A.G. Rigg |
A Mirror of medieval culture: Saint Peter hymns of the Middle Ages. vol. 64, by Joseph Szövérffy |
|
36/1, p. 56 |
Claude Jenkins |
Byzantine studies and other essays, by Norman H. Baynes |
|
24/1, p. 60 |
J.H. Watkins |
The medieval French drama, by Grace Frank |
|
24/1, p. 62 |
David Luscombe |
Bernado di Chiaravalle: Grazia e Libero Arbitrio and Bernardo di Chiaravalle: Le Lettere contro Pietro Abelardo, Collana di 'Testi e Saggi', 1 and 3, by Albino Babolin, Domenico Pesce |
|
40/1, p. 66 |
J.R.L. Highfield |
The King's Hall. (Cambridge Studies in Medieval Life and Thought. 3rd ser., vol. 1), by Alan B. Cobban |
|
39/1, p. 70 |
A.A. Prins |
Old French and Modern English Idiom, by John Orr |
|
33/1, p. 71 |
T.S.R. Boase |
The Joshua Roll. (Studies in MS. Illumination, No. 3), by Kurt Weitzmann |
|
18/, p. 75 |
Alfred Ewert |
'La locution française à fleur de, esp. a flor de, it. a flor di, etc.' (Separat ur Göteborgs Hogskolas arsskrift, 39), by Johan Vising |
|
3/1, p. 78 |
Roy Harris |
Das Abstraktem in der französischen Literatursprache des Mittelalters. (Romanica Helvetica Vol. 73), by Siegfried Heinimann |
|
34/1, p. 83 |
Reinard W. Zandvoort |
The History of Reynard the Fox, (Early English Text Society no. 263), by William Caxton, N. F. Blake |
|
40/1, p. 83 |
C.L. Wrenn |
The Gothic version of the Epistles: a study of its style and textual history, by G. W. S. Friedrichsen |
|
12/, p. 84 |
W.J. Gruffydd |
The Mabinogion: a new translation, by Gwyn Jones, Thomas Jones |
|
21/, p. 91 |
K.W. Humphreys |
Handwriting in England and Wales, by N. Denholm-Young |
|
24/2, p. 104 |
A.B. Scott |
Dictionary of Medieval Latin from British Sources, by R. E. Latham |
|
46/1, p. 105 |
F.J.E. Raby |
La poésie latine rythmique du haut moyen âge, (Studia Latina Holmensia II), by Dag Norberg |
|
23/2, p. 106 |
David Luscombe |
Lanfranc of Bec, by Margaret Gibson |
|
49/1, p. 108 |
Éamonn Ó Carragáin |
Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival, Cambridge Studies in Anglo-Saxon England, 1, by Barbara Raw |
|
61/1, p. 116 |
A.I. Doyle |
English Vernacular Hands from the Twelfth to the Fifteenth Centuries, (Oxford Palæographical Handbooks), by C. E. Wright |
|
30/2, p. 117 |
RICHARD FIRTH GREEN |
A Guide to Early Irish Law (Dublin: Dublin Institute for Advanced Studies, 1988), by Fergus Kelly |
|
62/1, p. 118 |
L.M.J. Delaissé |
Catalogue of Astrological and Mythological Illuminated Manuscripts of the Latin Middle Ages. IV. Astrological Manuscripts in Italian Libraries (other than Rome), by Patrick McGurk |
|
37/1, p. 120 |
Michael Clanchy |
France in the Making, 843-1180, by Jean Dunbabin |
|
57/1, p. 127 |
R.P. FIELD |
Counsel and Strategy in Middle English Romance, by Geraldine Barnes |
|
63/1, p. 127 |
John L. Flood |
Ursula Rautenberg, ‘Die Entstehung und Entwicklung des Buchtitelblatts in der Inkunabelzeit in Deutschland, den Niederlanden und Venedig: Quantitative und qualitative Studien’, Archiv für Geschichte des Buchwesens, 62 (2008) |
|
78/1, p. 127 |
N.F. Blake |
The Manuscripts of the 'Canterbury Tales', Chaucer Studies, 17, by Charles A. Owen Jr., |
|
62/1, p. 130 |
John Scattergood |
'Many a Song and Many a Leccherous Lay': Tradition and Individuality in Chaucer's Lyric Poetry, Garland Studies in Medieval Literature 6, by Jay Ruud |
|
63/1, p. 135 |
C.R. Dodwell |
Norman Illumination at Mont St. Michel, 966-1100, by J. J. G. Alexander |
|
41/2, p. 137 |
M.O'C. Walshe |
‘Wigalois’ und ‘Diu Crone’. Zwei Kapitel zur Gattungsgeschichte des Nachklassischen Aventiureromans. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 57), by Christoph Cormeau |
|
47/1, p. 137 |
John M. Fletcher |
The Medieval Universities: Their Development and Organization, by A. B. Cobban |
|
45/1, p. 139 |
C. Foligno |
The Transition from the late Latin Lyric to the medieval Love Poem, by Stephen Gaselee |
|
|
MARTIN McLAUGHLIN |
Florence, Rome and the Origins of the Renaissance, by George Holmes |
|
57/1, p. 142 |
F.G. Sitwell |
The Mediæval Mystics of England, by Eric Colledge |
|
32/2, p. 145 |
M.L. Samuels |
The English Syntactical Type 'One the best man' and its occurrence in other Germanic languages, by Tauno F. Mustanoja |
|
29/2, p. 147 |
JAMES CHATER |
Music in Renaissance Ferrara, 1400-1505: the Creation of a Musical Center in the Fifteenth Century, Studies in the History of Music, 2, by Lewis Lockwood |
|
56/1, p. 147 |
Ludwig Bieler |
English Caroline Minuscule. (Oxford Palaeographical Handbooks), by T. A. M. Bishop |
|
42/2, p. 154 |
WILLIAM J. COURTENAY |
Wyclif in his Times, by Anthony Kenny |
|
58/1, p. 154 |
JUDITH JESCH |
Studies in ‘Ragnars saga Loðbrókar’ and its Major Scandinavian Analogues, Medium Ævum Monographs, n. s. 15, by Rory McTurk |
|
62/1, p. 156 |
Almut Suerbaum |
Frühe deutsche Literatur und lateinische Literatur in Deutschland 800-1150, by Walter Haug, Benedikt Konrad Vollmann |
|
62/1, p. 157 |
MARIANNE AILES |
Naissance et développement de la chanson de geste en Europe, V: La Geste de Fierabras, Le Jeu du réel et de l'invraisemblable, avec des textes inédits, by A. de Mandach |
|
58/1, p. 163 |
Peter Dronke |
Manuel pratique de latin médiéval. (Connaissance des Langues, vol. IV), by Dag Norberg |
|
39/2, p. 167 |
Elizabeth Porter |
The Rise of Romance, by Eugene Vinaver |
|
42/2, p. 168 |
Gordon Leff |
The Figurae of Joachim of Fiore. (Oxford-Warburg Studies), by Marjorie Reeves, Beatrice Hirsch-Reich |
|
43/2, p. 185 |
G.W.S. Friedrichsen |
Die lateinische Vorlage der westsächsischen Evangelienversion, Heft IX, by Hans Glunz |
|
|
R.A. Browne |
Humanistische Prosatexte aus Mittelalter und Renaissance. (Sammlung romanischer Übungstexte 42. Bd.), by Jürgen von Stackeiberg |
|
29/3, p. 209 |
J.E. Fagg |
English Cursive Book Hands, 1200-1500, by M. B. Parkes |
|
40/2, p. 212 |
Dorothy Everett |
The Place of Group F in the Canterbury Chronology, by Laurence Faulkner Hawkins |
|
7/3, p. 213 |
R.T. Davies |
The Seasons of the Year: Chapters on a Motif from Beowulf to the Shepherd's Calendar, by N. E. Enkvist |
|
28/3, p. 218 |
Alfred Ewert |
L'Art du moyen âge (Arts plastiques. Art littéraire) et la Civilisation française (avec 2 cartes et 20 planches hors texte), by Louis Réau, Gustave Cohen |
|
6/3, p. 227 |
Anthony Gervase Mathew |
The Cambridge Mediaval History, Vol. IV: The Byzantine Empire, Part II: Government, Church and Civilisation, by J. M. Hussey |
|
37/2, p. 227 |
D.A.C. |
Magistri Eckardi Opera Latina auspiciis Instituti Sanctae Sabinae ad codicum fidem edita. XIII. Quaestiones Parisienses, by Raymundus Klibansky |
|
6/3, p. 233 |
John M. Fletcher |
The Mediæval Statutes of the College of Autun at the University of Paris. (Texts and Studies in the History of Mediæval Education XIII), by David Sanderlin |
|
41/3, p. 288 |
Richard Beadle |
The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall |
|
55/2, p. 296 |
James Simpson |
Piers Plowman: Etudes sur la genèse littéraire des trois versions, by Guy Bourquin |
|
54/2, p. 302 |
JAN ČERMÁK |
A Grammar of Old English, Vol. I: Phonology, by Richard M. Hogg |
|
62/2, p. 312 |
D.D.R. Owen |
Le 'Galien' de Cheltenham, Purdue University Monographs in Romance Languages, 7, by David M. Dougherty, Eugene B. Barnes |
|
52/2, p. 323 |
Norman Klassen |
Dolores L. Cullen, Chaucer’s Pilgrims: The Allegory |
|
72/2, p. 327 |
STEWART GREGORY |
Le Relatif-interrogatif en ancien français, Publications romanes et françaises, 191, by Pierre Kunstmann |
|
61/2, p. 329 |