| ARDIS BUTTERFIELD |
Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt |
|
63/1, p. 133 |
| PHILIP E. BENNETT |
Laurence de Looze, Pseudo-autobiography in the Fourteenth Century: Juan Ruiz, Guillaume de Machaut, Jean Froissart and Geoffrey Chaucer |
|
68/1, p. 141 |
| MALCOLM VALE |
Froissart: Historian, by J. J. N. Palmer |
|
53/1, p. 142 |
| PHILIP E. BENNETT |
Jean Froissart: ‘La Prison amoureuse’ ('The Prison of Love'). Garland Library of Medieval Literature A 96, by Laurence de Looze |
|
65/1, p. 146 |
| ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
|
58/1, p. 165 |
| Ruth Morse |
Jean Froissart and his 'Meliador': Context, Craft and Sense, The Edward C. Armstrong Monographs on Medieval Literature, 2, by Peter F. Dembowski |
|
55/2, p. 316 |
| Peter Ainsworth |
Richard W. Kaeuper and Elspeth Kennedy (eds), The Book of Chivalry of Geoffroi de Charny: Text, Context and Translation, The Middle Ages Series |
|
69/2, p. 323 |
| C.R. ATTWOOD |
Jean Froissart: 'Le Paradis d'amour', 'L'Orloge amoureuse', Textes littéraires français, 339, by Peter F. Dembowski |
|
59/2, p. 328 |
| Sylvia Huot |
Renate Blumenfield-Kosinski, Reading Myth: Classical Mythology and its Interpretations in Medieval French Literature |
|
68/2, p. 333 |
| Jane H.M. Taylor |
Jean Froissart and the Fabric of History: Truth, Myth and Fiction in the 'Chroniques', by Peter F. Ainsworth |
|
61/2, p. 342 |
| Sylvia Huot |
Geri L. Smith, The Medieval French Pastourelle Tradition: Poetic Motivations and Generic Transformations |
|
78/2, p. 345 |
| HUGH ROBERTS |
Madeleine Jeay, Le Commerce des mots: L'Usage des listes dans la littérature médiévale (XIIe—XVe siècles), Publications romanes et françaises 241 |
|
77/2, p. 351 |