| C.S. Lewis |
The Mirror of Love: a reinterpretation of 'The Romance of the Rose', by Alan M. F. Gunn |
|
22/1, p. 27 |
| J.A.W. Bennett |
Some types of narrative in Chaucer's poetry. (Lund Studies in English XXV), by Claes Schaar |
|
25/1, p. 57 |
| A.G. Rigg |
La Survie d'Ovide dans la littérature scientifique des XIIe et XIIIe siècles. Centre d'Études Supérieures de Civilisation Médiévale, by Simone Viarre |
|
38/1, p. 65 |
| Helen C.R. Laurie |
L'Art d'Amours: Traduction et Commentaire de l''Ars amatoria' d'Ovide, by Bruno Roy |
|
45/1, p. 119 |
| PETER BROWN |
Chaucer's Ovidian Arts of Love, by Michael A. Calabrese |
|
65/1, p. 133 |
| Nigel Palmer |
Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |
|
84/1, p. 136 |
| RICHARD GAMESON |
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges IV.1. The British Isles: Insular and Anglo-Saxon Manuscripts, ed. Nigel Morgan and Stella Panayotova with the assistance of Rebecca Rushforth |
|
84/1, p. 137 |
| Jeffrey Hamburger |
Ulrike Jenni and Maria Theisen, Mitteleuropäische Schulen IV (ca. 1380–1400). Hofwerkstätten König Wenzels IV. und deren Umkreis |
|
84/1, p. 139 |
| Eliza Zingesser |
Benoît Grévin, Le Parchemin des cieux: Essai sur le Moyen Âge du langage (Eliza Zingesser) |
|
84/1, p. 143 |
| Bronach Kane |
Elizabeth L’Estrange, Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages |
|
81/2, p. 145 |
| Brian Murdoch |
Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance |
|
81/2, p. 146 |
| Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
|
84/1, p. 147 |
| ARDIS BUTTERFIELD |
The Myths of Love: Classical Lovers in Medieval Literature, by Katherine Heinrichs |
|
61/1, p. 147 |
| JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
|
81/2, p. 148 |
| Megan Cavell |
Asa Simon Mittman and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (Megan Cavell) |
|
84/1, p. 148 |
| MICHAEL JOHNSTON |
Katharine Breen, Imagining an English Reading Public, 1150–1400 |
|
81/2, p. 150 |
| Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
|
84/1, p. 151 |
| William Burgwinkle |
Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |
|
81/2, p. 152 |
| SARAH WOOD |
Ian Johnson, The Middle English Life of Christ: Academic Discourse, Translation, and Vernacular Theology (Sarah Wood) |
|
84/1, p. 152 |
| Marilyn Lawrence |
Jacques Chocheyras, Réalité et imaginaire dans le ‘Tristan’ de Béroul |
|
81/2, p. 153 |
| Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
|
81/2, p. 154 |
| Kathryn Kerby-Fulton |
Linne R. Mooney and Estelle Stubbs, Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375–1425 (Kathryn Kerby-Fulton) |
|
84/1, p. 154 |
| Tim Atkin |
Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |
|
84/1, p. 157 |
| ADRIAN ARMSTRONG |
Denis Hüe, Rémanences: Mémoire de la forme dans la littérature médiévale |
|
81/2, p. 158 |
| R.G. Austin |
Selections from Gavin Douglas. (Clarendon Medieval and Tudor Series), by David F. C. Coldwell |
|
34/2, p. 159 |
| Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
|
47/1, p. 159 |
| Sylvia Huot |
Christine Ferlampin-Acher, ‘Perceforest’ et Zéphir: Propositions autour d’un récit arthurien bourguignon |
|
81/2, p. 160 |
| K.P. Clarke |
Maria Luisa Ardizzone, Dante: il paradigma intellettuale: Un’inventio degli anni fiorentini (K. P. Clarke) |
|
84/1, p. 161 |
| Alfred Ewert |
Apollo und Daphne. (Studien der Bibliothek Warburg), by Wolfgang Stechow, Fritz Saxl |
|
3/2, p. 161 |
| Stefano Milonia |
Martin Eisner, Dante’s New Life of the Book. A Philology of World Literature |
|
91/1, p. 161 |
| Sylvia Huot |
Anne Ibos-Augé, Chanter et lire dans le récit médiéval: La fonction des insertions lyriques dans les œuvres narratives et didactiques d’oïl aux XIIIe et XIVe siècles |
|
81/2, p. 162 |
| K.P. Clarke |
Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |
|
84/1, p. 162 |
| Beatrice Priest |
Julie Singer, Blindness and Therapy in Late Medieval French and Italian Poetry |
|
81/2, p. 164 |
| ALASTAIR MATTHEWS |
Claudia Bornholdt, Saintly Spouses: Chaste Marriage in Sacred and Secular Narrative from Medieval Germany (12th and 13th Centuries) (Alastair Matthews) |
|
84/1, p. 165 |
| Helen C.R. Laurie |
The Theme of Love in the Romans d'antiquité, by R. Jones |
|
42/2, p. 166 |
| Stephen Mossman |
Oliver Plessow, in cooperation with Volker Honemann and Mareike Temmen, Mittelalterliche Schachzabelbücher zwischen Spielsymbolik und Wertevermittlung. Der Schachtraktat des Jacobus de Cessolis im Kontext seiner spätmittelalterlichen Rezeption |
|
81/2, p. 167 |
| JOHN WATTS |
Jones, Michael (ed.), The New Cambridge Medieval History, Vol. VI |
|
73/1, p. 176 |
| Adelaide Grellner |
Selections from John Gower. Clarendon Medieval and Tudor Series, by J. A. W. Bennett |
|
38/2, p. 200 |
| P. Mroczkowski |
Chaucer's Book of Fame: An Exposition of 'The House of Fame', by J. A. W. Bennett |
|
39/2, p. 210 |
| J.A.W. Bennett |
The Medieval Literature of Western Europe: A Review of Research, Mainly 1930-60, by John H. Fisher, A. C. Friend, G. K. Anderson, R. W. Ackerman, C. A. Knudson, Jean Misrahi, W. T. H. Jackson, P. Schach, V. Luciani, J. E. Keller, Joan Ruiz i Calonja, Josep Roca i Pons, T. R. Hart, C. Donahue |
|
41/3, p. 240 |
| Faith Lyons |
Narcisus (poème du XIIe siècle), by M. M. Pelan, N. C. W. Spence |
|
35/3, p. 255 |
| Colin Hardie |
The Two Dantes and other studies, by Kenelm Foster |
|
48/2, p. 302 |
| Vincent Gillespie |
Chaucer's Narrators, Chaucer Studies, 13, by David Lawton |
|
57/2, p. 312 |
| Blake Gutt |
Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |
|
84/2, p. 327 |
| Brian J. Reilly |
Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |
|
84/2, p. 328 |
| Carolyne Larrington |
Kristina Perez, The Myth of Morgan La Fey |
|
84/2, p. 332 |
| Marleen Cré |
Wolfgang Riehle, The Secret Within: Hermits, Recluses, and Spiritual Outsiders in Medieval England (Marleen Cré) |
|
84/2, p. 337 |
| RALUCA RADULESCU |
Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Raluca Radulescu) |
|
84/2, p. 341 |
| |
William Calin, The Lily and the Thistle: The French Tradition and the Older Literature of Scotland – Essays in Criticism (Nicola Royan) |
|
84/2, p. 344 |
| JOHN C. HIRSH |
Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia |
|
84/2, p. 345 |
| Sylvia Huot |
Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
|
84/2, p. 348 |
| Francesca Galligan |
Albert Russell Ascoli, Dante and the Making of a Modern Author |
|
82/1, p. 350 |
| Marco Nievergelt |
J. M. Moreau, Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry (Marco Nievergelt) |
|
84/2, p. 350 |
| ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
|
84/2, p. 351 |
| Lorenzo Valterza |
George Corbett, Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfillment |
|
83/1, p. 351 |
| Christoph Pretzer |
Alastair Matthews, The Kaiserchronik: A Medieval Narrative (Christoph Pretzer) |
|
84/2, p. 352 |
| Stefano Milonia |
George Corbett, Dante’s Christian Ethics: Purgatory and its Moral Context |
|
90/2, p. 363 |
| Dario Tessicini |
Dante in Context, ed. Zygmunt G. Barański and Lino Pertile |
|
86/2, p. 387 |
| Stefano Milonia |
Jennifer Rushworth, Discourses of Mourning in Dante, Petrarch and Proust |
|
87/2, p. 402 |