K.P. Clarke |
Karl Steel, How to Make a Human: Animals and Violence in the Middle Ages |
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82/1, p. 318 |
Katie L. Walter |
Mark Amsler, Affective Literacies: Writing and Multilingualism in the Late Middle Ages |
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82/1, p. 319 |
Luke Sunderland |
Mary Franklin-Brown, Reading the World: Encyclopedic Writing in the Scholastic Age |
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82/1, p. 321 |
Thomas Hinton |
Marisa Galvez, Songbook: How Lyrics Became Poetry in Medieval Europe |
|
82/1, p. 322 |
Claire Boyle |
Bettina Bildhauer, Filming the Middle Ages |
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82/1, p. 323 |
Katherine Heavey |
John Flood, Representations of Eve in Antiquity and the English Middle Ages |
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82/1, p. 324 |
Jeffrey Hamburger |
Barbara Baert, Caput Johannis in Disco (Essay on a Man’s Head), trans. Irene Schaudies |
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82/1, p. 325 |
RICHARD GAMESON |
Catherine E. Karkov, The Art of Anglo-Saxon England |
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82/1, p. 326 |
Anthony P. Bale |
Adrienne Williams Boyarin, Miracles of the Virgin in Medieval England: Law and Jewishness in Marian Legends |
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82/1, p. 328 |
|
The Ashgate Research Companion to Byzantine Hagiography, vol. I: Periods and Places, ed. Stephanos Efthymiadis |
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82/1, p. 329 |
RICHARD GAMESON |
Donald Scragg, A Conspectus of Scribal Hands Writing English, 960-1100 |
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82/1, p. 331 |
Daniel Anlezark |
Hiroshi Ogawa, Language and Style in Old English Composite Homilies |
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82/1, p. 332 |
Daniel Anlezark |
Dieter Bitterli, Say What I Am Called: The Old English Riddles of the Exeter Book and the Anglo-Latin Riddle Tradition |
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82/1, p. 333 |
A.V.C. Schmidt |
Lawrence Warner, The Lost History of ‘Piers Plowman’: The Earliest Transmission of Langland’s Work |
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82/1, p. 334 |
PETER BROWN |
K. P. Clarke, Chaucer and Italian Textuality |
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82/1, p. 336 |
Jeremy Dimmick |
Jamie C. Fumo, The Legacy of Apollo: Antiquity, Authority, and Chaucerian Poetics |
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82/1, p. 337 |
John Scattergood |
David R. Carlson, John Gower, Poetry and Propaganda in Fourteenth-Century England |
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82/1, p. 338 |
Elisabeth Dutton |
Joanne Findon, Lady, Hero, Saint: The Digby Play’s Mary Magdalene |
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82/1, p. 339 |
Katie L. Walter |
Stephanie A. Viereck Gibbs Kamath, Authorship and First-Person Allegory in Late Medieval France and England |
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82/1, p. 341 |
Fionnùala E. Sinclair |
Paula Leverage, Reception and Memory: A Cognitive Approach to the ‘Chanson de geste’ |
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82/1, p. 342 |
Alex Stuart |
Sharon Kinoshita and Peggy McCracken, Marie de France: A Critical Companion |
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82/1, p. 343 |
MATILDA TOMARYN BRUCKNER |
Leah Tether, The ‘Continuations’ of Chretien’s ‘Perceval’: Content and Construction, Extension and Ending |
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82/1, p. 344 |
WILLIAM J. COURTENAY |
Sean L. Field, The Beguine, the Angel, and the Inquisitor: The Trials of Marguerite Porete and Guiard of Cressonessart |
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82/1, p. 346 |
Merryn Everitt |
Caroline Prud’Homme, Le Discours sur le voyage chez les écrivains de la fin du Moyen Âge |
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82/1, p. 347 |
Megan Moore |
Rima Devereaux, Constantinople and the West in Medieval French Literature: Renewal and Utopia |
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82/1, p. 348 |
Francesca Galligan |
Albert Russell Ascoli, Dante and the Making of a Modern Author |
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82/1, p. 350 |
Kevin Marples |
Edoardo Fumagalli, Il giusto Enea e il pio Rifeo |
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82/1, p. 351 |
Lesley Twomey |
Joseph T. Snow, The Poetry of Alfonso X: An Annotated Critical Bibliography (1278-2010) |
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82/1, p. 352 |
Sarah V. Buxton |
Emma Gatland, Women from the ‘Golden Legend’: Female Authority in a Medieval Castilian Sanctoral |
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82/1, p. 353 |
JUAN-CARLOS CONDE |
Nancy F. Marino, Jorge Manrique’s ‘Coplas por la muerte de su padre’: A History of the Poem and its Reception |
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82/1, p. 354 |
Stephen Mossman |
Urban Federer, Mystische Erfahrung im literarischen Dialog. Die Briefe Heinrichs von Nördlingen an Margaretha Ebner |
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82/1, p. 356 |
Mara Ioriatti |
Augustine Thompson, OP, Francis of Assisi: A New Biography |
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82/1, p. 358 |
David Rundle |
Carrie E. Beneš, Urban Legends: Civic Identity and the Classical Past in Northern Italy, 1250-1350 |
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82/1, p. 359 |
Allan Westphall |
J. Patrick Hornbeck II, What is a Lollard? Dissent and Belief in Late Medieval England |
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82/1, p. 360 |