Colin Hardie |
Dante Die göttliche Komödie. Kommentar I Teil. Die Hölle, by Herman Gmelin |
|
24/1, p. 35 |
R.L.G. Ritchie |
The French Background of Middle Scots Literature, by Janet M. Smith |
|
4/1, p. 44 |
Richard Axton |
Babio: A Twelfth Century Profane Comedy. The Citadel: Monograph Series, Number VII, by Malcolm M. Brennan |
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39/1, p. 49 |
Jill Mann |
Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion, by Caroline Walker Bynum |
|
62/1, p. 111 |
R. HASTINGS |
Before the 'Knight's Tale': Imitation of Classical Epic in Boccaccio's 'Teseida', by D. Anderson |
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60/1, p. 112 |
James Simpson |
Imitating God: the Allegory of Faith in 'Piers Plowman' B, by Pamela Raabe |
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61/1, p. 121 |
DAVID ANDERSON |
The Shades of Aeneas: the Imitation of Virgil and the History of Paganism in Boccaccio's 'Filostrato', 'Filocolo' and 'Teseida', by James H. McGregor |
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61/1, p. 153 |
ELEONORA STOPPINO |
Jo Ann Cavallo, The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure |
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75/1, p. 162 |
R.A. Browne |
Humanistische Prosatexte aus Mittelalter und Renaissance. (Sammlung romanischer Übungstexte 42. Bd.), by Jürgen von Stackeiberg |
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29/3, p. 209 |
JOHN C. HIRSH |
Three Studies in Medieval Religious and Social Thought: The Interpretation of Mary and Martha, The Ideal of the Imitation of Christ, The Orders of Society, by Giles Constable |
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65/2, p. 302 |
Ruth Morse |
A Muse for Heroes: Nine Centuries of the Epic in France, by William Calin |
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55/2, p. 306 |
PENNY ELEY |
Philippe Logié, L'Enéas: une traduction au risque de l'invention |
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69/2, p. 316 |
EMMA HORNBY |
Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages |
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77/2, p. 328 |
BEN PARSONS |
John Parker, The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe |
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77/2, p. 350 |
JEAN DUNBABIN |
The Making of Europe: Conquest, Colonization and Cultural Change, 950-1350, by Robert Bartlett |
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63/2, p. 356 |
ADRIAN STEVENS |
Tristan in the Underworld: a Study of Gottfried von Strassburg's 'Tristan' together with the 'Tristan' of Thomas, Studies in Mediaeval Literature, 10, by Neil Thomas |
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62/2, p. 357 |
DAVID COWLING |
Antitus: Poésies, Textes littéraires français 422, by Manuela Python |
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63/2, p. 359 |
Jeffrey Hamburger |
Annette Volfing, John the Evangelist and Medieval German Writing: Imitating the Inimitable |
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71/2, p. 364 |