R.M. Dawkins |
The Cyprus Passion Cycle, by August C. Mahr |
|
17/, p. 34 |
Idris Foster |
Gwaith Dafydd ap Gwilym, by Thomas Parry |
|
23/1, p. 41 |
C.L. Wrenn |
European balladry, by William J. Entwistle |
|
14/, p. 44 |
Richard Axton |
Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |
|
39/1, p. 49 |
C.A. Robson |
Saint Modwenna, by A. T. Baker, Alexander Bell |
|
18/, p. 49 |
R.S. Stanier |
A Fifteenth Century School Book from a manuscript in the British Museum (MS Arundel 249), by William Nelson |
|
27/1, p. 51 |
Nigel Abercrombie |
The Medieval Latin and Romance Lyric, by F. Brittain |
|
8/1, p. 57 |
G.H. Gerould |
Athelston, A Middle English Romance, by A. McI. Trounce |
|
3/1, p. 57 |
J.H. Watkins |
The medieval French drama, by Grace Frank |
|
24/1, p. 62 |
Rachel Bromwich |
Medieval Welsh Lyrics, by Joseph P. Clancy |
|
36/1, p. 62 |
Patricia Ingham |
A Literary History of the Popular Ballad, by David C. Fowler |
|
39/1, p. 66 |
E.J. Arnould |
La vie de Thomas Becket par Beneit, poème anglo-normand du XIIe siècle, (Etudes Romanes de Lund, IV), by Börje Schlyter |
|
14/, p. 66 |
G. Turville-Petre |
The Skalds, a selection of their poems, by Lee M. Hollander |
|
15/, p. 69 |
Richard Axton |
The Latin Passion Play: Its Origins and Development, by Sandro Sticca |
|
|
G.L. Brook |
'Dame Sirith', by Edward Schröder |
|
8/1, p. 71 |
W.E. Collinson |
Essays on the mediæval German love lyric with translations in English verse and a facsimile, by Margaret Fitzgerald Richey |
|
13/, p. 71 |
Dorothy Everett |
Sources and Analogues of Chaucer's 'Canterbury Tales', by W. F. Bryan, Germaine Dempster |
|
12/, p. 78 |
Alfred Ewert |
Lais et Fabliaux. (Poèmes et Récits de la Vieille France XV), by L. Brandin |
|
|
Douglas Gray |
Die Gebärde in englischen Dichtungen des Mittelalters. (Bayerische Akademie der Wissenschaften, Abhandlungen der philosophisch-historischen Klasse, Neue Folge, Heft 46), by Werner Habicht |
|
31/1, p. 80 |
Kathleen Chesney |
Alixandre l'Orphelin: a prose tale of the fifteenth century, by Cedric E. Pickford |
|
21/, p. 80 |
L.T. Topsfield |
Anthology of the Provençal Troubadours. Second edition, by R. T. Hill, T. G. Bergin, Thomas G. Bergin, Susan Olson, William D. Paden Jr., Nathaniel Smith |
|
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Neville Denny |
The English Mystery Plays, by Rosemary Woolf |
|
43/1, p. 84 |
F.W. Marshall |
La Pacience de Job/Mystère anonyme du XVème siècle, by Albert Meiller |
|
|
John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
|
49/1, p. 96 |
MARK GRIFFITH |
Rereading Beowulf, by Edward B. Irving Jr. |
|
60/1, p. 102 |
KARL REICHL |
Europäisches Spätmittelalter, Neues Handbuch der Literaturwissenschaft, 8, by Willi Erzgräber |
|
53/1, p. 105 |
CHRISTIAN KIENING |
Ideas and Forms of Tragedy from Aristotle to the Middle Ages, by Henry Ansgar Kelly |
|
64/1, p. 108 |
William J. Entwistle |
Poetry and Prophecy, by N. K. Chadwick |
|
12/, p. 110 |
Rachel Bromwich |
Ymddiddan Myrddin a Thaliesin, by A. O. H. Jarman |
|
23/2, p. 112 |
Rory McTurk |
Pagan Words and Christian Meanings, by Richard North |
|
62/1, p. 116 |
William J. Entwistle |
The Growth of Literature. Volume II Russian oral literature, Yugoslav oral poetry, Early Indian literature, Early Hebrew literature, by H. Munro Chadwick, N. Kershaw Chadwick |
|
7/2, p. 120 |
Grace Frank |
Le Jeu de Robin et de Marion par Adam de la Halle, précédé du Jeu du Pèlerin, by Kenneth Varty |
|
30/2, p. 120 |
L.T. Topsfield |
The Poems of the Troubadour Peire Rogier, by Derek E. T. Nicholson |
|
48/1, p. 120 |
JOHN HARPER |
The Dublin 'Visitatio Sepulcri' Play, Proceedings of the Royal Irish Academy, by Máire Egan-Buffet, Alan J. Fletcher |
|
62/1, p. 120 |
Richard Beadle |
Contexts for Early English Drama, by Marianne G. Briscoe, John C. Coldewey |
|
60/1, p. 121 |
C.W. MARX |
English Medieval Theatre 1400—1500, by William Tydeman |
|
57/1, p. 123 |
ALAN J. FLETCHER |
The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages, by Gail McMurray Gibson |
|
60/1, p. 123 |
John Stevens |
Ratio and Invention: a Study of Medieval Lyric and Narrative, by Robert R. Edwards |
|
60/1, p. 124 |
Rosemary Woolf |
The Advent Lyrics of the Exeter Book, by Jackson J. Campbell |
|
29/2, p. 125 |
RITA COPELAND |
Christ's Body: Identity, Culture and Society in Late Medieval Writings, by Sarah Beckwith |
|
64/1, p. 125 |
Daniel Wakelin |
Liam O. Purdon, The Wakefield Master's Dramatic Art: A Drama of Spiritual Understanding |
|
73/1, p. 126 |
Anthony Gervase Mathew |
Piers Plowman, The A Version, by George Kane |
|
30/2, p. 126 |
Malcolm M. Brennan |
European Drama of the Early Middle Ages, by Richard Axton |
|
45/1, p. 126 |
Mark Campbell Chambers |
Fiona S. Dunlop, The Late Medieval Interlude: The Drama of Youth and Aristocratic Masculinity |
|
77/1, p. 127 |
Graham A. Runnalls |
Le Théâtre Religieux en Dauphiné du Mojen Age au XVIIIe siècle. (Publications Romanes et Françaises CXXVIII), by Jacques Chocheyras |
|
45/1, p. 128 |
Richard Dance |
Trevor Eaton (reader), Beowulf, ('Pearl' label; Wadhurst: Pavilion Records, 1997). Two CDs, total running time 145’ 02”, by Trevor Eaton |
|
67/1, p. 128 |
ROGER PENSOM |
Evelyn Birge Vitz, Nancy Freeman Regalado, and Marilyn Lawrence (eds), Performing Medieval Narrative |
|
75/1, p. 130 |
Macklin Smith |
Ad Putter, Judith Jefferson, and Myra Stokes, Studies in the Metre of Alliterative Verse |
|
80/2, p. 131 |
Margaret Fitzgerald Richey |
Meier Helmbrecht a poem by Wernher der Gartenœre. German Mediæval Series, Section A, Vol. II, by Charles E. Gough |
|
11/, p. 131 |
Thorlac Turville-Petre |
Judith Tschann and M. B. Parkes (introd.), Facsimile of Oxford, Bodleian Library, MS Digby 86, Early English Text Society, ss 16 |
|
67/1, p. 132 |
F.J. Warne |
L'Œuvre de Jehan Bodel. (Travaux de la Faculté des Lettres et Sciences Humaines de Rennes, Série 1, Vol. 2), by Charles Foulon |
|
29/2, p. 134 |
J.S. McKINNELL |
Peter Happé, The Towneley Cycle: Unity and Diversity, Religion and Culture in the Middle Ages |
|
77/1, p. 134 |
L.A. Schwarzschild |
L'Estoire de Griseldis. (University of Kansas Publications Humanistic Studies, No. 31), by Barbara M. Craig |
|
24/2, p. 135 |
Austin Gill |
La Fantaisie verbale et le Comique dans le théâtre français du Moyen Age à la fin du XVIIe siècle, by Robert Garapon |
|
27/2, p. 135 |
James Kinsley |
King James IV of Scotland, A Brief Survey of his Life and Times, by R. L. Mackie |
|
28/2, p. 135 |
John Stevens |
Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir |
|
46/1, p. 135 |
Lynette Muir |
La Vie de Marie Magdaleine par personnages, Bibliothèque Nationale de Paris, Réserve Yf 2914, Textes littéraires français, 342, by Jacques Chocheyras, Graham A. Runnalls |
|
57/1, p. 135 |
ANDREW N. KING |
Velma Bourgeois Richmond, The Legend of Guy of Warwick, Garland Studies in Medieval Literature 14 |
|
66/1, p. 135 |
Joan Crow |
Sur la 'Farce de Maître Pierre Pathelin', Collection Unichamp, 13, by Jean Dufournet, Michel Rousse |
|
57/1, p. 136 |
BEN PARSONS |
Lynette R. Muir, Love and Conflict in Medieval Drama: The Plays and their Legacy |
|
78/1, p. 136 |
EMMA HORNBY |
John Haines, Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music |
|
74/1, p. 137 |
DAVID MILLS |
The N-Town Play: Cotton MS Vespasian D.8, Early English Text Society, Supplementary Series, 11, 12, 2 vols., by Stephen Spector |
|
62/1, p. 137 |
Ad Putter |
Roger Dalrymple, Language and Piety in Middle English Romance |
|
71/1, p. 137 |
David Barrett |
The Kalevala, or Poems of the Kaleva District, by Elias Lönnrot, F. Peabody Magoun Jr. |
|
35/2, p. 138 |
Glynne Wickham |
The Medieval Theatre in the Round, by Richard Southern |
|
28/2, p. 138 |
CONOR MCCARTHY |
Catherine Sanok, Her Life Historical: Exemplarity and Female Saints’ Lives in Late Medieval England |
|
77/1, p. 138 |
Mark Campbell Chambers |
Clifford Davidson, Festivals and Plays in Late Medieval Britain |
|
79/1, p. 139 |
R.A. Waldron |
A Theory of Alliterative Meter with Critical Applications. (Speculum Anniversary Monographs 1), by Robert William Sapora Jr. |
|
49/1, p. 140 |
JOHN C. HIRSH |
Katherine Zieman, Singing the New Song: Literacy and Liturgy in Late Medieval England, The Middle Ages Series |
|
78/1, p. 141 |
Lynette Muir |
Andrieu de la Vigne: 'Le mystère de Saint Martin' 1496. (Textes Littéraires Français, 277), by André Duplat |
|
50/1, p. 142 |
DAVID MILLS |
The Middle English Mystery Play: A Study in Dramatic Speech and Form, European Studies in English Literature Series, by Hans-Jürgen Diller, Frances Wessels |
|
63/1, p. 143 |
JEAN CHARLES PAYEN |
'La farce du Cuvier', presented with Introduction, Notes and Production Guide, together with a facsimile of the Lyons edition of c. 1545. (Hull French Texts, 4), by Alan Hindley |
|
50/1, p. 145 |
Graham A. Runnalls |
Pierre Servet (ed.), Le Mystère de la Sainte Résurrection (Angers 1456), Textes littéraires 435 |
|
68/1, p. 147 |
Linda M. Paterson |
Catherine Léglu, Between Sequence and 'Sirventes': Aspects of Parody in the Troubadour Lyric, Legenda/Research Monographs in French Studies 8 |
|
72/1, p. 148 |
Lynette Muir |
Wolfgang van Emden (ed.), Le Jeu d'Adam, British Rencesvals Publications 1 |
|
67/1, p. 148 |
CYNTHIA J. BROWN |
Helen J. Swift, Gender, Writing and Performance: Men Defending Women in Late Medieval France (1440-1538), Oxford Modern Languages and Literature Monographs |
|
78/1, p. 148 |
SIMON B. GAUNT |
Evelyn Birge Vitz, Orality and Performance in Early French Romance |
|
69/1, p. 148 |
Douglas Gray |
Great Grandmother Goose, by Helen Cooper |
|
52/1, p. 149 |
John Stevens |
A Selection of English Carols. (Clarendon Mediæval and Tudor Series), by R. L. Greene |
|
32/2, p. 151 |
Joan Crow |
Nicolas de La Chesnaye: ‘La Condamnation de Banquet’, Textes littéraires français, 395, by Jelle Koopmans, Paul Verhuyck |
|
61/1, p. 151 |
Mark Campbell Chambers |
Katie Normington, Gender and Medieval Drama, Gender in the Middle Ages 1 |
|
75/1, p. 152 |
Richard Axton |
Adam de la Halle. Le Jeu de la Feuillée, by Jean Dufournet |
|
49/1, p. 153 |
Joan Crow |
La Farce du quinzième siècle, by Konrad Schoell |
|
63/1, p. 153 |
Rosemary Woolf |
Mediæval English Lyrics, A Critical Anthology, by R. T. Davies |
|
34/2, p. 154 |
Bernd Naumann |
Die religiösen Dichtungen des 11. und 12. Jahrhunderts vol. III, by Friedrich Maurer |
|
41/2, p. 154 |
Christopher Page |
Studies in the Performance of Late Medieval Music, by Stanley Boorman |
|
55/1, p. 154 |
Jane H.M. Taylor |
Katherine Kong, Lettering the Self in Medieval and Early Modern France |
|
80/2, p. 155 |
SILVIA RANAWAKE |
Die Schweizer Minnesänger. Neubearbeitung der Ausgabe von K. Bartsch, by M. Schiendorfer |
|
61/1, p. 155 |
Richard Axton |
Non-Cycle Plays and Fragments, (Early English Text Society, Supplementary Series No. 1), by Osborn Waterhouse, Norman Davis, F. Ll. Harrison |
|
41/2, p. 157 |
Richard Axton |
The Medieval Religious Stage, by A. M. Nagler |
|
49/1, p. 158 |
ROBERT BRIAN TATE |
The Obedience of a King of Portugal, by F. M. Rogers |
|
29/2, p. 159 |
Graham A. Runnalls |
Jelle Koopmans (ed.), Le Mystère de Saint Remi, Textes Littéraires Français 477 |
|
67/1, p. 159 |
Rachel Bromwich |
The Oldest Scottish Poem: The Gododdin, by Kenneth Hurlstone Jackson |
|
39/2, p. 160 |
ALAN E. KNIGHT |
Graham A. Runnalls, Études sur les mystères: un recueil de 22 études sur les mystères français, suivi d'un répertoire du théâtre religieux français du moyen âge et d'une bibliographie, Champion-Varia 14 |
|
69/1, p. 161 |
Peter Rickard |
Maugis d'Aigremont, chanson de geste. Edition critique avec introduction, notes et glossaire, by Philippe Vernay |
|
52/1, p. 162 |
T.B.W. Reid |
Medieval French Plays, by Richard Axton, John Stevens |
|
42/2, p. 163 |
John Stevens |
The chansons of the troubadours and trouvères: a study of the melodies and their relation to the poems, by Hendrik van der Werf |
|
48/1, p. 163 |
J.H. Marshall |
L'Oeuvre lyrique de Richard de Fournival, by Yvan G. Lepage |
|
52/1, p. 164 |
ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
|
58/1, p. 165 |
JENS RÖHRKASTEN |
Das literarische Leben am kurpfälzischen Hof zu Heidelberg im 15. Jahrhundert: Ein Beitrag zur Gönnerforschung des Spätmittelalters, Hermaea, N. F. 68, by Martina Backes |
|
64/1, p. 166 |
Brian Murdoch |
Rodney W. Fisher, The Minnesinger Heinrich von Morungen: An Introduction to his Songs |
|
67/1, p. 166 |
Dominica Legge |
Jordan Fantosme's Chronicle, by R. C. Johnston |
|
52/1, p. 167 |
Carolyne Larrington |
Terry Gunnell, The Origins of Drama in Scandinavia |
|
66/1, p. 167 |
Carolyne Larrington |
Fortælling og Ære: Studier i Islændingesagaerne, by Preben Meulengracht Sørensen |
|
64/1, p. 170 |
M.J. FREEMAN |
Sermon joyeux et truanderie (Villon — Nemo - Ulespiègle), Faux Titre, 29, by Jelle Koopmans, Paul Verhuyck |
|
59/1, p. 171 |
M.J. FREEMAN |
Recueil de sermons joyeux, Textes littéraires français, 362, by Jelle Koopmans |
|
59/1, p. 172 |
Dennis Green |
'Mœre' und 'werc'. Zur Funktion von erzählerischem Handeln im 'Iwein' Hartmanns von Aue, Göppinger Arbeiten zur Germanistik, 321, by Beate Hennig |
|
52/1, p. 176 |
Peter Rickard |
Les Chansons de Geste et l'Épopée: Mythes—histoire—poèmes. (Biblioteca di Studi Francesi, 3), by Italo Siciliano |
|
39/2, p. 182 |
Margaret Thomas |
Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder |
|
47/1, p. 182 |
Richard Axton |
The Play of Antichrist, by John Wright |
|
38/2, p. 183 |
Kenneth Varty |
Le Cycle de Mystères des Premiers Martyrs. (Textes Littéraires Francais 223), by Graham Rannalls |
|
47/1, p. 185 |
Dominica Legge |
La Vie de Saint Alexis, by C. Storey, C. Storey |
|
39/2, p. 187 |
Reinard W. Zandvoort |
Reinaert-Perspectief, by J. Bosch |
|
42/2, p. 187 |
R.W. Hunt |
The Oxford Book of Medieval Latin Verse, by F. J. E. Raby |
|
28/3, p. 189 |
D.J.A. Ross |
La Chronique Métrique attribuée à Geoffroy de Paris. (Publications de la Faculté des Lettres de l'Université de Strasbourg, Fascicule 129), by A. Diverrès |
|
27/3, p. 192 |
Grace Frank |
The Liturgical Drama in Medieval Spain. Pontifical Institute of Mediæval Studies (Studies and Texts 4), by Richard B. Donovan |
|
28/3, p. 194 |
E.A. Francis |
Les Lais de Marie de France. (Classiques Français du Moyen Age), by Jean Rychner |
|
37/2, p. 195 |
L.T. Topsfield |
Biographies des Troubadours, textes provençaux des XIIIe et XIVe siècles, édition refondue, augmentée d'une traduction française, by A. H. Schutz, Jean Boutière, I.-M. Cluzel |
|
37/2, p. 197 |
Anne Hudson |
A Manual of the Writings on Middle English 1050-1500 Volume II, by J. Burke Severs |
|
43/2, p. 199 |
David A. Wells |
Walther von der Vogelweide. (Twayne's World Authors Series 46), by George F. Jones |
|
39/2, p. 201 |
Phyllis Abrahams |
Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht |
|
6/3, p. 216 |
Richard Leighton Greene |
Music and Poetry in the Early Tudor Court, by John Stevens |
|
31/3, p. 220 |
Patricia Ingham |
Hungarian Classical Ballads and their Folklore, by Ninon Leader |
|
37/2, p. 223 |
John Stevens |
Trois Pièces Médiévales préparées, by A. Robert Harden |
|
38/2, p. 224 |
Alfred Ewert |
Rutebeuf : Le Miracle de Théophile, by Gustave Cohen |
|
3/3, p. 226 |
Alfred Ewert |
Le Jeu d'Adam et Eve, Mystère du XIIe siècle. Transposition littéraire de Gustave Cohen, by Jacques Chailley |
|
6/3, p. 226 |
Richard Axton |
The Castle in the Circle. Ball State Monograph No. 6, by Merle Fifield |
|
37/2, p. 226 |
Joan Turville-Petre |
Anglo-Saxon Oral Poetry: a Study of the Traditions, by Jeff Opland |
|
51/2, p. 237 |
John Stevens |
Ausgewählte Melodien des Minnesangs, by Ewald Jammers |
|
33/3, p. 243 |
C.T. Onions |
Fifth Supplement to a Manual of the Writings in Middle English 1050-1400, by John Edwin Wells |
|
|
J.R. Ashcroft |
Die religiösen Dichtungen des 11. und 12. Jahrhunderts. Band I, by Friedrich Maurer |
|
35/3, p. 252 |
John Stevens |
G. Raynauds Bibliographie des altfranzösischen Liedes, by Hans Spanke |
|
51/2, p. 254 |
Faith Lyons |
Narcisus (poème du XIIe siècle), by M. M. Pelan, N. C. W. Spence |
|
35/3, p. 255 |
J.A. Burrow |
Criticism and Medieval Poetry, by A. C. Spearing |
|
34/3, p. 274 |
Graham A. Runnalls |
Le Théâtre Religieux en Savoie au XVIeSiecle avec des fragments inédits. (Publications Romanes et Françaises CXV), by Jacques Chocheyras |
|
41/3, p. 280 |
Elspeth Kennedy |
Beroul: The Romance of Tristran. Volume II, by A. Ewert |
|
40/3, p. 280 |
Christopher Storey |
La Passiun de Seint Edmund (Anglo-Norman Text Society 36), by Judith Grant |
|
49/2, p. 283 |
John Stevens |
Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, by O. B. Hardison Jr. |
|
36/3, p. 289 |
WILLIAM TYDEMAN |
The Biblical Drama of Medieval Europe, by Lynette R. Muir |
|
65/2, p. 294 |
Helen Phillips |
The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation, by Peter Meredith, John E. Tailby |
|
55/2, p. 295 |
Richard Axton |
Menestrellorum Multitudo: Minstrels at a Royal Feast, by Constance Bullock-Davies |
|
49/2, p. 295 |
Richard Beadle |
The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall |
|
55/2, p. 296 |
Michel Huglo |
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |
|
46/2, p. 298 |
Peter Rickard |
Le Mystère de saint Christofle, by Graham A. Runnalls |
|
43/3, p. 299 |
Richard Beadle |
From Creation to Doom: the York Cycle of Mystery Plays, by Clifford Davidson |
|
55/2, p. 299 |
CLARE A. LEES |
Structures of Opposition in Old English Poems, Costerus, n.s. 74, by Marie Nelson |
|
60/2, p. 299 |
Nicolas Jacobs |
Early Welsh Saga Poetry: a Study and Edition of the 'Englynion', by Jenny Rowland |
|
60/2, p. 301 |
A.J. Bliss |
The Meter and Melody of Beowulf. (Illinois Studies in Language and Literature 64), by Thomas Cable |
|
|
Laurence Eldredge |
Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |
|
64/2, p. 304 |
Neville Denny |
The Cornish Ordinalia, by Markham Harris |
|
40/3, p. 305 |
Richard Beadle |
Un Cycle du Théâtre Religieux Anglais du Moyen Âge, by Claude Gauvin |
|
44/3, p. 305 |
MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
|
63/2, p. 309 |
Lynette Muir |
The Baptism and Temptation of Christ. The First Day of a Medieval French Passion Play, by John R. Elliott Jr., Graham A. Runnalls |
|
49/2, p. 311 |
Nicolas Jacobs |
Jongleur: a Modified Theory of Oral Improvisation and its Effects on the Performance and Transmission of Middle Engish Romance, by William A. Quinn, Audley S. Hall |
|
53/2, p. 311 |
PETER MEREDITH |
Medieval Theatre in Context: An Introduction, by John Wesley Harris |
|
63/2, p. 311 |
Helen Cooper |
Records of Early English Drama: Cambridge, by Alan H. Nelson |
|
59/2, p. 312 |
EDWARD WHEATLEY |
David Mills, Recycling the Cycle: The City of Chester and its Whitsun Plays, Studies in Early English Drama 4 |
|
69/2, p. 312 |
Nicolas Jacobs |
Dafydd ap Gwilym and the European Context, by Helen Fulton |
|
59/2, p. 315 |
Lewis Thorpe |
Le style épique dans Garin le Loherain, by Anne I. Gittleman |
|
38/3, p. 316 |
C.W. MARX |
The York Plays, York Medieval Texts, second series, by Richard Beadle |
|
54/2, p. 316 |
W. Ann Trindade |
The Conflict of Love and Honor: The Medieval Tristan Legend in France, Germany and Italy. (De Proprietatibus Litterarum, Series Practica 78), by Joan M. Ferrante |
|
46/2, p. 317 |
Brynley F. Roberts |
Ystoria Taliesin, by Patrick K. Ford |
|
62/2, p. 317 |
Richard Beadle |
The Late Medieval Religious Plays of Bodleian MSS Digby 133 and e Museo 160, EETS, OS, 283, by Donald C. Baker, John L. Murphy, Louis B. Hall Jr |
|
54/2, p. 319 |
NIGEL WILKINS |
Machaut's Mass: an Introduction, by Daniel Leech-Wilkinson |
|
60/2, p. 319 |
Joan Crow |
Quatre sermons joyeux, by J. Koopmans |
|
55/2, p. 320 |
PAMELA M. KING |
The Towneley Plays, Early English Text Society, Supplementary Series 13, by Martin Stevens, A. C. Cawley |
|
65/2, p. 320 |
MARY SWAN |
M. Bradford Bedingfield, The Dramatic Liturgy of Anglo-Saxon England |
|
72/2, p. 321 |
Ian Short |
Literary Technique in the 'Chanson de Roland', Histoire des idées et critique littéraire, 203, by Roger Pensom |
|
52/2, p. 321 |
N.H. KEEBLE |
Scotish Feilde and Flodden Feilde: Two Flodden Poems, Garland Medieval Texts, 4, by Ian F. Baird |
|
54/2, p. 322 |
MARY SWAN |
Pauline E. Head, Representation and Design: Tracing a Hermeneutics of Old English Poetry |
|
67/2, p. 323 |
NEIL THOMAS |
Adventure as Social Performance: a Study of the German Court Epic, Untersuchungen zur deutschen Literaturgeschichte, 52, by Will Hasty |
|
60/2, p. 326 |
Richard Axton |
The Cornish Ordinalia: Religion and Dramaturgy, by Robert Longsworth |
|
38/3, p. 327 |
Graham A. Runnalls |
Le Jeu des Trois Rois de Neuchâtel, Textes Littéraires Français, 301, by André de Mandach |
|
52/2, p. 327 |
Barbara M.H. Strang |
Chaucer and the Shape of Creation, by Robert M. Jordan |
|
38/3, p. 328 |
Mark Campbell Chambers |
Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies |
|
79/2, p. 328 |
Dominica Legge |
Benedeit: the Anglo-Norman 'Voyage of St Brendan', by Ian Short, Brian Merrilees |
|
50/2, p. 329 |
ROGER WRIGHT |
Louise O. Vasvári, The Heterotextual Body of the 'Mora Morilla' |
|
69/2, p. 329 |
LYNN STALEY |
Sarah Salih, Versions of Virginity in Late Medieval England |
|
71/2, p. 329 |
JANE TOLMIE |
Pamela M. King and Clifford Davidson (eds), The Coventry Corpus Christi Plays, Early Drama, Art and Music Monograph Series 27 |
|
70/2, p. 330 |
Richard Beadle |
Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland |
|
70/2, p. 331 |
Sarah Kay |
The Game of Love: Troubadour Wordplay, by Laura Kendrick |
|
58/2, p. 331 |
Meg Twycross |
York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor |
|
49/2, p. 332 |
RUTH E. HARVEY |
The Voice of the Trobairitz: Perspectives on the Women Troubadours, by William D. Paden |
|
59/2, p. 332 |
JOHN CALDWELL |
Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, by John Stevens |
|
57/2, p. 333 |
FRANÇOISE LE SAUX |
Michael Newth (trans.), Heroes of the French Epic: A Selection from the Chansons de geste |
|
75/2, p. 334 |
DAVID MAW |
Daniel E. O’Sullivan, Marian Devotion in Thirteenth-Century French Lyric |
|
76/2, p. 335 |
JOHN CALDWELL |
The Early Middle Ages to 1300 (The New Oxford History of Music, Vol. II), by Richard Crocker, David Hiley |
|
60/2, p. 335 |
MARIANNE AILES |
Andrew Cowell, The Medieval Warrior Aristocracy: Gift, Violence, Performance and the Sacred, Gallica 6 |
|
79/2, p. 335 |
Andrew M. Beresford |
Margit Frenk (ed.), Nuevo corpus de la antigua lírica popular hispánica: Siglos xv a xvii |
|
75/2, p. 337 |
John Stevens |
The Early English Carols. second edition revised and enlarged, by Richard Leighton Greene |
|
47/2, p. 337 |
ANKE BERNAU |
Ruth Mazo Karras, From Boys to Men: Formations of Masculinity in Late Medieval Europe, The Middle Ages Series |
|
72/2, p. 338 |
N. Denholm-Young |
The Great Tournament Roll of Westminster. A Collotype Reproduction of the Manuscript, by Sydney Anglo, Anthony Wagner |
|
38/3, p. 338 |
THOMAS G. DUNCAN |
Medieval English Songs, by E. J. Dobson, Frank Ll. Harrison |
|
50/2, p. 338 |
Linda M. Paterson |
Trobairitz. Der Beitrag der Frau in der altokzitanischen höfischen Lyrik. Edition der Gesamtkorpus, Beihefte zur Zeitschrift für Romanische Philologie, 233, by Angelica Rieger |
|
62/2, p. 340 |
J.H. Marshall |
An Introduction to Old Provençal Versification, by Frank M. Chambers |
|
56/2, p. 341 |
Dennis Green |
Wege in die Schriftlichkeit: Untersuchungen und Materialien zur Überlieferung der mittelhochdeutschen Lyrik, Bibliotheca Germanica 32, by Franz-Josef Holznagel |
|
65/2, p. 341 |
Richard Beadle |
The Mediæval English Stage: Corpus Christi Pageants and Plays, by Alan Nelson |
|
|
JEAN-PIERRE BORDIER |
The Vengeance of Our Lord: Medieval Dramatisations of the Destruction of Jerusalem, Studies and Texts, 89, by Stephen K. Wright |
|
61/2, p. 347 |
PETER T. RICKETTS |
Aileen Ann MacDonald (ed. and trans.), Passion catalane-occitane, Textes littéraires français |
|
70/2, p. 349 |
KATHERINE L. JANSEN |
Theresa Coletti, Mary Magdalene and the Drama of the Saints: Theater, Gender, and Religion in Late Medieval England, The Middle Ages Series |
|
74/2, p. 350 |
R.H. RICHENS |
Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |
|
49/2, p. 350 |
WILLIAM TYDEMAN |
Non-Cycle Plays and the Winchester Dialogues. Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. With Introductions and a Transcript of the Dialogues. (Leeds Texts and Monographs; Medieval Drama Fascimiles, 5), by Norman Davis |
|
50/2, p. 350 |
BEN PARSONS |
John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe |
|
77/2, p. 350 |
HUGH ROBERTS |
Madeleine Jeay, Le Commerce des mots: L'Usage des listes dans la littérature médiévale (XIIe—XVe siècles), Publications romanes et françaises 241 |
|
77/2, p. 351 |
RENATE BLUMENFELD-KOSINSKI |
Sylvia Huot, Madness in Medieval French Literature: Identities Found and Lost |
|
73/2, p. 352 |
Alan H. Nelson |
The English Morality Play, by Robert Potter |
|
|
R. SHARPE |
'Carmina Burana'. Texte und Übersetzungen. Mit den Miniaturen aus der Handschrift, Bibliothek des Mittelalters, 13, by Benedikt Konrad Vollmann, Peter Diemer, Dorothee Diemer |
|
61/2, p. 352 |
Lynette Muir |
Alan E. Knight (ed.), Les Mystères de la procession de Lille, Vol. I: Le Pentateuque |
|
71/2, p. 352 |
ALAN ROBERTSHAW |
Christoph März, Die weltlichen Lieder des Mönchs von Salzburg: Texte und Melodien |
|
70/2, p. 354 |
Dennis Green |
Reflexion - Narration. Wege zum 'Willehalm' Wolframs von Eschenbach, Hermaea, 63, by Christian Kiening |
|
61/2, p. 354 |
ANNETTE VOLFING |
Kathryn Starkey, Reading the Medieval Book: Word, Image and Performance in Wolfram von Eschenbach's 'Willehalm', Poetics of Orality and Literacy |
|
74/2, p. 355 |
MICHAEL SHIELDS |
Tradition und Gattungsbewußtsein im deutschen Leich. Ein Beitrag zur Gattungsgeschichte mittelalterlicher musikalischer 'Discordia', by Hermann Apfelböck |
|
62/2, p. 355 |
COLIN BURROW |
English Humanist Books: Writers and Patrons, Manuscript and Print, 1475-1525, by David R. Carlson |
|
63/2, p. 358 |
ANNETTE VOLFING |
Margreth Egidi, Höfische Liebe: Entwürfe der Sangspruchdichtung. Literarische Verfahrensweisen von Reinmar von Zweter bis Frauenlob, Germanisch-Romanische Monatsschrift Suppl. 17 |
|
72/2, p. 361 |