo’: portents and the end of an empire in Kyng Alisaunder |
|
81/2, p. 18 |
| J.R.L. Highfield |
THE GREEN SQUIRE |
|
22/1, p. 18 |
| Marco Nievergelt |
Paradigm, intertext, or residual allegory: Guillaume Deguileville and the Gawain-poet |
|
80/2, p. 18 |
| Constance Bullock-Davies |
THE FORM OF THE BRETON LAY |
|
42/1, p. 18 |
| PHILOMENA O'DRISCOLL |
THE "DOWEL" DEBATE IN "PIERS PLOWMAN" B |
|
50/1, p. 18 |
| Ruth J. Dean |
A FOURTEENTH-CENTURY MANUSCRIPT OF "LE ROMAN DE LA ROSE" AND A FRAGMENT OF "LE COMPOT": HUNTINGTON MANUSCRIPT 902 |
|
12/, p. 18 |
| Kenneth Urwin |
PATHELIN "CHAUDE TESTE" AND GUILLEMETTE'S ROLE IN THE FARCE |
|
13/, p. 18 |
| H.G. Pfander |
THE MEDIÆVAL FRIARS AND SOME ALPHABETICAL REFERENCE-BOOKS FOR SERMONS |
|
3/1, p. 19 |
| A.G. Rigg |
Joseph of Exeter's pagan gods again |
|
70/1, p. 19 |
| A.J. Bliss |
CELTIC MYTH AND ARTHURIAN ROMANCE |
|
30/1, p. 19 |
| Stephen H.A. Shepherd |
THE MIDDLE ENGLISH "PSEUDO-TURPIN CHRONICLE" |
|
65/1, p. 19 |
| Ernest Schanzer |
DANTE AND JULIUS CÆSAR |
|
24/1, p. 20 |
| Dominica Legge |
A LIST OF LANGTOFT MANUSCRIPTS, WITH NOTES ON MS. Laud Misc. 637 |
|
4/1, p. 20 |
| Maldwyn Mills |
HAVELOK'S RETURN |
|
45/1, p. 20 |
| Ian Short |
AN EARLY DRAFT OF GUERNES' "VIE DE SAINT THOMAS BECKET" |
|
46/1, p. 20 |
| MARY DOVE |
GAWAIN AND THE "BLASME DES FEMMES" TRADITION |
|
41/1, p. 20 |
| C.W. MARX |
THE PROBLEM OF THE DOCTRINE OF THE REDEMPTION IN THE ME MYSTERY PLAYS AND THE "CORNISH ORDINALIA" |
|
54/1, p. 20 |
| KARIN BOKLUND-LAGOPOULOU |
"JUDAS": THE FIRST ENGLISH BALLAD? |
|
62/1, p. 20 |
| Louise W. Stone |
OLD FRENCH TRANSLATIONS OF THE "DE CONSOLATIONE PHILOSOPHIÆ OF BOETHIUS |
|
6/1, p. 21 |
| Mahmoud Manzalaoui |
ENGLISH ANALOGUES TO THE "LIBER SCALÆ" |
|
34/1, p. 21 |
| Beryl Smalley |
A QUOTATION FROM JOHN RIDEVALL ON "DE CIVITATE DEI" BY WILLIAM WOODFORD |
|
33/1, p. 21 |
| Jonathan Wordsworth |
A LINK BETWEEN THE KNIGHT'S TALE AND THE MILLER'S |
|
27/1, p. 21 |
| Donald MacDonald |
CHAUCER'S INFLUENCE ON HENRYSON'S "FABLES": THE USE OF PROVERBS AND SENTENTIÆ |
|
39/1, p. 21 |
| John V. Fleming |
HOCCLEVE'S 'LETTER OF CUPID' AND THE 'QUARREL' OVER THE "ROMAN DE LA ROSE" |
|
40/1, p. 21 |
| J.A.W. Bennett |
A NEW COLLATION OF A "PIERS PLOWMAN" MANUSCRIPT (HM 137) |
|
17/, p. 21 |
| N. Rubinstein |
POLITICAL RHETORIC IN THE IMPERIAL CHANCERY DURING THE TWELFTH AND THIRTEENTH CENTURIES |
|
14/, p. 21 |
| J.K. Bostock |
WOLFRAM VON ESCHENBACH, "PARZIVAL" 241 |
|
16/, p. 21 |
| Helen Nicholson |
Following the path of the Lionheart: the De ortu Walwanii and the Itinerarium peregrinorum et gesta regis Ricardi |
|
69/1, p. 21 |
| R.E. Kaske |
EVE'S 'LEAPS' IN THE "ANCRENE RIWLE" |
|
29/1, p. 22 |
| J. Keith Atkinson |
SOME FURTHER CONFIRMATIONS AND ATTRIBUTIONS OF MANUSCRIPTS OF THE MEDIAEVAL FRENCH BOETHIUS |
|
47/1, p. 22 |
| Georgia Ronan Crampton |
ACTION AND PASSION IN CHAUCER'S "TROILUS" |
|
43/1, p. 22 |
| Antonio Pace |
OLD FRENCH "IVEL, IGAL," ALTERNATIVE FORMS FOR "ÉGAL" |
|
9/1, p. 23 |
| Eric Stanley |
LAZAMON'S ANTIQUARIAN SENTIMENTS |
|
38/1, p. 23 |
| Sylvia Harris |
THE "HISTORIA TRIUM REGUM" AND THE MEDIÆVAL LEGEND OF THE MAGI IN GERMANY |
|
28/1, p. 23 |
| AUDREY L. MEANEY |
THE "IDES" OF THE COTTON GNOMIC POEM |
|
48/1, p. 23 |
| George W. Brewer, Bedwyr Lewis Jones |
POPULAR TALE MOTIFS AND HISTORICAL TRADITION IN "BREUDWYT MAXEN" |
|
|
| J.A. TASIOULAS |
Heaven and earth in little space: the foetal existence of Christ in medieval literature and thought |
|
76/1, p. 24 |
| Neil Cartlidge |
In the silence of a midwinter night: a re-evaluation of the Visio Philiberti |
|
75/1, p. 24 |
| C.L. Wrenn |
LATE OLD ENGLISH RUNE-NAMES |
|
|
| Audrey Graham |
FROISSART'S USE OF CLASSICAL ALLUSION IN HIS POEMS |
|
32/1, p. 24 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
|
55/1, p. 24 |
| J.K. Bostock |
DER ARME HEINRICH 584 AND 725-26 |
|
16/, p. 24 |
| W.R.J. BARRON |
"CHEVALERE ASSIGNE" AND THE "NAISSANCE DU CHEVALIER AU CYGNE |
|
36/1, p. 25 |
| Elizabeth Zeeman |
CONTINUITY AND CHANGE IN MIDDLE ENGLISH VERSIONS OF THE "MEDITATIONES VTTAE CHRISTI" |
|
26/1, p. 25 |
| HOYT N. DUGGAN |
THE AUTHENTICITY OF THE Z-TEXT OF "PIERS PLOWMAN": FURTHER NOTES ON METRICAL EVIDENCE |
|
56/1, p. 25 |
| H.L. Levy |
'As myn auctour seyth' |
|
12/, p. 25 |
| E.O. Winstedt |
SIEGFRIED |
|
21/, p. 25 |
| SYLVIA FEDERICO |
Queer times: Richard II in the poems and chronicles of late fourteenth-century England |
|
79/1, p. 25 |
| Elizabeth Salter |
LUDOLPHUS OF SAXONY AND HIS ENGLISH TRANSLATORS |
|
33/1, p. 26 |
| P.E. Russell |
ROBERT PAYN AND JUAN DE CUENCA, TRANSLATORS OF GOWER'S "CONFESSIO AMANTIS" |
|
30/1, p. 26 |
| G.R. Evans, David D'Avray |
AN UNUSUAL "ARS PRAEDICANDI" |
|
49/1, p. 26 |
| Nicolas Jacobs |
THE PROCESSES OF SCRIBAL SUBSTITUTION AND REDACTION: A STUDY OF THE CAMBRIDGE FRAGMENT OF "SIR DEGARRÉ" |
|
53/1, p. 26 |
| BEVERLY BRIAN GILBERT |
FRANCISCAN SCENES IN A FOURTEENTH-CENTURY SATIRE |
|
41/1, p. 27 |
| R.N.B. GODDARD |
EUGENIUS OF TOLEDO AND MARBOD OF RENNES IN MARCABRU'S 'POIS LA FUOILLA REVIROLA' |
|
57/1, p. 27 |
| EFFIE JEAN MATHEWSON |
THE ILLUSION OF MORALITY IN THE FRANKLIN'S TALE |
|
52/1, p. 27 |
| Roberto Weiss |
THE STUDY OF VARRO AT MONTECASSINO IN THE MIDDLE AGES |
|
16/, p. 27 |
| Peter S. Noble |
ALIS AND THE PROBLEM OF TIME IN "CLIGÉS" |
|
39/1, p. 28 |
| CATHERINE LÉGLU |
Defamation in the troubadour sirventes: legislation and lyric poetry |
|
66/1, p. 28 |
| Dorothy Everett |
THE RELATIONSHIP OF CHESTRE'S "LAUNFAL" AND "LYBEAUS DESCONUS" |
|
7/1, p. 29 |
| A.G. Rigg |
'GREGORY'S GARDEN': A LATIN DREAM-ALLEGORY |
|
35/1, p. 29 |
| ÁRMANN JAKOBSSON |
The amplified saga: structural disunity in Morkinskinna |
|
70/1, p. 29 |
| N.R. Ker |
OLD ENGLISH NOTES SIGNED 'COLEMAN' |
|
18/, p. 29 |
| J.K. Bostock |
NIGHTFALL IN WOLFRAM'S "PARZIVAL" |
|
21/, p. 29 |
| PAULINE HEAD |
Who is the nun from Heidenheim? A study of Hugeburc’s Vita Willibaldi |
|
71/1, p. 29 |
| Jane H.M. Taylor |
AROES THE ENCHANTER—AN EPISODE IN THE "ROMAN DE PERCEFOREST" AND ITS SOURCES |
|
47/1, p. 30 |
| Morton W. Bloomfield |
THE ALLEGORIES OF "DOBEST" ("PIERS PLOWMAN" B XIX-XX) |
|
50/1, p. 30 |
| PAMELA M. KING |
Calendar and text: Christ's ministry in the York plays and the liturgy |
|
67/1, p. 30 |
| Dominica Legge |
THE VATICAN LIFE OF EDWARD THE CONFESSOR |
|
6/1, p. 31 |
| M.M. Lascelles, N.R. Ker |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS |
|
5/1, p. 31 |
| James Kinsley |
THE TRETIS OF THE TUA MARIIT WEMEN AND THE WEDO |
|
23/1, p. 31 |
| Priscilla Preston |
DID GAVIN DOUGLAS WRITE "KING HART?" |
|
28/1, p. 31 |
| R.N. Illingworth |
THE COMPOSITION OF "GRÆLENT" AND "GUINGAMOR" |
|
|
| LAURA ASHE |
The ‘Short Charter of Christ’: an unpublished longer version, from Cambridge University Library, MS Add. 6686 |
|
72/1, p. 32 |
| R.I. Page |
'ET LICONAUS OT NON SES PERE' |
|
26/1, p. 32 |
| Ronald M. Spensley |
GAUVAIN'S CASTLE OF MARVELS ADVENTURE IN THE "CONTE DEL GRAAL" |
|
42/1, p. 32 |
| N.R. Ker |
'FOR ALL THAT I MAY CLAMP': LOUVAIN STUDENTS AND LECTURE-ROOMS IN THE FIFTEENTH CENTURY |
|
39/1, p. 32 |
| Roger M. Walker |
'POTEST ALIQUIS GUSTARE QUOD GUSTATUM AFFERT MORTEM?' (JOB vi 6): AN ASPECT OF IMAGERY AND STRUCTURE IN "LA DANZA GENERAL DE LA MUERTE" |
|
41/1, p. 32 |
| Alexandra Barratt |
ANCHORITIC ASPECTS OF "ANCRENE WISSE" |
|
49/1, p. 32 |
| C.T. Onions |
TWO NOTES ON MIDDLE ENGLISH TEXTS |
|
17/, p. 32 |
| Dominica Legge |
"THE BRUT ABRIDGED", A QUERY |
|
16/, p. 32 |
| S. Harrison Thomson |
THREE ANGLO-NORMAN TRANSLATIONS OF THE "VENI CREATOR SPIRITUS" |
|
8/1, p. 33 |
| J.A. Burrow |
'A MANER LATYN CORRUPT' |
|
30/1, p. 33 |
| H. Walther |
EINE MORAL-ASKETISCHE DICHTUNG DES XIII. JAHRHUNDERTS : "PROROGATIONES NOVI PROMETHEI" DES ALEXANDER NECKAM |
|
31/1, p. 33 |
| D.C. Cox, CARTER REVARD |
A NEW ME O-AND-I LYRIC AND ITS PROVENANCE |
|
54/1, p. 33 |
| ARDIS BUTTERFIELD |
LYRIC AND ELEGY IN "THE BOOK OF THE DUCHESS" |
|
60/1, p. 33 |
| M.L. HOLFORD |
A local source for Horn Child and Maiden Rimnild |
|
74/1, p. 34 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES. (Continued) |
|
|
| V.E. Watts |
PEARL AS A CONSOLATIO |
|
32/1, p. 34 |
| Simon Tugwell |
ADVENT LYRICS 348-77 (LYRIC NO. X) |
|
39/1, p. 34 |
| W.G. COOKE |
SIR GAWAIN AND THE GREEN KNIGHT: A RESTORED DATING |
|
58/1, p. 34 |
| ANNE B. THOMPSON |
SHAPING A SAINT'S LIFE: FRIDESWIDE OF OXFORD |
|
63/1, p. 34 |
| W. Rothwell |
Anglo-French and Middle English vocabulary in Femina nova |
|
69/1, p. 34 |
| Kathleen Chesney |
TWO MANUSCRIPTS OF CHRISTINE DE PISAN |
|
|
| D.S. Brewer |
MALORY RE-EDITED |
|
39/1, p. 35 |
| Monica J. Barnett |
MAUDUIT DE RAMES |
|
46/1, p. 35 |
| David G. Pattison |
THE LEGEND OF THE SONS OF SANCHO EL MAYOR |
|
51/1, p. 35 |
| Peter R. Grillo |
THE 'FIN DE ROBERT DE NORMANDIE' EPISODE IN LONDON, BRITISH LIBRARY, MS ADD. 36615 |
|
61/1, p. 35 |
| ROBERT ARCHER |
AUSIÀS MARCH AND THE "BAENA" DEBATE ON PREDESTINATION |
|
62/1, p. 35 |
| GEORGE R. KEISER |
RECONSTRUCTING ROBERT THORNTON'S HERBAL |
|
65/1, p. 35 |
| ALAN MacCOLL |
Rhetoric, narrative, and conceptions of history in the French Prose Brut |
|
78/1, p. 35 |
| Olive Sayce |
ABORTIVE MOTIVATION IN PART I OF THE "NIBELUNGENLIED" |
|
23/1, p. 36 |
| R.I. Page |
A NOTE ON THE TEXT OF MS CCCC 422 ("SOLOMON AND SATURN") |
|
34/1, p. 36 |
| P.M. Kean |
CHAUCER'S DEALINGS WITH A STANZA OF "IL FILOSTRATO" AND THE EPILOGUE OF "TROILUS AND CRISEYDE" |
|
33/1, p. 36 |
| Erika von Erhardt-Siebold |
NOTE ON ANGLO-SAXON RIDDLE 74 |
|
21/, p. 36 |
| P.J.C. Field |
FOUR FUNCTIONS OF MALORY'S MINOR CHARACTERS |
|
37/1, p. 37 |
| |
CORRIGENDA: THE AUTHENTICITY OF THE Z-TEXT OF "PIERS PLOWMAN": FURTHER NOTES ON METRICAL EVIDENCE |
|
57/1, p. 37 |
| SANTHA BHATTACHARJI |
"PEARL" AND THE LITURGICAL 'COMMON OF VIRGINS' |
|
64/1, p. 37 |
| PETER MEREDITH |
'NOLO MORTEM' AND THE "LUDUS COVENTRIAE" PLAY OF THE "WOMAN TAKEN IN ADULTERY" |
|
38/1, p. 38 |
| E.J. Dobson, Patricia Ingham |
THREE NOTES ON DUNBAR'S "THE TUA MARIIT WEMEN AND THE WEDO" |
|
36/1, p. 38 |
| J.M. Evans |
MICROCOSMIC ADAM |
|
35/1, p. 38 |
| B.S. Donaghey |
ANOTHER ENGLISH MANUSCRIPT OF AN OLD FRENCH TRANSLATION OF BOETHIUS |
|
42/1, p. 38 |
| John J. Thompson |
LITERARY ASSOCIATIONS OF AN ANONYMOUS MIDDLE ENGLISH PARAPHRASE OF VULGATE PSALM L |
|
57/1, p. 38 |
| Ian Bishop |
CHAUCER AND THE RHETORIC OF CONSOLATION |
|
52/1, p. 38 |
| R. Bowen |
THE DREAMS OF CHARLEMAGNE |
|
23/1, p. 39 |
| Joseph E. Gallagher |
THE DOUBLE SORROW OF TROILUS |
|
41/1, p. 39 |
| N.R. Ker |
THE HAGUE MANUSCRIPT OF THE EPISTOLA CUTHBERTI DE OBITU BEDÆ WITH BEDE'S SONG |
|
8/1, p. 40 |
| CHRISTOPHER HOHLER |
THE PROPER OFFICE OF ST. NICHOLAS AND RELATED MATTERS WITH REFERENCE TO A RECENT BOOK |
|
36/1, p. 40 |
| Christopher Brookhouse |
CHAUCER'S "IMPOSSIBILIA" |
|
34/1, p. 40 |
| Huw Grange |
A paraphrase of the Miserere in Anglo-Norman verse (Lambeth Palace, MS 431) |
|
84/1, p. 40 |
| M.R. Morgan |
THE MEANINGS OF OLD FRENCH "POLAIN", LATIN "PULLANUS" |
|
48/1, p. 40 |
| Elizabeth Salter |
THE TIMELINESS OF "WYNNERE AND WASTOURE" |
|
47/1, p. 40 |
| |
CORRIGENDA: LANGLAND'S DIALECT |
|
55/1, p. 40 |
| JANETTE DILLON |
"PIERS PLOWMAN": A PARTICULAR EXAMPLE OF WORDPLAY AND ITS STRUCTURAL SIGNIFICANCE |
|
50/1, p. 40 |
| R.C. Goffin |
QUITING BY TIDINGS IN "THE HOUS OF FAME" |
|
12/, p. 40 |
| Ronald N. Walpole |
STANZAS 26 AND 27 OF THE MIDDLE ENGLISH ROMANCE "ROLAND & VERNAGU" |
|
20/, p. 40 |
| Megan Leitch |
Thinking twice about treason in Caxton’s prose romances: proper chivalric conduct and the English printing press |
|
81/2, p. 41 |
| Thomas Hinton |
New beginnings and false dawns: a reappraisal of the Elucidation prologue to the Conte del Graal cycle |
|
80/2, p. 41 |
| Dorena Allen Wright |
HENRYSON'S "ORPHEUS AND EURYDICE" AND THE TRADITION OF THE MUSES |
|
40/1, p. 41 |
| Kenneth Urwin |
THE MOOD OF ANGLO-NORMAN "FUD" |
|
46/1, p. 41 |
| T. McALINDON |
COSMOLOGY, CONTRARIETY AND THE KNIGHT'S TALE |
|
55/1, p. 41 |
| BELLA MILLETT |
THE TEXTUAL TRANSMISSION OF "SEINTE IULIENE" |
|
59/1, p. 41 |
| Dorothy Everett |
ANOTHER COLLATION OF THE ELLESMERE MANUSCRIPT OF THE "CANTERBURY TALES" |
|
|
| W.G. COOKE, D'A.J.D. BOULTON |
Sir Gawain and the Green Knight: a poem for Henry of Grosmont? |
|
68/1, p. 42 |
| Charles S.F. Burnett |
The works of Petrus Alfonsi: questions of authenticity |
|
66/1, p. 42 |
| T.D. Hemming |
PROBLEMS OF THE CLERMONT-FERRAND PASSION NARRATIVE |
|
35/1, p. 43 |
| FLORIN CURTA |
Colour perception, dyestuffs, and colour terms in twelfth-century French literature |
|
73/1, p. 43 |
| V. Harward |
'CELTIC MYTH AND ARTHURIAN ROMANCE': A REPLY |
|
31/1, p. 43 |
| C.A. Trypanis |
DANTE AND A BYZANTINE TREATISE ON VIRTUES AND VICES |
|
19/, p. 43 |
| Eric Colledge |
THE ENGLISH PROSE "BENEDICTUS": A SECOND MANUSCRIPT |
|
8/1, p. 45 |
| T.P. Dunning |
LANGLAND AND THE SALVATION OF THE HEATHEN |
|
12/, p. 45 |
| D.J.A. Ross |
THE ICONOGRAPHY OF ROLAND |
|
37/1, p. 46 |
| DAVID MAW |
Accent and metre in later Old French verse: the case of the polyphonic rondel |
|
75/1, p. 46 |
| Alison Adams |
A FOURTEENTH-CENTURY BOWDLERIZATION |
|
46/1, p. 46 |
| Sarah Kay |
CONTINUATION AS CRITICISM: THE CASE OF JAUFRE RUDEL |
|
56/1, p. 46 |
| Kathleen Chesney |
A NEGLECTED PROSE VERSION OF THE "ROMAN DE TROIE" |
|
11/, p. 46 |
| Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
|
33/1, p. 47 |
| Christopher Cannon |
The form of the self: Ancrene Wisse and romance |
|
70/1, p. 47 |
| Fitzroy Pyle |
CHAUCER'S PROSODY |
|
42/1, p. 47 |
| G.N. BROMILEY |
THE MAKING OF BEROUL'S "TRISTAN": THE ROLE OF REPETITION |
|
54/1, p. 47 |
| ALEXANDRA DA COSTA |
From manuscript into print: the Festial, the four sermons, and the Quattuor sermones |
|
79/1, p. 47 |
| D.J.A. Ross |
NEW MEDIÆVAL LATIN VERSIONS OF FRENCH ALEXANDER POEMS |
|
28/1, p. 48 |
| PRISCILLA J. BAWCUTT |
LEXICAL NOTES ON GAVIN DOUGLAS'S "ENEADOS" |
|
40/1, p. 48 |
| LUCINDA RUMSEY |
THE SCORPION OF LECHERY AND "ANCRENE WISSE" |
|
61/1, p. 48 |
| J.K. Bostock |
ZARDA |
|
20/, p. 48 |
| Erika von Erhardt-Siebold |
THE ANGLO-SAXON RIDDLE 74 AND EMPEDOKLES' FRAGMENT 117 |
|
15/, p. 48 |
| Julia Boffey, A.S.G. Edwards |
Unrecorded Middle English verse texts in a Canterbury Cathedral Library manuscript |
|
72/1, p. 49 |
| Jacques Chailley |
ESSAI SUR LA FORMATION DE LA VERSIFICATION LATINE D'ACCENT AU MOYEN ÂGE |
|
29/1, p. 49 |
| Michael G. Sargent |
A NEW MANUSCRIPT OF "THE CHASTISING OF GOD'S CHILDREN" WITH AN ASCRIPTION TO WALTER HILTON |
|
46/1, p. 49 |
| Helen Phillips |
THE GHOST'S BAPTISM IN "THE AWNTYRS OFF ARTHURE" |
|
58/1, p. 49 |
| BEVERLY BRIAN GILBERT |
'CIVIL' AND THE NOTARIES IN "PIERS PLOWMAN" |
|
50/1, p. 49 |
| ANDREW L. KING |
THE 'ORDO PROPHETARUM' OF THE "JEU D'ADAM": CONSTRUCTION AND COMPLETENESS |
|
53/1, p. 49 |
| ELLIOT KENDALL |
Chamberlain Danger: the social meaning of love allegory in the Confessio Amantis |
|
76/1, p. 49 |
| Austin Gill |
A NOTE ON THE GAMBLERS' QUARREL SCENE IN THE "JEU DE SAINT NICOLAS" |
|
8/1, p. 50 |
| C.E. Wright |
TWO ÆLFRIC FRAGMENTS |
|
7/1, p. 50 |
| Piero Boitani |
THE "MONK'S TALE": DANTE AND BOCCACCIO |
|
45/1, p. 50 |
| R. Bowen |
SUR LA "CHANSON DE ROLAND" |
|
19/, p. 50 |
| Curt F. Bühler |
LYDGATE'S "RULES OF HEALTH" IN MS. LANSDOWNE 699 |
|
3/1, p. 51 |
| RICHARD W. KAEUPER |
AN HISTORIAN'S READING OF "THE TALE OF GAMELYN" |
|
52/1, p. 51 |
| VICTOR I. SCHERB |
CONCEPTION, FLIES, AND HERESY IN SKELTON'S 'REPLYCACION' |
|
62/1, p. 51 |
| Derek Pearsall |
CHAUCER'S TOMB: THE POLITICS OF REBURIAL |
|
64/1, p. 51 |
| Mark C. Pilkinton |
THE RAISING OF LAZARUS: A PREFIGURING AGENT TO THE HARROWING OF HELL |
|
|
| Richard Leighton Greene |
THE BURDEN AND THE SCOTTISH VARIANT OF THE CORPUS CHRISTI CAROL |
|
33/1, p. 53 |
| ROGER PENSOM |
INSIDE AND OUTSIDE: FACT AND FICTION IN "FOUKE LE FITZ WARYN" |
|
63/1, p. 53 |
| Kenneth Urwin |
NOTE ON THE EPIC CÆSURA IN FIFTEENTHCENTURY FRENCH LITERATURE |
|
8/1, p. 54 |
| CONSTANCE B. HIEATT |
THE MIDDLE ENGLISH CULINARY RECIPES IN MS HARLEY 5401: AN EDITION AND COMMENTARY |
|
65/1, p. 54 |
| J. ALLAN MITCHELL |
Queen Katherine and the secret of Lydgate’s Temple of Glas |
|
77/1, p. 54 |
| Marcel Françon |
LA STRUCTURE DU RONDEAU |
|
|
| Rosemary Woolf |
THE CONSTRUCTION OF "IN A FRYHT AS Y CONFARE FREMEDE" |
|
38/1, p. 55 |
| JOHN C. HIRSH |
PRAYER AND MEDITATION IN LATE MEDIAEVAL ENGLAND: MS BODLEY 789 |
|
48/1, p. 55 |
| Jeremy Lawrance |
NUÑO DE GUZMÁN AND EARLY SPANISH HUMANISM: SOME RECONSIDERATIONS |
|
51/1, p. 55 |
| SIMON B. GAUNT |
MARGINAL MEN, MARCABRU AND ORTHODOXY: THE EARLY TROUBADOURS AND ADULTERY |
|
59/1, p. 55 |
| J.A.W. Bennett |
THE DATE OF THE B-TEXT OF "PIERS PLOWMAN" |
|
12/, p. 55 |
| JOANNA SUMMERS |
Gower's Vox clamantis and Usk's Testament of Love |
|
68/1, p. 55 |
| SUZANNE M. YEAGER |
Jewish identity in The Siege of Jerusalem and homiletic texts: models of penance and victims of vengeance for the urban apocalypse |
|
80/2, p. 56 |
| F.S. Shears |
THE LANGUAGE OF THE FIRST AND THIRD VERSIONS OF FROISSART'S CHRONICLES |
|
|
| J.P. Gumbert, P.M. Vermeer |
AN UNUSUAL "YOGH" IN THE BESTIARY MANUSCRIPT—A PALAEOGRAPHICAL NOTE |
|
40/1, p. 56 |
| Norman Davis |
NOTES ON THE MIDDLE ENGLISH "BESTIARY" |
|
19/, p. 56 |
| H.J.R. Murray |
THE MEDIÆVAL GAMES OF TABLES |
|
10/2, p. 57 |
| P.E. Russell |
SAN PEDRO DE CARDEÑA AND THE HEROIC HISTORY OF THE CID |
|
27/2, p. 57 |
| MARIANNE WYNN |
BOOK 1 OF WOLFRAM VON ESCHENBACH'S "WILLEHALM" AND ITS CONCLUSION |
|
49/1, p. 57 |
| Kemp Malone |
BEOWULFIANA |
|
|
| PHILIP E. BENNETT |
THOMAS ELIE DE BIVILLE |
|
55/1, p. 58 |
| KAREN SULLIVAN |
Disputations, literary and inquisitorial: the conversion of the heretic Sicart of Figueiras |
|
78/1, p. 58 |
| LISA JEFFERSON |
THE KEYS TO THE ENCHANTMENTS OF DOLOROUS GUARD |
|
58/1, p. 59 |
| ALISON M. PEDEN |
MACROBIUS AND MEDIAEVAL DREAM LITERATURE |
|
54/1, p. 59 |
| CLEM C. WILLIAMS |
A CASE OF MISTAKEN IDENTITY: STILL ANOTHER TROJAN NARRATIVE IN OLD FRENCH PROSE |
|
53/1, p. 59 |
| SUSAN CRANE |
FROISSART'S "DIT DOU BLEU CHEVALIER" AS A SOURCE FOR CHAUCER'S "BOOK OF THE DUCHESS" |
|
61/1, p. 59 |
| HELEN BARR |
Pearl - or the jeweller's tale |
|
69/1, p. 59 |
| Michael C. Seymour |
Chaucer’s Book of the Duchess: a proposal |
|
74/1, p. 60 |
| Lucas Wood |
Of werewolves and wicked women: Melion’s misogyny reconsidered |
|
84/1, p. 60 |
| J.R.L. Highfield |
A NOTE ON THE INTRODUCTION OF ENGLISH INTO THE PROCEEDINGS OF THE CONVOCATION OF CANTERBURY IN THE REIGN OF EDWARD III |
|
19/, p. 60 |
| Jane H.M. Taylor |
Inescapable rose: Jean le Seneschal's Cent Balades and the art of cheerful paradox |
|
67/1, p. 60 |
| Gweneth Hutchings |
GAWAIN AND THE ABDUCTION OF GUENEVERE |
|
4/1, p. 61 |
| W.L. Wardale |
DIOCLES OF CARYSTOS AND GERMAN POPULAR MEDICINE |
|
9/2, p. 61 |
| JOHN CARTWRIGHT |
SIR GILBERT HAY'S "ALEXANDER": A STUDY IN TRANSFORMATIONS |
|
60/1, p. 61 |
| Susanna Greer Fein |
A THIRTEEN-LINE ALLITERATIVE STANZA ON THE ABUSE OF PRAYER FROM THE AUDELAY MS |
|
63/1, p. 61 |
| Ad Putter |
King Arthur at Oxbridge: Nicholas Cantelupe, Geoffrey of Monmouth, and Cambridge’s Arthurian foundation myth |
|
72/1, p. 63 |
| George Fenwick Jones |
SARTORIAL SYMBOLS IN MEDIÆVAL LITERATURE |
|
25/2, p. 63 |
| RUTH V. SHARMAN |
GIRAUT DE BORNEIL: "MAESTRE DELS TROBADORS" |
|
52/1, p. 63 |
| LUCY LEWIS |
The identity of Margaret in Thomas Usk's Testament of Love |
|
68/1, p. 63 |
| T.B.W. Reid |
OLD FRENCH "GIENS", PROVENÇAL "GES", CATALAN "GENS" |
|
|
| ANNA BALDWIN |
THE DOUBLE DUEL IN "PIERS PLOWMAN" B XVIII AND C XXI |
|
50/1, p. 64 |
| R.L.G. Ritchie |
THE DATE OF THE "VOYAGE OF ST BRENDAN" |
|
19/, p. 64 |
| Enid M. Raynes |
MS. BOULOGNE-SUR-MER 63 AND ÆLFRIC |
|
26/2, p. 65 |
| R.I. Page |
THE OLD ENGLISH RUNE "EAR" |
|
30/2, p. 65 |
| JOHN GORNALL |
HOW MANY TIMES WAS THE COUNT OF BARCELONA OFFERED HIS FREEDOM? DOUBLE NARRATION IN THE "POEMA DE MIO CID" |
|
56/1, p. 65 |
| Kemp Malone |
NOTES ON GNOMIC POEM B OF THE EXETER BOOK |
|
12/, p. 65 |
| DANIÉLA PANTCHEVA CAPIN |
Le conservatisme de la langue, gage du caractère littéraire du texte et témoin d’une nouvelle conception de l’acte d’écriture: le cas d’Ysaÿe le Triste |
|
73/1, p. 66 |
| Leo Carruthers |
The Duke of Clarence and the Earls of March: Garter knights and Sir Gawain and the Green Knight |
|
70/1, p. 66 |
| James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S LOVE LYRICS |
|
47/1, p. 66 |
| Thorlac Turville-Petre |
THE AGES OF MAN IN "THE PARLEMENT OF THE THRE AGES" |
|
46/1, p. 66 |
| J.C. Rault |
"LA FARCE DE Me TRUBERT ET D'ANTRONGNART" D'EUSTACHE DESCHAMPS |
|
49/1, p. 66 |
| MICHAEL STEFFES |
‘As dewe in Aprylle’: ‘I syng of a mayden’ and the liturgy |
|
71/1, p. 66 |
| Alfred Ewert |
GUI DE WAREWIC: SOME OBSERVATIONS |
|
4/1, p. 67 |
| Kenneth Urwin |
BRITISH LATIN "VENETARE" AND ANGLO-NORMAN "VENETER" |
|
48/1, p. 67 |
| G.S. Purkis |
A BODLEIAN "DECAMERON" |
|
19/, p. 67 |
| A. McI. Trounce |
CHAUCER'S IMPERATIVE WITH "AS" |
|
|
| S. Harrison Thomson |
UNNOTICED MANUSCRIPTS OF WYCLYF'S "DE VERITATE SACRE SCRIPTURE" |
|
12/, p. 68 |
| S. Harrison Thomson |
THE "DULCIS JESU MEMORIA" IN ANGLO-NORMAN AND MIDDLE FRENCH |
|
11/, p. 68 |
| TIMOTHY D. ARNER |
Chaucer’s second Hector: the triumphs of Diomede and the possibility of epic in Troilus and Criseyde |
|
79/1, p. 68 |
| Jacques Handschin |
DIE MODALTHEORIE UND CARL APPELS AUSGABE DER GESAENGE VON BERNART DE VENTADORN |
|
4/2, p. 69 |
| David Scott-Macnab |
An autonomous and unpublished version of the J.B. Treatise in Exeter Cathedral MS 3533 |
|
76/1, p. 70 |
| ALISON WILLIAMS |
Stories within stories: writing history in Fouke le Fitz Waryn |
|
81/2, p. 70 |
| Hilda R. Ellis |
FOSTERING BY GIANTS IN OLD NORSE SAGA LITERATURE |
|
10/2, p. 70 |
| Brian Murdoch |
GENESIS AND PSEUDO-GENESIS IN LATE MEDIÆVAL GERMAN POETRY |
|
45/1, p. 70 |
| CATHERINE LÉGLU |
Nourishing lineage in the earliest French versions of the Roman de Mélusine |
|
74/1, p. 71 |
| Cecily Clark |
NOTES ON MS. LAUD MISC. 636 |
|
23/2, p. 71 |
| C.L. Wrenn |
THE TEXT OF "HAVARÐAR SAGA ISFIRÐINGS" |
|
|
| J.B. Wynn |
THE BEGINNING OF THE YEAR IN BEDE AND THE ANGLO-SAXON CHRONICLE |
|
25/2, p. 71 |
| Judith Weiss |
THE MAJOR INTERPOLATIONS IN "SIR BEUES OF HAMTOUN" |
|
48/1, p. 71 |
| A.O. Anderson, N. Denholm-Young |
CRONICA DE MELROS |
|
6/1, p. 72 |
| Linda M. Paterson |
TOURNAMENTS AND KNIGHTLY SPORTS IN TWELFTH- AND THIRTEENTH-CENTURY OCCITANIA |
|
55/1, p. 72 |
| JANET R. DONER |
SCRIBAL WHIM AND MINIATURE ALLOCATION IN THE ILLUSTRATED MANUSCRIPTS OF THE "CONTINUATION-GAUVAIN" |
|
65/1, p. 72 |
| Henry Hargreaves |
THE LATIN TEXT OF PURVEY'S PSALTER |
|
24/2, p. 73 |
| R.G. Keightley |
THE "CRONYQUES OF SPAYGNE" IN CAXTON'S VERSION OF THE TROJAN HISTORY OF RAOUL LE FÈVRE |
|
49/1, p. 73 |
| Aengus Ward |
Inventing a tradition: the Crónica d'Espayña de García de Eugui and the beginnings of Navarrese historiography |
|
68/1, p. 73 |
| Ivor D.O. Arnold |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN (M.Æ. VI 99 ff.) |
|
7/1, p. 74 |
| D.G. Hoggan |
THE VERSION OF "ALISCANS" KNOWN TO THE AUTHOR OF "FOUCON DE CANDIE" |
|
26/2, p. 74 |
| C.H.L. Bodenham |
THE NATURE OF THE DREAM IN LATE MEDIAEVAL FRENCH LITERATURE |
|
54/1, p. 74 |
| CHARITY SCOTT STOKES |
THOMAS HOCCLEVE'S "MOTHER OF GOD" AND "BALADE TO THE VIRGIN AND CHRIST": LATIN AND ANGLO-NORMAN SOURCES |
|
64/1, p. 74 |
| RICHARD NEWHAUSER |
A Middle English poem on the fleeting nature of material wealth |
|
71/1, p. 74 |
| JOSETTE A. WISMAN |
JACQUES LEGRAND, CHRISTINE DE PIZAN, ET LA QUESTION DE LA 'NOUVELETÉ' |
|
63/1, p. 75 |
| Douglas J. Gillam |
A NOTE ON THE OLD HIGH GERMAN "GEORGSLIED" |
|
7/1, p. 76 |
| Karl Leyser |
A RECENT VIEW OF THE GERMAN COLLEGE OF ELECTORS |
|
23/2, p. 76 |
| Raphael Levy, J. Orr |
LA DAMOISELE A LA MURE: ETUDE TEXTUELLE |
|
6/1, p. 76 |
| John Orr |
LA DEMOISELLE A LA MURE : ETUDE TEXTUELLE |
|
5/1, p. 77 |
| Janet M. Ferrier |
"SEULEMENT POUR VOUS ENDOCTRINER": THE AUTHOR'S USE OF "EXEMPLA" IN "LE MÉNAGIER DE PARIS" |
|
48/1, p. 77 |
| GERALD MORGAN |
A DEFENCE OF DORIGEN'S COMPLAINT |
|
46/1, p. 77 |
| PENNY SULLIVAN |
THE PRESENTATION OF ENIDE IN THE "PREMIER VERS" OF CHRETIEN'S "EREC ET ENIDE" |
|
52/1, p. 77 |
| Dominica Legge |
JOHN PECHAM'S "JERARCHIE" |
|
11/, p. 77 |
| Ethel Seaton |
ROBERT MANNYNG OF BRUNNE IN LINCOLN |
|
12/, p. 77 |
| CORDULA POLITIS |
The taming of the Amazon: Pentesilie in Ulrich von Türheim’s Rennewart |
|
77/1, p. 77 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/2, p. 79 |
| Kathleen Chesney |
THE LUMLEY MANUSCRIPT OF NICOLAS DE CLAMANGES |
|
9/2, p. 79 |
| Ida L. Gordon |
THE MURDER OF PORGRÍMR IN "GÍSLASAGA SÚRSSONAR" |
|
3/2, p. 79 |
| B.S. Lee |
LUCIDUS AND DUBIUS: A FIFTEENTH-CENTURY THEOLOGICAL DEBATE AND ITS SOURCES |
|
45/1, p. 79 |
| B. DIENSBERG |
THE ETYMOLOGY OF MODERN ENGLISH "BOY": A NEW HYPOTHESIS |
|
50/1, p. 79 |
| PRISCILLA J. BAWCUTT |
The Boston Public Library manuscript of John Lydgate's Siege of Thebes: its Scottish owners and inscriptions |
|
70/1, p. 80 |
| A.J. Bliss |
THE HERO'S NAME IN THE MIDDLE ENGLISH VERSIONS OF "LANVAL" |
|
27/2, p. 80 |
| J.E. Cross |
KING ARTHUR IN THE OLD SWEDISH LEGENDARY |
|
30/2, p. 80 |
| J.H. BAKER |
A FRENCH VOCABULARY AND CONVERSATION-GUIDE IN A FIFTEENTH-CENTURY LEGAL NOTEBOOK |
|
58/1, p. 80 |
| John Frankis |
Taste and patronage in late medieval England as reflected in versions of Guy of Warwick |
|
66/1, p. 80 |
| RICHARD INGHAM |
Mixing languages on the manor |
|
78/1, p. 80 |
| PETER WHITEFORD |
'Chosen to be þi derlyng': the anticipation of heaven in a fifteenth-century Middle English meditation |
|
69/1, p. 80 |
| Charles W. Jones |
THE BYRHTFERTH GLOSSES |
|
7/2, p. 81 |
| E.V. Gordon, Eugène Vinaver |
NEW LIGHT ON THE TEXT OF THE ALLITERATIVE "MORTE ARTHURE" |
|
6/2, p. 81 |
| Gweneth Hutchings |
THE "LANCELOT" MANUSCRIPT OF FRIBOURG |
|
9/2, p. 81 |
| Mildred K. Pope |
THE ORDER OF THE BATTLES IN THE "CHANSON DE ROLAND" |
|
|
| C.K. Brampton |
OCKHAM, BONAGRATIA AND THE EMPEROR LEWIS IV |
|
31/2, p. 81 |
| W.M. Temple |
THE WEEPING RACHEL |
|
28/2, p. 81 |
| Margaret E. Goldsmith |
THE CHRISTIAN THEME OF "BEOWULF" |
|
29/2, p. 81 |
| PENNY ELEY |
History and romance in the Chronique des ducs de Normandie |
|
68/1, p. 81 |
| HEATHER O'DONOGHUE |
What has Baldr to do with Lamech? The lethal shot of a blind man in Old Norse myth and Jewish exegetical traditions |
|
72/1, p. 82 |
| ANNIE SUTHERLAND |
The dating and authorship of the Cloud corpus: a reassessment of the evidence |
|
71/1, p. 82 |
| Nevill Coghill |
TWO NOTES ON "PIERS PLOWMAN": I. THE ABBOT OF ABINGDON AND THE DATE OF THE C TEXT |
|
4/2, p. 83 |
| N.R. Ker |
AN ELEVENTH-CENTURY OLD ENGLISH LEGEND OF THE CROSS BEFORE CHRIST |
|
9/2, p. 84 |
| Robert Easting |
St Patrick’s Purgatory: fragments of a second copy of the Middle English stanzaic Owayne Miles |
|
75/1, p. 84 |
| J.K. Bostock |
THE ANT'S WAIST: A QUERY |
|
25/2, p. 84 |
| WIESJE F. NIJENHUIS |
TRUNCATED TOPOI IN "THE VISION OF EDMUND LEVERSEDGE" |
|
63/1, p. 84 |
| J.S. McKINNELL |
Wisdom from the dead: the Ljóðatal section of Hávamál |
|
76/1, p. 85 |
| Miranda Griffin |
The space of transformation: Merlin between two deaths |
|
80/2, p. 85 |
| Georgine Brereton |
"CUEILLIR" 'ACCUEILLIR' : ESSAI D'EXPLICATION SEMANTIQUE |
|
11/, p. 85 |
| ANNETTE VOLFING |
Gottfried's huote excursus (Tristan 17817-18115) |
|
67/1, p. 85 |
| STEPHEN BEMROSE |
God so loves the soul: intellections of immortality in Dante |
|
74/1, p. 86 |
| Edward B. Ham |
A FRAGMENT OF THE "CHANSON DES LORRAINS" |
|
10/2, p. 86 |
| C.T. Onions |
'GAPING AGAINST AN OVEN' |
|
9/2, p. 86 |
| D.J.A. Ross |
A FIFTEENTH-CENTURY REVISION OF THE OLD FRENCH PROSE ALEXANDER |
|
27/2, p. 86 |
| EILEEN GARDINER |
A SOLUTION TO THE PROBLEM OF DATING IN THE "VISION OF TUNDALE" |
|
51/1, p. 86 |
| Elizabeth V. Mead |
TWO ANGLO-NORMAN DEVOTIONAL POEMS |
|
28/2, p. 87 |
| P.J. FOURACRE |
THE CONTEXT OF THE OHG "LUDWIGSLIED" |
|
54/1, p. 87 |
| GEOFF RECTOR |
En sa chambre sovent le lit: literary leisure and the chamber sociabilities of early Anglo-French literature (c.1100-1150) |
|
81/2, p. 88 |
| W.P. Albrecht |
A SEVENTEENTH-CENTURY TEXT OF THOMAS OF ERCELDOUNE |
|
23/2, p. 88 |
| Conrad Mainzer |
ALBERTANO OF BRESCIA'S "LIBER CONSOLATIONIS ET CONSILII" AS A SOURCE-BOOK OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 88 |
| Fanni Bogdanow |
THE FRAGMENTS OF "GUIRON LE COURTOIS" PRESERVED IN MS DOUCE 383, OXFORD |
|
33/2, p. 89 |
| John Leyerle |
BEOWULF THE HERO AND THE KING |
|
34/2, p. 89 |
| Pierre Courroux |
Enguerrand de Monstrelet et les assassinats de Louis d’Orléans et Jean sans Peur |
|
84/1, p. 89 |
| Fanni Bogdanow |
A HITHERTO UNIDENTIFIED MANUSCRIPT OF THE "PALAMÈDE": VENICE, ST. MARK'S LIBRARY, MS. Fr. XV |
|
30/2, p. 89 |
| O.D. Macrae-Gibson |
HOW HISTORICAL IS "THE BATTLE OF MALDON?" |
|
39/2, p. 89 |
| Elspeth Kennedy |
SOCIAL AND POLITICAL IDEAS IN THE FRENCH PROSE "LANCELOT" |
|
26/2, p. 90 |
| J.A.W. Bennett |
OLD ENGLISH "HROHIAN" |
|
11/, p. 90 |
| Tony Hunt |
The Middle French alchemical treatises in MS Oxford, Bodleian Library, Digby 164 |
|
79/1, p. 90 |
| Raphael Levy |
POUR L'INTERPRÉTATION DU "JEU DE SAINT NICOLAS" |
|
24/2, p. 91 |
| G.D.G. Hall |
THE ABBOT OF ABINGDON AND THE TENANTS OF WINKFIELD |
|
28/2, p. 91 |
| R. Wayne Hamm |
A CRITICAL EVALUATION OF THE "CONFISYON DEL AMANTE", THE CASTILIAN TRANSLATION OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 91 |
| Peter Ainsworth |
KNIFE, KEY, BEAR AND BOOK: POISONED METONYMIES AND THE PROBLEM OF "TRANSLATIO" IN FROISSART'S "LATER CHRONIQUES" |
|
59/1, p. 91 |
| WILLIAM E. COLEMAN |
CHAUCER, THE "TESEIDA", AND THE VISCONTI LIBRARY AT PAVIA: A HYPOTHESIS |
|
51/1, p. 92 |
| Margery M. Morgan |
VERSIONS OF THE MEDITATIONS ON THE PASSION ASCRIBED TO RICHARD ROLLE |
|
22/2, p. 93 |
| A.I. Doyle |
MORE LIGHT ON JOHN SHIRLEY |
|
30/2, p. 93 |
| Alexander Bell |
NOTES ON GAIMAR'S MILITARY VOCABULARY |
|
40/2, p. 93 |
| H.E. Butler |
NOTES ON THE TEXT OF THE CHRONICLE OF JOCELIN OF BRAKELOND |
|
10/2, p. 94 |
| MALCOLM JONES |
The parodic sermon in medieval and early modern England |
|
66/1, p. 94 |
| Alison I. Gyger |
"DANIEL" AND "AZARIAS" AS EVIDENCE FOR THE ORAL-FORMULAIC CHARACTER OF OLD ENGLISH POETRY |
|
35/2, p. 95 |
| R.M. Dawkins |
THE 'GRAN VEGLIO' OF "INFERNO XIV" |
|
|
| J.R.R. Tolkien |
SIGELWARA LAND. (Continued) |
|
3/2, p. 95 |
| INEKE HARDY |
'Nus ne poroit de mauvaise raison' (R1887): a case for Raoul de Soissons |
|
70/1, p. 95 |
| Albert B. Friedman |
THE LATE MEDIÆVAL BALLADE AND THE ORIGIN OF BROADSIDE BALLADRY |
|
27/2, p. 95 |
| Cyril Hart |
BYRHTFERTH AND HIS MANUAL |
|
41/2, p. 95 |
| Beverly Boyd |
WICLIF AND THE SARUM ORDINAL |
|
28/2, p. 96 |
| NICOLE D. SMITH |
Estreitement bendé: Marie de France’s Guigemar and the erotics of tight dress |
|
77/1, p. 96 |
| M.B. Parkes |
MANUSCRIPT FRAGMENTS OF ENGLISH SERMONS ATTRIBUTED TO JOHN WYCLIF |
|
24/2, p. 97 |
| C.A. Robson |
THE CHARACTER OF TURPIN IN THE "CHANSON DE ROLAND" |
|
10/2, p. 97 |
| Marvin L. Colker |
A NOTE ON THE HISTORY OF THE COMMENTARY ON THE "ALEXANDREIS" |
|
28/2, p. 97 |
| Kathleen Chesney |
NICOLAS DE CLAMANGES: SOME SUPPLEMENTARY BIBLIOGRAPHICAL NOTES |
|
7/2, p. 98 |
| Diana B. Tyson |
THE EPITAPH OF EDWARD THE BLACK PRINCE |
|
46/1, p. 98 |
| P.J.C. Field |
Morte Arthure, the Montagus, and Milan |
|
78/1, p. 98 |
| Tania Vorontzoff |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN |
|
6/2, p. 99 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER": APPENDIX |
|
28/2, p. 99 |
| Jane Roberts |
EVIDENCES FOR WITCHCRAFT IN ANGLO-SAXON ENGLAND |
|
32/2, p. 99 |
| S. Harrison Thomson |
THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
|
4/2, p. 100 |
| R.L. Reynolds |
AN ECHO OF "BEOWULF" in ATHELSTAN'S CHARTERS OF 931-933 A.D.? |
|
24/2, p. 101 |
| Stephen Gaselee |
AN EMENDATION IN "SACRIS SOLLEMNIIS" |
|
10/2, p. 101 |
| Richard Beadle |
Fifteenth-century political verses from the Holkham archives |
|
71/1, p. 101 |
| Thomas Aqu. Michels |
TWO CORRUPT VERSES IN THE "CANTILENA SUPER STATUM REGIS ALBERTI" |
|
10/2, p. 102 |
| Dorena Allen Wright |
ORPHEUS AND ORFEO: THE DEAD AND THE "TAKEN" |
|
33/2, p. 102 |
| W. Rothwell |
MEDIÆVAL FRENCH "BUREAU" |
|
29/2, p. 102 |
| Joseph Szövérffy |
THE UNERRING BOW AND PETRUS OLAVI |
|
30/2, p. 102 |
| RICHARD DAVID WISSOLIK |
DUKE WILLIAM'S MESSENGERS: AN 'INSOLUBLE, REVERSE-ORDER' SCENE OF THE BAYEUX TAPESTRY |
|
51/1, p. 102 |
| Hywel D. Emanuel |
GEOFFREY OF MONMOUTH'S "HISTORIA REGUM BRITANNIE": A SECOND VARIANT VERSION |
|
35/2, p. 103 |
| P.S. Lewis |
JEAN JUVENAL DES URSINS AND THE COMMON LITERARY ATTITUDE TOWARDS TYRANNY IN FIFTEENTH-CENTURY FRANCE |
|
34/2, p. 103 |
| MÍĊEÁL F. VAUGHAN |
Personal politics and Thomas Gascoigne’s account of Chaucer’s death |
|
75/1, p. 103 |
| Joy Russell-Smith |
KEIS IN "SAWLES WARDE" |
|
22/2, p. 104 |
| J.E. Cross |
ON THE ALLEGORY IN "THE SEAFARER"—ILLUSTRATIVE NOTES |
|
28/2, p. 104 |
| D.J.A. Ross |
LE CHEVALIER MELIOR |
|
40/2, p. 104 |
| F.M. Dear |
CHAUCER'S "BOOK OF THE LION" |
|
7/2, p. 105 |
| William J. Entwistle |
ON THE PASSIVITY OF THE BASQUE VERB |
|
5/2, p. 105 |
| G.R. Evans |
MENS DEVOTA: THE LITERARY COMMUNITY OF THE DEVOTIONAL WORKS OF JOHN OF FÉCAMP AND ST. ANSELM |
|
43/2, p. 105 |
| Wolfgang Becker |
THE MANUSCRIPT SOURCE OF ÆLFRIC'S CATHOLIC HOMILY II 7 - A SUPPLEMENTARY NOTE |
|
48/1, p. 105 |
| |
Corrigendum: THE INTRODUCTION TO THE DREAM IN "PEARL" |
|
48/1, p. 106 |
| William A. Craigie |
NEW EDITIONS OF THE ICELANDIC SAGAS |
|
21/, p. 106 |
| Katherine T. Emerson, Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE: A REPLY |
|
26/2, p. 107 |
| Nevill Coghill |
THE CHARACTER OF PIERS PLOWMAN CONSIDERED FROM THE B TEXT |
|
|
| Frederic Amory |
THE SATIRES OF SEXTUS AMARCIUS |
|
39/2, p. 108 |
| Michael Winterbottom |
THE STYLE OF AETHELWEARD |
|
36/2, p. 109 |
| ÁRMANN JAKOBSSON |
King Sverrir of Norway and the foundations of his power: kingship ideology and narrative in Sverris saga |
|
84/1, p. 109 |
| R.M. Dawkins |
A CRETAN TRANSLATION OF "BARLAAM AND IOASAPH," WITH SOME NOTES ON THE TRANSLITERATION OF GREEK IN LATIN CHARACTERS |
|
|
| C.P. Bagley |
ROBERT DE CLARI'S "LA CONQUÊTE DE CONSTANTINOPLE" |
|
40/2, p. 109 |
| Norman Davis, G.S. Ivy |
MS. WALTER RYE 38 AND ITS FRENCH GRAMMAR |
|
31/2, p. 110 |