| C.W. MARX |
The Devil at Baptism: Ritual, Theology, and Drama, by Henry Ansgar Kelly |
|
57/1, p. 82 |
| C. David Benson |
The Idea of the Labyrinth from Classical Antiquity through the Middle Ages, by Penelope Reed Doob |
|
61/1, p. 106 |
| Jocelyn Wogan-Browne |
Images of Sainthood in Medieval Europe, by Renate Blumenfeld-Kosinski, Timea Szell |
|
62/1, p. 109 |
| WINTHROP WETHERBEE |
Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality, by Ruth Morse |
|
61/1, p. 110 |
| Sylvia Huot |
Suzanne Conklin Akbari, Idols in the East: European Representations of Islam and the Orient, 1100-1450 |
|
79/1, p. 131 |
| JEAN DUNBABIN |
Simone Roux, Paris in the Middle Ages, trans. Jo Ann McNamara |
|
79/1, p. 156 |
| DANUTA SHANZER |
The Poetry of Boethius, by Gerard O'Daly |
|
63/2, p. 306 |
| Thomas D. Hill |
Old English Poetry in Medieval Christian Perspective: a Doctrinal Approach, by Judith N. Garde |
|
61/2, p. 309 |
| EMMA HORNBY |
Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages |
|
77/2, p. 328 |
| SHERRON E. KNOPP |
Elizabeth Fowler, Literary Character: The Human Figure in Early English Writing |
|
73/2, p. 335 |
| ROSALIND BROWN-GRANT |
The Allegory of Female Authority: Christine de Pizan;s 'Cité des Dames', by Maureen Quilligan |
|
62/2, p. 350 |
| BEN PARSONS |
John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe |
|
77/2, p. 350 |