| P.G. Walsh |
The Goddess Natura in Medieval Literature, by George D. Economou |
|
|
| Colin Hardie |
Catalogus Codicum Graecorum et Latinorum Bibliothecae Gotoburgensis, by Tönnes Kleberg |
|
15/, p. 76 |
| Colin Hardie |
The Discarded Image: an Introduction to Medieval and Renaissance Literature, by C. S. Lewis |
|
37/1, p. 95 |
| R. HASTINGS |
Before the 'Knight's Tale': Imitation of Classical Epic in Boccaccio's 'Teseida', by D. Anderson |
|
60/1, p. 112 |
| Colin Hardie |
Dante, die göttliche Komödie. Kommentar, III Teil: das Paradies, by Hermann Gmelin |
|
28/2, p. 121 |
| CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
|
64/1, p. 151 |
| DAVID ANDERSON |
The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor |
|
61/1, p. 153 |
| STEVEN BOTTERILL |
John Kleiner, Mismapping the Underworld: Daring and Error in Dante's 'Comedy' |
|
66/1, p. 154 |
| Jill Mann |
A Chaucer Dictionary: Proper. Names and Allusions Excluding Place Names, by Bert Dillon |
|
47/1, p. 159 |
| Helen C.R. Laurie |
The Theme of Love in the Romans d'antiquité, by R. Jones |
|
42/2, p. 166 |
| Patrick Boyde |
Chaucer and Boccaccio. (Medium Ævum Monographs, 8). Society for the Study of Mediæval Languages and Literature, by Piero Boitani |
|
50/1, p. 167 |
| Roy Harris |
Chrétien und die Aeneis. Eine Untersuchung des Einflusses von Vergil auf Chrétien von Troyes, by Werner Ziltener |
|
27/3, p. 186 |
| J.A. Burrow |
The Forest of Medieval Romance: Avernus, Broceliande, Arden, by Corinne J. Saunders |
|
63/2, p. 337 |