| Priscilla Preston |
Devotional Pieces in Verse and Prose from MS. Arundel 285 and MS. Harleian 6919. (Third series, no. 23), by J. A. W. Bennett |
|
27/1, p. 45 |
| JOHN C. HIRSH |
Claire Fanger (ed.), Conjuring Spirits: Texts and Traditions ef Medieval Ritual Magic, Magic in History Series |
|
69/1, p. 111 |
| T.F.T. Plucknett |
La 'Soutenance' ou 'Pourvéance' dans le droit coutumier français aux XIIIe et XIVe siècles. Librairie du Recueil Sirey, by Jean de Laplanche |
|
25/2, p. 112 |
| Éamonn Ó Carragáin |
Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw |
|
61/1, p. 116 |
| ELEONORA STOPPINO |
Jo Ann Cavallo, The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure |
|
75/1, p. 162 |
| HELEN BARR |
Dillian Gordon, Lisa Monnas, and Caroline Elam (eds.), Caroline M. Barron (intr.), The Regal Image of Richard II and the Wilton Diptych |
|
68/1, p. 164 |
| Paul R. Hyams |
Felony and Misdemeanor: a study in the history of the criminal law, by Julius Goebel jr., Edward Peters |
|
47/1, p. 206 |
| CAROLINNE WHITE |
Gerald A. Bond, The Loving Subject: Desire, Eloquence and Power in Romanesque France |
|
66/2, p. 323 |
| Mark Campbell Chambers |
Penny Granger, The N-Town Play: Drama and Liturgy in Medieval East Anglia, Westfield Medieval Studies |
|
79/2, p. 328 |
| CORY J. RUSHTON |
Isabel Davis, Writing Masculinity in the Later Middle Ages |
|
77/2, p. 331 |