| MARK BALFOUR |
MOSES AND THE PRINCESS: JOSEPHUS' "ANTIQUITATES JUDAICAE" AND THE "CHANSONS DE GESTE" |
|
64/1, p. 1 |
| DAVID J. SHIRT |
THE DIDO EPISODE IN ENÉAS: THE RESHAPING OF TRAGEDY AND ITS STYLISTIC CONSEQUENCES |
|
51/1, p. 3 |
| PRISCILLA J. BAWCUTT |
LEXICAL NOTES ON GAVIN DOUGLAS'S "ENEADOS" |
|
40/1, p. 48 |
| ROGER PENSOM |
INSIDE AND OUTSIDE: FACT AND FICTION IN "FOUKE LE FITZ WARYN" |
|
63/1, p. 53 |
| JOHN CARTWRIGHT |
SIR GILBERT HAY'S "ALEXANDER": A STUDY IN TRANSFORMATIONS |
|
60/1, p. 61 |
| GERALD MORGAN |
A DEFENCE OF DORIGEN'S COMPLAINT |
|
46/1, p. 77 |
| NICOLE D. SMITH |
Estreitement bendé: Marie de France’s Guigemar and the erotics of tight dress |
|
77/1, p. 96 |
| D.J.A. Ross |
ALEXANDER IN THE "LIBER FLORIDUS" OF LAMBERT OF ST. OMER |
|
31/2, p. 125 |
| Helen C.R. Laurie |
"ENEAS" AND THE "LANCELOT" OF CHRETIEN DE TROYES |
|
37/2, p. 142 |
| Constance Bullock-Davies |
L'UEVRE SALEMUN |
|
29/3, p. 173 |
| CATHERINE NALL |
Malory’s Morte Darthur and the rhetoric of war |
|
79/2, p. 207 |