HUGH WHITE |
Piers Plowman and the Image of God, by Daniel M. Murtaugh |
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51/1, p. 119 |
Daniel Wakelin |
Robert J. Meyer-Lee, Poets and Power from Chaucer to Wyatt, Cambridge Studies in Medieval Literature 61 |
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77/1, p. 133 |
JONATHAN USHER |
Gregory Stone, The Ethics of Nature in the Middle Ages: On Boccaccio's Poetaphysics |
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69/1, p. 163 |
Stanley Fabian Parmisano O.P. |
Angels: Volume 10 of the Dominican translation Summa Theologiae, by Thomas Aquinas, Kenelm Foster |
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38/2, p. 190 |
JAN ZIOLKOWSKI |
Alan of Lille: 'De Planctu naturae'. Studi Medievali serie terza XIX 2, by Nikolaus M. Häring |
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50/2, p. 312 |
Charles S.F. Burnett |
Marina Smyth, Understanding the Universe in Seventh-Century Ireland, Studies in Celtic History 15 |
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67/2, p. 319 |
JOHN C. HIRSH |
Mary Clemente Davlin, OP, The Place of God in 'Piers Plowman' and Medieval Art (Aldershot: Ashgate, 2001) |
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71/2, p. 330 |
JOHN TOOK |
Zygmunt G. Barański, Dante e i segni: saggi per una storia intellettuale di Dante Alighieri |
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71/2, p. 358 |
P.G. Walsh |
The Genius Figure in Antiquity and the Middle Ages, by Jane Chance Nitzsche |
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