| R.M. Dawkins | The Cyprus Passion Cycle, by August C. Mahr |  | 17/, p. 34 | 
          
                                                                                        | Idris Foster | Gwaith Dafydd ap Gwilym, by Thomas Parry |  | 23/1, p. 41 | 
          
                                                                                        | C.L. Wrenn | European balladry, by William J. Entwistle |  | 14/, p. 44 | 
          
                                                                                        | Richard Axton | Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |  | 39/1, p. 49 | 
          
                                                                                        | C.A. Robson | Saint Modwenna, by A. T. Baker, Alexander Bell |  | 18/, p. 49 | 
          
                                                                                        | R.S. Stanier | A Fifteenth Century School Book from a manuscript in the British Museum (MS Arundel 249), by William Nelson |  | 27/1, p. 51 | 
          
                                                                                        | Nigel Abercrombie | The Medieval Latin and Romance Lyric, by F. Brittain |  | 8/1, p. 57 | 
          
                                                                                        | G.H. Gerould | Athelston, A Middle English Romance, by A. McI. Trounce |  | 3/1, p. 57 | 
          
                                                                                        | J.H. Watkins | The medieval French drama, by Grace Frank |  | 24/1, p. 62 | 
          
                                                                                        | Rachel Bromwich | Medieval Welsh Lyrics, by Joseph P. Clancy |  | 36/1, p. 62 | 
          
                                                                                        | Patricia Ingham | A Literary History of the Popular Ballad, by David C. Fowler |  | 39/1, p. 66 | 
          
                                                                                        | E.J. Arnould | La vie de Thomas Becket par Beneit, poème anglo-normand du XIIe siècle, (Etudes Romanes de Lund, IV), by Börje Schlyter |  | 14/, p. 66 | 
          
                                                                                        | G. Turville-Petre | The Skalds, a selection of their poems, by Lee M. Hollander |  | 15/, p. 69 | 
          
                                                                                        | Richard Axton | The Latin Passion Play: Its Origins and Development, by Sandro Sticca |  |  | 
          
                                                                                        | G.L. Brook | 'Dame Sirith', by Edward Schröder |  | 8/1, p. 71 | 
          
                                                                                        | W.E. Collinson | Essays on the mediæval German love lyric with translations in English verse and a facsimile, by Margaret Fitzgerald Richey |  | 13/, p. 71 | 
          
                                                                                        | Dorothy Everett | Sources and Analogues of Chaucer's 'Canterbury Tales', by W. F. Bryan, Germaine Dempster |  | 12/, p. 78 | 
          
                                                                                        | Alfred Ewert | Lais et Fabliaux. (Poèmes et Récits de la Vieille France XV), by L. Brandin |  |  | 
          
                                                                                        | Douglas Gray | Die Gebärde in englischen Dichtungen des Mittelalters. (Bayerische Akademie der Wissenschaften, Abhandlungen der philosophisch-historischen Klasse, Neue Folge, Heft 46), by Werner Habicht |  | 31/1, p. 80 | 
          
                                                                                        | Kathleen Chesney | Alixandre l'Orphelin: a prose tale of the fifteenth century, by Cedric E. Pickford |  | 21/, p. 80 | 
          
                                                                                        | L.T. Topsfield | Anthology of the Provençal Troubadours. Second edition, by R. T. Hill, T. G. Bergin, Thomas G. Bergin, Susan Olson, William D. Paden Jr., Nathaniel Smith |  |  | 
          
                                                                                        | Neville Denny | The English Mystery Plays, by Rosemary Woolf |  | 43/1, p. 84 | 
          
                                                                                        | F.W. Marshall | La Pacience de Job/Mystère anonyme du XVème siècle, by Albert Meiller |  |  | 
          
                                                                                        | John Stevens | The Early Medieval Sequence, by Richard L. Crocker |  | 49/1, p. 96 | 
          
                                                                                        | MARK GRIFFITH | Rereading Beowulf, by Edward B. Irving Jr. |  | 60/1, p. 102 | 
          
                                                                                        | KARL REICHL | Europäisches Spätmittelalter, Neues Handbuch der Literaturwissenschaft, 8, by Willi Erzgräber |  | 53/1, p. 105 | 
          
                                                                                        | CHRISTIAN KIENING | Ideas and Forms of Tragedy from Aristotle to the Middle Ages, by Henry Ansgar Kelly |  | 64/1, p. 108 | 
          
                                                                                        | William J. Entwistle | Poetry and Prophecy, by N. K. Chadwick |  | 12/, p. 110 | 
          
                                                                                        | Rachel Bromwich | Ymddiddan Myrddin a Thaliesin, by A. O. H. Jarman |  | 23/2, p. 112 | 
          
                                                                                        | Rory McTurk | Pagan Words and Christian Meanings, by Richard North |  | 62/1, p. 116 | 
          
                                                                                        | William J. Entwistle | The Growth of Literature. Volume II Russian oral literature, Yugoslav oral poetry, Early Indian literature, Early Hebrew literature, by H. Munro Chadwick, N. Kershaw Chadwick |  | 7/2, p. 120 | 
          
                                                                                        | Grace Frank | Le Jeu de Robin et de Marion par Adam de la Halle, précédé du Jeu du Pèlerin, by Kenneth Varty |  | 30/2, p. 120 | 
          
                                                                                        | L.T. Topsfield | The Poems of the Troubadour Peire Rogier, by Derek E. T. Nicholson |  | 48/1, p. 120 | 
          
                                                                                        | JOHN HARPER | The Dublin 'Visitatio Sepulcri' Play, Proceedings of the Royal Irish Academy, by Máire Egan-Buffet, Alan J. Fletcher |  | 62/1, p. 120 | 
          
                                                                                        | Richard Beadle | Contexts for Early English Drama, by Marianne G. Briscoe, John C. Coldewey |  | 60/1, p. 121 | 
          
                                                                                        | C.W. MARX | English Medieval Theatre 1400—1500, by William Tydeman |  | 57/1, p. 123 | 
          
                                                                                        | ALAN J. FLETCHER | The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson |  | 60/1, p. 123 | 
          
                                                                                        | John Stevens | Ratio and Invention: a Study of Medieval Lyric and Narrative, by Robert R. Edwards |  | 60/1, p. 124 | 
          
                                                                                        | Rosemary Woolf | The Advent Lyrics of the Exeter Book, by Jackson J. Campbell |  | 29/2, p. 125 | 
          
                                                                                        | RITA COPELAND | Christ's Body: Identity, Culture and Society in Late Medieval Writings, by Sarah Beckwith |  | 64/1, p. 125 | 
          
                                                                                        | Daniel Wakelin | Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |  | 73/1, p. 126 | 
          
                                                                                        | Anthony Gervase Mathew | Piers Plowman, The A Version, by George Kane |  | 30/2, p. 126 | 
          
                                                                                        | Malcolm M. Brennan | European Drama of the Early Middle Ages, by Richard Axton |  | 45/1, p. 126 | 
          
                                                                                        | Mark Campbell Chambers | Fiona S. Dunlop, The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity |  | 77/1, p. 127 | 
          
                                                                                        | Graham A. Runnalls | Le Théâtre Religieux en Dauphiné du Mojen Age au XVIIIe siècle. (Publications Romanes et Françaises CXXVIII), by Jacques Chocheyras |  | 45/1, p. 128 | 
          
                                                                                        | Richard Dance | Trevor Eaton (reader), Beowulf, ('Pearl' label; Wadhurst: Pavilion Records, 1997). Two CDs, total running time 145’ 02”, by Trevor Eaton |  | 67/1, p. 128 | 
          
                                                                                        | ROGER PENSOM | Evelyn Birge Vitz, Nancy Freeman Regalado, and Marilyn Lawrence (eds), Performing Medieval Narrative |  | 75/1, p. 130 | 
          
                                                                                        | Macklin Smith | Ad Putter, Judith Jefferson, and Myra Stokes, Studies in the Metre of Alliterative Verse |  | 80/2, p. 131 | 
          
                                                                                        | Margaret Fitzgerald Richey | Meier Helmbrecht a poem by Wernher der Gartenœre. German Mediæval Series, Section A, Vol. II, by Charles E. Gough |  | 11/, p. 131 | 
          
                                                                                        | Thorlac Turville-Petre | Judith Tschann and M. B. Parkes (introd.), Facsimile of Oxford, Bodleian Library, MS Digby 86, Early English Text Society, ss 16 |  | 67/1, p. 132 | 
          
                                                                                        | F.J. Warne | L'Œuvre de Jehan Bodel. (Travaux de la Faculté des Lettres et Sciences Humaines de Rennes, Série 1, Vol. 2), by Charles Foulon |  | 29/2, p. 134 | 
          
                                                                                        | J.S. McKINNELL | Peter Happé, The Towneley Cycle: Unity and Diversity, Religion and Culture in the Middle Ages |  | 77/1, p. 134 | 
          
                                                                                        | L.A. Schwarzschild | L'Estoire de Griseldis. (University of Kansas Publications Humanistic Studies, No. 31), by Barbara M. Craig |  | 24/2, p. 135 | 
          
                                                                                        | Austin Gill | La Fantaisie verbale et le Comique dans le théâtre français du Moyen Age à la fin du XVIIe siècle, by Robert Garapon |  | 27/2, p. 135 | 
          
                                                                                        | James Kinsley | King James IV of Scotland, A Brief Survey of his Life and Times, by R. L. Mackie |  | 28/2, p. 135 | 
          
                                                                                        | John Stevens | Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir |  | 46/1, p. 135 | 
          
                                                                                        | Lynette Muir | La Vie de Marie Magdaleine par personnages, Bibliothèque Nationale de Paris, Réserve Yf 2914, Textes littéraires français, 342, by Jacques Chocheyras, Graham A. Runnalls |  | 57/1, p. 135 | 
          
                                                                                        | ANDREW N. KING | Velma Bourgeois Richmond, The Legend of Guy of Warwick, Garland Studies in Medieval Literature 14 |  | 66/1, p. 135 | 
          
                                                                                        | Joan Crow | Sur la 'Farce de Maître Pierre Pathelin', Collection Unichamp, 13, by Jean Dufournet, Michel Rousse |  | 57/1, p. 136 | 
          
                                                                                        | BEN PARSONS | Lynette R. Muir, Love and Conflict in Medieval Drama: The Plays and their Legacy |  | 78/1, p. 136 | 
          
                                                                                        | EMMA HORNBY | John Haines, Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music |  | 74/1, p. 137 | 
          
                                                                                        | DAVID MILLS | The N-Town Play: Cotton MS Vespasian D.8, Early English Text Society, Supplementary Series, 11, 12, 2 vols., by Stephen Spector |  | 62/1, p. 137 | 
          
                                                                                        | Ad Putter | Roger Dalrymple, Language and Piety in Middle English Romance |  | 71/1, p. 137 | 
          
                                                                                        | David Barrett | The Kalevala, or Poems of the Kaleva District, by Elias Lönnrot, F. Peabody Magoun Jr. |  | 35/2, p. 138 | 
          
                                                                                        | Glynne Wickham | The Medieval Theatre in the Round, by Richard Southern |  | 28/2, p. 138 | 
          
                                                                                        | CONOR MCCARTHY | Catherine Sanok, Her Life Historical: Exemplarity and Female Saints’ Lives in Late Medieval England |  | 77/1, p. 138 | 
          
                                                                                        | Mark Campbell Chambers | Clifford Davidson, Festivals and Plays in Late Medieval Britain |  | 79/1, p. 139 | 
          
                                                                                        | R.A. Waldron | A Theory of Alliterative Meter with Critical Applications. (Speculum Anniversary Monographs 1), by Robert William Sapora Jr. |  | 49/1, p. 140 | 
          
                                                                                        | JOHN C. HIRSH | Katherine Zieman, Singing the New Song: Literacy and Liturgy in Late Medieval England, The Middle Ages Series |  | 78/1, p. 141 | 
          
                                                                                        | Lynette Muir | Andrieu de la Vigne: 'Le mystère de Saint Martin' 1496. (Textes Littéraires Français, 277), by André Duplat |  | 50/1, p. 142 | 
          
                                                                                        | DAVID MILLS | The Middle English Mystery Play: A Study in Dramatic Speech and Form, European Studies in English Literature Series, by Hans-Jürgen Diller, Frances Wessels |  | 63/1, p. 143 | 
          
                                                                                        | JEAN CHARLES PAYEN | 'La farce du Cuvier', presented with Introduction, Notes and Production Guide, together with a facsimile of the Lyons edition of c. 1545. (Hull French Texts, 4), by Alan Hindley |  | 50/1, p. 145 | 
          
                                                                                        | Graham A. Runnalls | Pierre Servet (ed.), Le Mystère de la Sainte Résurrection (Angers 1456), Textes littéraires 435 |  | 68/1, p. 147 | 
          
                                                                                        | Linda M. Paterson | Catherine Léglu, Between Sequence and 'Sirventes': Aspects of Parody in the Troubadour Lyric, Legenda/Research Monographs in French Studies 8 |  | 72/1, p. 148 | 
          
                                                                                        | Lynette Muir | Wolfgang van Emden (ed.), Le Jeu d'Adam, British Rencesvals Publications 1 |  | 67/1, p. 148 | 
          
                                                                                        | CYNTHIA J. BROWN | Helen J. Swift, Gender, Writing and Performance: Men Defending Women in Late Medieval France (1440-1538), Oxford Modern Languages and Literature Monographs |  | 78/1, p. 148 | 
          
                                                                                        | SIMON B. GAUNT | Evelyn Birge Vitz, Orality and Performance in Early French Romance |  | 69/1, p. 148 | 
          
                                                                                        | Douglas Gray | Great Grandmother Goose, by Helen Cooper |  | 52/1, p. 149 | 
          
                                                                                        | John Stevens | A Selection of English Carols. (Clarendon Mediæval and Tudor Series), by R. L. Greene |  | 32/2, p. 151 | 
          
                                                                                        | Joan Crow | Nicolas de La Chesnaye: ‘La Condamnation de Banquet’, Textes littéraires français, 395, by Jelle Koopmans, Paul Verhuyck |  | 61/1, p. 151 | 
          
                                                                                        | Mark Campbell Chambers | Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 |  | 75/1, p. 152 | 
          
                                                                                        | Richard Axton | Adam de la Halle. Le Jeu de la Feuillée, by Jean Dufournet |  | 49/1, p. 153 | 
          
                                                                                        | Joan Crow | La Farce du quinzième siècle, by Konrad Schoell |  | 63/1, p. 153 | 
          
                                                                                        | Rosemary Woolf | Mediæval English Lyrics, A Critical Anthology, by R. T. Davies |  | 34/2, p. 154 | 
          
                                                                                        | Bernd Naumann | Die religiösen Dichtungen des 11. und 12. Jahrhunderts vol. III, by Friedrich Maurer |  | 41/2, p. 154 | 
          
                                                                                        | Christopher Page | Studies in the Performance of Late Medieval Music, by Stanley Boorman |  | 55/1, p. 154 | 
          
                                                                                        | Jane H.M. Taylor | Katherine Kong, Lettering the Self in Medieval and Early Modern France |  | 80/2, p. 155 | 
          
                                                                                        | SILVIA RANAWAKE | Die Schweizer Minnesänger. Neubearbeitung der Ausgabe von K. Bartsch, by M. Schiendorfer |  | 61/1, p. 155 | 
          
                                                                                        | Richard Axton | Non-Cycle Plays and Fragments, (Early English Text Society, Supplementary Series No. 1), by Osborn Waterhouse, Norman Davis, F. Ll. Harrison |  | 41/2, p. 157 | 
          
                                                                                        | Richard Axton | The Medieval Religious Stage, by A. M. Nagler |  | 49/1, p. 158 | 
          
                                                                                        | ROBERT BRIAN TATE | The Obedience of a King of Portugal, by F. M. Rogers |  | 29/2, p. 159 | 
          
                                                                                        | Graham A. Runnalls | Jelle Koopmans (ed.), Le Mystère de Saint Remi, Textes Littéraires Français 477 |  | 67/1, p. 159 | 
          
                                                                                        | Rachel Bromwich | The Oldest Scottish Poem: The Gododdin, by Kenneth Hurlstone Jackson |  | 39/2, p. 160 | 
          
                                                                                        | ALAN E. KNIGHT | Graham A. Runnalls, Études sur les mystères: un recueil de 22 études sur les mystères français, suivi d'un répertoire du théâtre religieux français du moyen âge et d'une bibliographie, Champion-Varia 14 |  | 69/1, p. 161 | 
          
                                                                                        | Peter Rickard | Maugis d'Aigremont, chanson de geste. Edition critique avec introduction, notes et glossaire, by Philippe Vernay |  | 52/1, p. 162 | 
          
                                                                                        | T.B.W. Reid | Medieval French Plays, by Richard Axton, John Stevens |  | 42/2, p. 163 | 
          
                                                                                        | John Stevens | The chansons of the troubadours and trouvères: a study of the melodies and their relation to the poems, by Hendrik van der Werf |  | 48/1, p. 163 | 
          
                                                                                        | J.H. Marshall | L'Oeuvre lyrique de Richard de Fournival, by Yvan G. Lepage |  | 52/1, p. 164 | 
          
                                                                                        | ARDIS BUTTERFIELD | From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |  | 58/1, p. 165 | 
          
                                                                                        | JENS RÖHRKASTEN | Das literarische Leben am kurpfälzischen Hof zu Heidelberg im 15. Jahrhundert: Ein Beitrag zur Gönnerforschung des Spätmittelalters, Hermaea, N. F. 68, by Martina Backes |  | 64/1, p. 166 | 
          
                                                                                        | Brian Murdoch | Rodney W. Fisher, The Minnesinger Heinrich von Morungen: An Introduction to his Songs |  | 67/1, p. 166 | 
          
                                                                                        | Dominica Legge | Jordan Fantosme's Chronicle, by R. C. Johnston |  | 52/1, p. 167 | 
          
                                                                                        | Carolyne Larrington | Terry Gunnell, The Origins of Drama in Scandinavia |  | 66/1, p. 167 | 
          
                                                                                        | Carolyne Larrington | Fortælling og Ære: Studier i Islændingesagaerne, by Preben Meulengracht Sørensen |  | 64/1, p. 170 | 
          
                                                                                        | M.J. FREEMAN | Sermon joyeux et truanderie (Villon — Nemo - Ulespiègle), Faux Titre, 29, by Jelle Koopmans, Paul Verhuyck |  | 59/1, p. 171 | 
          
                                                                                        | M.J. FREEMAN | Recueil de sermons joyeux, Textes littéraires français, 362, by Jelle Koopmans |  | 59/1, p. 172 | 
          
                                                                                        | Dennis Green | 'Mœre' und 'werc'. Zur Funktion von erzählerischem Handeln im 'Iwein' Hartmanns von Aue, Göppinger Arbeiten zur Germanistik, 321, by Beate Hennig |  | 52/1, p. 176 | 
          
                                                                                        | Peter Rickard | Les Chansons de Geste et l'Épopée: Mythes—histoire—poèmes. (Biblioteca di Studi Francesi, 3), by Italo Siciliano |  | 39/2, p. 182 | 
          
                                                                                        | Margaret Thomas | Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder |  | 47/1, p. 182 | 
          
                                                                                        | Richard Axton | The Play of Antichrist, by John Wright |  | 38/2, p. 183 | 
          
                                                                                        | Kenneth Varty | Le Cycle de Mystères des Premiers Martyrs. (Textes Littéraires Francais 223), by Graham Rannalls |  | 47/1, p. 185 | 
          
                                                                                        | Dominica Legge | La Vie de Saint Alexis, by C. Storey, C. Storey |  | 39/2, p. 187 | 
          
                                                                                        | Reinard W. Zandvoort | Reinaert-Perspectief, by J. Bosch |  | 42/2, p. 187 | 
          
                                                                                        | R.W. Hunt | The Oxford Book of Medieval Latin Verse, by F. J. E. Raby |  | 28/3, p. 189 | 
          
                                                                                        | D.J.A. Ross | La Chronique Métrique attribuée à Geoffroy de Paris. (Publications de la Faculté des Lettres de l'Université de Strasbourg, Fascicule 129), by A. Diverrès |  | 27/3, p. 192 | 
          
                                                                                        | Grace Frank | The Liturgical Drama in Medieval Spain. Pontifical Institute of Mediæval Studies (Studies and Texts 4), by Richard B. Donovan |  | 28/3, p. 194 | 
          
                                                                                        | E.A. Francis | Les Lais de Marie de France. (Classiques Français du Moyen Age), by Jean Rychner |  | 37/2, p. 195 | 
          
                                                                                        | L.T. Topsfield | Biographies des Troubadours, textes provençaux des XIIIe et XIVe siècles, édition refondue, augmentée d'une traduction française, by A. H. Schutz, Jean Boutière, I.-M. Cluzel |  | 37/2, p. 197 | 
          
                                                                                        | Anne Hudson | A Manual of the Writings on Middle English 1050-1500 Volume II, by J. Burke Severs |  | 43/2, p. 199 | 
          
                                                                                        | David A. Wells | Walther von der Vogelweide. (Twayne's World Authors Series 46), by George F. Jones |  | 39/2, p. 201 | 
          
                                                                                        | Phyllis Abrahams | Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht |  | 6/3, p. 216 | 
          
                                                                                        | Richard Leighton Greene | Music and Poetry in the Early Tudor Court, by John Stevens |  | 31/3, p. 220 | 
          
                                                                                        | Patricia Ingham | Hungarian Classical Ballads and their Folklore, by Ninon Leader |  | 37/2, p. 223 | 
          
                                                                                        | John Stevens | Trois Pièces Médiévales préparées, by A. Robert Harden |  | 38/2, p. 224 | 
          
                                                                                        | Alfred Ewert | Rutebeuf : Le Miracle de Théophile, by Gustave Cohen |  | 3/3, p. 226 | 
          
                                                                                        | Alfred Ewert | Le Jeu d'Adam et Eve, Mystère du XIIe siècle. Transposition littéraire de Gustave Cohen, by Jacques Chailley |  | 6/3, p. 226 | 
          
                                                                                        | Richard Axton | The Castle in the Circle. Ball State Monograph No. 6, by Merle Fifield |  | 37/2, p. 226 | 
          
                                                                                        | Joan Turville-Petre | Anglo-Saxon Oral Poetry: a Study of the Traditions, by Jeff Opland |  | 51/2, p. 237 | 
          
                                                                                        | John Stevens | Ausgewählte Melodien des Minnesangs, by Ewald Jammers |  | 33/3, p. 243 | 
          
                                                                                        | C.T. Onions | Fifth Supplement to a Manual of the Writings in Middle English 1050-1400, by John Edwin Wells |  |  | 
          
                                                                                        | J.R. Ashcroft | Die religiösen Dichtungen des 11. und 12. Jahrhunderts. Band I, by Friedrich Maurer |  | 35/3, p. 252 | 
          
                                                                                        | John Stevens | G. Raynauds Bibliographie des altfranzösischen Liedes, by Hans Spanke |  | 51/2, p. 254 | 
          
                                                                                        | Faith Lyons | Narcisus (poème du XIIe siècle), by M. M. Pelan, N. C. W. Spence |  | 35/3, p. 255 | 
          
                                                                                        | J.A. Burrow | Criticism and Medieval Poetry, by A. C. Spearing |  | 34/3, p. 274 | 
          
                                                                                        | Graham A. Runnalls | Le Théâtre Religieux en Savoie au XVIeSiecle avec des fragments inédits. (Publications Romanes et Françaises CXV), by Jacques Chocheyras |  | 41/3, p. 280 | 
          
                                                                                        | Elspeth Kennedy | Beroul: The Romance of Tristran. Volume II, by A. Ewert |  | 40/3, p. 280 | 
          
                                                                                        | Christopher Storey | La Passiun de Seint Edmund (Anglo-Norman Text Society 36), by Judith Grant |  | 49/2, p. 283 | 
          
                                                                                        | John Stevens | Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, by O. B. Hardison Jr. |  | 36/3, p. 289 | 
          
                                                                                        | WILLIAM TYDEMAN | The Biblical Drama of Medieval Europe, by Lynette R. Muir |  | 65/2, p. 294 | 
          
                                                                                        | Helen Phillips | The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation, by Peter Meredith, John E. Tailby |  | 55/2, p. 295 | 
          
                                                                                        | Richard Axton | Menestrellorum Multitudo: Minstrels at a Royal Feast, by Constance Bullock-Davies |  | 49/2, p. 295 | 
          
                                                                                        | Richard Beadle | The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall |  | 55/2, p. 296 | 
          
                                                                                        | Michel Huglo | Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |  | 46/2, p. 298 | 
          
                                                                                        | Peter Rickard | Le Mystère de saint Christofle, by Graham A. Runnalls |  | 43/3, p. 299 | 
          
                                                                                        | Richard Beadle | From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson |  | 55/2, p. 299 | 
          
                                                                                        | CLARE A. LEES | Structures of Opposition in Old English Poems, Costerus, n.s. 74, by Marie Nelson |  | 60/2, p. 299 | 
          
                                                                                        | Nicolas Jacobs | Early Welsh Saga Poetry: a Study and Edition of the 'Englynion', by Jenny Rowland |  | 60/2, p. 301 | 
          
                                                                                        | A.J. Bliss | The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |  |  | 
          
                                                                                        | Laurence Eldredge | Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |  | 64/2, p. 304 | 
          
                                                                                        | Neville Denny | The Cornish Ordinalia, by Markham Harris |  | 40/3, p. 305 | 
          
                                                                                        | Richard Beadle | Un Cycle du Théâtre Religieux Anglais du Moyen Âge, by Claude Gauvin |  | 44/3, p. 305 | 
          
                                                                                        | MICHAEL SHIELDS | The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |  | 63/2, p. 309 | 
          
                                                                                        | Lynette Muir | The Baptism and Temptation of Christ. The First Day of a Medieval French Passion Play, by John R. Elliott Jr., Graham A. Runnalls |  | 49/2, p. 311 | 
          
                                                                                        | Nicolas Jacobs | Jongleur: a Modified Theory of Oral Improvisation and its Effects on the Performance and Transmission of Middle Engish Romance, by William A. Quinn, Audley S. Hall |  | 53/2, p. 311 | 
          
                                                                                        | PETER MEREDITH | Medieval Theatre in Context: An Introduction, by John Wesley Harris |  | 63/2, p. 311 | 
          
                                                                                        | Helen Cooper | Records of Early English Drama: Cambridge, by Alan H. Nelson |  | 59/2, p. 312 | 
          
                                                                                        | EDWARD WHEATLEY | David Mills,  Recycling the Cycle: The City of Chester and its Whitsun Plays, Studies in Early English Drama 4 |  | 69/2, p. 312 | 
          
                                                                                        | Nicolas Jacobs | Dafydd ap Gwilym and the European Context, by Helen Fulton |  | 59/2, p. 315 | 
          
                                                                                        | Lewis Thorpe | Le style épique dans Garin le Loherain, by Anne I. Gittleman |  | 38/3, p. 316 | 
          
                                                                                        | C.W. MARX | The York Plays, York Medieval Texts, second series, by Richard Beadle |  | 54/2, p. 316 | 
          
                                                                                        | W. Ann Trindade | The Conflict of Love and Honor: The Medieval Tristan Legend in France, Germany and Italy. (De Proprietatibus Litterarum, Series Practica 78), by Joan M. Ferrante |  | 46/2, p. 317 | 
          
                                                                                        | Brynley F. Roberts | Ystoria Taliesin, by Patrick K. Ford |  | 62/2, p. 317 | 
          
                                                                                        | Richard Beadle | The Late Medieval Religious Plays of Bodleian MSS Digby 133 and e Museo 160, EETS, OS, 283, by Donald C. Baker, John L. Murphy, Louis B. Hall Jr |  | 54/2, p. 319 | 
          
                                                                                        | NIGEL WILKINS | Machaut's Mass: an Introduction, by Daniel Leech-Wilkinson |  | 60/2, p. 319 | 
          
                                                                                        | Joan Crow | Quatre sermons joyeux, by J. Koopmans |  | 55/2, p. 320 | 
          
                                                                                        | PAMELA M. KING | The Towneley Plays, Early English Text Society, Supplementary Series 13, by Martin Stevens, A. C. Cawley |  | 65/2, p. 320 | 
          
                                                                                        | MARY SWAN | M. Bradford Bedingfield, The Dramatic Liturgy of Anglo-Saxon England |  | 72/2, p. 321 | 
          
                                                                                        | Ian Short | Literary Technique in the 'Chanson de Roland', Histoire des idées et critique littéraire, 203, by Roger Pensom |  | 52/2, p. 321 | 
          
                                                                                        | N.H. KEEBLE | Scotish Feilde and Flodden Feilde: Two Flodden Poems, Garland Medieval Texts, 4, by Ian F. Baird |  | 54/2, p. 322 | 
          
                                                                                        | MARY SWAN | Pauline E. Head, Representation and Design: Tracing a Hermeneutics of Old English Poetry |  | 67/2, p. 323 | 
          
                                                                                        | NEIL THOMAS | Adventure as Social Performance: a Study of the German Court Epic, Untersuchungen zur deutschen Literaturgeschichte, 52, by Will Hasty |  | 60/2, p. 326 | 
          
                                                                                        | Richard Axton | The Cornish Ordinalia: Religion and Dramaturgy, by Robert Longsworth |  | 38/3, p. 327 | 
          
                                                                                        | Graham A. Runnalls | Le Jeu des Trois Rois de Neuchâtel, Textes Littéraires Français, 301, by André de Mandach |  | 52/2, p. 327 | 
          
                                                                                        | Barbara M.H. Strang | Chaucer and the Shape of Creation, by Robert M. Jordan |  | 38/3, p. 328 | 
          
                                                                                        | Mark Campbell Chambers | Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies |  | 79/2, p. 328 | 
          
                                                                                        | Dominica Legge | Benedeit: the Anglo-Norman 'Voyage of St Brendan', by Ian Short, Brian Merrilees |  | 50/2, p. 329 | 
          
                                                                                        | ROGER WRIGHT | Louise O. Vasvári, The Heterotextual Body of the 'Mora Morilla' |  | 69/2, p. 329 | 
          
                                                                                        | LYNN STALEY | Sarah Salih, Versions of Virginity in Late Medieval England |  | 71/2, p. 329 | 
          
                                                                                        | JANE TOLMIE | Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 |  | 70/2, p. 330 | 
          
                                                                                        | Richard Beadle | Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland |  | 70/2, p. 331 | 
          
                                                                                        | Sarah Kay | The Game of Love: Troubadour Wordplay, by Laura Kendrick |  | 58/2, p. 331 | 
          
                                                                                        | Meg Twycross | York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor |  | 49/2, p. 332 | 
          
                                                                                        | RUTH E. HARVEY | The Voice of the Trobairitz: Perspectives on the Women Troubadours, by William D. Paden |  | 59/2, p. 332 | 
          
                                                                                        | JOHN CALDWELL | Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens |  | 57/2, p. 333 | 
          
                                                                                        | FRANÇOISE LE SAUX | Michael Newth (trans.), Heroes of the French Epic: A Selection from the Chansons de geste |  | 75/2, p. 334 | 
          
                                                                                        | DAVID MAW | Daniel E. O’Sullivan, Marian Devotion in Thirteenth-Century French Lyric |  | 76/2, p. 335 | 
          
                                                                                        | JOHN CALDWELL | The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley |  | 60/2, p. 335 | 
          
                                                                                        | MARIANNE AILES | Andrew Cowell, The Medieval Warrior Aristocracy: Gift, Violence, Performance and the Sacred, Gallica 6 |  | 79/2, p. 335 | 
          
                                                                                        | Andrew M. Beresford | Margit Frenk (ed.), Nuevo corpus de la antigua lírica popular hispánica: Siglos xv a xvii |  | 75/2, p. 337 | 
          
                                                                                        | John Stevens | The Early English Carols. second edition revised and enlarged, by Richard Leighton Greene |  | 47/2, p. 337 | 
          
                                                                                        | ANKE BERNAU | Ruth Mazo Karras, From Boys to Men: Formations of Masculinity in Late Medieval Europe, The Middle Ages Series |  | 72/2, p. 338 | 
          
                                                                                        | N. Denholm-Young | The Great Tournament Roll of Westminster. A Collotype Reproduction of the Manuscript, by Sydney Anglo, Anthony Wagner |  | 38/3, p. 338 | 
          
                                                                                        | THOMAS G. DUNCAN | Medieval English Songs, by E. J. Dobson, Frank Ll. Harrison |  | 50/2, p. 338 | 
          
                                                                                        | Linda M. Paterson | Trobairitz. Der Beitrag der Frau in der altokzitanischen höfischen Lyrik. Edition der Gesamtkorpus, Beihefte zur Zeitschrift für Romanische Philologie, 233, by Angelica Rieger |  | 62/2, p. 340 | 
          
                                                                                        | J.H. Marshall | An Introduction to Old Provençal Versification, by Frank M. Chambers |  | 56/2, p. 341 | 
          
                                                                                        | Dennis Green | Wege in die Schriftlichkeit: Untersuchungen und Materialien zur Überlieferung der mittelhochdeutschen Lyrik, Bibliotheca Germanica 32, by Franz-Josef Holznagel |  | 65/2, p. 341 | 
          
                                                                                        | Richard Beadle | The Mediæval English Stage: Corpus Christi Pageants and Plays, by Alan Nelson |  |  | 
          
                                                                                        | JEAN-PIERRE BORDIER | The Vengeance of Our Lord: Medieval Dramatisations of the Destruction of Jerusalem, Studies and Texts, 89, by Stephen K. Wright |  | 61/2, p. 347 | 
          
                                                                                        | PETER T. RICKETTS | Aileen Ann MacDonald (ed. and trans.), Passion catalane-occitane, Textes littéraires français |  | 70/2, p. 349 | 
          
                                                                                        | KATHERINE L. JANSEN | Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |  | 74/2, p. 350 | 
          
                                                                                        | R.H. RICHENS | Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |  | 49/2, p. 350 | 
          
                                                                                        | WILLIAM TYDEMAN | Non-Cycle Plays and the Winchester Dialogues. Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. With Introductions and a Transcript of the Dialogues. (Leeds Texts and Monographs; Medieval Drama Fascimiles, 5), by Norman Davis |  | 50/2, p. 350 | 
          
                                                                                        | BEN PARSONS | John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe |  | 77/2, p. 350 | 
          
                                                                                        | HUGH ROBERTS | Madeleine Jeay, Le Commerce des mots: L'Usage des listes dans la littérature médiévale (XIIe—XVe siècles), Publications romanes et françaises 241 |  | 77/2, p. 351 | 
          
                                                                                        | RENATE BLUMENFELD-KOSINSKI | Sylvia Huot, Madness in Medieval French Literature: Identities Found and Lost |  | 73/2, p. 352 | 
          
                                                                                        | Alan H. Nelson | The English Morality Play, by Robert Potter |  |  | 
          
                                                                                        | R. SHARPE | 'Carmina Burana'. Texte und Übersetzungen. Mit den Miniaturen aus der Handschrift, Bibliothek des Mittelalters, 13, by Benedikt Konrad Vollmann, Peter Diemer, Dorothee Diemer |  | 61/2, p. 352 | 
          
                                                                                        | Lynette Muir | Alan E. Knight (ed.), Les Mystères de la procession de Lille, Vol. I: Le Pentateuque |  | 71/2, p. 352 | 
          
                                                                                        | ALAN ROBERTSHAW | Christoph März, Die weltlichen Lieder des Mönchs von Salzburg: Texte und Melodien |  | 70/2, p. 354 | 
          
                                                                                        | Dennis Green | Reflexion - Narration. Wege zum 'Willehalm' Wolframs von Eschenbach, Hermaea, 63, by Christian Kiening |  | 61/2, p. 354 | 
          
                                                                                        | ANNETTE VOLFING | Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy |  | 74/2, p. 355 | 
          
                                                                                        | MICHAEL SHIELDS | Tradition und Gattungsbewußtsein im deutschen Leich. Ein Beitrag zur Gattungsgeschichte mittelalterlicher musikalischer 'Discordia', by Hermann Apfelböck |  | 62/2, p. 355 | 
          
                                                                                        | COLIN BURROW | English Humanist Books: Writers and Patrons, Manuscript and Print, 1475-1525, by David R. Carlson |  | 63/2, p. 358 | 
          
                                                                                        | ANNETTE VOLFING | Margreth Egidi, Höfische Liebe: Entwürfe der Sangspruchdichtung. Literarische Verfahrensweisen von Reinmar von Zweter bis Frauenlob, Germanisch-Romanische Monatsschrift Suppl. 17 |  | 72/2, p. 361 |