| E.A. Francis |
Crime and punishment in the Old French romances, by F. Carl Riedel |
|
10/1, p. 34 |
| Alice Colby-Hall |
Les Éléments descriptifs dans le roman d'aventure au XIIIe siècle (en particulier ‘Amadas et Ydoine’, ‘Gliglois’, ‘Galeran’, ‘L'Escoufle’, ‘Guillaume de Dole’, ‘Jehan et Blonde’, ‘Le Castelain de Couci’), by Faith Lyons |
|
36/1, p. 76 |
| J.H. Marshall |
Subjectivity in Troubadour Poetry, Cambridge Studies in French, by Sarah Kay |
|
61/1, p. 139 |
| Jane H.M. Taylor |
Dominique Billy, François Clément, and Annie Combes (eds), L’Espace lyrique méditerranéen au Moyen Âge: Nouvelles approches |
|
76/1, p. 150 |
| A.T. Hatto |
Moriz von Craûn and the Chivalric World, by Ruth Harvey |
|
32/3, p. 230 |
| PENNY ELEY |
Douglas Kelly, The Conspiracy of Allusion: Description, Rewriting and Authorship from Macrobius to Medieval Romance, Studies in the History of Christian Thought 97 |
|
71/2, p. 337 |
| MICHEL STANESCO |
Mary Arlene Santina, The Tournament and Literature: Literary Representations of the Medieval Tournament in Old French Works, 1150–1226 |
|
70/2, p. 343 |