| William J. Entwistle |
Studia Norvegica; ethnologica et folkloristica I |
|
17/, p. 53 |
| Nicolas Jacobs |
Gerald Morgan, The Tragic Argument of ‘Troilus and Criseyde’ |
|
78/1, p. 134 |
| Francesca Galligan |
Gary P. Cestaro, Dante and the Grammar of the Nursing Body, The William and Katherine Devers Series in Dante Studies |
|
74/1, p. 145 |
| Paul L. Priest |
Cultural Thematics: the Formation of the Faustian Ethos, by T. K. Seung |
|
47/1, p. 146 |
| NADIA CANNATA SALAMONE |
Commentary and Ideology: Dante in the Renaissance, by Deborah Parker |
|
65/1, p. 151 |
| N.S. THOMPSON |
The Song of Troilus: Lyric Authority in the Medieval Book, by Thomas C. Stillinger |
|
63/1, p. 157 |
| J.A. Scott |
The World of Dante: Six Studies in Language and Thought, by S. Bernard Chandler, J. A. Molinaro |
|
37/2, p. 200 |
| George Watson |
Lord Morley's 'Tryumphes of Fraunces Petrarcke': The first English Translation of the 'Trionfi', by D. D. Carnicelli |
|
41/3, p. 279 |
| Patrick Boyde |
Wie Dante das Jenseits erfährt. Zur Erkenntnistheorie des Dichters der Göttlichen Komödie, by Willi Hirdt |
|
60/2, p. 320 |
| L. Pertile |
'L'etterno piacer': Aesthetic Ideas in Dante, by J. F. Took |
|
55/2, p. 327 |
| N.S. THOMPSON |
Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |
|
62/2, p. 327 |
| GARY P. CESTARO |
Word and Drama in Dante: Essays on the Divina Commedia, by John C. Barnes, Jennifer Petrie |
|
64/2, p. 337 |