| Nigel Abercrombie |
The Medieval Latin and Romance Lyric, by F. Brittain |
|
8/1, p. 57 |
| Helen C.R. Laurie |
The Mirror of Narcissus in the Courtly Love Lyric, by Frederick Goldin |
|
38/1, p. 67 |
| C. David Benson |
The Idea of the Labyrinth from Classical Antiquity through the Middle Ages, by Penelope Reed Doob |
|
61/1, p. 106 |
| WINTHROP WETHERBEE |
Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality, by Ruth Morse |
|
61/1, p. 110 |
| Norman Klassen |
Amanda Holton, The Sources of Chaucer’s Poetics |
|
80/2, p. 139 |
| CLAIRE E. HONESS |
Dante e la 'bella scola' della poesia: autorità e sfida poetica, by Amilcare A. Iannucci |
|
64/1, p. 151 |
| DAVID ANDERSON |
The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor |
|
61/1, p. 153 |
| N.R. Ker |
Inventari di libri di San Domenico di Perugia (1430—80). (Sussidi Eruditi, 15), by Tommaso Kaeppeli |
|
34/2, p. 167 |
| Patrick Boyde |
Chaucer and Boccaccio. (Medium Ævum Monographs, 8). Society for the Study of Mediæval Languages and Literature, by Piero Boitani |
|
50/1, p. 167 |
| Bruce Harbert |
Ovid and the Canterbury Tales, by Richard L. Hoffman |
|
39/2, p. 215 |
| P.G. Walsh |
Hildebertus: Carmina Minora, by A. B. Scott |
|
41/3, p. 244 |
| HELEN S. HOUGHTON |
Medieval Body Language: a study of the use of gesture in Chaucer's poetry, Anglistica, 21 (Copenhagen: Rosenkilde & Bagger, 1980), by Robert G. Benson |
|
51/2, p. 261 |
| Faith Lyons |
Le Rire et le Sourire dans le Roman Courtois en France au Moyen Âge (1150-1250) (Publications Romanes et Françaises CV), by Philippe Ménard |
|
43/3, p. 283 |
| Ruth Evans |
Florence Percival, Chaucer's Legendary Good Women, Cambridge Studies in Medieval Literature 38 |
|
69/2, p. 303 |
| Lynette Muir |
La Faiblesse chez Gautier de Coinci. (Stanford French and Italian Studies 14), by Brigitte Cazelles |
|
49/2, p. 310 |
| CONOR MCCARTHY |
Warren S. Smith (ed.), Satiric Advice on Women and Marriage: From Plautus to Chaucer |
|
76/2, p. 312 |
| Brian Murdoch |
Olive Sayce, Exemplary Comparison from Homer to Petrarch |
|
77/2, p. 325 |
| Bruce Harbert |
The Narcissus Theme in Western European Literature up to the Early Nineteenth Century, by Louise Vinge, Robert Dewsnap, Nigel Reeves |
|
37/3, p. 341 |
| Helen Swift |
Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the ‘Roman de la Rose’, Research Monographs in French Studies 31 (Helen J. Swift) |
|
79/2, p. 341 |
| Sylvia Huot |
Douglas Kelly, Internal Differences and Meanings in the Roman de la Rose |
|
67/2, p. 344 |
| Mark Chinca |
Heinrich von Veldeke und Ovid, by Renate Kistler |
|
64/2, p. 347 |
| Francesca Galligan |
Teodolinda Barolini, Dante and the Origins of Italian Literary Culture |
|
78/2, p. 352 |