James Kinsley |
Chaucer, by Raymond Preston |
|
22/1, p. 34 |
D.S. Brewer |
Critical Approaches to Medieval Literature. Selected Papers from the English Institute, 1958-1959, by Dorothy Bethurum |
|
31/1, p. 46 |
James Kinsley |
Chaucerian Essays, by Gordon Hall Gerould |
|
23/1, p. 51 |
W.H. Jackson |
Der Erzähler im mittelhochdeutschen Epos. Formen seines Hervortretens bei Lamprecht, Konrad, Hartmann, in Wolframs Willehalm und in den 'Spielmannsepen'. (Philologische Studien und Quellen, Heft 58), by Uwe Pörksen |
|
42/1, p. 62 |
Lewis Thorpe |
Le roman de Renart dans la littérature française et dans les littératures étrangères au moyen âge. University of Toronto Romance Series, Volume IV, by John Flinn |
|
35/1, p. 68 |
M.A. Grellner |
The Roman de la Rose: A Study in Allegory and Iconography, by John V. Fleming |
|
42/1, p. 69 |
Ig. González-Llubera |
Curial i Guelfa. ('Els Nostres Classics', Collecció A), by R. Aramon i Serra |
|
7/1, p. 70 |
Dennis Green |
Deutsche Literatur im europäischen Mittelalter. Vol. I (800-1197), Vol. II (1195-1220), by Karl Bertau |
|
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Siegfried Wenzel |
Ricardian Poetry. Chaucer, Gower, hangland and the 'Gawain' Poet, by J. A. Burrow |
|
42/1, p. 93 |
Felicity Riddy |
The Gawain-poet: A Critical Study, by A. C. Spearing |
|
42/1, p. 96 |
Peter Godman |
Prudentius's 'Psychomachia': A Re-examination, by Macklin Smith |
|
47/1, p. 107 |
Peter N. Dunn |
The Art of Juan Ruiz, Archpriest of Hita, Estudios de Literatura, by Anthony N. Zahareas |
|
37/1, p. 117 |
Helen Cooper |
Chaucer and Scriptural Tradition, by David Lyle Jeffrey |
|
56/1, p. 119 |
Ursula Dronke |
The Prose Edda of Snorri Sturluson: Tales from Norse Mythology, by Sigurður Nordal, Jean I. Young |
|
25/2, p. 121 |
G.A. LESTER |
Chaucer's Knight: the Portrait of a Medieval Mercenary, by Terry Jones |
|
52/1, p. 122 |
JOHN C. HIRSH |
The Origin and Meaning of Courtly Love. A Critical Study of European Scholarship, by Roger Boase |
|
48/1, p. 124 |
RUTH E. HARVEY |
Troubadours and Irony, Cambridge Studies in Medieval Literature, 3, by Simon Gaunt |
|
60/1, p. 126 |
MICHAEL J. FRANKLIN |
Poets at Play: Irony and Parody in the Harley Lyrics, by Daniel J. Ransom |
|
56/1, p. 128 |
Percy Simpson |
The Medieval Heritage of Elizabethan Tragedy, by Willard Farnham |
|
7/2, p. 138 |
J.H. Marshall |
Subjectivity in Troubadour Poetry, Cambridge Studies in French, by Sarah Kay |
|
61/1, p. 139 |
Colin Wilcockson |
Oppositions in Chaucer, by Peter Elbow |
|
48/1, p. 146 |
J.H. Whitfield |
The World at Play in Boccaccio's Decameron, by Giuseppe Mazzotta |
|
57/1, p. 147 |
A.E. Cobby |
Brian J. Levy, The Comic Text: Patterns and Images in the Old French Fabliaux, Faux Titre 186 |
|
71/1, p. 152 |
J. Carey |
In Search of Chaucer, by B. H. Bronson |
|
31/2, p. 153 |
Andrew M. Beresford |
Stephen Boyd (ed.), A Companion to Cervantes's 'Novelas ejemplares' Colección Tamesis, Serie A: Monografías, 218 |
|
78/1, p. 155 |
Tony Hunt |
Der arthurische Versroman von Chrestien bis Froissart, Beihefte zur Zeitschrift für romanische Philologie, 177, by Beate Schmolke-Hasselmann |
|
52/1, p. 159 |
KAREN PRATT |
Commentaire sur 'Yvain' ('Le Chevalier au lion') de Chrétien de Troyes, I and II, by Brian Woledge |
|
59/1, p. 166 |
Leslie C. Brook |
The Legacy of Chrétien de Troyes, Vol. I, by Norris J. Lacy, Douglas Kelly, Keith Busby |
|
58/1, p. 168 |
E.M. Rutson |
La Manière satirique de Rutebeuf: le ton et le style, by Arié Serper |
|
43/2, p. 172 |
R.T. Davies |
Romance and Chronicle. A Study of Malory's Prose Style, by P. J. C. Field |
|
42/2, p. 184 |
Peter Dronke |
Hrotsvithae Opera, by H. Homeyer |
|
40/2, p. 185 |
A.C. Cawley |
Chaucer and the Tradition of Fame: Symbolism in The House of Fame, by B. G. Koonce |
|
37/2, p. 205 |
Ethel Seaton |
The Complaint Against Hope, by Kenneth G. Wilson, Ann Arbor |
|
27/3, p. 206 |
D.S. Brewer |
A Knyght There Was; the Evolution of the Knight in Literature, by Charles Moorman |
|
39/2, p. 216 |
L.T. Topsfield |
Le Prince d'Aquitaine: essai sur Guillaume IX, son œuvre et son érotique, by Jean Charles Payen |
|
51/2, p. 255 |
D.R. McLintock |
The Nibelungenlied: A Literary Analysis, by Hugo Bekker |
|
41/3, p. 258 |
Betty Hill |
Blameth Nat Me. A Study of Imagery in Chaucer's Fabliaux, by Janette Richardson |
|
41/3, p. 270 |
D.N. YEANDLE |
Eilhart von Oberge's ‘Tristrant’, by J. W. Thomas |
|
48/2, p. 278 |
Faith Lyons |
Le Rire et le Sourire dans le Roman Courtois en France au Moyen Âge (1150-1250) (Publications Romanes et Françaises CV), by Philippe Ménard |
|
43/3, p. 283 |
FREDERICK M. BIGGS |
Alvin A. Lee, Gold-Hall and Earth-Dragon: 'Beowulf' as Metaphor |
|
69/2, p. 297 |
ENRICO GIACCHERINI |
The Old French and Chaucerian Fabliaux. A Study of Their Comic Climax, by Thomas D. Cooke |
|
48/2, p. 300 |
ROSEMARY MORRIS |
The Legend of Arthur in the Middle Ages, Arthurian Studies, by P. B. Grout, R. A. Lodge, C. E. Pickford, E. K. C. Varty |
|
55/2, p. 304 |
James Simpson |
Chaucer and the Italian Trecento, by Piero Boitani |
|
54/2, p. 306 |
MARGARET CHARLOTTE WARD |
Peredur: A Study of Welsh Tradition in the Grail Legends, by Glenys Goetinck |
|
46/2, p. 308 |
Vincent Gillespie |
Chaucer's Narrators, Chaucer Studies, 13, by David Lawton |
|
57/2, p. 312 |
Colin Wilcockson |
A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut, by William Calin |
|
46/2, p. 325 |
GLYN S. BURGESS |
The Old French Fabliaux, by Charles Muscatine |
|
57/2, p. 325 |
Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
|
77/2, p. 325 |
TONY DAVENPORT |
J. J. Anderson, Language and Imagination in the Gawain-Poems |
|
75/2, p. 327 |
Brian J. Levy |
The Fabliaux: Tales of Wit and Deception, Purdue University Monographs in Romance Languages, 24, by Mary Jane Stearns Schenck |
|
57/2, p. 327 |
Jill Mann |
Chaucer and the Fictions of Gender, by Elaine Tuttle Hansen |
|
62/2, p. 328 |
DANIEL PINTI |
Warren Ginsberg, Chaucer’s Italian Tradition |
|
72/2, p. 329 |
JILLIAN HILL |
Latin Poetic Irony in the 'Roman de la Rose', Vinaver Studies in French, 4, by Marc M. Pelen |
|
58/2, p. 329 |
JONATHAN USHER |
Boccaccio's Last Fiction: 'Il Corbaccio', by Robert Hollander |
|
58/2, p. 333 |
SALLY MAPSTONE |
Dunbar the Makar, by Priscilla Bawcutt |
|
62/2, p. 337 |
A. Kent Hieatt |
The Renaissance Chaucer, by Alice S. Miskimin |
|
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SIMON B. GAUNT |
Marie-Noëlle Toury, Mort et fin’ amor dans la poésie d’oc et d’oïl aux XIIe et XIIIe siècles |
|
72/2, p. 341 |
JILLIAN HILL |
False Roses: Structures of Duality and Deceit in Jean de Meun's 'Roman de la Rose', Stanford French and Italian Studies, 69, by Susan Stakel |
|
62/2, p. 349 |
PRISCILLA J. BAWCUTT |
Robert Henryson, (Medieval and Renaissance Authors), by Douglas Gray |
|
50/2, p. 352 |
Martin H. Jones |
Stefan Seeber, Poetik des Lachens. Untersuchungen zum mittelhochdeutschen Roman um 1200 |
|
80/1, p. 353 |