| Helen C.R. Laurie |
The Mirror of Narcissus in the Courtly Love Lyric, by Frederick Goldin |
|
38/1, p. 67 |
| K.W. Humphreys |
Handwriting in England and Wales, by N. Denholm-Young |
|
24/2, p. 104 |
| L.M.J. Delaissé |
Die illustrierten Handschriften der Burgerbibliothek Bern. Die Vorkarolingischen und Karolingischen Handschriften, by Otto Homburger |
|
32/2, p. 131 |
| J.H. Mozley |
Ecbasis cuiusdam captivi. Escape of a certain captive. An Eleventh-Century Latin Beast Epic, by Edwin H. Zeydel |
|
34/2, p. 135 |
| Norman Klassen |
Amanda Holton, The Sources of Chaucer’s Poetics |
|
80/2, p. 139 |
| CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
|
64/1, p. 151 |
| J.H. Whitfield |
Chronicle into History, by Louis Green |
|
43/2, p. 190 |
| J.A.W. Bennett |
The History of All Souls College Library, by Edmund Craster, E. F. Jacob |
|
42/3, p. 297 |
| JOHN MILES FOLEY |
Early Epic Scenery: Homer, Virgil, and the Medieval Legacy, by Theodore M. Andersson |
|
47/2, p. 318 |
| S.J. HARRISON |
Thomas M. S. Lehtonen, Fortuna, Money and the Sublunar World· Twelfth-Century Ethical Poetics and the Satirical Poetry of the 'Carmina Burana' |
|
66/2, p. 321 |
| Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
|
77/2, p. 325 |
| J.A. Burrow |
The Forest of Medieval Romance: Avernus, Broceliande, Arden, by Corinne J. Saunders |
|
63/2, p. 337 |
| Helen Swift |
Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the ‘Roman de la Rose’, Research Monographs in French Studies 31 (Helen J. Swift) |
|
79/2, p. 341 |
| Nigel Palmer |
Die deutsche Literatur des Mittelalters. Verfasserlexikon, 2nd, completely revised edn, Vol. XIII: Register der Drucke, sonstigen Textzeugen, Initien; Vol. XIV: Register der Personennamen, Werktitel, Bibelstellen, ed. Burghart Wachinger et al., contd. Karl Langosch, founded by Wolfgang Stammler |
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79/2, p. 343 |
| Mark Chinca |
Heinrich von Veldeke und Ovid, by Renate Kistler |
|
64/2, p. 347 |
| Francesca Galligan |
Teodolinda Barolini, Dante and the Origins of Italian Literary Culture |
|
78/2, p. 352 |
| P.G. Walsh |
The Genius Figure in Antiquity and the Middle Ages, by Jane Chance Nitzsche |
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