| James Kinsley | Chaucer, by Raymond Preston |  | 22/1, p. 34 | 
          
                                                                                        | James Kinsley | Chapters on Chaucer, by Kemp Malone |  | 21/, p. 46 | 
          
                                                                                        | James Kinsley | Chaucer, by D. S. Brewer |  | 23/1, p. 53 | 
          
                                                                                        | D.S. Brewer | Boccaccio in England from Chaucer to Tennyson, by H. G. Wright |  | 28/1, p. 68 | 
          
                                                                                        | Susie I. Tucker | The Oxford Book of Medieval English Verse, by Celia Sisam, Kenneth Sisam |  | 41/1, p. 72 | 
          
                                                                                        | G.D.G. Hall | Imprisonment in Medieval England, by Ralph B. Pugh |  | 39/1, p. 73 | 
          
                                                                                        | B.D.H. Miller | Middle English Dictionary, by Sherman M. Kuhn, John Reidy |  | 42/1, p. 73 | 
          
                                                                                        | F.C. de Vries | Mittelenglisches Elementarbuch. (Sammlung Göschen 1226/1226a/1226b), by Horst Weinstock |  | 39/1, p. 78 | 
          
                                                                                        | C. Foligno | The DXV Problem and the Veltro : An Essay in Dante Interpretation, by J. H. Sacret |  | 8/1, p. 79 | 
          
                                                                                        | A.V.C. Schmidt | Middle English Literature, by J. A. W. Bennett, Douglas Gray |  | 57/1, p. 101 | 
          
                                                                                        | C.T. Onions | A manual of the writings in Middle English 1050-1400, by John Edwin Wells |  | 12/, p. 106 | 
          
                                                                                        | Helen Cooper | Chaucer in the Eighties, by Julian N. Wasserman, Robert J. Blanch |  | 57/1, p. 107 | 
          
                                                                                        | A.I. Doyle | Kristian Jensen (ed.), Incunabula and their Readers: Printing, Selling and Using Books in the Fifteenth Century |  | 73/1, p. 110 | 
          
                                                                                        | MICHAEL J. FRANKLIN | Manuscripts of English Courtly Love Lyrics in the Later Middle Ages, by Julia Boffey |  | 57/1, p. 114 | 
          
                                                                                        | ALAN WARD | Rhyme and Pronunciation: Some Studies of English Rhymes from 'Kyng Alisaunder' to Skelton, by Masa T. Ikegami |  | 56/1, p. 116 | 
          
                                                                                        | David Aers | The Canterbury Tales, by Helen Cooper |  | 60/1, p. 116 | 
          
                                                                                        | Helen Cooper | Chaucer and Scriptural Tradition, by David Lyle Jeffrey |  | 56/1, p. 119 | 
          
                                                                                        | Helen Cooper | English Medieval Narrative in the Thirteenth and Fourteenth Centuries, by Piero Boitani, Joan Krakover Hall |  | 53/1, p. 121 | 
          
                                                                                        | G.A. LESTER | Chaucer's Knight: the Portrait of a Medieval Mercenary, by Terry Jones |  | 52/1, p. 122 | 
          
                                                                                        | JOHN C. HIRSH | A Distinction of Stories: the Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury, by Judson Boyce Allen, Theresa Anne Moritz |  | 53/1, p. 123 | 
          
                                                                                        | GERALD MORGAN | Chaucer's Franklin in 'The Canterbury Tales': the Social and Literary Background of a Chaucerian Character, by Henrik Specht |  | 52/1, p. 125 | 
          
                                                                                        | David Aers | Truth and Textuality in Chaucer's Poetry, by Lisa J. Kiser, Lisa S. Kiser |  | 61/1, p. 126 | 
          
                                                                                        | Cecil Roth | Forschungen zur Rechts- und Sozialgeschichte der Juden in Deutschland während des Mittelalters, by Guido Kisch |  | 25/2, p. 129 | 
          
                                                                                        | Barry Windeatt | Terry Jones, Robert Yeager, Terry Dolan, Alan Fletcher, and Juliette Dor, Who Murdered Chaucer? A Medieval Mystery |  | 76/1, p. 130 | 
          
                                                                                        | N.F. Blake | The Manuscripts of the 'Canterbury Tales', Chaucer Studies, 17, by Charles A. Owen Jr., |  | 62/1, p. 130 | 
          
                                                                                        | NANCY MASON BRADBURY | Tony Davenport, Medieval Narrative: An Introduction |  | 78/1, p. 130 | 
          
                                                                                        | DIANE WATT | Glenn Burger, Chaucer's Queer Nation, Medieval Cultures 34 |  | 76/1, p. 133 | 
          
                                                                                        | CHARLES RUNACRES | Chaucer and Fifteenth-Century Poetry, King's College London Medieval Studies, 5, by Julia Boffey, Janet Cowen |  | 62/1, p. 133 | 
          
                                                                                        | Helen Cooper | Chaucer and Menippean Satire, by F. Anne Payne |  | 52/1, p. 134 | 
          
                                                                                        | ALCUIN BLAMIRES | R. Allen Shoaf, Chaucer’s Body: The Anxiety of Circulation in the ‘Canterbury Tales’ |  | 72/1, p. 135 | 
          
                                                                                        | Nigel Palmer | Katalog der mittelalterlichen Helmstedter Handschriften. Teil I: Cod. Guelf. 1 bis 276 Helmst., descriptions by Helmar Härtel, Christian Heitzmann, Dieter Merzbacher, and Bertram Lesser |  | 84/1, p. 136 | 
          
                                                                                        | Warren Ginsberg | Carol Falvo Heffernan, Comedy in Chaucer and Boccaccio |  | 80/2, p. 137 | 
          
                                                                                        | DAVID WALLACE | I racconti di Canterbury: un'opera unitaria, I Saggi di Testo a Fronte 2, by Franco Buffoni |  | 63/1, p. 137 | 
          
                                                                                        | Edwin D. Craun | Michaela Paasche Grudin, Chaucer and the Politics of Discourse |  | 67/1, p. 137 | 
          
                                                                                        | LAURA VARNAM | William F. Woods, Chaucerian Spaces: Spatial Poetics in Chaucer’s Opening Tales |  | 79/1, p. 137 | 
          
                                                                                        | Percy Simpson | The Medieval Heritage of Elizabethan Tragedy, by Willard Farnham |  | 7/2, p. 138 | 
          
                                                                                        | Jeffrey Hamburger | Ulrike Jenni and Maria Theisen, Mitteleuropäische Schulen IV (ca. 1380–1400). Hofwerkstätten König Wenzels IV. und deren Umkreis |  | 84/1, p. 139 | 
          
                                                                                        | NICOLA F. McDONALD | Anne Laskaya , Chaucer's Approach to Gender in the 'Canterbury Tales', Chaucer Studies 23 |  | 66/1, p. 139 | 
          
                                                                                        | Christoph Burger | Ben Morgan, On Becoming God: Late Medieval Mysticism and the Modern Western Self (Christoph Burger) |  | 84/1, p. 140 | 
          
                                                                                        | DAVID WALLACE | Derek Pearsall (ed.),  Chaucer to Spenser: An Anthology of Writings in English, 1375-1575 |  | 69/1, p. 140 | 
          
                                                                                        | Ronald Hutton | Sophie Page, Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe (Ronald Hutton) |  | 84/1, p. 141 | 
          
                                                                                        | Jeffrey Hamburger | Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of  Paul Lautensack (1477/78–1558) |  | 84/1, p. 142 | 
          
                                                                                        | Eliza Zingesser | Benoît Grévin, Le Parchemin des cieux: Essai sur le Moyen Âge du langage (Eliza Zingesser) |  | 84/1, p. 143 | 
          
                                                                                        | William Burgwinkle | Louis-Georges Tin, The Invention of Heterosexual Culture (Bill Burgwinkle) |  | 84/1, p. 144 | 
          
                                                                                        | James Simpson | The Pilgrim and the Book: a Study of Dante, Langland and Chaucer, by Julia Bolton Holloway |  | 59/1, p. 144 | 
          
                                                                                        | Bronach Kane | Elizabeth L’Estrange, Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages |  | 81/2, p. 145 | 
          
                                                                                        | Alastair Minnis | Chaucerian Fiction, by Robert B. Burlin |  | 49/1, p. 145 | 
          
                                                                                        | Brian Murdoch | Alan M. Kent, The Theatre of Cornwall: Space, Place, Performance |  | 81/2, p. 146 | 
          
                                                                                        | Daniel Anlezark | Britt Mize, Traditional Subjectivities: The Old English Poetics of  Mentality |  | 84/1, p. 146 | 
          
                                                                                        | Britt Mize | Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |  | 84/1, p. 147 | 
          
                                                                                        | JEAN DUNBABIN | Max Harris, Sacred Folly: A New History of the Feast of Fools |  | 81/2, p. 148 | 
          
                                                                                        | Megan Cavell | Asa Simon Mittman and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (Megan Cavell) |  | 84/1, p. 148 | 
          
                                                                                        | MICHAEL JOHNSTON | Katharine Breen, Imagining an English Reading Public, 1150–1400 |  | 81/2, p. 150 | 
          
                                                                                        | Derek Pearsall | A. C. Spearing, Medieval Autographies: The ‘I’ of the Text (Derek Pearsall) |  | 84/1, p. 150 | 
          
                                                                                        | Greg Walker | Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |  | 84/1, p. 151 | 
          
                                                                                        | JOHN C. HIRSH | J. Allan Mitchell, Ethics and Exemplary Narrative in Chaucer and Gower, Chaucer Studies XXXIII |  | 75/1, p. 151 | 
          
                                                                                        | William Burgwinkle | Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |  | 81/2, p. 152 | 
          
                                                                                        | SARAH WOOD | Ian Johnson, The Middle English Life of Christ: Academic Discourse, Translation, and Vernacular Theology (Sarah Wood) |  | 84/1, p. 152 | 
          
                                                                                        | Francesca Galligan | Justin Steinberg, Accounting for Dante: Urban Readers and Writers in Late Medieval Italy |  | 82/2, p. 153 | 
          
                                                                                        | Simon Gilson | Susanna Barsella, In the Light of Angels: Angelology and Cosmology in Dante’s Divina Commedia |  | 82/2, p. 154 | 
          
                                                                                        | Kathryn Kerby-Fulton | Linne R. Mooney and Estelle Stubbs, Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375–1425 (Kathryn Kerby-Fulton) |  | 84/1, p. 154 | 
          
                                                                                        | Sylvia Huot | Alain Corbellari, Guillaume d’Orange, ou la naissance du héros médiéval |  | 81/2, p. 156 | 
          
                                                                                        | David Matthews | Monica Santini, The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth and Nineteenth-Century Britain (David Matthews) |  | 84/1, p. 156 | 
          
                                                                                        | AVRIL BRUTEN | A New Rime Index to 'The Canterbury Tales', by Michio Masui |  | 59/1, p. 156 | 
          
                                                                                        | MARIANNE AILES | Nicolas Lenoir, Étude sur la ‘Chanson d’Aiquin’ ou ‘La Conquête de la Bretagne par le roi Charlemagne’ |  | 81/2, p. 157 | 
          
                                                                                        | Tim Atkin | Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |  | 84/1, p. 157 | 
          
                                                                                        | ADRIAN ARMSTRONG | Denis Hüe, Rémanences: Mémoire de la forme dans la littérature médiévale |  | 81/2, p. 158 | 
          
                                                                                        | BARBARA K. ALTMANN | Gilbert Ouy, Christine Reno, and Inès Villela-Petit, avec Olivier Delsaux & Tania Van Hemelryck (éditeurs et collaborateurs), et avec les conseils de James Laidlaw & Marie-Thérèse Gousset, Album Christine de Pizan (Barbara K. Altmann) |  | 84/1, p. 158 | 
          
                                                                                        | Jessica Stoll | Penny Eley, Partonopeus de Blois: Romance in the Making |  | 81/2, p. 159 | 
          
                                                                                        | Sylvia Huot | Christine Ferlampin-Acher, ‘Perceforest’ et Zéphir: Propositions autour d’un récit arthurien bourguignon |  | 81/2, p. 160 | 
          
                                                                                        | Ambrogio Camozzi Pistoja | Piero Boitani, Dante e il suo futuro (Ambrogio Camozzi Pistoja) |  | 84/1, p. 160 | 
          
                                                                                        | K.P. Clarke | Maria Luisa Ardizzone, Dante: il paradigma intellettuale: Un’inventio degli anni fiorentini (K. P. Clarke) |  | 84/1, p. 161 | 
          
                                                                                        | Nicolò Maldina | Mira Mocan, L’arca della mente: Riccardo di San Vittore nella ‘Commedia’ di Dante |  |  | 
          
                                                                                        | Stefano Milonia | Martin Eisner, Dante’s New Life of the Book. A Philology of World Literature |  | 91/1, p. 161 | 
          
                                                                                        | K.P. Clarke | Martin Eisner, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (K. P. Clarke) |  | 84/1, p. 162 | 
          
                                                                                        | Sylvia Huot | Nadia Margolis, An Introduction to Christine de Pizan |  | 81/2, p. 163 | 
          
                                                                                        | Michael Harney | Irene Zaderenko, El monasterio de Cardeña y el inicio de la épica cidiana (Michael Harney) |  | 84/1, p. 163 | 
          
                                                                                        | Beatrice Priest | Julie Singer, Blindness and Therapy in Late Medieval French and Italian Poetry |  | 81/2, p. 164 | 
          
                                                                                        | Shami Ghosh | Susanne Knaeble, Höfisches Erzählen von Gott: Funktion und narrative Entfaltung des Religiösen in Wolframs ‘Parzival’ |  | 81/2, p. 165 | 
          
                                                                                        | ALASTAIR MATTHEWS | Claudia Bornholdt, Saintly Spouses: Chaste Marriage in Sacred and Secular Narrative from Medieval Germany (12th and 13th Centuries) (Alastair Matthews) |  | 84/1, p. 165 | 
          
                                                                                        | Helen Cooper | Curiosity and Pilgrimage: The Literature of Discovery in Fourteenth-Century England, by Christian K. Zacher |  | 47/1, p. 165 | 
          
                                                                                        | Stephen Mossman | Oliver Plessow, in cooperation with Volker Honemann and Mareike Temmen, Mittelalterliche Schachzabelbücher zwischen Spielsymbolik und Wertevermittlung. Der Schachtraktat des Jacobus de Cessolis im Kontext seiner spätmittelalterlichen Rezeption |  | 81/2, p. 167 | 
          
                                                                                        | Sarah Bowden | Björn Michael Harms, Narrative ‘Motivation von unten’. Zur Versionenkonstitution von Virginal’ und ‘Laurin’ (Sarah Bowden) |  | 84/1, p. 167 | 
          
                                                                                        | CORY J. RUSHTON | Edward Wheatley, Stumbling Blocks before the Blind: Medieval Constructions of a Disability |  | 81/2, p. 168 | 
          
                                                                                        | John-Paul Holmes | Dietmar Mieth, Meister Eckhart: Einheit mit Gott. Die bedeutendsten Schriften zur Mystik (John-Paul Holmes) |  | 84/1, p. 168 | 
          
                                                                                        | JOHN WATTS | Jones, Michael (ed.), The New Cambridge Medieval History, Vol. VI |  | 73/1, p. 176 | 
          
                                                                                        | PETER ARMOUR | Dante and the Book of the Cosmos, by John G. Demaray |  | 58/1, p. 179 | 
          
                                                                                        | Spencer Pearce | Heather Webb, Dante’s Persons: An Ethics of the Transhuman |  | 87/1, p. 185 | 
          
                                                                                        | Meg Twycross | A Mirror of Chaucer's World, by Roger Sherman Loomis |  | 36/2, p. 191 | 
          
                                                                                        | A.C. Spearing | A Reading of the Canterbury Tales, by Bernard F. Huppé |  | 36/2, p. 195 | 
          
                                                                                        | Jill Mann | Chaucer's Physician. (Tulane Studies in English 19), by Huling E. Ussery |  | 43/2, p. 195 | 
          
                                                                                        | C. Foligno | Giovanni del Virgilio espositore delle 'Metamorfosi' Offprint from Giornale dantesco XXXIV N. S. Annuario dantesco IV, by Fausto Ghisalberti |  | 3/3, p. 198 | 
          
                                                                                        |  | Paston Letters and Papers of the Fifteenth Century. Part II, by Norman Davis |  | 47/1, p. 207 | 
          
                                                                                        | James Crompton | The Nobility of Later Medieval England. The Ford Lectures for 1953 and Related Studies, by K. B. McFarlane |  |  | 
          
                                                                                        | Dorothy Everett | The Place of Group F in the Canterbury Chronology, by Laurence Faulkner Hawkins |  | 7/3, p. 213 | 
          
                                                                                        | Colin Morris | The Secular Clergy in the Diocese of Lincoln 1495-1520, by Margaret Bowker |  | 38/2, p. 220 | 
          
                                                                                        | P.M. Kean | Geoffrey Chaucer, (Writers and their Background), by Derek Brewer, D. S. Brewer |  | 45/2, p. 221 | 
          
                                                                                        | J.A.W. Bennett | Medieval England: a new edition rewritten and revised, by Austin Lane Poole |  | 31/3, p. 224 | 
          
                                                                                        | L.A. Willoughby | The Year's Work in Modern Language Studies. Vols. VIII and IX, by L. W. Tancock, A. Gillies |  | 8/3, p. 241 | 
          
                                                                                        | Betty Hill | Blameth Nat Me. A Study of Imagery in Chaucer's Fabliaux, by Janette Richardson |  | 41/3, p. 270 | 
          
                                                                                        | Beryl Smalley | The Friar as Critic. Literary Attitudes in the Later Middle Ages, by Judson Boyce Allen |  | 41/3, p. 276 | 
          
                                                                                        | P. Mroczkowski | Chaucer in his Time, by Derek Brewer |  | 34/3, p. 277 | 
          
                                                                                        | S.T. Knight | The Autobiographical fallacy in Chaucer and Langland Studies, by George Kane |  | 36/3, p. 282 | 
          
                                                                                        | A.C. Spearing | Chaucer and the English Tradition, by Ian Robinson |  | 42/3, p. 282 | 
          
                                                                                        | Derek Pearsall | The Structure of the Canterbury Tales, by Helen Cooper |  | 55/2, p. 284 | 
          
                                                                                        | Helen Cooper | The One and the Many in the Canterbury Tales, by Traugott Lawler |  | 55/2, p. 285 | 
          
                                                                                        | Helen Cooper | Chaucer and the Imagery of Narrative: the First Five Canterbury Tales, by V. A. Kolve |  | 55/2, p. 286 | 
          
                                                                                        | Kenneth Varty | Wayward Nuns in Medieval Literature, by Graciela S. Daichman |  | 57/2, p. 295 | 
          
                                                                                        |  | RECENT REPRINTS AND NEW EDITIONS |  | 36/3, p. 302 | 
          
                                                                                        | R.T. Davies | The Structure of Sir Thomas Malory's Arthuriad. (Monograph no. 14), by Stephen Knight |  | 40/3, p. 303 | 
          
                                                                                        | DERRICK PITARD | Chaucer and the Social Contest, by Peggy Knapp |  | 60/2, p. 306 | 
          
                                                                                        | Janet Coleman | Chaucer at Oxford and at Cambridge, by J. A. W. Bennett |  | 44/3, p. 307 | 
          
                                                                                        | P.L. Heyworth | Chaucer's London, by D. W. Robertson Jr. |  | 40/3, p. 309 | 
          
                                                                                        | N.R. HAVELY | Geoffrey Chaucer, Rereading Literature, by Stephen Knight |  | 57/2, p. 309 | 
          
                                                                                        | Roger Ellis | Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales', by C. David Benson |  | 57/2, p. 310 | 
          
                                                                                        | David Aers | Gender and Romance in Chaucer's 'Canterbury Tales', by Susan Crane |  | 64/2, p. 316 | 
          
                                                                                        | MATTHEW WOODCOCK | Dorothy Yamamoto, The Boundaries of the Human in Medieval English Literature |  | 70/2, p. 317 | 
          
                                                                                        | David Aers | An 'Ars Legendi' for Chaucer's 'Canterbury Tales': Re-Constructive Reading, by Dolores W. Frese |  | 61/2, p. 318 | 
          
                                                                                        | J.A.W. Bennett | Founder's Kin: Privilege and Pedigree, by G. D. Squibb |  | 43/3, p. 320 | 
          
                                                                                        | James Simpson | Chaucer and the Early Writings of Boccaccio, Chaucer Studies, 12, by David Wallace |  | 56/2, p. 323 | 
          
                                                                                        | SIÂN GRØNLIE | Rory McTurk, Chaucer and the Norse and Celtic Worlds |  | 76/2, p. 325 | 
          
                                                                                        | Helen Cooper | The Canterbury Tales, Unwin Critical Library, by Derek Pearsall |  | 56/2, p. 325 | 
          
                                                                                        | Blake Gutt | Barbara Newman, Medieval Crossover: Reading the Secular against the Sacred |  | 84/2, p. 327 | 
          
                                                                                        | N.S. THOMPSON | Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |  | 62/2, p. 327 | 
          
                                                                                        | Brian J. Reilly | Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |  | 84/2, p. 328 | 
          
                                                                                        | Norman Klassen | Ann W. Astell, Chaucer and the Universe of Learning |  | 66/2, p. 329 | 
          
                                                                                        | J.A. TASIOULAS | J. Allan Mitchell, Becoming Human: The Matter of the Medieval Child (Jacqueline Tasioulas) |  | 84/2, p. 330 | 
          
                                                                                        | Anne Mouron | Mathew Kuefler, The Making and Unmaking of a Saint: Hagiography and Memory in theCult of Gerald of Aurillac (Anne Mouron) |  | 84/2, p. 331 | 
          
                                                                                        | RHIANNON PURDIE | Helen Phillips, An Introduction to the ‘Canterbury Tales’: Reading, Fiction, Context |  | 70/2, p. 332 | 
          
                                                                                        | Anne Hudson | Peter Robinson (ed.), Norman Blake, Daniel W. Mosser, Stephen Partridge, Elizabeth Solopova (contributors), Geoffrey Chaucer: The Wife of Bath's Prologue |  | 66/2, p. 332 | 
          
                                                                                        | A.S.G. Edwards | M. C. Seymour, A Catalogue of Chaucer Manuscripts, II: The Canterbury Tales |  | 67/2, p. 332 | 
          
                                                                                        | Aisling Byrne | Kim M. Phillips, Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510 (Aisling Byrne) |  | 84/2, p. 333 | 
          
                                                                                        | Neil Cartlidge | Kathryn Jacobs,  Marriage Contracts from Chaucer to the Renaissance Stage |  | 71/2, p. 334 | 
          
                                                                                        | Anthony P. Bale | Jonathan Hsy, Trading Tongues, Merchants, Multilingualism, and Medieval Literature (Anthony Bale) |  | 84/2, p. 335 | 
          
                                                                                        | P.J. Frankis | Geoffrey Chaucer: eine Einführung in seine erzählenden Dichtungen, (Grundlagen der Anglistik und Amerikanistik 7), by Dieter Mehl |  | 46/2, p. 335 | 
          
                                                                                        | Norman Klassen | L. O. Aranye Fradenburg, Sacrifice your Love: Psychoanalysis, Historicism, Chaucer |  | 73/2, p. 336 | 
          
                                                                                        | Thorlac Turville-Petre | Alex Mueller, Translating Troy: Provincial Politics in Alliterative Romance (Thorlac Turville-Petre) |  | 84/2, p. 336 | 
          
                                                                                        | Cecily Clark | Chaucer's English, by Ralph W. V. Elliott |  |  | 
          
                                                                                        | Mark Campbell Chambers | Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) |  | 84/2, p. 338 | 
          
                                                                                        | A. Kent Hieatt | The Renaissance Chaucer, by Alice S. Miskimin |  |  | 
          
                                                                                        | SEBASTIAN JAMES LANGDELL | Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |  | 84/2, p. 340 | 
          
                                                                                        | RALUCA RADULESCU | Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Raluca Radulescu) |  | 84/2, p. 341 | 
          
                                                                                        | Liz Herbert McAvoy | Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |  | 84/2, p. 342 | 
          
                                                                                        |  | William Calin, The Lily and the Thistle: The French Tradition and the Older Literature of Scotland – Essays in Criticism (Nicola Royan) |  | 84/2, p. 344 | 
          
                                                                                        | Robert F. Yeager | Douglas Gray (ed.), The Oxford Companion to Chaucer |  | 74/2, p. 344 | 
          
                                                                                        | JOHN C. HIRSH | Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia |  | 84/2, p. 345 | 
          
                                                                                        | William Burgwinkle | Sarah Kay, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Bill Burgwinkle) |  | 84/2, p. 346 | 
          
                                                                                        | Sylvia Huot | Megan Moore, Exchanges in Exoticism: Cross-Cultural Marriage and the Making of the Mediterranean in  Old French Romance (S.H) |  | 84/2, p. 347 | 
          
                                                                                        | K.P. Clarke | Nick Havely, Dante’s British Publics: Readers and Texts, from the Fourteenth Century to the Present (Kenneth Clarke) |  | 85/2, p. 347 | 
          
                                                                                        | Sylvia Huot | Gabriella I. Baika, The Rose and Geryon: The Poetics of Fraud and Violence in Jean de Meun and Dante |  | 84/2, p. 348 | 
          
                                                                                        | ELIZABETH EVERSHED | Rebecca L. Schoff, Three Medieval Authors in Manuscripts and Movable Type, Texts and Transitions 4 |  | 77/2, p. 349 | 
          
                                                                                        | Francesca Galligan | Albert Russell Ascoli, Dante and the Making of a Modern Author |  | 82/1, p. 350 | 
          
                                                                                        | Marco Nievergelt | J. M. Moreau, Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry (Marco Nievergelt) |  | 84/2, p. 350 | 
          
                                                                                        | ROSANNA CANTAVELLA | Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |  | 84/2, p. 351 | 
          
                                                                                        | Lorenzo Valterza | George Corbett, Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfillment |  | 83/1, p. 351 | 
          
                                                                                        | Christoph Pretzer | Alastair Matthews, The Kaiserchronik: A Medieval Narrative (Christoph Pretzer) |  | 84/2, p. 352 | 
          
                                                                                        | Jill Mann | The Idea of the Canterbury Tales, by Donald R. Howard |  | 47/2, p. 356 | 
          
                                                                                        | Barry Windeatt | Eighteenth Century Modernizations from 'The Canterbury Tales', Chaucer Studies, 16, by Betsy Bowden |  | 61/2, p. 363 | 
          
                                                                                        | Stefano Milonia | George Corbett, Dante’s Christian Ethics: Purgatory and its Moral Context |  | 90/2, p. 363 | 
          
                                                                                        | Dario Tessicini | Dante in Context, ed. Zygmunt G. Barański and Lino Pertile |  | 86/2, p. 387 | 
          
                                                                                        | Stefano Milonia | Jennifer Rushworth, Discourses of Mourning in Dante, Petrarch and Proust |  | 87/2, p. 402 |