| Neil Cartlidge |
Christopher Cannon, The Grounds of English Literature |
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MÆ 76/1, p. 122 JSTOR: 43632304 |
| Neil Cartlidge |
Karma Lochrie, Covert Operations: The Medieval Uses of Secrecy |
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MÆ 70/1, p. 137 JSTOR: 43630356 |
| Neil Cartlidge |
Alastair Minnis, Fallible Authors: Chaucer’s Pardoner and Wife of Bath |
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MÆ 79/1, p. 138 JSTOR: 43632398 |
| Neil Cartlidge |
John Gower: The French Balades, ed. and trans. R. F. Yeager; John Gower, Trilingual Poet: Language, Translation and Tradition, ed. Elisabeth Dutton, with John Hines and R. F. Yeager |
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MÆ p. 157 JSTOR: 43633080 |
| Neil Cartlidge |
Martha Bayless, Sin and Filth in Medieval Culture: The Devil in the Latrine |
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MÆ 83/1, p. 310 |
| Neil Cartlidge |
Katherine O’Brien O’Keeffe and Andy Orchard (eds), Latin Learning and English Lore: Studies in Anglo-Saxon Literature for Michael Lapidge |
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MÆ 75/2, p. 323 JSTOR: 43632770 |
| Neil Cartlidge |
Jonathan B. Himes, The Old English Epic of Waldere |
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MÆ 83/1, p. 327 |
| Neil Cartlidge |
Kathryn Jacobs, Marriage Contracts from Chaucer to the Renaissance Stage |
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MÆ 71/2, p. 334 JSTOR: 43630463 |
| Neil Cartlidge |
Kenneth J. Tiller, Lazamon’s ‘Brut’ and the Anglo-Norman Vision of History |
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MÆ 77/2, p. 338 JSTOR: 43632359 |
| Neil Cartlidge |
Conor McCarthy, Marriage in Medieval England: Law, Literature and Practice |
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MÆ 77/2, p. 361 JSTOR: 43632375 |
| Neil Cartlidge |
Lawrence Warner, Chaucer’s Scribes: London Textual Production, 1384–1432 |
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MÆ 88/2, p. 414 |