C. Foligno |
The DXV Problem and the Veltro : An Essay in Dante Interpretation, by J. H. Sacret |
|
8/1, p. 79 |
Nigel Palmer |
Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |
|
84/1, p. 136 |
Jeffrey Hamburger |
Ulrike Jenni and Maria Theisen, Mitteleuropäische Schulen IV (ca. 1380–1400). Hofwerkstätten König Wenzels IV. und deren Umkreis |
|
84/1, p. 139 |
Christoph Burger |
Ben Morgan, On Becoming God: Late Medieval Mysticism and the Modern Western Self (Christoph Burger) |
|
84/1, p. 140 |
Jeffrey Hamburger |
Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558) |
|
84/1, p. 142 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
|
84/1, p. 147 |
JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
|
81/2, p. 148 |
Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
|
84/1, p. 151 |
William Burgwinkle |
Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |
|
81/2, p. 152 |
Marilyn Lawrence |
Jacques Chocheyras, Réalité et imaginaire dans le ‘Tristan’ de Béroul |
|
81/2, p. 153 |
Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
|
81/2, p. 154 |
Simon Gilson |
Susanna Barsella, In the Light of Angels: Angelology and Cosmology in Dante’s Divina Commedia |
|
82/2, p. 154 |
MARIANNE AILES |
Nicolas Lenoir, Étude sur la ‘Chanson d’Aiquin’ ou ‘La Conquête de la Bretagne par le roi Charlemagne’ |
|
81/2, p. 157 |
Andreea Weisl-Shaw |
Ryan D. Giles, The Laughter of the Saints: Parodies of Holiness in Late Medieval and Renaissance Spain |
|
80/2, p. 157 |
BARBARA K. ALTMANN |
Gilbert Ouy, Christine Reno, and Inès Villela-Petit, avec Olivier Delsaux & Tania Van Hemelryck (éditeurs et collaborateurs), et avec les conseils de James Laidlaw & Marie-Thérèse Gousset, Album Christine de Pizan (Barbara K. Altmann) |
|
84/1, p. 158 |
Stefano Milonia |
Martin Eisner, Dante’s New Life of the Book. A Philology of World Literature |
|
91/1, p. 161 |
K.P. Clarke |
Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |
|
84/1, p. 162 |
Sylvia Huot |
Nadia Margolis, An Introduction to Christine de Pizan |
|
81/2, p. 163 |
Michael Harney |
Irene Zaderenko, El monasterio de Cardeña y el inicio de la épica cidiana (Michael Harney) |
|
84/1, p. 163 |
Shami Ghosh |
Susanne Knaeble, Höfisches Erzählen von Gott: Funktion und narrative Entfaltung des Religiösen in Wolframs ‘Parzival’ |
|
81/2, p. 165 |
ALASTAIR MATTHEWS |
Claudia Bornholdt, Saintly Spouses: Chaste Marriage in Sacred and Secular Narrative from Medieval Germany (12th and 13th Centuries) (Alastair Matthews) |
|
84/1, p. 165 |
PETER ARMOUR |
Dante and the Book of the Cosmos, by John G. Demaray |
|
58/1, p. 179 |
Blake Gutt |
Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |
|
84/2, p. 327 |
Carolyne Larrington |
Kristina Perez, The Myth of Morgan La Fey |
|
84/2, p. 332 |
SEBASTIAN JAMES LANGDELL |
Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |
|
84/2, p. 340 |
Liz Herbert McAvoy |
Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |
|
84/2, p. 342 |
|
William Calin, The Lily and the Thistle: The French Tradition and the Older Literature of Scotland – Essays in Criticism (Nicola Royan) |
|
84/2, p. 344 |
William Burgwinkle |
Sarah Kay, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Bill Burgwinkle) |
|
84/2, p. 346 |
K.P. Clarke |
Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |
|
85/2, p. 347 |
Sylvia Huot |
Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |
|
84/2, p. 348 |
Francesca Galligan |
Albert Russell Ascoli, Dante and the Making of a Modern Author |
|
82/1, p. 350 |
ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
|
84/2, p. 351 |
Stefano Milonia |
Jennifer Rushworth, Discourses of Mourning in Dante, Petrarch and Proust |
|
87/2, p. 402 |