G.R. Mellor |
Chrestomathie de la littérature en ancien français (Vol. I. Vol. II). (Bibliotheca Romanica, Series altera, III/IV), by Albert Henry |
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26/1, p. 43 |
C.L. Wrenn |
European balladry, by William J. Entwistle |
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14/, p. 44 |
R.C. Johnston |
Rigaut de Berbezilh, Liriche, by Alberto Varvaro |
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30/1, p. 51 |
E.C. Llewellyn |
La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold |
|
4/1, p. 52 |
N. Denholm-Young |
Scriptorium, an International Review of Manuscript Studies, Vol. I. Fase. 1 |
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17/, p. 59 |
W. Mary Hackett |
Les Poésies de Guillaume le Vinier. (Textes Littéraires Français), by Philippe Ménard |
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41/1, p. 64 |
Richard Leighton Greene |
A Dictionary of Middle English Musical Terms, (Indiana University Humanities Series, No. 45), by Henry Holland Carter, George B. Gerhard |
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32/1, p. 80 |
L.T. Topsfield |
Anthology of the Provençal Troubadours. Second edition, by R. T. Hill, T. G. Bergin, Thomas G. Bergin, Susan Olson, William D. Paden Jr., Nathaniel Smith |
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F.W. Sternfeld |
Music of the Minnesinger and Early Meistersinger: A Bibliography. (University of North Carolina Studies in Germanic Languages and Literatures, No. 32), by Robert W. Linker |
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33/1, p. 82 |
John M. Steadman |
The Medieval Anadyomene: A Study in Chaucer's Mythography. (Medium Ævum Monographs, New Series 1), by Meg Twycross |
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43/1, p. 83 |
John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
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49/1, p. 96 |
John Stevens |
Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca |
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49/1, p. 99 |
ALISON M. PEDEN |
Boethius: the Consolations of Music, Logic, Theology and Philosophy, by Henry Chadwick |
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53/1, p. 99 |
SAM BARRETT |
R. Strohm and B. J. Blackburn (eds), The New Oxford History of Music, Vol. III. I: Music as Concept and Practice in the Late Middle Ages |
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72/1, p. 115 |
Grace Frank |
Le Jeu de Robin et de Marion par Adam de la Halle, précédé du Jeu du Pèlerin, by Kenneth Varty |
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30/2, p. 120 |
Nigel Palmer |
Christian Meyer, Catalogue des manuscrits notés du Moyen Âge conservés dans les bibliothèques publiques de France: Collections d’Alsace, de Franche-Comté et de Lorraine, I: Colmar, Bibliothèque municipale |
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79/1, p. 127 |
Nigel Palmer |
Lisa Fagin Davis, The Gottschalk Antiphonary: Music and Liturgy in Twelfth-Century Lambach, Cambridge Studies in Palaeography and Codicology 8 |
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70/1, p. 129 |
ALAN J. FLETCHER |
Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I |
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67/1, p. 129 |
Joseph Szövérffy |
Étude lexicographique sur les séquences limousines. (Studia Latina Stockholmiensia VII), by Lars Elfving |
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35/2, p. 130 |
John Stevens |
Music in Mediaval Britain, by Frank Ll. Harrison |
|
30/2, p. 131 |
J.H. Marshall |
La Littérature Occitane du Moyen Age: Bibliographie sélective et critique. (Toronto Medieval Bibliographies 7), by Robert A. Taylor |
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49/1, p. 132 |
NIGEL WILKINS |
Guillaume de Machaut: 'Le Jugement du roy de Behaigne' and 'Remede de Fortune', by James I. Wimsatt, William W. Kibler, Rebecca A. Baltzer |
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60/1, p. 133 |
ARDIS BUTTERFIELD |
Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt |
|
63/1, p. 133 |
John Stevens |
Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir |
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46/1, p. 135 |
SIMON B. GAUNT |
Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle |
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61/1, p. 138 |
Linda M. Paterson |
Matilda Tomaryn Bruckner, Laurie Shepard, and Sarah White (eds and trans.), Songs of the Women Troubadours |
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69/1, p. 144 |
M.D. |
Poems from the Book of the Dean of Lismore with a catalogue of the book and indexes, by E. C. Quiggin, J. Fraser |
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7/2, p. 147 |
NIGEL WILKINS |
The Monophonic Songs in the 'Roman de Fauvel', by Samuel N. Rosenberg, Hans Tischler |
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62/1, p. 148 |
MICHAEL J. ROUTLEDGE |
Samuel N. Rosenberg and Hans Tischler (eds) (avec la collaboration de Marie-Geneviève Grossel), Chansons des trouvères: Chanter m'estuet. Edition critique de 217 textes lyriques d'après les manuscripts, mélodies, traduction, présentation et notes |
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66/1, p. 149 |
Jane H.M. Taylor |
Dominique Billy, François Clément, and Annie Combes (eds), L’Espace lyrique méditerranéen au Moyen Âge: Nouvelles approches |
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76/1, p. 150 |
John Stevens |
A Selection of English Carols. (Clarendon Mediæval and Tudor Series), by R. L. Greene |
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32/2, p. 151 |
F.M. Powicke |
Mediæval and Renaissance Studies, Vol. V, by Richard Hunt, Raymond Klibansky, Lotte Labowsky |
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31/2, p. 155 |
PETER T. RICKETTS |
Ilaria Zamuner, Giuseppe Noto, Luciana Borghi Cedrini, and Francesco Carapezza (eds), Anna Ferrari (co-ord.), ‘Intavulare': Tavole di canzonieri romanzi. Vol. I. Canzonieri provenzali: 3. Venice, Biblioteca Nazionale Marciana, V. Biblioteca Medicea Laurenziana P. Bodleian Library S. Biblioteca Ambrosiana G |
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76/1, p. 156 |
Linda M. Paterson |
La Culture populaire au moyen âge, Etudes presentees au quatrième colloque de l'Institut d'études médiévales de l'Université de Montréal, 2-3 avril, 1977, by P. Buglioni |
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52/1, p. 157 |
Andreea Weisl-Shaw |
Jerrilynn D. Dodds, Maria Rosa Menocal, and Abigail Krasner Balbale, The Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture |
|
79/1, p. 158 |
John Stevens |
One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages, by Nigel Wilkins |
|
48/1, p. 167 |
John Stevens |
Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes |
|
48/1, p. 168 |
JOHN CALDWELL |
The Rise of European Music 1380-1500, by Reinhard Strohm |
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65/1, p. 174 |
Nigel Palmer |
Harfe und Schwert. Der höfische Spielmann bei Gottfried von Strassburg, Untersuchungen zur deutschen Literaturgeschichte, 30, by Hannes Kästner |
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52/1, p. 179 |
Helena M. Shire |
Ballattis of Luve: The Scottish Courtly Love Lyric 1400-1570, by John MacQueen |
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41/2, p. 180 |
Alfred Ewert |
Corpus Cantilenarum Medii Aevi. Premiere Série, Les Chansonniers des Troubadours et des Trouvères, numéro 2 : Le Manuscrit du Roi, fonds français No. 844 de la bibliothèque Nationale. Tome I, Reproduction phototypique publié[e] avec une introduction; tome II, Analyse et Description raisonnées du manuscrit restauré, by Jean Beck, Madame Louise Beck |
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8/3, p. 215 |
Phyllis Abrahams |
Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht |
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6/3, p. 216 |
Peter Dronke |
Medium Aevum Vivum: Festschrift für Walther Bulst, by Hans Robert Jauss, Dieter Schaller |
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32/3, p. 218 |
Richard Leighton Greene |
Music and Poetry in the Early Tudor Court, by John Stevens |
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31/3, p. 220 |
A.B. Scott |
Der Libellus Scolasticus des Walther von Spejer: ein Schulbericht aus dem Jahre 984, by Peter Vossen |
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32/3, p. 220 |
Alfred Ewert |
Rutebeuf : Le Miracle de Théophile, by Gustave Cohen |
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3/3, p. 226 |
Alfred Ewert |
Le Jeu d'Adam et Eve, Mystère du XIIe siècle. Transposition littéraire de Gustave Cohen, by Jacques Chailley |
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6/3, p. 226 |
Anthony Gervase Mathew |
The Cambridge Mediaval History, Vol. IV: The Byzantine Empire, Part II: Government, Church and Civilisation, by J. M. Hussey |
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37/2, p. 227 |
Terence Newcombe |
Les poésies du troubadour Raimon de Miraval. (Les classiques d'oc, 4), by L. T. Topsfield |
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41/3, p. 264 |
CHRISTOPHER HOHLER |
Cambridge, Corpus Christi College 41: the Loricas and the Missal. (Costerus: Essays in English and American Language and Literature, New Series 17), by Raymond J. S. Grant |
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49/2, p. 275 |
Richard Beadle |
The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall |
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55/2, p. 296 |
Michel Huglo |
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |
|
46/2, p. 298 |
Peter Hunter Blair |
The Sutton Hoo Ship-Burial: A Handbook. 2nd ed., by Rupert Bruce-Mitford |
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42/3, p. 301 |
Laurence Eldredge |
Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |
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64/2, p. 304 |
A.V.C. Schmidt, Leslie Seiffert, NICHOLAS MANN |
ADDENDUM: The Winchester Anthology: a Facsimile of British Library Additional MS 60577 |
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53/2, p. 306 |
MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
|
63/2, p. 309 |
Helen Cooper |
Records of Early English Drama: Cambridge, by Alan H. Nelson |
|
59/2, p. 312 |
NIGEL WILKINS |
Machaut's Mass: an Introduction, by Daniel Leech-Wilkinson |
|
60/2, p. 319 |
ARDIS BUTTERFIELD |
Gillebert de Berneville: les poésies, Textes littéraires français, 357, by Karen Fresco |
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59/2, p. 324 |
Graham A. Runnalls |
Le Jeu des Trois Rois de Neuchâtel, Textes Littéraires Français, 301, by André de Mandach |
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52/2, p. 327 |
EMMA HORNBY |
Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages |
|
77/2, p. 328 |
Andrew M. Beresford |
Margit Frenk (ed.), Nuevo corpus de la antigua lírica popular hispánica: Siglos xv a xvii |
|
75/2, p. 337 |
John Stevens |
The Early English Carols. second edition revised and enlarged, by Richard Leighton Greene |
|
47/2, p. 337 |
J.H. Marshall |
An Introduction to Old Provençal Versification, by Frank M. Chambers |
|
56/2, p. 341 |
SILVIA RANAWAKE |
Nicola Zotz, Intégration courtoise. Zur Rezeption okzitanischer und französischer Lyrik im klassischen deutschen Minnesang |
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75/2, p. 345 |
R.H. RICHENS |
Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |
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49/2, p. 350 |