| Peter Rickard |
Die frühen Darstellungen des Arthurstoffes. (Arbeits gemeinschaft für Forschung des Landes Nordrhein-Westfalen, Geisteswissenschaften, Heft 73), by Walter F. Schirmer |
|
28/1, p. 57 |
| Anselm Hughes |
'Sumer is icumen in' a revision. (University of California Publications in Music. Vol. II No. 2), by Manfred F. Bukofzer |
|
13/, p. 78 |
| John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
|
49/1, p. 96 |
| JACQUELINE BEAUMONT |
Marius: 'On the Elements'. A critical edition and translation. (Centre for Mediaeval and Renaissance Studies UCLA X), by Richard C. Dales |
|
48/1, p. 115 |
| ANNA BALDWIN |
Medieval French Literature and Law, by R. Howard Bloch |
|
49/1, p. 126 |
| Anthony P. Bale |
Catherine S. Cox, The Judaic Other in Dante, the ‘Gawain’ Poet, and Chaucer |
|
76/1, p. 129 |
| PHILIP E. BENNETT |
Saints and Scribes: Medieval Hagiography in its Manuscript Context, by Pamela Gehrke |
|
64/1, p. 135 |
| A.V.C. Schmidt |
George Russell and George Kane (eds.), Piers Plowman: The C Version |
|
67/1, p. 135 |
| Percy Simpson |
The Medieval Heritage of Elizabethan Tragedy, by Willard Farnham |
|
7/2, p. 138 |
| Linda M. Paterson |
L' Amour et la guerre: L'Oeuvre de Bertran de Born, by Gérard Gouiran |
|
57/1, p. 138 |
| L. Pertile |
Tragedy and Comedy from Dante to Pseudo-Dante, University of California Publications on Modern Philology, 121, by Henry Ansgar Kelly |
|
60/1, p. 139 |
| Anne Hudson |
David C. Fowler, The Life and Times of John Trevisa, Medieval Scholar |
|
66/1, p. 140 |
| ALISON STONES |
Claire Richter Sherman, Imaging Aristotle: Verbal and Visual Representation in Fourteenth-Century France |
|
68/1, p. 142 |
| PHILIPPE WALTER |
Jan R. Veenstra, Magic and Divination at the Courts of Burgundy and France: Text and Context of Laurens Pignon's 'Contre les divineurs' (1411), Brill Studies in Intellectual History 83 |
|
68/1, p. 145 |
| CERIDWEN LLOYD-MORGAN |
Cân Rolant: the Medieval Welsh Version of the Song of Roland, by Annalee C. Rejhon |
|
55/1, p. 147 |
| C. David Benson |
Sir John Mandevillie, Authors of the Middle Ages 1, by M. C. Seymour |
|
64/1, p. 149 |
| Daniel Waley |
An Italian Lordship: The Bishopric of Lucca in the Late Middle Ages, by Duane J. Osheim |
|
48/1, p. 152 |
| JENNIFER PETRIE |
Petrarch's Genius: Pentimento and Prophecy, by Marjorie O'Rourke Boyle |
|
62/1, p. 152 |
| Aengus Ward |
Antonio Cortijo Ocaña, La Fernán Núñez Collection de la Bancroft Library, Berkeley: estudio y catálogo de los fondos castellanos (parte histórica), Papers of the Medieval Hispanic Research Seminar 23 |
|
72/1, p. 162 |
| Linda M. Paterson |
The Song of Roland: Formulaic Style and Poetic Craft, by Joseph J. Duggan |
|
|
| John J. Thompson |
Medieval and Renaissance Manuscripts at the University of California, Los Angeles, University of California Publications: Catalogs and Bibliographies, 7, by Mirella Ferrari, R. H. Rouse |
|
62/1, p. 166 |
| W.O. Hassall |
The Horned Moses in Medieval Art and Thought, by Ruth Mellinkoff |
|
41/2, p. 178 |
| Michael C. Seymour |
Provence and Pound, by Peter Makin |
|
50/1, p. 190 |
| James Crompton |
The Heresy of the Free Spirit in the Later Middle Ages, by R. E. Lerner |
|
|
| R.D.F. Pring-Mill |
Semeiança del mundo (A Medieval Description of the World). Vol. 51, by William E. Bull, Harry F. Williams |
|
29/3, p. 215 |
| G. Kane |
Piers the Plowman: Literary Relations of the A and B Texts, by David C. Fowler |
|
33/3, p. 230 |
| A.B. Scott |
Three Medieval Rhetorical Arts, by James J. Murphy |
|
42/3, p. 262 |
| HUGH WHITE |
A Companion to Piers Plowman, by John Alford |
|
59/2, p. 306 |
| HELEN MOORE |
Jennifer R. Goodman, Chivalry and Exploration 1298-1630 |
|
68/2, p. 318 |
| PETER T. RICKETTS |
A Handbook of the Troubadours, by F. R. P. Akehurst, Judith M. Davis |
|
65/2, p. 324 |
| NEIL THOMAS |
Adventure as Social Performance: a Study of the German Court Epic, Untersuchungen zur deutschen Literaturgeschichte, 52, by Will Hasty |
|
60/2, p. 326 |
| Brian J. Levy |
The Fabliaux: Tales of Wit and Deception, Purdue University Monographs in Romance Languages, 24, by Mary Jane Stearns Schenck |
|
57/2, p. 327 |
| N.S. THOMPSON |
Chaucer's Dante: Allegory and Epic Theater in 'The Canterbury Tales', by Richard Neuse |
|
62/2, p. 327 |
| Jill Mann |
Chaucer and the Fictions of Gender, by Elaine Tuttle Hansen |
|
62/2, p. 328 |
| SIMON B. GAUNT |
Memory and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck |
|
61/2, p. 330 |
| W.G. van Emden |
A Fragment of 'Les Enfances Vivien': National Library of Wales MS 5043E, University of California Publications in Modern Philology, 116, by Joseph J. Duggan |
|
56/2, p. 331 |
| KENNETH ADAMS |
Formulaic Diction in the 'Poema de Fernán González' and the 'Mocedades de Rodrigo', by John Steven Geary |
|
52/2, p. 331 |
| Sarah Kay |
The Game of Love: Troubadour Wordplay, by Laura Kendrick |
|
58/2, p. 331 |
| STEVEN BOTTERILL |
Memoria classica e memoria biblica in Dante, Saggi di 'Lettere Italiane' 48, by Paola Rigo |
|
65/2, p. 337 |
| Jill Mann |
The Idea of the Canterbury Tales, by Donald R. Howard |
|
47/2, p. 356 |