| |
CORRIGENDUM: MIDDLE ENGLISH "WRABBE, WROBBE" |
|
10/1, p. -1 |
| |
CORRIGENDUM: THE DATE OF THE EARLY ENGLISH TRANSLATION OF THE "CANDET NUDATUM PECTUS" |
|
4/1, p. -1 |
| Stephen H.A. Shepherd |
‘Heathenic’ catechesis and the source of Awntyrs B |
|
81/2, p. 1 |
| Jessie Crosland |
"DOLOPATHOS" AND THE SEVEN SAGES OF ROME |
|
25/1, p. 1 |
| G.S. Purkis |
LAURENT DE PREMIERFAIT'S TRANSLATION OF THE "DECAMERON" |
|
24/1, p. 1 |
| F.J. Tanquerey |
GIRAUT DE BARRI ET "LE ROMAN DE TRISTAN" |
|
6/1, p. 1 |
| Mildred K. Pope |
NOTES ON SOME AMBIGUOUS PASSAGES IN THE "CHANSON DE ROLAND" |
|
5/1, p. 1 |
| Max I. Wolff |
ROM UND DIE ROMANIA |
|
7/1, p. 1 |
| C. Pinchbeck |
THREE OLD FRENCH VERSE SERMONS |
|
23/1, p. 1 |
| Ian Short |
THE "PSEUDO-TURPIN CHRONICLE": SOME UNNOTICED VERSIONS AND THEIR SOURCES |
|
38/1, p. 1 |
| Janet M. Bately |
GRIMBALD OF ST. BERTIN'S |
|
35/1, p. 1 |
| James J. Murphy |
RHETORIC IN FOURTEENTH-CENTURY OXFORD |
|
34/1, p. 1 |
| W. Rothwell |
NOTES ON THE TEXT OF "LE LAIE BIBLE" |
|
33/1, p. 1 |
| Ian Cornelius |
Passus secundus de dobest: on the genesis of a rubric in the archetype of Piers Plowman B |
|
84/1, p. 1 |
| SARAH WOOD |
A prose redaction of The Prick of Conscience part VI in Bodleian Library, MS Laud Misc. 23 |
|
80/2, p. 1 |
| JUANITA FEROS RUYS |
‘Ut sexu sic animo’: the resolution of sex and gender in the Planctus of Abelard |
|
75/1, p. 1 |
| Thomas Walton |
LES POÈMES D'AMÉ DE MONTGESOIE (fl. 1457-1478) |
|
|
| |
EDITORIAL |
|
|
| O.S. PICKERING |
South English Legendary style in Robert of Gloucester's Chronicle |
|
70/1, p. 1 |
| G.V. Smithers |
THE MEANING OF "THE SEAFARER" AND "THE WANDERER" (continued) |
|
28/1, p. 1 |
| Roger Fowler |
'ARCHBISHOP WULFSTAN'S COMMONPLACE-BOOK' AND THE "CANONS OF EDGAR" |
|
32/1, p. 1 |
| Lionel J. Friedman |
JOINVILLE'S TARTAR VISIONARY |
|
27/1, p. 1 |
| R.D.A. Crafter |
MATERIALS FOR A STUDY OF THE SOURCES OF GUILLAUME GUIART'S "LA BRANCHE DES ROYAUS LINGNAGES" |
|
26/1, p. 1 |
| P.B. Salmon |
THE 'THREE VOICES' OF POETRY IN MEDIÆVAL LITERARY THEORY |
|
30/1, p. 1 |
| Monica J. Barnett |
RENOART AU TINEL AND OGIER DE DANEMARCHE: A CASE OF CONTAMINATION |
|
40/1, p. 1 |
| T.B.W. Reid |
CHRÉTIEN DE TROYES AND THE SCRIBE GUIOT |
|
45/1, p. 1 |
| R.T. Farrell |
SOME REMARKS ON THE EXETER BOOK "AZARIAS" |
|
41/1, p. 1 |
| W.B. Yapp |
A NEW LOOK AT ENGLISH BESTIARIES |
|
54/1, p. 1 |
| James Simpson |
FROM REASON TO AFFECTIVE KNOWLEDGE: MODES OF THOUGHT AND POETIC FORM IN "PIERS PLOWMAN" |
|
55/1, p. 1 |
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" I: THE "RIEPTOS" |
|
58/1, p. 1 |
| ROGER PENSOM |
THIBAUT DE CHAMPAGNE AND THE ART OF THE TROUVERE |
|
57/1, p. 1 |
| Patrick Sims-Williams |
AN UNPUBLISHED SEVENTH- OR EIGHTH-CENTURY ANGLO-LATIN LETTER IN BOULOGNE-SUR-MER MS 74 (82) |
|
48/1, p. 1 |
| NICHOLAS MANN |
L. T. TOPSFIELD (1920-1981) |
|
51/1, p. 1 |
| A.G. Rigg |
ERACLIUS ARCHIPOETA: BEKYNTON ANTHOLOGY NOS. 14, 15, 20, 77 |
|
53/1, p. 1 |
| Norman Davis, John Stevens |
J. A. W. BENNETT (1911-1981) |
|
50/1, p. 1 |
| P.G. Walsh |
'GOLIAS' AND GOLIARDIC POETRY |
|
52/1, p. 1 |
| Helen Phillips |
CHAUCER AND DEGUILEVILLE: THE "ABC" IN CONTEXT |
|
62/1, p. 1 |
| Peter J. Lucas |
EASTER, THE DEATH OF ST GUTHLAC AND THE LITURGY FOR HOLY SATURDAY IN FELIX'S "VITA" AND THE OLD ENGLISH "GUTHLAC" B |
|
61/1, p. 1 |
| KAREN A. WINSTEAD |
THE TRANSFORMATION OF THE MIRACLE STORY IN THE "LIBRI HISTORIARUM" OF GREGORY OF TOURS |
|
59/1, p. 1 |
| J.A. TASIOULAS |
THE MOTHER'S LAMENT: "WULF AND EADWACER" RECONSIDERED |
|
65/1, p. 1 |
| Ad Putter |
FINDING TIME FOR ROMANCE: MEDIAEVAL ARTHURIAN LITERARY HISTORY |
|
63/1, p. 1 |
| MARK BALFOUR |
MOSES AND THE PRINCESS: JOSEPHUS' "ANTIQUITATES JUDAICAE" AND THE "CHANSONS DE GESTE" |
|
64/1, p. 1 |
| F.J. Tanquerey, E.J. Arnould |
CHRONOLOGIE DU "CONTE DE LA CHARRETTE" |
|
12/, p. 1 |
| Oliver A. Beckerlegge |
AN ABRIDGED ANGLO-NORMAN VERSION OF THE "SECRETUM SECRETORUM" |
|
13/, p. 1 |
| J.H. Mozley |
THE COLLECTION OF MEDIÆVAL LATIN VERSE IN MS. COTTON TITUS D. XXIV |
|
11/, p. 1 |
| Ethel Seaton |
"LE SONGE VERT": ITS OCCASION OF WRITING AND ITS AUTHOR |
|
19/, p. 1 |
| C. Pinchbeck |
A MEDIÆVAL SELF-EDUCATOR |
|
17/, p. 1 |
| J.L.N. O'Loughlin |
"BEOWULF"—ITS UNITY AND PURPOSE |
|
21/, p. 1 |
| Elaine C. Southward |
THE KNIGHT YDER AND THE "BEOWULF" LEGEND IN ARTHURIAN ROMANCE |
|
15/, p. 1 |
| Nancy Dean |
CHAUCERIAN ATTITUDES TOWARD JOY WITH PARTICULAR CONSIDERATION OF THE "NUN'S PRIEST'S TALE" |
|
|
| R.M. THOMSON |
Serlo of Wilton and the schools of Oxford |
|
68/1, p. 1 |
| Christiania Whitehead |
Making a cloister of the soul in medieval religious treatises |
|
67/1, p. 1 |
| B.H. Sumner |
DANTE AND THE "REGNUM ITALICUM" |
|
|
| DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
| Tony Hunt |
THE ANGLO-NORMAN VOCABULARIES IN MS OXFORD, BODLEIAN LIBRARY, DOUCE 88 |
|
49/1, p. 5 |
| Lewis Thorpe |
WALTER MAP AND GERALD OF WALES |
|
47/1, p. 6 |
| W. Ann Trindade |
THE ENEMIES OF TRISTAN |
|
43/1, p. 6 |
| Lester K. Born |
THE "VERSUS PROVERBIALES" ATTRIBUTED TO JOHN OF GARLAND |
|
3/1, p. 7 |
| Maurice Hussey |
THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE |
|
27/1, p. 8 |
| |
LEGAL PHRASEOLOGY IN A PASSAGE IN "PEARL" |
|
16/, p. 9 |
| GUY TRUDEL |
The Middle English Book of Penance and the readers of the Cursor mundi |
|
74/1, p. 10 |
| ALISON WIGGINS |
Are Auchinleck Manuscript Scribes 1 and 6 the same scribe? The advantages of whole-data analysis and electronic texts |
|
73/1, p. 10 |
| Richard Leighton Greene |
THE MEANING OF THE CORPUS CHRISTI CAROL |
|
29/1, p. 10 |
| Cecily Clark |
SIR "GAWAIN AND THE GREEN KNIGHT": ITS ARTISTRY AND ITS AUDIENCE |
|
40/1, p. 10 |
| GERALDINE BARNES |
CUNNING AND INGENUITY IN THE MIDDLE ENGLISH FLORIS AND BLAUNCHEFLUR |
|
53/1, p. 10 |
| NIGEL SAUL |
THE SOCIAL STATUS OF CHAUCER'S FRANKLIN: A RECONSIDERATION |
|
52/1, p. 10 |
| Helen L. Gardner |
THE TEXT OF "THE SCALE OF PERFECTION" |
|
5/1, p. 11 |
| Murray Copland |
THE SHIPMAN'S TALE: CHAUCER AND BOCCACCIO |
|
35/1, p. 11 |
| Maldwyn Mills |
A MEDIÆVAL REVISER AT WORK |
|
32/1, p. 11 |
| Kathleen Chesney |
NOTES ON SOME TREATISES OF DEVOTION INTENDED FOR MARGARET OF YORK (MS. DOUCE 365) |
|
20/, p. 11 |
| Alexandra Barratt |
THE FIVE WITS AND THEIR STRUCTURAL SIGNIFICANCE IN PART II OF "ANCRENE WISSE" |
|
56/1, p. 12 |
| Alfred Ewert |
A FOURTEENTH-CENTURY LATIN-FRENCH NOMINALE |
|
3/1, p. 13 |
| J.H. Mozley |
THE "EPISTOLA AD WILLELMUM" OF NIGEL LONGCHAMPS |
|
39/1, p. 13 |
| Murray Copland |
THE REEVE'S TALE: HARLOTRIE OR SERMONYNG? |
|
31/1, p. 14 |
| D.S. Brewer |
FORM IN THE "MORTE DARTHUR" |
|
21/, p. 14 |
| Neil Cartlidge |
Nicholas of Guildford and The Owl and the Nightingale |
|
79/1, p. 14 |
| Ian Bishop |
THE NARRATIVE ART OF THE "PARDONER'S TALE" |
|
36/1, p. 15 |
| C.A. Robson |
A FIFTEENTH-CENTURY PUZZLE: JEAN II, DUC DE BOURBON, REPUTED AUTHOR OF THE "QUINZE JOYES DE MARIAGE" |
|
17/, p. 15 |
| T.B.W. Reid |
THE SHE-WOLF'S MATE |
|
24/1, p. 16 |
| Brendan O'Connell |
'Struglyng wel and myghtily’: resisting rape in the Man of Law’s Tale. |
|
84/1, p. 16 |
| Elspeth Kennedy |
FAILURE IN ARTHURIAN ROMANCE |
|
60/1, p. 16 |
| C.W. MARX |
AN EDITION AND STUDY OF THE "CONFLICTUS INTER DEUM ET DIABOLUM" |
|
59/1, p. 16 |
| John Orr |
A PETIT VOUS SOIT |
|
16/, p. 16 |
| MARK KAUNTZE |
The creation grove in the Cosmographia of Bernard Silvestris |
|
78/1, p. 16 |
| H.L. Rogers |
AN ICELANDIC/NORWEGIAN NAME FOR WESTMINSTER |
|
27/1, p. 17 |
| GRACE M. ARMSTRONG |
RESCUING THE LION: FROM "LE CHEVALIER AU LION" TO "LA QUESTE DEL SAINT GRAAL" |
|
61/1, p. 17 |
| BELLA MILLETT |
THE SONGS OF ENTERTAINERS AND THE SONG OF THE ANGELS: VERNACULAR LYRIC FRAGMENTS IN ODO OF CHERITON'S "SERMONES DE FESTIS" |
|
64/1, p. 17 |
| ANDREW BREEZE |
TWO BARDIC THEMES: THE VIRGIN AND CHILD, AND "AVE-EVA" |
|
63/1, p. 17 |
| N.R. Ker |
C. MAIER'S TRANSCRIPT OF THE VERCELLI BOOK |
|
19/, p. 17 |
| Charles Russell Stone |
‘Many man he shal do woo’: portents and the end of an empire in Kyng Alisaunder |
|
81/2, p. 18 |
| J.R.L. Highfield |
THE GREEN SQUIRE |
|
22/1, p. 18 |
| Constance Bullock-Davies |
THE FORM OF THE BRETON LAY |
|
42/1, p. 18 |
| Ruth J. Dean |
A FOURTEENTH-CENTURY MANUSCRIPT OF "LE ROMAN DE LA ROSE" AND A FRAGMENT OF "LE COMPOT": HUNTINGTON MANUSCRIPT 902 |
|
12/, p. 18 |
| Kenneth Urwin |
PATHELIN "CHAUDE TESTE" AND GUILLEMETTE'S ROLE IN THE FARCE |
|
13/, p. 18 |
| H.G. Pfander |
THE MEDIÆVAL FRIARS AND SOME ALPHABETICAL REFERENCE-BOOKS FOR SERMONS |
|
3/1, p. 19 |
| A.G. Rigg |
Joseph of Exeter's pagan gods again |
|
70/1, p. 19 |
| A.J. Bliss |
CELTIC MYTH AND ARTHURIAN ROMANCE |
|
30/1, p. 19 |
| Ernest Schanzer |
DANTE AND JULIUS CÆSAR |
|
24/1, p. 20 |
| Maldwyn Mills |
HAVELOK'S RETURN |
|
45/1, p. 20 |
| Ian Short |
AN EARLY DRAFT OF GUERNES' "VIE DE SAINT THOMAS BECKET" |
|
46/1, p. 20 |
| KARIN BOKLUND-LAGOPOULOU |
"JUDAS": THE FIRST ENGLISH BALLAD? |
|
62/1, p. 20 |
| Louise W. Stone |
OLD FRENCH TRANSLATIONS OF THE "DE CONSOLATIONE PHILOSOPHIÆ OF BOETHIUS |
|
6/1, p. 21 |
| Beryl Smalley |
A QUOTATION FROM JOHN RIDEVALL ON "DE CIVITATE DEI" BY WILLIAM WOODFORD |
|
33/1, p. 21 |
| Jonathan Wordsworth |
A LINK BETWEEN THE KNIGHT'S TALE AND THE MILLER'S |
|
27/1, p. 21 |
| Donald MacDonald |
CHAUCER'S INFLUENCE ON HENRYSON'S "FABLES": THE USE OF PROVERBS AND SENTENTIÆ |
|
39/1, p. 21 |
| John V. Fleming |
HOCCLEVE'S 'LETTER OF CUPID' AND THE 'QUARREL' OVER THE "ROMAN DE LA ROSE" |
|
40/1, p. 21 |
| J.A.W. Bennett |
A NEW COLLATION OF A "PIERS PLOWMAN" MANUSCRIPT (HM 137) |
|
17/, p. 21 |
| J.K. Bostock |
WOLFRAM VON ESCHENBACH, "PARZIVAL" 241 |
|
16/, p. 21 |
| Helen Nicholson |
Following the path of the Lionheart: the De ortu Walwanii and the Itinerarium peregrinorum et gesta regis Ricardi |
|
69/1, p. 21 |
| J. Keith Atkinson |
SOME FURTHER CONFIRMATIONS AND ATTRIBUTIONS OF MANUSCRIPTS OF THE MEDIAEVAL FRENCH BOETHIUS |
|
47/1, p. 22 |
| Georgia Ronan Crampton |
ACTION AND PASSION IN CHAUCER'S "TROILUS" |
|
43/1, p. 22 |
| Antonio Pace |
OLD FRENCH "IVEL, IGAL," ALTERNATIVE FORMS FOR "ÉGAL" |
|
9/1, p. 23 |
| Eric Stanley |
LAZAMON'S ANTIQUARIAN SENTIMENTS |
|
38/1, p. 23 |
| J.A. TASIOULAS |
Heaven and earth in little space: the foetal existence of Christ in medieval literature and thought |
|
76/1, p. 24 |
| Audrey Graham |
FROISSART'S USE OF CLASSICAL ALLUSION IN HIS POEMS |
|
32/1, p. 24 |
| A.V.C. Schmidt |
THE INNER DREAMS IN "PIERS PLOWMAN" |
|
55/1, p. 24 |
| J.K. Bostock |
DER ARME HEINRICH 584 AND 725-26 |
|
16/, p. 24 |
| W.R.J. BARRON |
"CHEVALERE ASSIGNE" AND THE "NAISSANCE DU CHEVALIER AU CYGNE |
|
36/1, p. 25 |
| Elizabeth Zeeman |
CONTINUITY AND CHANGE IN MIDDLE ENGLISH VERSIONS OF THE "MEDITATIONES VTTAE CHRISTI" |
|
26/1, p. 25 |
| HOYT N. DUGGAN |
THE AUTHENTICITY OF THE Z-TEXT OF "PIERS PLOWMAN": FURTHER NOTES ON METRICAL EVIDENCE |
|
56/1, p. 25 |
| E.O. Winstedt |
SIEGFRIED |
|
21/, p. 25 |
| SYLVIA FEDERICO |
Queer times: Richard II in the poems and chronicles of late fourteenth-century England |
|
79/1, p. 25 |
| Nicolas Jacobs |
THE PROCESSES OF SCRIBAL SUBSTITUTION AND REDACTION: A STUDY OF THE CAMBRIDGE FRAGMENT OF "SIR DEGARRÉ" |
|
53/1, p. 26 |
| Margaret Fitzgerald Richey |
THE GERMAN CONTRIBUTION TO THE MATTER OF BRITAIN, WITH SPECIAL REFERENCE TO THE LEGEND OF KING ARTHUR AND THE TABLE ROUND |
|
19/, p. 26 |
| CONSTANCE B. HIEATT |
The third fifteenth-century cookbook: a newly identified group within a family |
|
73/1, p. 27 |
| BEVERLY BRIAN GILBERT |
FRANCISCAN SCENES IN A FOURTEENTH-CENTURY SATIRE |
|
41/1, p. 27 |
| EFFIE JEAN MATHEWSON |
THE ILLUSION OF MORALITY IN THE FRANKLIN'S TALE |
|
52/1, p. 27 |
| Roberto Weiss |
THE STUDY OF VARRO AT MONTECASSINO IN THE MIDDLE AGES |
|
16/, p. 27 |
| Peter S. Noble |
ALIS AND THE PROBLEM OF TIME IN "CLIGÉS" |
|
39/1, p. 28 |
| CATHERINE LÉGLU |
Defamation in the troubadour sirventes: legislation and lyric poetry |
|
66/1, p. 28 |
| Dorothy Everett |
THE RELATIONSHIP OF CHESTRE'S "LAUNFAL" AND "LYBEAUS DESCONUS" |
|
7/1, p. 29 |
| A.G. Rigg |
'GREGORY'S GARDEN': A LATIN DREAM-ALLEGORY |
|
35/1, p. 29 |
| Jane H.M. Taylor |
AROES THE ENCHANTER—AN EPISODE IN THE "ROMAN DE PERCEFOREST" AND ITS SOURCES |
|
47/1, p. 30 |
| PAMELA M. KING |
Calendar and text: Christ's ministry in the York plays and the liturgy |
|
67/1, p. 30 |
| M.M. Lascelles, N.R. Ker |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS |
|
5/1, p. 31 |
| James Kinsley |
THE TRETIS OF THE TUA MARIIT WEMEN AND THE WEDO |
|
23/1, p. 31 |
| Priscilla Preston |
DID GAVIN DOUGLAS WRITE "KING HART?" |
|
28/1, p. 31 |
| R.N. Illingworth |
THE COMPOSITION OF "GRÆLENT" AND "GUINGAMOR" |
|
|
| LAURA ASHE |
The ‘Short Charter of Christ’: an unpublished longer version, from Cambridge University Library, MS Add. 6686 |
|
72/1, p. 32 |
| R.I. Page |
'ET LICONAUS OT NON SES PERE' |
|
26/1, p. 32 |
| Ronald M. Spensley |
GAUVAIN'S CASTLE OF MARVELS ADVENTURE IN THE "CONTE DEL GRAAL" |
|
42/1, p. 32 |
| N.R. Ker |
'FOR ALL THAT I MAY CLAMP': LOUVAIN STUDENTS AND LECTURE-ROOMS IN THE FIFTEENTH CENTURY |
|
39/1, p. 32 |
| C.T. Onions |
TWO NOTES ON MIDDLE ENGLISH TEXTS |
|
17/, p. 32 |
| Dominica Legge |
"THE BRUT ABRIDGED", A QUERY |
|
16/, p. 32 |
| J.A. Burrow |
'A MANER LATYN CORRUPT' |
|
30/1, p. 33 |
| H. Walther |
EINE MORAL-ASKETISCHE DICHTUNG DES XIII. JAHRHUNDERTS : "PROROGATIONES NOVI PROMETHEI" DES ALEXANDER NECKAM |
|
31/1, p. 33 |
| D.C. Cox, CARTER REVARD |
A NEW ME O-AND-I LYRIC AND ITS PROVENANCE |
|
54/1, p. 33 |
| ARDIS BUTTERFIELD |
LYRIC AND ELEGY IN "THE BOOK OF THE DUCHESS" |
|
60/1, p. 33 |
| M.L. HOLFORD |
A local source for Horn Child and Maiden Rimnild |
|
74/1, p. 34 |
| V.E. Watts |
PEARL AS A CONSOLATIO |
|
32/1, p. 34 |
| W.G. COOKE |
SIR GAWAIN AND THE GREEN KNIGHT: A RESTORED DATING |
|
58/1, p. 34 |
| Kathleen Chesney |
TWO MANUSCRIPTS OF CHRISTINE DE PISAN |
|
|
| Monica J. Barnett |
MAUDUIT DE RAMES |
|
46/1, p. 35 |
| Peter R. Grillo |
THE 'FIN DE ROBERT DE NORMANDIE' EPISODE IN LONDON, BRITISH LIBRARY, MS ADD. 36615 |
|
61/1, p. 35 |
| ROBERT ARCHER |
AUSIÀS MARCH AND THE "BAENA" DEBATE ON PREDESTINATION |
|
62/1, p. 35 |
| GEORGE R. KEISER |
RECONSTRUCTING ROBERT THORNTON'S HERBAL |
|
65/1, p. 35 |
| ALAN MacCOLL |
Rhetoric, narrative, and conceptions of history in the French Prose Brut |
|
78/1, p. 35 |
| Olive Sayce |
ABORTIVE MOTIVATION IN PART I OF THE "NIBELUNGENLIED" |
|
23/1, p. 36 |
| P.M. Kean |
CHAUCER'S DEALINGS WITH A STANZA OF "IL FILOSTRATO" AND THE EPILOGUE OF "TROILUS AND CRISEYDE" |
|
33/1, p. 36 |
| P.J.C. Field |
FOUR FUNCTIONS OF MALORY'S MINOR CHARACTERS |
|
37/1, p. 37 |
| |
CORRIGENDA: THE AUTHENTICITY OF THE Z-TEXT OF "PIERS PLOWMAN": FURTHER NOTES ON METRICAL EVIDENCE |
|
57/1, p. 37 |
| SANTHA BHATTACHARJI |
"PEARL" AND THE LITURGICAL 'COMMON OF VIRGINS' |
|
64/1, p. 37 |
| PETER MEREDITH |
'NOLO MORTEM' AND THE "LUDUS COVENTRIAE" PLAY OF THE "WOMAN TAKEN IN ADULTERY" |
|
38/1, p. 38 |
| E.J. Dobson, Patricia Ingham |
THREE NOTES ON DUNBAR'S "THE TUA MARIIT WEMEN AND THE WEDO" |
|
36/1, p. 38 |
| B.S. Donaghey |
ANOTHER ENGLISH MANUSCRIPT OF AN OLD FRENCH TRANSLATION OF BOETHIUS |
|
42/1, p. 38 |
| John J. Thompson |
LITERARY ASSOCIATIONS OF AN ANONYMOUS MIDDLE ENGLISH PARAPHRASE OF VULGATE PSALM L |
|
57/1, p. 38 |
| Ian Bishop |
CHAUCER AND THE RHETORIC OF CONSOLATION |
|
52/1, p. 38 |
| R. Bowen |
THE DREAMS OF CHARLEMAGNE |
|
23/1, p. 39 |
| Joseph E. Gallagher |
THE DOUBLE SORROW OF TROILUS |
|
41/1, p. 39 |
| CHRISTOPHER HOHLER |
THE PROPER OFFICE OF ST. NICHOLAS AND RELATED MATTERS WITH REFERENCE TO A RECENT BOOK |
|
36/1, p. 40 |
| Huw Grange |
A paraphrase of the Miserere in Anglo-Norman verse (Lambeth Palace, MS 431) |
|
84/1, p. 40 |
| M.R. Morgan |
THE MEANINGS OF OLD FRENCH "POLAIN", LATIN "PULLANUS" |
|
48/1, p. 40 |
| Elizabeth Salter |
THE TIMELINESS OF "WYNNERE AND WASTOURE" |
|
47/1, p. 40 |
| R.C. Goffin |
QUITING BY TIDINGS IN "THE HOUS OF FAME" |
|
12/, p. 40 |
| Ronald N. Walpole |
STANZAS 26 AND 27 OF THE MIDDLE ENGLISH ROMANCE "ROLAND & VERNAGU" |
|
20/, p. 40 |
| IVANA DJORDJEVIĆ |
Versification and translation in Sir Beves of Hampton |
|
74/1, p. 41 |
| Megan Leitch |
Thinking twice about treason in Caxton’s prose romances: proper chivalric conduct and the English printing press |
|
81/2, p. 41 |
| Thomas Hinton |
New beginnings and false dawns: a reappraisal of the Elucidation prologue to the Conte del Graal cycle |
|
80/2, p. 41 |
| Dorena Allen Wright |
HENRYSON'S "ORPHEUS AND EURYDICE" AND THE TRADITION OF THE MUSES |
|
40/1, p. 41 |
| Kenneth Urwin |
THE MOOD OF ANGLO-NORMAN "FUD" |
|
46/1, p. 41 |
| T. McALINDON |
COSMOLOGY, CONTRARIETY AND THE KNIGHT'S TALE |
|
55/1, p. 41 |
| BELLA MILLETT |
THE TEXTUAL TRANSMISSION OF "SEINTE IULIENE" |
|
59/1, p. 41 |
| Dorothy Everett |
ANOTHER COLLATION OF THE ELLESMERE MANUSCRIPT OF THE "CANTERBURY TALES" |
|
|
| W.G. COOKE, D'A.J.D. BOULTON |
Sir Gawain and the Green Knight: a poem for Henry of Grosmont? |
|
68/1, p. 42 |
| T.D. Hemming |
PROBLEMS OF THE CLERMONT-FERRAND PASSION NARRATIVE |
|
35/1, p. 43 |
| FLORIN CURTA |
Colour perception, dyestuffs, and colour terms in twelfth-century French literature |
|
73/1, p. 43 |
| V. Harward |
'CELTIC MYTH AND ARTHURIAN ROMANCE': A REPLY |
|
31/1, p. 43 |
| T.P. Dunning |
LANGLAND AND THE SALVATION OF THE HEATHEN |
|
12/, p. 45 |
| D.J.A. Ross |
THE ICONOGRAPHY OF ROLAND |
|
37/1, p. 46 |
| DAVID MAW |
Accent and metre in later Old French verse: the case of the polyphonic rondel |
|
75/1, p. 46 |
| Alison Adams |
A FOURTEENTH-CENTURY BOWDLERIZATION |
|
46/1, p. 46 |
| Sarah Kay |
CONTINUATION AS CRITICISM: THE CASE OF JAUFRE RUDEL |
|
56/1, p. 46 |
| Peter Dronke |
THE CONCLUSION OF "TROILUS AND CRISEYDE" |
|
33/1, p. 47 |
| Christopher Cannon |
The form of the self: Ancrene Wisse and romance |
|
70/1, p. 47 |
| G.N. BROMILEY |
THE MAKING OF BEROUL'S "TRISTAN": THE ROLE OF REPETITION |
|
54/1, p. 47 |
| D.J.A. Ross |
NEW MEDIÆVAL LATIN VERSIONS OF FRENCH ALEXANDER POEMS |
|
28/1, p. 48 |
| PRISCILLA J. BAWCUTT |
LEXICAL NOTES ON GAVIN DOUGLAS'S "ENEADOS" |
|
40/1, p. 48 |
| Jacques Chailley |
ESSAI SUR LA FORMATION DE LA VERSIFICATION LATINE D'ACCENT AU MOYEN ÂGE |
|
29/1, p. 49 |
| Michael G. Sargent |
A NEW MANUSCRIPT OF "THE CHASTISING OF GOD'S CHILDREN" WITH AN ASCRIPTION TO WALTER HILTON |
|
46/1, p. 49 |
| Helen Phillips |
THE GHOST'S BAPTISM IN "THE AWNTYRS OFF ARTHURE" |
|
58/1, p. 49 |
| BEVERLY BRIAN GILBERT |
'CIVIL' AND THE NOTARIES IN "PIERS PLOWMAN" |
|
50/1, p. 49 |
| ANDREW L. KING |
THE 'ORDO PROPHETARUM' OF THE "JEU D'ADAM": CONSTRUCTION AND COMPLETENESS |
|
53/1, p. 49 |
| ELLIOT KENDALL |
Chamberlain Danger: the social meaning of love allegory in the Confessio Amantis |
|
76/1, p. 49 |
| Austin Gill |
A NOTE ON THE GAMBLERS' QUARREL SCENE IN THE "JEU DE SAINT NICOLAS" |
|
8/1, p. 50 |
| Piero Boitani |
THE "MONK'S TALE": DANTE AND BOCCACCIO |
|
45/1, p. 50 |
| R. Bowen |
SUR LA "CHANSON DE ROLAND" |
|
19/, p. 50 |
| Curt F. Bühler |
LYDGATE'S "RULES OF HEALTH" IN MS. LANSDOWNE 699 |
|
3/1, p. 51 |
| RICHARD W. KAEUPER |
AN HISTORIAN'S READING OF "THE TALE OF GAMELYN" |
|
52/1, p. 51 |
| VICTOR I. SCHERB |
CONCEPTION, FLIES, AND HERESY IN SKELTON'S 'REPLYCACION' |
|
62/1, p. 51 |
| Richard Leighton Greene |
THE BURDEN AND THE SCOTTISH VARIANT OF THE CORPUS CHRISTI CAROL |
|
33/1, p. 53 |
| Kenneth Urwin |
NOTE ON THE EPIC CÆSURA IN FIFTEENTHCENTURY FRENCH LITERATURE |
|
8/1, p. 54 |
| CONSTANCE B. HIEATT |
THE MIDDLE ENGLISH CULINARY RECIPES IN MS HARLEY 5401: AN EDITION AND COMMENTARY |
|
65/1, p. 54 |
| J. ALLAN MITCHELL |
Queen Katherine and the secret of Lydgate’s Temple of Glas |
|
77/1, p. 54 |
| Marcel Françon |
LA STRUCTURE DU RONDEAU |
|
|
| Rosemary Woolf |
THE CONSTRUCTION OF "IN A FRYHT AS Y CONFARE FREMEDE" |
|
38/1, p. 55 |
| JOHN C. HIRSH |
PRAYER AND MEDITATION IN LATE MEDIAEVAL ENGLAND: MS BODLEY 789 |
|
48/1, p. 55 |
| J.A.W. Bennett |
THE DATE OF THE B-TEXT OF "PIERS PLOWMAN" |
|
12/, p. 55 |
| JOANNA SUMMERS |
Gower's Vox clamantis and Usk's Testament of Love |
|
68/1, p. 55 |
| SUZANNE M. YEAGER |
Jewish identity in The Siege of Jerusalem and homiletic texts: models of penance and victims of vengeance for the urban apocalypse |
|
80/2, p. 56 |
| F.S. Shears |
THE LANGUAGE OF THE FIRST AND THIRD VERSIONS OF FROISSART'S CHRONICLES |
|
|
| J.P. Gumbert, P.M. Vermeer |
AN UNUSUAL "YOGH" IN THE BESTIARY MANUSCRIPT—A PALAEOGRAPHICAL NOTE |
|
40/1, p. 56 |
| Norman Davis |
NOTES ON THE MIDDLE ENGLISH "BESTIARY" |
|
19/, p. 56 |
| P.E. Russell |
SAN PEDRO DE CARDEÑA AND THE HEROIC HISTORY OF THE CID |
|
27/2, p. 57 |
| MARIANNE WYNN |
BOOK 1 OF WOLFRAM VON ESCHENBACH'S "WILLEHALM" AND ITS CONCLUSION |
|
49/1, p. 57 |
| PHILIP E. BENNETT |
THOMAS ELIE DE BIVILLE |
|
55/1, p. 58 |
| LISA JEFFERSON |
THE KEYS TO THE ENCHANTMENTS OF DOLOROUS GUARD |
|
58/1, p. 59 |
| ALISON M. PEDEN |
MACROBIUS AND MEDIAEVAL DREAM LITERATURE |
|
54/1, p. 59 |
| CLEM C. WILLIAMS |
A CASE OF MISTAKEN IDENTITY: STILL ANOTHER TROJAN NARRATIVE IN OLD FRENCH PROSE |
|
53/1, p. 59 |
| SUSAN CRANE |
FROISSART'S "DIT DOU BLEU CHEVALIER" AS A SOURCE FOR CHAUCER'S "BOOK OF THE DUCHESS" |
|
61/1, p. 59 |
| HELEN BARR |
Pearl - or the jeweller's tale |
|
69/1, p. 59 |
| Michael C. Seymour |
Chaucer’s Book of the Duchess: a proposal |
|
74/1, p. 60 |
| Lucas Wood |
Of werewolves and wicked women: Melion’s misogyny reconsidered |
|
84/1, p. 60 |
| J.R.L. Highfield |
A NOTE ON THE INTRODUCTION OF ENGLISH INTO THE PROCEEDINGS OF THE CONVOCATION OF CANTERBURY IN THE REIGN OF EDWARD III |
|
19/, p. 60 |
| Jane H.M. Taylor |
Inescapable rose: Jean le Seneschal's Cent Balades and the art of cheerful paradox |
|
67/1, p. 60 |
| Gweneth Hutchings |
GAWAIN AND THE ABDUCTION OF GUENEVERE |
|
4/1, p. 61 |
| G.V. Smithers |
STORY-PATTERNS IN SOME BRETON LAYS |
|
22/2, p. 61 |
| Susanna Greer Fein |
A THIRTEEN-LINE ALLITERATIVE STANZA ON THE ABUSE OF PRAYER FROM THE AUDELAY MS |
|
63/1, p. 61 |
| Ad Putter |
King Arthur at Oxbridge: Nicholas Cantelupe, Geoffrey of Monmouth, and Cambridge’s Arthurian foundation myth |
|
72/1, p. 63 |
| T.B.W. Reid |
OLD FRENCH "GIENS", PROVENÇAL "GES", CATALAN "GENS" |
|
|
| ANNA BALDWIN |
THE DOUBLE DUEL IN "PIERS PLOWMAN" B XVIII AND C XXI |
|
50/1, p. 64 |
| R.L.G. Ritchie |
THE DATE OF THE "VOYAGE OF ST BRENDAN" |
|
19/, p. 64 |
| Enid M. Raynes |
MS. BOULOGNE-SUR-MER 63 AND ÆLFRIC |
|
26/2, p. 65 |
| DANIÉLA PANTCHEVA CAPIN |
Le conservatisme de la langue, gage du caractère littéraire du texte et témoin d’une nouvelle conception de l’acte d’écriture: le cas d’Ysaÿe le Triste |
|
73/1, p. 66 |
| Leo Carruthers |
The Duke of Clarence and the Earls of March: Garter knights and Sir Gawain and the Green Knight |
|
70/1, p. 66 |
| James I. Wimsatt |
GUILLAUME DE MACHAUT AND CHAUCER'S LOVE LYRICS |
|
47/1, p. 66 |
| Thorlac Turville-Petre |
THE AGES OF MAN IN "THE PARLEMENT OF THE THRE AGES" |
|
46/1, p. 66 |
| J.C. Rault |
"LA FARCE DE Me TRUBERT ET D'ANTRONGNART" D'EUSTACHE DESCHAMPS |
|
49/1, p. 66 |
| Alfred Ewert |
GUI DE WAREWIC: SOME OBSERVATIONS |
|
4/1, p. 67 |
| Kenneth Urwin |
BRITISH LATIN "VENETARE" AND ANGLO-NORMAN "VENETER" |
|
48/1, p. 67 |
| A. McI. Trounce |
CHAUCER'S IMPERATIVE WITH "AS" |
|
|
| Jacques Handschin |
DIE MODALTHEORIE UND CARL APPELS AUSGABE DER GESAENGE VON BERNART DE VENTADORN |
|
4/2, p. 69 |
| ALISON WILLIAMS |
Stories within stories: writing history in Fouke le Fitz Waryn |
|
81/2, p. 70 |
| CATHERINE LÉGLU |
Nourishing lineage in the earliest French versions of the Roman de Mélusine |
|
74/1, p. 71 |
| Judith Weiss |
THE MAJOR INTERPOLATIONS IN "SIR BEUES OF HAMTOUN" |
|
48/1, p. 71 |
| A.O. Anderson, N. Denholm-Young |
CRONICA DE MELROS |
|
6/1, p. 72 |
| Linda M. Paterson |
TOURNAMENTS AND KNIGHTLY SPORTS IN TWELFTH- AND THIRTEENTH-CENTURY OCCITANIA |
|
55/1, p. 72 |
| JANET R. DONER |
SCRIBAL WHIM AND MINIATURE ALLOCATION IN THE ILLUSTRATED MANUSCRIPTS OF THE "CONTINUATION-GAUVAIN" |
|
65/1, p. 72 |
| Henry Hargreaves |
THE LATIN TEXT OF PURVEY'S PSALTER |
|
24/2, p. 73 |
| Ivor D.O. Arnold |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN (M.Æ. VI 99 ff.) |
|
7/1, p. 74 |
| D.G. Hoggan |
THE VERSION OF "ALISCANS" KNOWN TO THE AUTHOR OF "FOUCON DE CANDIE" |
|
26/2, p. 74 |
| C.H.L. Bodenham |
THE NATURE OF THE DREAM IN LATE MEDIAEVAL FRENCH LITERATURE |
|
54/1, p. 74 |
| JOSETTE A. WISMAN |
JACQUES LEGRAND, CHRISTINE DE PIZAN, ET LA QUESTION DE LA 'NOUVELETÉ' |
|
63/1, p. 75 |
| Karl Leyser |
A RECENT VIEW OF THE GERMAN COLLEGE OF ELECTORS |
|
23/2, p. 76 |
| Raphael Levy, J. Orr |
LA DAMOISELE A LA MURE: ETUDE TEXTUELLE |
|
6/1, p. 76 |
| John Orr |
LA DEMOISELLE A LA MURE : ETUDE TEXTUELLE |
|
5/1, p. 77 |
| Janet M. Ferrier |
"SEULEMENT POUR VOUS ENDOCTRINER": THE AUTHOR'S USE OF "EXEMPLA" IN "LE MÉNAGIER DE PARIS" |
|
48/1, p. 77 |
| GERALD MORGAN |
A DEFENCE OF DORIGEN'S COMPLAINT |
|
46/1, p. 77 |
| PENNY SULLIVAN |
THE PRESENTATION OF ENIDE IN THE "PREMIER VERS" OF CHRETIEN'S "EREC ET ENIDE" |
|
52/1, p. 77 |
| Dominica Legge |
JOHN PECHAM'S "JERARCHIE" |
|
11/, p. 77 |
| Ethel Seaton |
ROBERT MANNYNG OF BRUNNE IN LINCOLN |
|
12/, p. 77 |
| CORDULA POLITIS |
The taming of the Amazon: Pentesilie in Ulrich von Türheim’s Rennewart |
|
77/1, p. 77 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/2, p. 79 |
| B.S. Lee |
LUCIDUS AND DUBIUS: A FIFTEENTH-CENTURY THEOLOGICAL DEBATE AND ITS SOURCES |
|
45/1, p. 79 |
| B. DIENSBERG |
THE ETYMOLOGY OF MODERN ENGLISH "BOY": A NEW HYPOTHESIS |
|
50/1, p. 79 |
| PRISCILLA J. BAWCUTT |
The Boston Public Library manuscript of John Lydgate's Siege of Thebes: its Scottish owners and inscriptions |
|
70/1, p. 80 |
| A.J. Bliss |
THE HERO'S NAME IN THE MIDDLE ENGLISH VERSIONS OF "LANVAL" |
|
27/2, p. 80 |
| J.H. BAKER |
A FRENCH VOCABULARY AND CONVERSATION-GUIDE IN A FIFTEENTH-CENTURY LEGAL NOTEBOOK |
|
58/1, p. 80 |
| RICHARD INGHAM |
Mixing languages on the manor |
|
78/1, p. 80 |
| E.V. Gordon, Eugène Vinaver |
NEW LIGHT ON THE TEXT OF THE ALLITERATIVE "MORTE ARTHURE" |
|
6/2, p. 81 |
| Gweneth Hutchings |
THE "LANCELOT" MANUSCRIPT OF FRIBOURG |
|
9/2, p. 81 |
| Mildred K. Pope |
THE ORDER OF THE BATTLES IN THE "CHANSON DE ROLAND" |
|
|
| PENNY ELEY |
History and romance in the Chronique des ducs de Normandie |
|
68/1, p. 81 |
| Nevill Coghill |
TWO NOTES ON "PIERS PLOWMAN": I. THE ABBOT OF ABINGDON AND THE DATE OF THE C TEXT |
|
4/2, p. 83 |
| Miranda Griffin |
The space of transformation: Merlin between two deaths |
|
80/2, p. 85 |
| ANNETTE VOLFING |
Gottfried's huote excursus (Tristan 17817-18115) |
|
67/1, p. 85 |
| STEPHEN BEMROSE |
God so loves the soul: intellections of immortality in Dante |
|
74/1, p. 86 |
| Edward B. Ham |
A FRAGMENT OF THE "CHANSON DES LORRAINS" |
|
10/2, p. 86 |
| D.J.A. Ross |
A FIFTEENTH-CENTURY REVISION OF THE OLD FRENCH PROSE ALEXANDER |
|
27/2, p. 86 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES |
|
|
| GEOFF RECTOR |
En sa chambre sovent le lit: literary leisure and the chamber sociabilities of early Anglo-French literature (c.1100-1150) |
|
81/2, p. 88 |
| W.P. Albrecht |
A SEVENTEENTH-CENTURY TEXT OF THOMAS OF ERCELDOUNE |
|
23/2, p. 88 |
| Maldwyn Mills |
THE COMPOSITION AND STYLE OF THE 'SOUTHERN' "OCTAVIAN, SIR LAUNFAL" AND "LIBEAUS DESCONUS" |
|
31/2, p. 88 |
| Fanni Bogdanow |
THE FRAGMENTS OF "GUIRON LE COURTOIS" PRESERVED IN MS DOUCE 383, OXFORD |
|
33/2, p. 89 |
| John Leyerle |
BEOWULF THE HERO AND THE KING |
|
34/2, p. 89 |
| Pierre Courroux |
Enguerrand de Monstrelet et les assassinats de Louis d’Orléans et Jean sans Peur |
|
84/1, p. 89 |
| Fanni Bogdanow |
A HITHERTO UNIDENTIFIED MANUSCRIPT OF THE "PALAMÈDE": VENICE, ST. MARK'S LIBRARY, MS. Fr. XV |
|
30/2, p. 89 |
| O.D. Macrae-Gibson |
HOW HISTORICAL IS "THE BATTLE OF MALDON?" |
|
39/2, p. 89 |
| Elspeth Kennedy |
SOCIAL AND POLITICAL IDEAS IN THE FRENCH PROSE "LANCELOT" |
|
26/2, p. 90 |
| Raphael Levy |
POUR L'INTERPRÉTATION DU "JEU DE SAINT NICOLAS" |
|
24/2, p. 91 |
| G.D.G. Hall |
THE ABBOT OF ABINGDON AND THE TENANTS OF WINKFIELD |
|
28/2, p. 91 |
| R. Wayne Hamm |
A CRITICAL EVALUATION OF THE "CONFISYON DEL AMANTE", THE CASTILIAN TRANSLATION OF GOWER'S "CONFESSIO AMANTIS" |
|
47/1, p. 91 |
| Peter Ainsworth |
KNIFE, KEY, BEAR AND BOOK: POISONED METONYMIES AND THE PROBLEM OF "TRANSLATIO" IN FROISSART'S "LATER CHRONIQUES" |
|
59/1, p. 91 |
| A.I. Doyle |
MORE LIGHT ON JOHN SHIRLEY |
|
30/2, p. 93 |
| Alexander Bell |
NOTES ON GAIMAR'S MILITARY VOCABULARY |
|
40/2, p. 93 |
| H.E. Butler |
NOTES ON THE TEXT OF THE CHRONICLE OF JOCELIN OF BRAKELOND |
|
10/2, p. 94 |
| Georgine Brereton |
"LA RIOTE DU MONDE"—A NEW FRAGMENT |
|
4/2, p. 95 |
| Alison I. Gyger |
"DANIEL" AND "AZARIAS" AS EVIDENCE FOR THE ORAL-FORMULAIC CHARACTER OF OLD ENGLISH POETRY |
|
35/2, p. 95 |
| R.M. Dawkins |
THE 'GRAN VEGLIO' OF "INFERNO XIV" |
|
|
| INEKE HARDY |
'Nus ne poroit de mauvaise raison' (R1887): a case for Raoul de Soissons |
|
70/1, p. 95 |
| Albert B. Friedman |
THE LATE MEDIÆVAL BALLADE AND THE ORIGIN OF BROADSIDE BALLADRY |
|
27/2, p. 95 |
| Cyril Hart |
BYRHTFERTH AND HIS MANUAL |
|
41/2, p. 95 |
| Beverly Boyd |
WICLIF AND THE SARUM ORDINAL |
|
28/2, p. 96 |
| NICOLE D. SMITH |
Estreitement bendé: Marie de France’s Guigemar and the erotics of tight dress |
|
77/1, p. 96 |
| C.A. Robson |
THE CHARACTER OF TURPIN IN THE "CHANSON DE ROLAND" |
|
10/2, p. 97 |
| Marvin L. Colker |
A NOTE ON THE HISTORY OF THE COMMENTARY ON THE "ALEXANDREIS" |
|
28/2, p. 97 |
| Kathleen Chesney |
NICOLAS DE CLAMANGES: SOME SUPPLEMENTARY BIBLIOGRAPHICAL NOTES |
|
7/2, p. 98 |
| Diana B. Tyson |
THE EPITAPH OF EDWARD THE BLACK PRINCE |
|
46/1, p. 98 |
| P.J.C. Field |
Morte Arthure, the Montagus, and Milan |
|
78/1, p. 98 |
| Tania Vorontzoff |
MALORY'S STORY OF ARTHUR'S ROMAN CAMPAIGN |
|
6/2, p. 99 |
| Richard Beadle |
Fifteenth-century political verses from the Holkham archives |
|
71/1, p. 101 |
| Thomas Aqu. Michels |
TWO CORRUPT VERSES IN THE "CANTILENA SUPER STATUM REGIS ALBERTI" |
|
10/2, p. 102 |
| Dorena Allen Wright |
ORPHEUS AND ORFEO: THE DEAD AND THE "TAKEN" |
|
33/2, p. 102 |
| W. Rothwell |
MEDIÆVAL FRENCH "BUREAU" |
|
29/2, p. 102 |
| Joseph Szövérffy |
THE UNERRING BOW AND PETRUS OLAVI |
|
30/2, p. 102 |
| Hywel D. Emanuel |
GEOFFREY OF MONMOUTH'S "HISTORIA REGUM BRITANNIE": A SECOND VARIANT VERSION |
|
35/2, p. 103 |
| P.S. Lewis |
JEAN JUVENAL DES URSINS AND THE COMMON LITERARY ATTITUDE TOWARDS TYRANNY IN FIFTEENTH-CENTURY FRANCE |
|
34/2, p. 103 |
| MÍĊEÁL F. VAUGHAN |
Personal politics and Thomas Gascoigne’s account of Chaucer’s death |
|
75/1, p. 103 |
| D.J.A. Ross |
LE CHEVALIER MELIOR |
|
40/2, p. 104 |
| F.M. Dear |
CHAUCER'S "BOOK OF THE LION" |
|
7/2, p. 105 |
| |
Corrigendum: THE INTRODUCTION TO THE DREAM IN "PEARL" |
|
48/1, p. 106 |
| Katherine T. Emerson, Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE: A REPLY |
|
26/2, p. 107 |
| Frederic Amory |
THE SATIRES OF SEXTUS AMARCIUS |
|
39/2, p. 108 |
| ÁRMANN JAKOBSSON |
King Sverrir of Norway and the foundations of his power: kingship ideology and narrative in Sverris saga |
|
84/1, p. 109 |
| C.P. Bagley |
ROBERT DE CLARI'S "LA CONQUÊTE DE CONSTANTINOPLE" |
|
40/2, p. 109 |
| Norman Davis, G.S. Ivy |
MS. WALTER RYE 38 AND ITS FRENCH GRAMMAR |
|
31/2, p. 110 |
| C.T. Onions |
MIDDLE ENGLISH "GAWNE": A CORRECTION, WITH SOME NOTES |
|
22/2, p. 111 |
| Helen C.R. Laurie |
NARCISUS |
|
35/2, p. 111 |
| Joseph Szövérffy |
VIRGIL AND A LATIN CHRISTMAS CAROL |
|
26/2, p. 111 |
| Phyllis Abrahams |
THE MERCATOR-SCENES IN MEDIÆVAL FRENCH PASSION-PLAYS |
|
3/2, p. 112 |
| N.R. Ker |
A MIDDLE-ENGLISH SUMMARY OF THE BIBLE |
|
29/2, p. 115 |
| BARBARA N. SARGENT-BAUR |
MEDIÆVAL RIRE, RIDERE: A LAUGHING MATTER? |
|
43/2, p. 116 |
| JOHN NORTON-SMITH |
CHAUCER'S "ETAS PRIMA" |
|
32/2, p. 117 |
| W.S.M. Nicoll |
SOME PASSAGES IN EINHARD'S "VITA KAROLI" IN RELATION TO SUETONIUS |
|
|
| A.G. Mitchell |
THE TEXT OF "PIERS PLOWMAN" C. Prologue 1. 215 |
|
8/2, p. 118 |
| H.J. Chaytor |
STATUTES OF THE CONFRATERNITY OF ST. LAZARE IN BORDEAUX |
|
10/3, p. 119 |
| L.T. Topsfield |
INTENTION AND IDEAS IN "FLAMENCA" |
|
36/2, p. 119 |
| A.L. Kellogg |
CHAUCER'S SELF-PORTRAIT AND DANTE'S |
|
29/2, p. 119 |
| Dominica Legge |
A FUER DE GUERRE |
|
5/2, p. 121 |
| John M. Steadman |
OLD AGE AND "CONTEMPTUS MUNDI IN THE PARDONER'S TALE" |
|
33/2, p. 121 |
| Catherine M. Darrall |
A COMPARISON OF TWO EPISODES IN THE PROSE "LANCELOT" |
|
41/2, p. 121 |
| J.S. McKINNELL |
ON THE DATE OF "THE BATTLE OF MALDON" |
|
|
| E.J. Arnould |
ON RICHARD ROLLE'S PATRONS: a new reading |
|
6/2, p. 122 |
| Maldwyn Mills |
A NOTE ON "SIR LAUNFAL" 733-744 |
|
35/2, p. 122 |
| Joseph Szövérffy |
NICOLAS OF CLAIRVAUX AND IRELAND'S CONVERSION |
|
34/2, p. 122 |
| Douglas Brooks, Alastair Fowler |
THE MEANING OF CHAUCER'S "KNIGHT'S TALE" |
|
39/2, p. 123 |
| Fanni Bogdanow |
MORGAIN'S ROLE IN THE THIRTEENTH-CENTURY FRENCH PROSE ROMANCES OF THE ARTHURIAN CYCLE |
|
38/2, p. 123 |
| J.A. Noonan |
NOTES ON THE STRUCTURE OF TWO OLD FRENCH COURTLY LYRICS |
|
3/2, p. 124 |
| P.L. Heyworth |
SIR GAWAIN'S CROSSING OF DEE |
|
41/2, p. 124 |
| Alan Fedrick |
A NOTE ON THE "FOLIE TRISTAN DE BERNE" |
|
32/2, p. 125 |
| D.J.A. Ross |
ALEXANDER IN THE "LIBER FLORIDUS" OF LAMBERT OF ST. OMER |
|
31/2, p. 125 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" |
|
|
| R.C. Goffin |
CHAUCER AND ELOCUTION |
|
4/3, p. 127 |
| A.H. MacLaine |
CHAUCER'S WINE-CASK IMAGE : WORD PLAY IN "THE REEVE'S PROLOGUE" |
|
31/2, p. 129 |
| W.S. Angus |
THE EIGHTH SCRIBE'S DATES IN THE PARKER MANUSCRIPT OF THE ANGLO-SAXON CHRONICLE |
|
10/3, p. 130 |
| Jean Marx |
CORRESPONDENCE |
|
23/2, p. 131 |
| John A. Alford |
HAUKYN'S COAT: SOME OBSERVATIONS ON "PIERS PLOWMAN" B. XIV. 22-7 |
|
43/2, p. 133 |
| Sister Marie Brisson |
THE INFLUENCE OF FRÈRE LAURENT'S "LA SOMME LE ROI" ON FRÈRE ROBERT'S "LE CHASTEL PERILLEUX" |
|
36/2, p. 134 |
| A.V.C. Schmidt |
LANGLAND AND SCHOLASTIC PHILOSOPHY |
|
38/2, p. 134 |
| Eugène Vinaver |
THE LEGEND OF WADE IN THE "MORTE DARTHUR" |
|
|
| |
Erratum: THE PETITIONS OF THE PATERNOSTER IN MEDIÆVAL ENGLISH LITERATURE |
|
27/2, p. 135 |
| A.T. Baker |
OLD FRENCH "BEUBELET, BEAUBELET" |
|
|
| John W. Conlee |
THE "ABBEY OF THE HOLY GHOST" AND THE "EIGHT GHOSTLY DWELLING PLACES" OF HUNTINGTON LIBRARY HM 744 |
|
|
| Michael C. Seymour |
THE SCRIBE OF HUNTINGTON LIBRARY MS. HM 114 |
|
43/2, p. 139 |
| L.E. Kastner |
CONCERNING A CERTAIN ALLUSION IN A PROVENÇAL "CANSO" |
|
|
| Beryl Smalley |
JOHN RIDEWALL'S COMMENTARY ON "DE CIVITATE DEI" |
|
25/3, p. 140 |
| Stanley B. Greenfield |
THE ROLE OF CALKAS IN "TROILUS AND CRISEYDE" |
|
36/2, p. 141 |
| Helen C.R. Laurie |
"ENEAS" AND THE "LANCELOT" OF CHRETIEN DE TROYES |
|
37/2, p. 142 |
| Anne Hudson |
A LOLLARD SERMON-CYCLE AND ITS IMPLICATIONS |
|
40/2, p. 142 |
| JOHN C. HIRSH |
AUTHOR AND SCRIBE IN "THE BOOK OF MARGERY KEMPE" |
|
|
| Donald Schueler |
THE AGE OF THE LOVER IN GOWER'S "CONFESSIO AMANTIS" |
|
36/2, p. 152 |
| John B. Beston |
THE CASE AGAINST COMMON AUTHORSHIP OF "LAY LE FREINE" AND "SIR ORFEO" |
|
45/2, p. 153 |
| Alfred Ewert |
THE GLASGOW LATIN-FRENCH GLOSSARY |
|
25/3, p. 154 |
| Donald C. Miller |
THE SEQUENCE OF THE "WALDHERE" FRAGMENTS |
|
10/3, p. 155 |
| Constance Bullock-Davies |
A NOTE ON "LE SIÈGE DE KARLAVEROK" |
|
39/2, p. 155 |
| Mario Roques |
LES SERMENTS DE STRASBOURG |
|
5/3, p. 157 |
| Eugène Vinaver |
A ROMANCE OF "GAHERET" |
|
|
| Kathleen Chesney |
TWO COLLECTIONS OF EARLY SIXTEENTH-CENTURY FRENCH RONDEAUX |
|
40/2, p. 157 |
| EMMA MASON |
ST WULFSTAN'S STAFF: A LEGEND AND ITS USES |
|
53/2, p. 157 |
| JOHN NORTON-SMITH |
AUERBACH ON LITERARY LANGUAGE |
|
36/2, p. 159 |
| Robert Easting |
OWEIN AT ST PATRICK'S PURGATORY |
|
55/2, p. 159 |
| Roger Sherman Loomis |
"ISDERNUS" AGAIN |
|
|
| Mortimer J. Donovan |
HERODIS IN THE AUCHINLECK "SIR ORFEO" |
|
27/3, p. 162 |
| Angus J. Kennedy, Kenneth Varty |
"VERNAGE": TWO CORRECTIONS TO GODEFROY |
|
|
| Alfred Ewert |
ANGLO-NORMAN STUDIES |
|
7/2, p. 164 |
| Mildred K. Pope |
THE "ROMANCE OF HORN" AND "KING HORN" |
|
25/3, p. 164 |
| S.T. Knight |
THE ORAL TRANSMISSION OF "SIR LAUNFAL" |
|
38/2, p. 164 |
| E.V. Gordon, C.T. Onions |
NOTES ON THE TEXT AND INTERPRETATION OF "PEARL" (Continued) |
|
|
| JOHN NORTON-SMITH |
LYDGATE'S CHANGES IN THE "TEMPLE OF GLAS" |
|
27/3, p. 166 |
| Curt F. Bühler |
A LOLLARD TRACT: ON TRANSLATING THE BIBLE INTO ENGLISH |
|
7/3, p. 167 |
| S.O. Andrew |
SOME PRINCIPLES OF OLD ENGLISH WORD-ORDER |
|
3/3, p. 167 |
| Gweneth Whitteridge |
THE DATE OF THE "TRISTAN" OF BEROUL |
|
28/3, p. 167 |
| Ethel Seaton |
"THE PARLEMENT OF FOULES" AND LIONEL OF CLARENCE |
|
25/3, p. 168 |
| Peter N. Dunn |
THEMES AND IMAGES IN THE "COPLAS POR LA MUERTE DE SU PADRE" OF JORGE MANRIQUE |
|
33/3, p. 169 |
| G.V. Smithers |
WHAT "SIR GAWAIN AND THE GREEN KNIGHT" IS ABOUT |
|
32/3, p. 171 |
| Dominica Legge |
PLACE-NAMES AND THE DATE OF BEROUL |
|
38/2, p. 171 |
| John M. Steadman |
FLATTERY AND THE "MORALITAS" OF THE NONNE PREESTES TALE |
|
28/3, p. 172 |
| JOCELYN PRICE |
LA VIE DE SAINTE MODWENNE: A NEGLECTED ANGLO-NORMAN HAGIOGRAPHIC TEXT, AND SOME IMPLICATIONS FOR ENGLISH SECULAR LITERATURE |
|
57/2, p. 172 |
| M.M. Lascelles |
ALEXANDER AND THE EARTHLY PARADISE IN MEDIÆVAL ENGLISH WRITINGS (Continued) |
|
5/3, p. 173 |
| Georgine Brereton |
VIPER INTO WEASEL: (A note on a line in Chaucer's "Melibee") |
|
27/3, p. 173 |
| Constance Bullock-Davies |
L'UEVRE SALEMUN |
|
29/3, p. 173 |
| W. Rothwell |
THE MISSING LINK IN ENGLISH ETYMOLOGY: ANGLO-FRENCH |
|
60/2, p. 173 |
| Roger Sherman Loomis |
A COMMON SOURCE FOR "EREC" AND "GEREINT" |
|
27/3, p. 175 |
| Eugène Vinaver |
THE DOLOROUS STROKE |
|
25/3, p. 175 |
| Henry Chadwick |
THETA ON PHILOSOPHY'S DRESS IN BOETHIUS |
|
49/2, p. 175 |
| R.N. Illingworth |
CELTIC TRADITION AND THE LAI OF GUIGEMAR |
|
31/3, p. 176 |
| K.B. McFarlane |
WILLIAM WORCESTER AND A PRESENT OF LAMPREYS |
|
30/3, p. 176 |
| B.D.H. Miller |
TWO NOTES ON "DAME SIRITH" |
|
28/3, p. 180 |
| WILLIAM A. QUINN |
THE PSYCHOLOGY OF "ST ERKENWALD" |
|
53/2, p. 180 |
| Roger Sherman Loomis |
ONOMASTIC RIDDLES IN MALORY'S "BOOK OF ARTHUR AND HIS KNIGHTS" |
|
25/3, p. 181 |
| G.N. BROMILEY |
ANDRET AND THE TOURNAMENT EPISODE IN BÉROUL'S "TRISTRAN" |
|
46/2, p. 181 |
| Kenneth Urwin |
A NOTE ON ANGLO-NORMAN "MALUER" OR "MALVER" |
|
49/2, p. 182 |
| J.R.R. Tolkien |
SIGELWARA LAND |
|
|
| David Scott-Macnab |
A RE-EXAMINATION OF OCTOVYEN'S HUNT IN "THE BOOK OF THE DUCHESS" |
|
56/2, p. 183 |
| Alexander Bell |
MAISTRE GEFFREI GAIMAR |
|
7/3, p. 184 |
| W.R.J. BARRON |
"JOSEPH OF ARIMATHIE" AND THE "ESTOIRE DEL SAINT GRAAL" |
|
33/3, p. 184 |
| H.B. Willson |
"IR REINEN WÎP, IR WERDEN MAN" (WALTHER 66,21 ff.) |
|
49/2, p. 184 |
| Alison Hanham |
THE TEXT OF THE CELY LETTERS |
|
26/3, p. 186 |
| Avril Henry |
TEMPTATION AND HUNT IN "SIR GAWAIN AND THE GREEN KNIGHT" |
|
45/2, p. 187 |
| MARTHA WALLEN |
SIGNIFICANT VARIATIONS IN THE BURGUNDIAN PROSE VERSION OF "EREC ET ENIDE" |
|
51/2, p. 187 |
| Daniel Anlezark |
An ideal marriage: Abraham and Sarah in Old English literature |
|
69/2, p. 187 |
| B.D.H. Miller |
'SHE WHO HATH DRUNK ANY POTION' ... |
|
31/3, p. 188 |
| ALAN J. FLETCHER |
THE SERMON BOOKLETS OF FRIAR NICHOLAS PHILIP |
|
55/2, p. 188 |
| Tony Hunt |
Fécamp and vernacular historiography |
|
72/2, p. 189 |
| H.B. Willson |
'NEMT, VROWE, DISEN KRANZ' |
|
34/3, p. 189 |
| SERGEY IVANOV, SVETLANA KLEYNER |
The English versions of the Friday legend: three and twelve |
|
84/2, p. 189 |
| A. McI. Trounce |
THE ENGLISH TAIL-RHYME ROMANCES (Continued) |
|
|
| Gweneth Hutchings |
TWO HITHERTO UNNOTICED MANUSCRIPTS OF THE FRENCH PROSE "LANCELOT" |
|
3/3, p. 189 |
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
A REAPPRAISAL OF THE CLOSING SCENES OF THE "POEMA DE MIO CID" II: THE DUELS |
|
58/2, p. 189 |
| LYNNE GRUNDY |
GOD MEDITATES: A MODEL FOR THE 'SALVATION HISTORIES' IN THREE HOMILIES OF ÆLFRIC AND IN HIS "HEXAMERON" |
|
61/2, p. 189 |
| Olive Sayce |
LESLIE SEIFFERT (1934-1990) |
|
59/2, p. 189 |
| Nigel Harris |
THE PRESENTATION OF CLERICAL CHARACTERS IN HARTMANN'S "GREGORIUS" AND IN THE "VIE DU PAPE SAINT GREGOIRE" |
|
64/2, p. 189 |
| PETER DAMIAN-GRINT |
Estoire as word and genre: meaning and literary usage in the twelfth century |
|
66/2, p. 189 |
| SUSAN E. DESKIS |
Jonah and genre in Resignation B |
|
67/2, p. 189 |
| Alexander Bell |
THE ROYAL "BRUT" INTERPOLATION |
|
32/3, p. 190 |
| G.V. Smithers |
THE STYLE OF "HAUELOK" |
|
57/2, p. 190 |
| A.T. FEAR |
Taming Rasputin? Braulio and St Aemilian |
|
76/2, p. 191 |
| ISTVÁN P. BEJCZY |
Gerald of Wales on the cardinal virtues: a reappraisal of De principis instructione |
|
75/2, p. 191 |
| Ad Putter |
The text of Sir Perceval of Galles |
|
70/2, p. 191 |
| Georgia Ronan Crampton |
CHAUCER'S SINGULAR PRAYER |
|
59/2, p. 191 |
| Jill Mann |
ALLEGORICAL BUILDINGS IN MEDIAEVAL LITERATURE |
|
63/2, p. 191 |
| A.G. Rigg |
The tortoise and the snail: a lexical shellgame |
|
77/2, p. 191 |
| TERENCE McCARTHY |
Literary practice in eleventh-century music theory: the colores rhetorici and Aribo’s De musica |
|
71/2, p. 191 |
| Ivor D.O. Arnold |
THOMAS SAMPSON AND THE "ORTHOGRAPHIA GALLICA" |
|
6/3, p. 193 |
| Raphael Levy |
"LA DAMOISELE A LA MURE": ETUDE TEXTUELLE |
|
4/3, p. 194 |
| CLAUDE LUTTRELL |
THE MEDIÆVAL TRADITION OF THE PEARL VIRGINITY |
|
31/3, p. 194 |
| Hugh Shields |
ORAL TECHNIQUES IN WRITTEN VERSE: PHILIPPE DE THAON'S "LIVRE DE SIBILE" |
|
49/2, p. 194 |
| CHARLOTTE BREWER |
Z AND THE A- B- AND C-TEXTS OF "PIERS PLOWMAN" |
|
53/2, p. 194 |
| F.E.A. Arnold |
THE SOURCE OF THE ALEXANDER HISTORY IN B.M. MS SLOANE 289 |
|
33/3, p. 195 |
| J.A.W. Bennett |
DUNBAR'S BIRTH OF ANTICHRIST, 31-2 |
|
26/3, p. 196 |
| Stephen L. Wailes |
STUDENTS AS LOVERS IN THE GERMAN FABLIAU |
|
46/2, p. 196 |
| William J. Entwistle |
SOME COMPARATIVE NOTES ON BALLADS: DANISH, CASTILIAN, YUGOSLAVIC |
|
|
| MILIJA N. PAVLOVIĆ, Roger M. Walker |
MONEY, MARRIAGE AND THE LAW IN THE "POEMA DE MIO CID" |
|
51/2, p. 197 |
| BRUCE BURNAM |
AN UNEDITED ANGLO-NORMAN PROLOGUE TO THE "PASSION DES JONGLEURS" AND ITS RELATION TO THE "PASSIO CHRISTI" OF CLERMONT-FERRAND |
|
60/2, p. 197 |
| D. Whitelock |
BEOWULF 2444-2471 |
|
8/3, p. 198 |
| Thomas D. Hill |
THE FOOL ON THE BRIDGE: 'CAN VEI LA LAUZETA MOVER' STANZA 5 |
|
48/2, p. 198 |
| T.B.W. Reid |
A NOTE ON THE ORIGINS OF FRENCH ON |
|
7/3, p. 199 |
| Henry L. Savage |
A NOTE ON "SIR GAWAIN AND THE GREEN KNIGHT" 1. 1700 |
|
4/3, p. 199 |
| B.K. Martin |
"SIR LAUNFAL" AND THE FOLKTALE |
|
35/3, p. 199 |
| F. Whitehead |
ON CERTAIN EPISODES IN THE FOURTH BOOK OF MALORY'S "MORTE DARTHUR" |
|
|
| D. Biggins |
"CANTERBURY TALES" X (I) 424: 'THE HYNDRE PART OF A SHE-APE IN THE FULLE OF THE MOONE' |
|
33/3, p. 200 |
| Daniel Anlezark |
The stray ending in the Solomonic anthology in Cambridge, Corpus Christi College, MS 422 |
|
80/1, p. 201 |
| Marion E. Gibbs |
ITHER VON GAHEVIEZ AND THE GREEN CASKET: A NOTE ON TREVRIZENT'S ENCOUNTER WITH GAHMURET ("PARZIVAL" 497, 22-498, 20) |
|
48/2, p. 201 |
| D.C. Cox |
THE FRENCH CHRONICLE OF LONDON |
|
45/2, p. 201 |
| CHERYL TAYLOR |
The Cloud-author’s remaking of the Pseudo-Dionysius’ Mystical Theology |
|
75/2, p. 202 |
| Hugh Shields |
THE "LAMENT FOR SIMON DE MONTFORT": AN UNNOTICED TEXT OF THE FRENCH POEM |
|
41/3, p. 202 |
| JOHN BUGBEE |
Sight and sound in St Erkenwald: on theodicy and the senses |
|
77/2, p. 202 |
| John Scattergood |
SKELTON AND TRADITIONAL SATIRE: WARE THE HAUKE |
|
55/2, p. 203 |
| Gweneth Hutchings |
"ISDERNUS" OF THE MODENA ARCHIVOLT |
|
|
| GERALD MORGAN |
Experience and the judgement of poetry: a reconsideration of the Franklin’s Tale |
|
70/2, p. 204 |
| S.O. Andrew |
THREE TEXTUAL CRUXES IN "BEOWULF" |
|
8/3, p. 205 |
| Tony Hunt |
AN ANGLO-NORMAN TREATISE ON FEMALE RELIGIOUS |
|
64/2, p. 205 |
| BELLA MILLETT |
THE ORIGINS OF "ANCRENE WISSE": NEW ANSWERS, NEW QUESTIONS |
|
61/2, p. 206 |
| Linda Marshall |
THE AUTHORSHIP OF THE ANGLO-NORMAN POEM "CORSET" |
|
42/3, p. 207 |
| Alastair Minnis |
JOHN GOWER, "SAPIENS" IN ETHICS AND POLITICS |
|
49/2, p. 207 |
| NEIL ADKIN |
THE PROEM OF WALTER OF CHÂTILLON'S "ALEXANDREIS": 'SI ... NOSTROS UIXISSET IN ANNOS' |
|
60/2, p. 207 |
| CATHERINE NALL |
Malory’s Morte Darthur and the rhetoric of war |
|
79/2, p. 207 |
| Bruce Harbert |
THE MYTH OF TEREUS IN OVID AND GOWER |
|
41/3, p. 208 |
| ROBERT ADAMS |
THE RELIABILITY OF THE RUBRICS IN THE B-TEXT OF "PIERS PLOWMAN" |
|
54/2, p. 208 |
| C. ANNETTE GRISÉ |
Women’s devotional reading in late-medieval England and the gendered reader |
|
71/2, p. 209 |
| Johan Vising |
DEUX CAS DE MÉTATHÈSE VOCALIQUE EN FRANÇAIS |
|
6/3, p. 210 |
| Stephen J. Miko |
MALORY AND THE CHIVALRIC ORDER |
|
35/3, p. 211 |
| PETER WILLIAM HURST |
ÊNÎTE'S DOMINION OVER THE HORSES: NOTES ON THE COALESCENCE OF PLATONIC AND HAGIOGRAPHIC ELEMENTS IN AN EPISODE FROM HARTMANN'S "ÊREC" |
|
63/2, p. 211 |
| Robert Easting |
PETER OF BRAMHAM'S ACCOUNT OF A CHAPLAIN'S VISION OF PURGATORY (c. 1343?) |
|
65/2, p. 211 |
| Daron Burrows |
Le Chastiement des c!ers: a dit concerning the Nations of the University of Paris, edited from Paris, Bibliothèque Nationale, MS f. fr. 837 |
|
69/2, p. 211 |
| DEBORAH YOUNGS |
Vision in a Trance: a fifteenth-century vision of Purgatory |
|
67/2, p. 212 |
| Daniel McCann |
Words of fire and fruit: the psychology of prayer words in the Cloud of Unknowing |
|
84/2, p. 213 |
| P.J.C. Field |
THOMAS MALORY: THE HUTTON DOCUMENTS |
|
48/2, p. 213 |
| Linda M. Paterson |
GREAT COURT FESTIVALS IN THE SOUTH OF FRANCE AND CATALONIA IN THE TWELFTH AND THIRTEENTH CENTURIES |
|
51/2, p. 213 |